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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACD554 it is the complementary color #532AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACD554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACD554 shade: #B1D54F, #C2E762, #D3F975, #E4FF88 and #F5FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACD554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACD554 shade: #ACD554, #9BC341, #8AB12E, #799F1B and #688D08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACD554 shade: #ACD553, #CFD553, #D5B853, #D59553 and #D57253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACD554 shade: #ACD553, #88D553, #65D553, #53D563 and #53D586

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACD554 shade matches the following richer shades: #ACD553, #B2E741 and #B8F830

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACD554 shade: #ACD553, #A5C464, #9FB375, #99A187 and #929098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACD554 shade: #D5B953, #CFD553, #ACD553, #89D553 and #66D553

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACD554 shade: #82AC2A, #9CCD32, #ACD553, #BCDD74 and #CCE595

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACD554 shade: #ACD554, #53D596 and #CA53D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACD554 shade: #ACD554, #53ACD5 and #D553AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACD554 shade: #ACD554, #53D596, #7C53D5 and #D55392

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACD554 shade: #ACD554, #53D5BD, #7C53D5 and #D5536B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 61 / 16

HEX #ACD554

RGB 172 213 84

HSL 79.07, 0.61%, 0.58%

LAB 80.18, -32.5, 57.81

 

Complementary color

CMYK 51 / 75 / 0 / 33

HEX #532AAB

RGB 83 42 171

HSL 259.07, 0.61%, 0.42%

LAB 30.48, 48.68, -62.07

 

CMYK 17 / 0 / 63 / 16

HEX #B1D54F

RGB 177 213 79

HSL 76.12, 0.61%, 0.57%

LAB 80.46, -30.94, 60.31

 

CMYK 16 / 0 / 58 / 9

HEX #C2E762

RGB 194 231 98

HSL 76.69, 0.73%, 0.65%

LAB 86.75, -31.28, 59.49

 

CMYK 15 / 0 / 53 / 2

HEX #D3F975

RGB 211 249 117

HSL 77.27, 0.92%, 0.72%

LAB 92.96, -31.54, 58.52

 

CMYK 11 / 0 / 47 / 0

HEX #E4FF88

RGB 228 255 136

HSL 73.61, 1%, 0.77%

LAB 95.91, -26.16, 53.61

 

CMYK 4 / 0 / 39 / 0

HEX #F5FF9B

RGB 245 255 155

HSL 66, 1%, 0.8%

LAB 97.35, -17.8, 46.63

 

CMYK 19 / 0 / 61 / 16

HEX #ACD554

RGB 172 213 84

HSL 79.07, 0.61%, 0.58%

LAB 80.18, -32.5, 57.81

 

CMYK 21 / 0 / 67 / 24

HEX #9BC341

RGB 155 195 65

HSL 78.46, 0.52%, 0.51%

LAB 73.79, -32.14, 58.49

 

CMYK 22 / 0 / 74 / 31

HEX #8AB12E

RGB 138 177 46

HSL 77.86, 0.59%, 0.44%

LAB 67.31, -31.65, 58.74

 

CMYK 24 / 0 / 83 / 38

HEX #799F1B

RGB 121 159 27

HSL 77.27, 0.71%, 0.36%

LAB 60.73, -30.97, 58.17

 

CMYK 26 / 0 / 94 / 45

HEX #688D08

RGB 104 141 8

HSL 76.69, 0.89%, 0.29%

LAB 54.04, -30.03, 56.13

 

CMYK 19 / 0 / 61 / 16

HEX #ACD553

RGB 172 213 83

HSL 78.92, 0.61%, 0.58%

LAB 80.17, -32.58, 58.22

 

CMYK 3 / 0 / 61 / 16

HEX #CFD553

RGB 207 213 83

HSL 62.77, 0.61%, 0.58%

LAB 82.64, -18.62, 61.62

 

