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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACCE5E it is the complementary color #5331A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACCE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACCE5E shade: #B1CE59, #C2E06C, #D3F27F, #E4FF92 and #F5FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACCE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACCE5E shade: #ACCE5E, #9BBC4B, #8AAA38, #799825 and #688612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACCE5E shade: #ACCD5F, #CACD5F, #CDB35F, #CD955F and #CD775F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACCE5E shade: #ACCD5F, #8ECD5F, #70CD5F, #5FCD6B and #5FCD89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACCE5E shade matches the following richer shades: #ACCD5F, #B2DE4E and #B9EF3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACCE5E shade: #ACCD5F, #A5BC6F, #9EAC80, #989B91 and #918AA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACCE5E shade: #CDB45F, #CACD5F, #ACCD5F, #8FCD5F and #71CD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACCE5E shade: #83A733, #9BC43F, #ACCD5F, #BCD77E and #CCE19E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACCE5E shade: #ACCE5E, #5FCD96 and #C25FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACCE5E shade: #ACCE5E, #5FACCD and #CD5FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACCE5E shade: #ACCE5E, #5FCD96, #805FCD and #CD5F96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACCE5E shade: #ACCE5E, #5FCDB7, #805FCD and #CD5F75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 54 / 19

HEX #ACCE5E

RGB 172 206 94

HSL 78.21, 0.53%, 0.59%

LAB 78.3, -28.35, 51.23

 

Complementary color

CMYK 48 / 70 / 0 / 37

HEX #5331A1

RGB 83 49 161

HSL 258.21, 0.53%, 0.41%

LAB 30.9, 42.24, -55.37

 

CMYK 14 / 0 / 57 / 19

HEX #B1CE59

RGB 177 206 89

HSL 74.87, 0.54%, 0.58%

LAB 78.58, -26.84, 53.92

 

CMYK 13 / 0 / 52 / 12

HEX #C2E06C

RGB 194 224 108

HSL 75.52, 0.65%, 0.65%

LAB 84.93, -27.11, 52.9

 

CMYK 13 / 0 / 48 / 5

HEX #D3F27F

RGB 211 242 127

HSL 76.17, 0.82%, 0.72%

LAB 91.18, -27.32, 51.81

 

CMYK 11 / 0 / 43 / 0

HEX #E4FF92

RGB 228 255 146

HSL 74.86, 1%, 0.79%

LAB 96.03, -25.13, 49.05

 

CMYK 4 / 0 / 35 / 0

HEX #F5FFA5

RGB 245 255 165

HSL 66.67, 1%, 0.82%

LAB 97.49, -16.69, 41.94

 

CMYK 17 / 0 / 54 / 19

HEX #ACCE5E

RGB 172 206 94

HSL 78.21, 0.53%, 0.59%

LAB 78.3, -28.35, 51.23

 

CMYK 18 / 0 / 60 / 26

HEX #9BBC4B

RGB 155 188 75

HSL 77.52, 0.46%, 0.52%

LAB 71.85, -28.08, 52.2

 

CMYK 19 / 0 / 67 / 33

HEX #8AAA38

RGB 138 170 56

HSL 76.84, 0.5%, 0.44%

LAB 65.31, -27.69, 52.93

 

CMYK 20 / 0 / 76 / 40

HEX #799825

RGB 121 152 37

HSL 76.17, 0.61%, 0.37%

LAB 58.65, -27.15, 53.16

 

CMYK 22 / 0 / 87 / 47

HEX #688612

RGB 104 134 18

HSL 75.52, 0.76%, 0.3%

LAB 51.88, -26.38, 52.35

 

CMYK 16 / 0 / 54 / 20

HEX #ACCD5F

RGB 172 205 95

HSL 78, 0.52%, 0.59%

LAB 78.03, -27.78, 50.45

 

CMYK 1 / 0 / 54 / 20

HEX #CACD5F

RGB 202 205 95

HSL 61.64, 0.52%, 0.59%

LAB 80.21, -15.8, 53.54

 

