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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACD2BA3F it is the complementary color #532D453F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACD2BA3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACD2BA3F shade: #B1D2B53F, #C2E4C83F, #D3F6DB3F, #E4FFEE3F and #F5FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACD2BA3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACD2BA3F shade: #ACD2BA3F, #9BC0A73F, #8AAE943F, #799C813F and #688A6E3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACD2BA3F shade: #ACD2BA, #ACD2B0, #B3D2AC, #BDD2AC and #C7D2AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACD2BA3F shade: #ACD2BA, #ACD2C5, #ACD2CF, #ACCCD2 and #ACC1D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACD2BA3F shade matches the following richer shades: #ACD2BA, #A2DDB8, #97E7B5, #8DF1B2 and #83FCAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACD2BA3F shade: #ACD2BA, #B6C8BD, #C1BEC0, #CBB3C2 and #D5A9C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACD2BA3F shade: #B3D2AC, #ACD2B0, #ACD2BA, #ACD2C4 and #ACD2CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACD2BA3F shade: #76B58E, #91C4A4, #ACD2BA, #C7E1D0 and #E2EFE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACD2BA3F shade: #ACD2BA, #ACBDD2 and #D2ACAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACD2BA3F shade: #ACD2BA, #BAACD2 and #D2BAAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACD2BA3F shade: #ACD2BA, #ACBDD2, #D2ACC4 and #D2C2AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACD2BA3F shade: #ACD2BA, #ACB1D2, #D2ACC4 and #D2CDAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 3 / 4

HEX #ACD2BA3F

RGBA 172 210 186 0.25

HSLA 142.11, 0.3%, 0.75%, 0.25

LABA 80.97, -17.25, 7.76, 0.25

 

Complementary color

CMYK 0 / 11 / 4 / 17

HEX #532D453F

RGBA 83 45 69 0.25

HSLA 322.11, 0.3%, 0.25%, 0.25

LABA 24.15, 21.28, -7.46, 0.25

 

CMYK 4 / 0 / 3 / 4

HEX #B1D2B53F

RGBA 177 210 181 0.25

HSLA 127.27, 0.27%, 0.76%, 0.25

LABA 81.17, -16.5, 10.75, 0.25

 

CMYK 4 / 0 / 3 / 3

HEX #C2E4C83F

RGBA 194 228 200 0.25

HSLA 130.59, 0.39%, 0.83%, 0.25

LABA 87.55, -16.41, 9.96, 0.25

 

CMYK 4 / 0 / 3 / 1

HEX #D3F6DB3F

RGBA 211 246 219 0.25

HSLA 133.71, 0.66%, 0.9%, 0.25

LABA 93.83, -16.33, 9.21, 0.25

 

CMYK 3 / 0 / 2 / 0

HEX #E4FFEE3F

RGBA 228 255 238 0.25

HSLA 142.22, 1%, 0.95%, 0.25

LABA 97.71, -11.84, 5.15, 0.25

 

CMYK 1 / 0 / 0 / 0

HEX #F5FFFF3F

RGBA 245 255 255 0.25

HSLA 180, 1%, 0.98%, 0.25

LABA 99.28, -3.26, -1.15, 0.25

 

CMYK 5 / 0 / 3 / 4

HEX #ACD2BA3F

RGBA 172 210 186 0.25

HSLA 142.11, 0.3%, 0.75%, 0.25

LABA 80.97, -17.25, 7.76, 0.25

 

CMYK 5 / 0 / 3 / 6

HEX #9BC0A73F

RGBA 155 192 167 0.25

HSLA 139.46, 0.23%, 0.68%, 0.25

LABA 74.48, -17.38, 8.54, 0.25

 

CMYK 5 / 0 / 4 / 8

HEX #8AAE943F

RGBA 138 174 148 0.25

HSLA 136.67, 0.18%, 0.61%, 0.25

LABA 67.88, -17.53, 9.36, 0.25

 

CMYK 6 / 0 / 4 / 10

HEX #799C813F

RGBA 121 156 129 0.25

HSLA 133.71, 0.15%, 0.54%, 0.25

LABA 61.16, -17.7, 10.24, 0.25

 

CMYK 6 / 0 / 5 / 11

HEX #688A6E3F

RGBA 104 138 110 0.25

HSLA 130.59, 0.14%, 0.47%, 0.25

LABA 54.29, -17.91, 11.18, 0.25

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 18 / 0 / 16 / 18

HEX #ACD2B0

RGB 172 210 176

HSL 126.32, 0.3%, 0.75%

LAB 80.74, -19.09, 12.75

 

CMYK 15 / 0 / 18 / 18

HEX #B3D2AC

RGB 179 210 172

HSL 108.95, 0.3%, 0.75%

LAB 81.1, -17.4, 15.45

 

CMYK 10 / 0 / 18 / 18

HEX #BDD2AC

RGB 189 210 172

HSL 93.16, 0.3%, 0.75%

LAB 81.78, -13.89, 16.5

 

CMYK 5 / 0 / 18 / 18

HEX #C7D2AC

RGB 199 210 172

HSL 77.37, 0.3%, 0.75%

LAB 82.49, -10.31, 17.61

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 18 / 0 / 6 / 18

HEX #ACD2C5

RGB 172 210 197

HSL 159.47, 0.3%, 0.75%

LAB 81.23, -15.11, 2.28

 

CMYK 18 / 0 / 1 / 18

HEX #ACD2CF

RGB 172 210 207

HSL 175.26, 0.3%, 0.75%

LAB 81.49, -13.08, -2.68

 

