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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACD798CE it is the complementary color #532867CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACD798CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACD798CE shade: #B1D793CE, #C2E9A6CE, #D3FBB9CE, #E4FFCCCE and #F5FFDFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACD798CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACD798CE shade: #ACD798CE, #9BC585CE, #8AB372CE, #79A15FCE and #688F4CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACD798CE shade: #ACD798, #BDD798, #CED798, #D7CF98 and #D7BE98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACD798CE shade: #ACD798, #9BD798, #98D7A6, #98D7B7 and #98D7C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACD798CE shade matches the following richer shades: #ACD798, #A8E38D, #A4EE81 and #9FFA76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACD798CE shade: #ACD798, #B0CBA4, #B5C0AF, #B9B4BB and #BDA9C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACD798CE shade: #CFD798, #BED798, #ADD798, #9CD798 and #98D7A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACD798CE shade: #7CC05D, #94CB7A, #ACD798, #C4E3B6 and #DCEED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACD798CE shade: #ACD798, #98D7CF and #D798C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACD798CE shade: #ACD798, #98ADD7 and #D798AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACD798CE shade: #ACD798, #98D7CF, #C298D7 and #D798A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACD798CE shade: #ACD798, #98CDD7, #C298D7 and #D7A398

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 24 / 13

HEX #ACD798CE

RGBA 172 215 152 0.81

HSLA 100.95, 0.44%, 0.72%, 0.81

LABA 81.64, -25.53, 26.63, 0.81

 

Complementary color

CMYK 16 / 50 / 0 / 48

HEX #532867CE

RGBA 83 40 103 0.81

HSLA 280.95, 0.44%, 0.28%, 0.81

LABA 24.75, 31.65, -29, 0.81

 

CMYK 14 / 0 / 26 / 13

HEX #B1D793CE

RGBA 177 215 147 0.81

HSLA 93.53, 0.46%, 0.71%, 0.81

LABA 81.87, -24.51, 29.57, 0.81

 

CMYK 14 / 0 / 23 / 7

HEX #C2E9A6CE

RGBA 194 233 166 0.81

HSLA 94.93, 0.6%, 0.78%, 0.81

LABA 88.21, -24.42, 28.52, 0.81

 

CMYK 13 / 0 / 21 / 1

HEX #D3FBB9CE

RGBA 211 251 185 0.81

HSLA 96.36, 0.89%, 0.85%, 0.81

LABA 94.46, -24.33, 27.52, 0.81

 

CMYK 9 / 0 / 16 / 0

HEX #E4FFCCCE

RGBA 228 255 204 0.81

HSLA 91.76, 1%, 0.9%, 0.81

LABA 96.97, -17.53, 21.5, 0.81

 

CMYK 3 / 0 / 10 / 0

HEX #F5FFDFCE

RGBA 245 255 223 0.81

HSLA 78.75, 1%, 0.94%, 0.81

LABA 98.54, -8.71, 14.18, 0.81

 

CMYK 16 / 0 / 24 / 13

HEX #ACD798CE

RGBA 172 215 152 0.81

HSLA 100.95, 0.44%, 0.72%, 0.81

LABA 81.64, -25.53, 26.63, 0.81

 

CMYK 17 / 0 / 26 / 18

HEX #9BC585CE

RGBA 155 197 133 0.81

HSLA 99.38, 0.36%, 0.65%, 0.81

LABA 75.2, -25.67, 27.7, 0.81

 

CMYK 19 / 0 / 29 / 24

HEX #8AB372CE

RGBA 138 179 114 0.81

HSLA 97.85, 0.3%, 0.57%, 0.81

LABA 68.65, -25.8, 28.84, 0.81

 

CMYK 20 / 0 / 33 / 30

HEX #79A15FCE

RGBA 121 161 95 0.81

HSLA 96.36, 0.26%, 0.5%, 0.81

LABA 61.98, -25.93, 30.03, 0.81

 

CMYK 22 / 0 / 38 / 36

HEX #688F4CCE

RGBA 104 143 76 0.81

HSLA 94.93, 0.31%, 0.43%, 0.81

LABA 55.19, -26.03, 31.28, 0.81

 