CMYK 0 / 13 / 54 / 20

HEX #CDB35F

RGB 205 179 95

HSL 45.82, 0.52%, 0.59%

LAB 73.58, -1.19, 45.85

 

CMYK 0 / 27 / 54 / 20

HEX #CD955F

RGB 205 149 95

HSL 29.45, 0.52%, 0.59%

LAB 65.98, 14.94, 36.61

 

CMYK 0 / 42 / 54 / 20

HEX #CD775F

RGB 205 119 95

HSL 13.09, 0.52%, 0.59%

LAB 58.97, 31.21, 27.71

 

CMYK 16 / 0 / 54 / 20

HEX #ACCD5F

RGB 172 205 95

HSL 78, 0.52%, 0.59%

LAB 78.03, -27.78, 50.45

 

CMYK 31 / 0 / 54 / 20

HEX #8ECD5F

RGB 142 205 95

HSL 94.36, 0.52%, 0.59%

LAB 76.22, -38.92, 47.87

 

CMYK 45 / 0 / 54 / 20

HEX #70CD5F

RGB 112 205 95

HSL 110.73, 0.52%, 0.59%

LAB 74.78, -48.7, 45.82

 

CMYK 54 / 0 / 48 / 20

HEX #5FCD6B

RGB 95 205 107

HSL 126.55, 0.52%, 0.59%

LAB 74.29, -51.79, 39.26

 

CMYK 54 / 0 / 33 / 20

HEX #5FCD89

RGB 95 205 137

HSL 142.91, 0.52%, 0.59%

LAB 74.76, -46.8, 24.53

 

CMYK 16 / 0 / 54 / 20

HEX #ACCD5F

RGB 172 205 95

HSL 78, 0.52%, 0.59%

LAB 78.03, -27.78, 50.45

 

CMYK 20 / 0 / 65 / 13

HEX #B2DE4E

RGB 178 222 78

HSL 78.33, 0.69%, 0.59%

LAB 83.05, -34.79, 63.49

 

CMYK 23 / 0 / 74 / 6

HEX #B9EF3D

RGB 185 239 61

HSL 78.2, 0.85%, 0.59%

LAB 88.15, -40.74, 74.79

 

CMYK 16 / 0 / 54 / 20

HEX #ACCD5F

RGB 172 205 95

HSL 78, 0.52%, 0.59%

LAB 78.03, -27.78, 50.45

 

CMYK 12 / 0 / 41 / 26

HEX #A5BC6F

RGB 165 188 111

HSL 77.92, 0.36%, 0.59%

LAB 72.97, -20.48, 36.33

 

CMYK 8 / 0 / 26 / 33

HEX #9EAC80

RGB 158 172 128

HSL 79.09, 0.21%, 0.59%

LAB 68.27, -12.68, 21.05

 

CMYK 2 / 0 / 6 / 39

HEX #989B91

RGB 152 155 145

HSL 78, 0.05%, 0.59%

LAB 63.48, -2.97, 4.86

 

CMYK 10 / 15 / 0 / 36

HEX #918AA2

RGB 145 138 162

HSL 257.5, 0.11%, 0.59%

LAB 58.79, 7.46, -11.76

 

CMYK 0 / 12 / 54 / 20

HEX #CDB45F

RGB 205 180 95

HSL 46.36, 0.52%, 0.59%

LAB 73.84, -1.71, 46.16

 

CMYK 1 / 0 / 54 / 20

HEX #CACD5F

RGB 202 205 95

HSL 61.64, 0.52%, 0.59%

LAB 80.21, -15.8, 53.54

 

CMYK 16 / 0 / 54 / 20

HEX #ACCD5F

RGB 172 205 95

HSL 78, 0.52%, 0.59%

LAB 78.03, -27.78, 50.45

 

CMYK 30 / 0 / 54 / 20

HEX #8FCD5F

RGB 143 205 95

HSL 93.82, 0.52%, 0.59%

LAB 76.27, -38.57, 47.95

 