CMYK 0 / 14 / 61 / 16

HEX #D5B853

RGB 213 184 83

HSL 46.62, 0.61%, 0.58%

LAB 75.48, -1.36, 53.93

 

CMYK 0 / 30 / 61 / 16

HEX #D59553

RGB 213 149 83

HSL 30.46, 0.61%, 0.58%

LAB 66.72, 17.35, 43.92

 

CMYK 0 / 46 / 61 / 16

HEX #D57253

RGB 213 114 83

HSL 14.31, 0.61%, 0.58%

LAB 58.79, 36.06, 34.38

 

CMYK 19 / 0 / 61 / 16

HEX #ACD553

RGB 172 213 83

HSL 78.92, 0.61%, 0.58%

LAB 80.17, -32.58, 58.22

 

CMYK 36 / 0 / 61 / 16

HEX #88D553

RGB 136 213 83

HSL 95.54, 0.61%, 0.58%

LAB 78.14, -45.66, 55.4

 

CMYK 53 / 0 / 61 / 16

HEX #65D553

RGB 101 213 83

HSL 111.69, 0.61%, 0.58%

LAB 76.67, -56.28, 53.35

 

CMYK 61 / 0 / 54 / 16

HEX #53D563

RGB 83 213 99

HSL 127.38, 0.61%, 0.58%

LAB 76.27, -58.75, 45.48

 

CMYK 61 / 0 / 37 / 16

HEX #53D586

RGB 83 213 134

HSL 143.54, 0.61%, 0.58%

LAB 76.77, -53.25, 28.72

 

CMYK 19 / 0 / 61 / 16

HEX #ACD553

RGB 172 213 83

HSL 78.92, 0.61%, 0.58%

LAB 80.17, -32.58, 58.22

 

CMYK 23 / 0 / 72 / 9

HEX #B2E741

RGB 178 231 65

HSL 79.16, 0.78%, 0.58%

LAB 85.5, -39.65, 70.78

 

CMYK 26 / 0 / 81 / 3

HEX #B8F830

RGB 184 248 48

HSL 79.2, 0.93%, 0.58%

LAB 90.57, -45.57, 80.62

 

CMYK 19 / 0 / 61 / 16

HEX #ACD553

RGB 172 213 83

HSL 78.92, 0.61%, 0.58%

LAB 80.17, -32.58, 58.22

 

CMYK 16 / 0 / 49 / 23

HEX #A5C464

RGB 165 196 100

HSL 79.38, 0.45%, 0.58%

LAB 75.08, -25.66, 44.45

 

CMYK 11 / 0 / 35 / 30

HEX #9FB375

RGB 159 179 117

HSL 79.35, 0.29%, 0.58%

LAB 70.1, -17.49, 29.43

 

CMYK 5 / 0 / 16 / 37

HEX #99A187

RGB 153 161 135

HSL 78.46, 0.12%, 0.58%

LAB 64.97, -7.62, 12.59

 

CMYK 4 / 5 / 0 / 40

HEX #929098

RGB 146 144 152

HSL 255, 0.04%, 0.58%

LAB 60.18, 2.31, -3.97

 

CMYK 0 / 13 / 61 / 16

HEX #D5B953

RGB 213 185 83

HSL 47.08, 0.61%, 0.58%

LAB 75.74, -1.88, 54.22

 

CMYK 3 / 0 / 61 / 16

HEX #CFD553

RGB 207 213 83

HSL 62.77, 0.61%, 0.58%

LAB 82.64, -18.62, 61.62

 

CMYK 19 / 0 / 61 / 16

HEX #ACD553

RGB 172 213 83

HSL 78.92, 0.61%, 0.58%

LAB 80.17, -32.58, 58.22

 

CMYK 36 / 0 / 61 / 16

HEX #89D553

RGB 137 213 83

HSL 95.08, 0.61%, 0.58%

LAB 78.19, -45.32, 55.47

 

CMYK 52 / 0 / 61 / 16

HEX #66D553

RGB 102 213 83

HSL 111.23, 0.61%, 0.58%

LAB 76.7, -56.01, 53.4

 

