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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACD258 it is the complementary color #532DA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACD258. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACD258 shade: #B1D253, #C2E466, #D3F679, #E4FF8C and #F5FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACD258. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACD258 shade: #ACD258, #9BC045, #8AAE32, #799C1F and #688A0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACD258 shade: #ABD256, #CDD256, #D2B656, #D29456 and #D27356

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACD258 shade: #ABD256, #8AD256, #68D256, #56D265 and #56D286

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACD258 shade matches the following richer shades: #ABD256, #B2E344 and #B8F533

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACD258 shade: #ABD256, #A5C167, #9EAF78, #989E8A and #918D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACD258 shade: #D2B556, #CED256, #ADD256, #8CD256 and #6AD256

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACD258 shade: #82A82D, #9BC935, #ABD256, #BBDB76 and #CCE397

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACD258 shade: #ACD258, #56D294 and #C656D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACD258 shade: #ACD258, #56ADD2 and #D256AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACD258 shade: #ACD258, #56D294, #7B56D2 and #D25694

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACD258 shade: #ACD258, #56D2B9, #7B56D2 and #D2566F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 58 / 18

HEX #ACD258

RGB 172 210 88

HSL 78.69, 0.58%, 0.58%

LAB 79.37, -30.77, 55.16

 

Complementary color

CMYK 50 / 73 / 0 / 35

HEX #532DA7

RGB 83 45 167

HSL 258.69, 0.58%, 0.42%

LAB 30.65, 46.07, -59.39

 

CMYK 16 / 0 / 60 / 18

HEX #B1D253

RGB 177 210 83

HSL 75.59, 0.59%, 0.57%

LAB 79.65, -29.23, 57.75

 

CMYK 15 / 0 / 55 / 11

HEX #C2E466

RGB 194 228 102

HSL 76.19, 0.7%, 0.65%

LAB 85.96, -29.54, 56.83

 

CMYK 14 / 0 / 51 / 4

HEX #D3F679

RGB 211 246 121

HSL 76.8, 0.87%, 0.72%

LAB 92.19, -29.78, 55.8

 

CMYK 11 / 0 / 45 / 0

HEX #E4FF8C

RGB 228 255 140

HSL 74.09, 1%, 0.77%

LAB 95.96, -25.76, 51.8

 

CMYK 4 / 0 / 38 / 0

HEX #F5FF9F

RGB 245 255 159

HSL 66.25, 1%, 0.81%

LAB 97.4, -17.37, 44.76

 

CMYK 18 / 0 / 58 / 18

HEX #ACD258

RGB 172 210 88

HSL 78.69, 0.58%, 0.58%

LAB 79.37, -30.77, 55.16

 

CMYK 19 / 0 / 64 / 25

HEX #9BC045

RGB 155 192 69

HSL 78.05, 0.49%, 0.51%

LAB 72.96, -30.45, 55.98

 

CMYK 21 / 0 / 71 / 32

HEX #8AAE32

RGB 138 174 50

HSL 77.42, 0.55%, 0.44%

LAB 66.45, -30, 56.45

 

CMYK 22 / 0 / 80 / 39

HEX #799C1F

RGB 121 156 31

HSL 76.8, 0.67%, 0.37%

LAB 59.84, -29.38, 56.22

 

CMYK 25 / 0 / 91 / 46

HEX #688A0C

RGB 104 138 12

HSL 76.19, 0.84%, 0.29%

LAB 53.11, -28.5, 54.69

 

CMYK 19 / 0 / 59 / 18

HEX #ABD256

RGB 171 210 86

HSL 78.87, 0.58%, 0.58%

LAB 79.28, -31.32, 55.93

 

CMYK 2 / 0 / 59 / 18

HEX #CDD256

RGB 205 210 86

HSL 62.42, 0.58%, 0.58%

LAB 81.7, -17.75, 59.28

 