CMYK 45 / 0 / 54 / 20

HEX #71CD5F

RGB 113 205 95

HSL 110.18, 0.52%, 0.59%

LAB 74.82, -48.4, 45.88

 

CMYK 22 / 0 / 69 / 35

HEX #83A733

RGB 131 167 51

HSL 78.62, 0.53%, 0.43%

LAB 63.92, -29.43, 53.36

 

CMYK 21 / 0 / 68 / 23

HEX #9BC43F

RGB 155 196 63

HSL 78.5, 0.53%, 0.51%

LAB 74.07, -32.74, 59.57

 

CMYK 16 / 0 / 54 / 20

HEX #ACCD5F

RGB 172 205 95

HSL 78, 0.52%, 0.59%

LAB 78.03, -27.78, 50.45

 

CMYK 13 / 0 / 41 / 16

HEX #BCD77E

RGB 188 215 126

HSL 78.2, 0.53%, 0.67%

LAB 82.27, -23.19, 40.9

 

CMYK 9 / 0 / 30 / 12

HEX #CCE19E

RGB 204 225 158

HSL 78.81, 0.53%, 0.75%

LAB 86.58, -18.07, 30.54

 

CMYK 17 / 0 / 54 / 19

HEX #ACCE5E

RGB 172 206 94

HSL 78.21, 0.53%, 0.59%

LAB 78.3, -28.35, 51.23

 

CMYK 54 / 0 / 27 / 20

HEX #5FCD96

RGB 95 205 150

HSL 150, 0.52%, 0.59%

LAB 75.01, -44.26, 18

 

CMYK 5 / 54 / 0 / 20

HEX #C25FCD

RGB 194 95 205

HSL 294, 0.52%, 0.59%

LAB 56.15, 55.27, -39.97

 

CMYK 17 / 0 / 54 / 19

HEX #ACCE5E

RGB 172 206 94

HSL 78.21, 0.53%, 0.59%

LAB 78.3, -28.35, 51.23

 

CMYK 54 / 16 / 0 / 20

HEX #5FACCD

RGB 95 172 205

HSL 198, 0.52%, 0.59%

LAB 66.78, -14.54, -24.07

 

CMYK 0 / 54 / 16 / 20

HEX #CD5FAC

RGB 205 95 172

HSL 318, 0.52%, 0.59%

LAB 56.23, 52.81, -20.77

 

CMYK 17 / 0 / 54 / 19

HEX #ACCE5E

RGB 172 206 94

HSL 78.21, 0.53%, 0.59%

LAB 78.3, -28.35, 51.23

 

CMYK 54 / 0 / 27 / 20

HEX #5FCD96

RGB 95 205 150

HSL 150, 0.52%, 0.59%

LAB 75.01, -44.26, 18

 

CMYK 38 / 54 / 0 / 20

HEX #805FCD

RGB 128 95 205

HSL 258, 0.52%, 0.59%

LAB 48.49, 38.13, -52.61

 

CMYK 0 / 54 / 27 / 20

HEX #CD5F96

RGB 205 95 150

HSL 330, 0.52%, 0.59%

LAB 55.45, 49.65, -9.14

 

CMYK 17 / 0 / 54 / 19

HEX #ACCE5E

RGB 172 206 94

HSL 78.21, 0.53%, 0.59%

LAB 78.3, -28.35, 51.23

 

CMYK 54 / 0 / 11 / 20

HEX #5FCDB7

RGB 95 205 183

HSL 168, 0.52%, 0.59%

LAB 75.77, -36.85, 1.39

 

CMYK 38 / 54 / 0 / 20

HEX #805FCD

RGB 128 95 205

HSL 258, 0.52%, 0.59%

LAB 48.49, 38.13, -52.61

 

CMYK 0 / 54 / 43 / 20

HEX #CD5F75

RGB 205 95 117

HSL 348, 0.52%, 0.59%

LAB 54.5, 45.69, 8.91

 

Description

Color code: HEX #ACCE5E | qconv.com Color code: HEX #ACCE5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 206 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 206 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 54 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 54% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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