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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACCDDF it is the complementary color #533220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACCDDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACCDDF shade: #B1CDDA, #C2DFED, #D3F1FF, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACCDDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACCDDF shade: #ACCDDF, #9BBBCC, #8AA9B9, #7997A6 and #688593

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACCDDF shade: #ABCCDE, #ABBEDE, #ABB0DE, #B3ABDE and #C1ABDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACCDDF shade: #ABCCDE, #ABBEDE, #ABB0DE and #ABABDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACCDDF shade matches the following richer shades: #ABCCDE, #A1CFE8, #98D2F1 and #8ED4FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACCDDF shade: #ABCCDE, #B4C9D5, #BEC6CB, #C7C4C2 and #D1C1B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACCDDF shade: #ABDED5, #ABDADE, #ABCCDE, #ABBEDE and #ABB1DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACCDDF shade: #6FA8C7, #8DBAD3, #ABCCDE, #C8DEEA and #E6F0F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACCDDF shade: #ACCDDF, #C7ABDE and #DEDCAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACCDDF shade: #ACCDDF, #DEABCC and #CCDEAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACCDDF shade: #ACCDDF, #C7ABDE, #DEBDAB and #C2DEAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACCDDF shade: #ACCDDF, #D6ABDE, #DEBDAB and #B2DEAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 8 / 0 / 13

HEX #ACCDDF

RGB 172 205 223

HSL 201.18, 0.44%, 0.77%

LAB 80.61, -7.04, -12.55

 

Complementary color

CMYK 0 / 40 / 61 / 67

HEX #533220

RGB 83 50 32

HSL 21.18, 0.44%, 0.23%

LAB 24.4, 12.82, 17.6

 

CMYK 19 / 6 / 0 / 15

HEX #B1CDDA

RGB 177 205 218

HSL 199.02, 0.36%, 0.77%

LAB 80.78, -6.6, -9.59

 

CMYK 18 / 6 / 0 / 7

HEX #C2DFED

RGB 194 223 237

HSL 199.53, 0.54%, 0.85%

LAB 87.17, -6.64, -10.04

 

CMYK 17 / 5 / 0 / 0

HEX #D3F1FF

RGB 211 241 255

HSL 199.09, 1%, 0.91%

LAB 93.44, -6.9, -10.02

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 23 / 8 / 0 / 13

HEX #ACCDDF

RGB 172 205 223

HSL 201.18, 0.44%, 0.77%

LAB 80.61, -7.04, -12.55

 

CMYK 24 / 8 / 0 / 20

HEX #9BBBCC

RGB 155 187 204

HSL 200.82, 0.32%, 0.7%

LAB 74.11, -6.98, -12.14

 

CMYK 25 / 9 / 0 / 27

HEX #8AA9B9

RGB 138 169 185

HSL 200.43, 0.25%, 0.63%

LAB 67.49, -6.93, -11.71

 

CMYK 27 / 9 / 0 / 35

HEX #7997A6

RGB 121 151 166

HSL 200, 0.2%, 0.56%

LAB 60.74, -6.88, -11.29

 

CMYK 29 / 10 / 0 / 42

HEX #688593

RGB 104 133 147

HSL 199.53, 0.17%, 0.49%

LAB 53.84, -6.83, -10.87

 

CMYK 23 / 8 / 0 / 13

HEX #ABCCDE

RGB 171 204 222

HSL 201.18, 0.44%, 0.77%

LAB 80.25, -7.04, -12.56

 

CMYK 23 / 14 / 0 / 13

HEX #ABBEDE

RGB 171 190 222

HSL 217.65, 0.44%, 0.77%

LAB 76.53, 0.41, -18.15

 

CMYK 23 / 21 / 0 / 13

HEX #ABB0DE

RGB 171 176 222

HSL 234.12, 0.44%, 0.77%

LAB 72.88, 8.04, -23.69

 

CMYK 19 / 23 / 0 / 13

HEX #B3ABDE

RGB 179 171 222

HSL 249.41, 0.44%, 0.77%

LAB 72.22, 13.28, -24.65

 

CMYK 13 / 23 / 0 / 13

HEX #C1ABDE

RGB 193 171 222

HSL 265.88, 0.44%, 0.77%

LAB 73.37, 17.69, -22.78

 

CMYK 23 / 8 / 0 / 13

HEX #ABCCDE

RGB 171 204 222

HSL 201.18, 0.44%, 0.77%

LAB 80.25, -7.04, -12.56

 

CMYK 23 / 14 / 0 / 13

HEX #ABBEDE

RGB 171 190 222

HSL 217.65, 0.44%, 0.77%

LAB 76.53, 0.41, -18.15

 

CMYK 23 / 21 / 0 / 13

HEX #ABB0DE

RGB 171 176 222

HSL 234.12, 0.44%, 0.77%

LAB 72.88, 8.04, -23.69

 