CMYK 0 / 13 / 59 / 18

HEX #D2B656

RGB 210 182 86

HSL 46.45, 0.58%, 0.58%

LAB 74.72, -1.36, 51.61

 

CMYK 0 / 30 / 59 / 18

HEX #D29456

RGB 210 148 86

HSL 30, 0.58%, 0.58%

LAB 66.18, 16.85, 41.66

 

CMYK 0 / 45 / 59 / 18

HEX #D27356

RGB 210 115 86

HSL 14.03, 0.58%, 0.58%

LAB 58.63, 34.58, 32.44

 

CMYK 19 / 0 / 59 / 18

HEX #ABD256

RGB 171 210 86

HSL 78.87, 0.58%, 0.58%

LAB 79.28, -31.32, 55.93

 

CMYK 34 / 0 / 59 / 18

HEX #8AD256

RGB 138 210 86

HSL 94.84, 0.58%, 0.58%

LAB 77.38, -43.42, 53.27

 

CMYK 50 / 0 / 59 / 18

HEX #68D256

RGB 104 210 86

HSL 111.29, 0.58%, 0.58%

LAB 75.89, -54.01, 51.17

 

CMYK 59 / 0 / 52 / 18

HEX #56D265

RGB 86 210 101

HSL 127.26, 0.58%, 0.58%

LAB 75.46, -56.71, 43.56

 

CMYK 59 / 0 / 36 / 18

HEX #56D286

RGB 86 210 134

HSL 143.23, 0.58%, 0.58%

LAB 75.94, -51.44, 27.63

 

CMYK 19 / 0 / 59 / 18

HEX #ABD256

RGB 171 210 86

HSL 78.87, 0.58%, 0.58%

LAB 79.28, -31.32, 55.93

 

CMYK 22 / 0 / 70 / 11

HEX #B2E344

RGB 178 227 68

HSL 78.49, 0.74%, 0.58%

LAB 84.39, -37.69, 68.64

 

CMYK 25 / 0 / 79 / 4

HEX #B8F533

RGB 184 245 51

HSL 78.87, 0.91%, 0.58%

LAB 89.74, -44.17, 79.11

 

CMYK 19 / 0 / 59 / 18

HEX #ABD256

RGB 171 210 86

HSL 78.87, 0.58%, 0.58%

LAB 79.28, -31.32, 55.93

 

CMYK 15 / 0 / 47 / 24

HEX #A5C167

RGB 165 193 103

HSL 78.67, 0.42%, 0.58%

LAB 74.27, -23.88, 41.99

 

CMYK 10 / 0 / 31 / 31

HEX #9EAF78

RGB 158 175 120

HSL 78.55, 0.26%, 0.58%

LAB 68.96, -15.41, 26.3

 

CMYK 4 / 0 / 13 / 38

HEX #989E8A

RGB 152 158 138

HSL 78, 0.09%, 0.58%

LAB 64.13, -5.86, 9.72

 

CMYK 6 / 9 / 0 / 39

HEX #918D9B

RGB 145 141 155

HSL 257.14, 0.07%, 0.58%

LAB 59.38, 4.27, -6.88

 

CMYK 0 / 14 / 59 / 18

HEX #D2B556

RGB 210 181 86

HSL 45.97, 0.58%, 0.58%

LAB 74.46, -0.84, 51.32

 

CMYK 2 / 0 / 59 / 18

HEX #CED256

RGB 206 210 86

HSL 61.94, 0.58%, 0.58%

LAB 81.78, -17.34, 59.39

 

CMYK 18 / 0 / 59 / 18

HEX #ADD256

RGB 173 210 86

HSL 77.9, 0.58%, 0.58%

LAB 79.41, -30.55, 56.11

 

CMYK 33 / 0 / 59 / 18

HEX #8CD256

RGB 140 210 86

HSL 93.87, 0.58%, 0.58%

LAB 77.48, -42.73, 53.41

 

CMYK 50 / 0 / 59 / 18

HEX #6AD256

RGB 106 210 86

HSL 110.32, 0.58%, 0.58%

LAB 75.96, -53.45, 51.28

 