CMYK 18 / 3 / 0 / 18

HEX #ACCCD2

RGB 172 204 210

HSL 189.47, 0.3%, 0.75%

LAB 79.96, -9.35, -6.55

 

CMYK 18 / 8 / 0 / 18

HEX #ACC1D2

RGB 172 193 210

HSL 206.84, 0.3%, 0.75%

LAB 77.02, -3.56, -10.92

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 27 / 0 / 17 / 13

HEX #A2DDB8

RGB 162 221 184

HSL 142.37, 0.46%, 0.75%

LAB 83.37, -26.27, 12.16

 

CMYK 35 / 0 / 22 / 9

HEX #97E7B5

RGB 151 231 181

HSL 142.5, 0.63%, 0.75%

LAB 85.54, -34.9, 16.71

 

CMYK 41 / 0 / 26 / 5

HEX #8DF1B2

RGB 141 241 178

HSL 142.2, 0.78%, 0.75%

LAB 87.87, -42.8, 21.44

 

CMYK 48 / 0 / 31 / 1

HEX #83FCAF

RGB 131 252 175

HSL 141.82, 0.95%, 0.75%

LAB 90.57, -50.66, 26.62

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 9 / 0 / 5 / 22

HEX #B6C8BD

RGB 182 200 189

HSL 143.33, 0.14%, 0.75%

LAB 79, -8.21, 3.4

 

CMYK 0 / 2 / 1 / 24

HEX #C1BEC0

RGB 193 190 192

HSL 320, 0.02%, 0.75%

LAB 77.26, 1.42, -0.64

 

CMYK 0 / 12 / 4 / 20

HEX #CBB3C2

RGB 203 179 194

HSL 322.5, 0.19%, 0.75%

LAB 75.35, 11.2, -4.45

 

CMYK 0 / 21 / 8 / 16

HEX #D5A9C5

RGB 213 169 197

HSL 321.82, 0.34%, 0.75%

LAB 73.9, 20.65, -8.12

 

CMYK 15 / 0 / 18 / 18

HEX #B3D2AC

RGB 179 210 172

HSL 108.95, 0.3%, 0.75%

LAB 81.1, -17.4, 15.45

 

CMYK 18 / 0 / 16 / 18

HEX #ACD2B0

RGB 172 210 176

HSL 126.32, 0.3%, 0.75%

LAB 80.74, -19.09, 12.75

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 18 / 0 / 7 / 18

HEX #ACD2C4

RGB 172 210 196

HSL 157.89, 0.3%, 0.75%

LAB 81.21, -15.31, 2.77

 

CMYK 18 / 0 / 1 / 18

HEX #ACD2CF

RGB 172 210 207

HSL 175.26, 0.3%, 0.75%

LAB 81.49, -13.08, -2.68

 

CMYK 35 / 0 / 22 / 29

HEX #76B58E

RGB 118 181 142

HSL 142.86, 0.3%, 0.59%

LAB 68.64, -28.71, 13.57

 

CMYK 26 / 0 / 16 / 23

HEX #91C4A4

RGB 145 196 164

HSL 142.35, 0.3%, 0.67%

LAB 74.94, -23.25, 10.73

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 12 / 0 / 8 / 12

HEX #C7E1D0

RGB 199 225 208

HSL 140.77, 0.3%, 0.83%

LAB 87.26, -11.79, 5.4

 

CMYK 5 / 0 / 3 / 6

HEX #E2EFE7

RGB 226 239 231

HSL 143.08, 0.29%, 0.91%

LAB 93.31, -5.74, 2.37

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 18 / 10 / 0 / 18

HEX #ACBDD2

RGB 172 189 210

HSL 213.16, 0.3%, 0.75%

LAB 75.96, -1.42, -12.51

 

CMYK 0 / 18 / 18 / 18

HEX #D2ACAD

RGB 210 172 173

HSL 358.42, 0.3%, 0.75%

LAB 73.69, 13.98, 4.7

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 11 / 18 / 0 / 18

HEX #BAACD2

RGB 186 172 210

HSL 262.11, 0.3%, 0.75%

LAB 72.63, 12.35, -17.41

 

CMYK 0 / 11 / 18 / 18

HEX #D2BAAC

RGB 210 186 172

HSL 22.11, 0.3%, 0.75%

LAB 77.16, 6.29, 10.21

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 18 / 10 / 0 / 18

HEX #ACBDD2

RGB 172 189 210

HSL 213.16, 0.3%, 0.75%

LAB 75.96, -1.42, -12.51

 

CMYK 0 / 18 / 7 / 18

HEX #D2ACC4

RGB 210 172 196

HSL 322.11, 0.3%, 0.75%

LAB 74.31, 17.8, -7

 

CMYK 0 / 8 / 18 / 18

HEX #D2C2AC

RGB 210 194 172

HSL 34.74, 0.3%, 0.75%

LAB 79.19, 2.05, 13.1

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 18 / 16 / 0 / 18

HEX #ACB1D2

RGB 172 177 210

HSL 232.11, 0.3%, 0.75%

LAB 72.8, 5.09, -17.25

 

CMYK 0 / 18 / 7 / 18

HEX #D2ACC4

RGB 210 172 196

HSL 322.11, 0.3%, 0.75%

LAB 74.31, 17.8, -7

 

CMYK 0 / 2 / 18 / 18

HEX #D2CDAC

RGB 210 205 172

HSL 52.11, 0.3%, 0.75%

LAB 82.02, -3.71, 17.07

 

Description

Color code: HEX #ACD2BA3F | qconv.com Color code: HEX #ACD2BA3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 210 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 210 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 3 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 3% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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