CMYK 20 / 0 / 29 / 16

HEX #ACD798

RGB 172 215 152

HSL 100.95, 0.44%, 0.72%

LAB 81.64, -25.53, 26.63

 

CMYK 12 / 0 / 29 / 16

HEX #BDD798

RGB 189 215 152

HSL 84.76, 0.44%, 0.72%

LAB 82.75, -19.45, 28.31

 

CMYK 4 / 0 / 29 / 16

HEX #CED798

RGB 206 215 152

HSL 68.57, 0.44%, 0.72%

LAB 83.96, -13.15, 30.14

 

CMYK 0 / 4 / 29 / 16

HEX #D7CF98

RGB 215 207 152

HSL 52.38, 0.44%, 0.72%

LAB 82.56, -5.65, 28.39

 

CMYK 0 / 12 / 29 / 16

HEX #D7BE98

RGB 215 190 152

HSL 36.19, 0.44%, 0.72%

LAB 78.19, 3.21, 22.47

 

CMYK 20 / 0 / 29 / 16

HEX #ACD798

RGB 172 215 152

HSL 100.95, 0.44%, 0.72%

LAB 81.64, -25.53, 26.63

 

CMYK 28 / 0 / 29 / 16

HEX #9BD798

RGB 155 215 152

HSL 117.14, 0.44%, 0.72%

LAB 80.65, -31.31, 25.11

 

CMYK 29 / 0 / 23 / 16

HEX #98D7A6

RGB 152 215 166

HSL 133.33, 0.44%, 0.72%

LAB 80.76, -29.87, 17.9

 

CMYK 29 / 0 / 15 / 16

HEX #98D7B7

RGB 152 215 183

HSL 149.52, 0.44%, 0.72%

LAB 81.12, -26.65, 9.42

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 20 / 0 / 29 / 16

HEX #ACD798

RGB 172 215 152

HSL 100.95, 0.44%, 0.72%

LAB 81.64, -25.53, 26.63

 

CMYK 26 / 0 / 38 / 11

HEX #A8E38D

RGB 168 227 141

HSL 101.16, 0.61%, 0.72%

LAB 84.58, -34.19, 36.11

 

CMYK 31 / 0 / 46 / 7

HEX #A4EE81

RGB 164 238 129

HSL 100.73, 0.76%, 0.72%

LAB 87.3, -42.06, 45.45

 

CMYK 36 / 0 / 53 / 2

HEX #9FFA76

RGB 159 250 118

HSL 101.36, 0.93%, 0.72%

LAB 90.34, -50.09, 54.25

 

CMYK 20 / 0 / 29 / 16

HEX #ACD798

RGB 172 215 152

HSL 100.95, 0.44%, 0.72%

LAB 81.64, -25.53, 26.63

 

CMYK 13 / 0 / 19 / 20

HEX #B0CBA4

RGB 176 203 164

HSL 101.54, 0.27%, 0.72%

LAB 78.82, -16.27, 16.48

 

CMYK 6 / 0 / 9 / 25

HEX #B5C0AF

RGB 181 192 175

HSL 98.82, 0.12%, 0.72%

LAB 76.45, -6.93, 7.26

 

CMYK 1 / 4 / 0 / 27

HEX #B9B4BB

RGB 185 180 187

HSL 282.86, 0.05%, 0.72%

LAB 73.9, 3.07, -2.93

 

CMYK 5 / 15 / 0 / 22

HEX #BDA9C6

RGB 189 169 198

HSL 281.38, 0.2%, 0.72%

LAB 71.74, 12.57, -12.13

 

CMYK 4 / 0 / 29 / 16

HEX #CFD798

RGB 207 215 152

HSL 67.62, 0.44%, 0.72%

LAB 84.04, -12.77, 30.26

 

CMYK 12 / 0 / 29 / 16

HEX #BED798

RGB 190 215 152

HSL 83.81, 0.44%, 0.72%

LAB 82.81, -19.09, 28.41

 

CMYK 20 / 0 / 29 / 16

HEX #ADD798

RGB 173 215 152

HSL 100, 0.44%, 0.72%

LAB 81.7, -25.18, 26.72

 