CMYK 23 / 0 / 73 / 34

HEX #82A82D

RGB 130 168 45

HSL 78.54, 0.58%, 0.42%

LAB 64.11, -30.69, 55.81

 

CMYK 23 / 0 / 74 / 21

HEX #9BC935

RGB 155 201 53

HSL 78.65, 0.58%, 0.5%

LAB 75.45, -35.64, 64.59

 

CMYK 19 / 0 / 59 / 18

HEX #ABD256

RGB 171 210 86

HSL 78.87, 0.58%, 0.58%

LAB 79.28, -31.32, 55.93

 

CMYK 15 / 0 / 46 / 14

HEX #BBDB76

RGB 187 219 118

HSL 79.01, 0.58%, 0.66%

LAB 83.2, -26.4, 45.97

 

CMYK 10 / 0 / 33 / 11

HEX #CCE397

RGB 204 227 151

HSL 78.16, 0.58%, 0.74%

LAB 87, -19.98, 34.66

 

CMYK 18 / 0 / 58 / 18

HEX #ACD258

RGB 172 210 88

HSL 78.69, 0.58%, 0.58%

LAB 79.37, -30.77, 55.16

 

CMYK 59 / 0 / 30 / 18

HEX #56D294

RGB 86 210 148

HSL 150, 0.58%, 0.58%

LAB 76.2, -48.74, 20.65

 

CMYK 6 / 59 / 0 / 18

HEX #C656D2

RGB 198 86 210

HSL 294.19, 0.58%, 0.58%

LAB 55.39, 61.41, -43.96

 

CMYK 18 / 0 / 58 / 18

HEX #ACD258

RGB 172 210 88

HSL 78.69, 0.58%, 0.58%

LAB 79.37, -30.77, 55.16

 

CMYK 59 / 18 / 0 / 18

HEX #56ADD2

RGB 86 173 210

HSL 197.9, 0.58%, 0.58%

LAB 66.91, -15.4, -26.66

 

CMYK 0 / 59 / 18 / 18

HEX #D256AD

RGB 210 86 173

HSL 317.9, 0.58%, 0.58%

LAB 55.46, 58.55, -22.47

 

CMYK 18 / 0 / 58 / 18

HEX #ACD258

RGB 172 210 88

HSL 78.69, 0.58%, 0.58%

LAB 79.37, -30.77, 55.16

 

CMYK 59 / 0 / 30 / 18

HEX #56D294

RGB 86 210 148

HSL 150, 0.58%, 0.58%

LAB 76.2, -48.74, 20.65

 

CMYK 41 / 59 / 0 / 18

HEX #7B56D2

RGB 123 86 210

HSL 257.9, 0.58%, 0.58%

LAB 46.34, 43.46, -58.96

 

CMYK 0 / 59 / 30 / 18

HEX #D25694

RGB 210 86 148

HSL 330, 0.58%, 0.58%

LAB 54.55, 55.15, -9.23

 

CMYK 18 / 0 / 58 / 18

HEX #ACD258

RGB 172 210 88

HSL 78.69, 0.58%, 0.58%

LAB 79.37, -30.77, 55.16

 

CMYK 59 / 0 / 12 / 18

HEX #56D2B9

RGB 86 210 185

HSL 167.9, 0.58%, 0.58%

LAB 77.03, -40.41, 2.1

 

CMYK 41 / 59 / 0 / 18

HEX #7B56D2

RGB 123 86 210

HSL 257.9, 0.58%, 0.58%

LAB 46.34, 43.46, -58.96

 

CMYK 0 / 59 / 47 / 18

HEX #D2566F

RGB 210 86 111

HSL 347.9, 0.58%, 0.58%

LAB 53.5, 51.06, 11.16

 

Description

Color code: HEX #ACD258 | qconv.com Color code: HEX #ACD258 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 210 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 210 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 58 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 58% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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