CMYK 24 / 0 / 76 / 33

HEX #82AC2A

RGB 130 172 42

HSL 79.38, 0.61%, 0.42%

LAB 65.29, -32.73, 58

 

CMYK 24 / 0 / 76 / 20

HEX #9CCD32

RGB 156 205 50

HSL 78.97, 0.61%, 0.5%

LAB 76.66, -37.22, 66.74

 

CMYK 19 / 0 / 61 / 16

HEX #ACD553

RGB 172 213 83

HSL 78.92, 0.61%, 0.58%

LAB 80.17, -32.58, 58.22

 

CMYK 15 / 0 / 48 / 13

HEX #BCDD74

RGB 188 221 116

HSL 78.86, 0.61%, 0.66%

LAB 83.79, -27.19, 47.67

 

CMYK 11 / 0 / 35 / 10

HEX #CCE595

RGB 204 229 149

HSL 78.75, 0.61%, 0.74%

LAB 87.51, -21.21, 36.34

 

CMYK 19 / 0 / 61 / 16

HEX #ACD554

RGB 172 213 84

HSL 79.07, 0.61%, 0.58%

LAB 80.18, -32.5, 57.81

 

CMYK 61 / 0 / 30 / 16

HEX #53D596

RGB 83 213 150

HSL 150.92, 0.61%, 0.58%

LAB 77.06, -50.17, 20.77

 

CMYK 5 / 61 / 0 / 16

HEX #CA53D5

RGB 202 83 213

HSL 294.92, 0.61%, 0.58%

LAB 55.63, 64.25, -45.26

 

CMYK 19 / 0 / 61 / 16

HEX #ACD554

RGB 172 213 84

HSL 79.07, 0.61%, 0.58%

LAB 80.18, -32.5, 57.81

 

CMYK 61 / 19 / 0 / 16

HEX #53ACD5

RGB 83 172 213

HSL 198.92, 0.61%, 0.58%

LAB 66.63, -14.5, -28.76

 

CMYK 0 / 61 / 19 / 16

HEX #D553AC

RGB 213 83 172

HSL 318.92, 0.61%, 0.58%

LAB 55.39, 60.56, -21.95

 

CMYK 19 / 0 / 61 / 16

HEX #ACD554

RGB 172 213 84

HSL 79.07, 0.61%, 0.58%

LAB 80.18, -32.5, 57.81

 

CMYK 61 / 0 / 30 / 16

HEX #53D596

RGB 83 213 150

HSL 150.92, 0.61%, 0.58%

LAB 77.06, -50.17, 20.77

 

CMYK 42 / 61 / 0 / 16

HEX #7C53D5

RGB 124 83 213

HSL 258.92, 0.61%, 0.58%

LAB 46.01, 46.16, -61.2

 

CMYK 0 / 61 / 31 / 16

HEX #D55392

RGB 213 83 146

HSL 330.92, 0.61%, 0.58%

LAB 54.46, 57.14, -8.14

 

CMYK 19 / 0 / 61 / 16

HEX #ACD554

RGB 172 213 84

HSL 79.07, 0.61%, 0.58%

LAB 80.18, -32.5, 57.81

 

CMYK 61 / 0 / 11 / 16

HEX #53D5BD

RGB 83 213 189

HSL 168.92, 0.61%, 0.58%

LAB 77.93, -41.31, 1.27

 

CMYK 42 / 61 / 0 / 16

HEX #7C53D5

RGB 124 83 213

HSL 258.92, 0.61%, 0.58%

LAB 46.01, 46.16, -61.2

 

CMYK 0 / 61 / 50 / 16

HEX #D5536B

RGB 213 83 107

HSL 348.92, 0.61%, 0.58%

LAB 53.38, 53.04, 13.44

 

Description

Color code: HEX #ACD554 | qconv.com Color code: HEX #ACD554 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 213 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 213 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 61 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 61% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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