CMYK 27 / 0 / 29 / 16

HEX #9CD798

RGB 156 215 152

HSL 116.19, 0.44%, 0.72%

LAB 80.7, -30.98, 25.2

 

CMYK 29 / 0 / 23 / 16

HEX #98D7A5

RGB 152 215 165

HSL 132.38, 0.44%, 0.72%

LAB 80.73, -30.05, 18.4

 

CMYK 35 / 0 / 52 / 25

HEX #7CC05D

RGB 124 192 93

HSL 101.21, 0.44%, 0.56%

LAB 71.4, -39.59, 42.84

 

CMYK 27 / 0 / 40 / 20

HEX #94CB7A

RGB 148 203 122

HSL 100.74, 0.44%, 0.64%

LAB 76.32, -32.59, 34.8

 

CMYK 20 / 0 / 29 / 16

HEX #ACD798

RGB 172 215 152

HSL 100.95, 0.44%, 0.72%

LAB 81.64, -25.53, 26.63

 

CMYK 14 / 0 / 20 / 11

HEX #C4E3B6

RGB 196 227 182

HSL 101.33, 0.45%, 0.8%

LAB 87.02, -18.32, 18.65

 

CMYK 8 / 0 / 11 / 7

HEX #DCEED4

RGB 220 238 212

HSL 101.54, 0.43%, 0.88%

LAB 92.18, -10.57, 10.56

 

CMYK 20 / 0 / 29 / 16

HEX #ACD798

RGB 172 215 152

HSL 100.95, 0.44%, 0.72%

LAB 81.64, -25.53, 26.63

 

CMYK 29 / 0 / 4 / 16

HEX #98D7CF

RGB 152 215 207

HSL 172.38, 0.44%, 0.72%

LAB 81.72, -21.62, -2.48

 

CMYK 0 / 29 / 8 / 16

HEX #D798C6

RGB 215 152 198

HSL 316.19, 0.44%, 0.72%

LAB 70.16, 30.74, -14.25

 

CMYK 20 / 0 / 29 / 16

HEX #ACD798

RGB 172 215 152

HSL 100.95, 0.44%, 0.72%

LAB 81.64, -25.53, 26.63

 

CMYK 29 / 20 / 0 / 16

HEX #98ADD7

RGB 152 173 215

HSL 220, 0.44%, 0.72%

LAB 70.5, 2.33, -23.62

 

CMYK 0 / 29 / 20 / 16

HEX #D798AD

RGB 215 152 173

HSL 340, 0.44%, 0.72%

LAB 69.41, 26.65, -1.46

 

CMYK 20 / 0 / 29 / 16

HEX #ACD798

RGB 172 215 152

HSL 100.95, 0.44%, 0.72%

LAB 81.64, -25.53, 26.63

 

CMYK 29 / 0 / 4 / 16

HEX #98D7CF

RGB 152 215 207

HSL 172.38, 0.44%, 0.72%

LAB 81.72, -21.62, -2.48

 

CMYK 10 / 29 / 0 / 16

HEX #C298D7

RGB 194 152 215

HSL 280, 0.44%, 0.72%

LAB 68.63, 27.05, -26.19

 

CMYK 0 / 29 / 25 / 16

HEX #D798A1

RGB 215 152 161

HSL 351.43, 0.44%, 0.72%

LAB 69.1, 24.88, 4.76

 

CMYK 20 / 0 / 29 / 16

HEX #ACD798

RGB 172 215 152

HSL 100.95, 0.44%, 0.72%

LAB 81.64, -25.53, 26.63

 

CMYK 29 / 5 / 0 / 16

HEX #98CDD7

RGB 152 205 215

HSL 189.52, 0.44%, 0.72%

LAB 79.18, -14.75, -10.52

 

CMYK 10 / 29 / 0 / 16

HEX #C298D7

RGB 194 152 215

HSL 280, 0.44%, 0.72%

LAB 68.63, 27.05, -26.19

 

CMYK 0 / 24 / 29 / 16

HEX #D7A398

RGB 215 163 152

HSL 10.48, 0.44%, 0.72%

LAB 71.49, 17.67, 13.17

 

Description

Color code: HEX #ACD798CE | qconv.com Color code: HEX #ACD798CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 215 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 215 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 24 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 24% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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