CMYK 23 / 23 / 0 / 13

HEX #ABABDE

RGB 171 171 222

HSL 240, 0.44%, 0.77%

LAB 71.59, 10.81, -25.66

 

CMYK 23 / 8 / 0 / 13

HEX #ABCCDE

RGB 171 204 222

HSL 201.18, 0.44%, 0.77%

LAB 80.25, -7.04, -12.56

 

CMYK 31 / 11 / 0 / 9

HEX #A1CFE8

RGB 161 207 232

HSL 201.13, 0.61%, 0.77%

LAB 80.75, -9.22, -17.21

 

CMYK 37 / 13 / 0 / 5

HEX #98D2F1

RGB 152 210 241

HSL 200.9, 0.76%, 0.77%

LAB 81.36, -11.04, -21.15

 

CMYK 43 / 16 / 0 / 2

HEX #8ED4FB

RGB 142 212 251

HSL 201.47, 0.93%, 0.77%

LAB 81.73, -12.02, -25.95

 

CMYK 23 / 8 / 0 / 13

HEX #ABCCDE

RGB 171 204 222

HSL 201.18, 0.44%, 0.77%

LAB 80.25, -7.04, -12.56

 

CMYK 15 / 6 / 0 / 16

HEX #B4C9D5

RGB 180 201 213

HSL 201.82, 0.28%, 0.77%

LAB 79.77, -4.61, -8.38

 

CMYK 6 / 2 / 0 / 20

HEX #BEC6CB

RGB 190 198 203

HSL 203.08, 0.11%, 0.77%

LAB 79.41, -1.78, -3.46

 

CMYK 0 / 2 / 3 / 22

HEX #C7C4C2

RGB 199 196 194

HSL 24, 0.04%, 0.77%

LAB 79.34, 0.68, 1.36

 

CMYK 0 / 8 / 12 / 18

HEX #D1C1B8

RGB 209 193 184

HSL 21.6, 0.21%, 0.77%

LAB 79.13, 4.11, 6.55

 

CMYK 23 / 0 / 4 / 13

HEX #ABDED5

RGB 171 222 213

HSL 169.41, 0.44%, 0.77%

LAB 84.85, -18.21, -0.96

 

CMYK 23 / 2 / 0 / 13

HEX #ABDADE

RGB 171 218 222

HSL 184.71, 0.44%, 0.77%

LAB 84, -14.27, -6.97

HEX #ABDADE

CMYK 23 / 8 / 0 / 13

HEX #ABCCDE

RGB 171 204 222

HSL 201.18, 0.44%, 0.77%

LAB 80.25, -7.04, -12.56

HEX #ABCCDE

CMYK 23 / 14 / 0 / 13

HEX #ABBEDE

RGB 171 190 222

HSL 217.65, 0.44%, 0.77%

LAB 76.53, 0.41, -18.15

HEX #ABBEDE

CMYK 23 / 20 / 0 / 13

HEX #ABB1DE

RGB 171 177 222

HSL 232.94, 0.44%, 0.77%

LAB 73.14, 7.49, -23.3

HEX #ABB1DE

CMYK 44 / 16 / 0 / 22

HEX #6FA8C7

RGB 111 168 199

HSL 201.14, 0.44%, 0.61%

LAB 66.14, -10.38, -21.67

 

CMYK 33 / 12 / 0 / 17

HEX #8DBAD3

RGB 141 186 211

HSL 201.43, 0.44%, 0.69%

LAB 73.21, -8.89, -17.38

 

CMYK 23 / 8 / 0 / 13

HEX #ABCCDE

RGB 171 204 222

HSL 201.18, 0.44%, 0.77%

LAB 80.25, -7.04, -12.56

 

CMYK 15 / 5 / 0 / 8

HEX #C8DEEA

RGB 200 222 234

HSL 201.18, 0.45%, 0.85%

LAB 87.22, -4.88, -8.34

 

CMYK 6 / 2 / 0 / 4

HEX #E6F0F5

RGB 230 240 245

HSL 200, 0.43%, 0.93%

LAB 94.2, -2.37, -3.56

 

CMYK 23 / 8 / 0 / 13

HEX #ACCDDF

RGB 172 205 223

HSL 201.18, 0.44%, 0.77%

LAB 80.61, -7.04, -12.55

 

CMYK 10 / 23 / 0 / 13

HEX #C7ABDE

RGB 199 171 222

HSL 272.94, 0.44%, 0.77%

LAB 73.9, 19.62, -21.94

 

CMYK 0 / 1 / 23 / 13

HEX #DEDCAB

RGB 222 220 171

HSL 57.65, 0.44%, 0.77%

LAB 86.83, -7.12, 24.39

 

CMYK 23 / 8 / 0 / 13

HEX #ACCDDF

RGB 172 205 223

HSL 201.18, 0.44%, 0.77%

LAB 80.61, -7.04, -12.55

 

CMYK 0 / 23 / 8 / 13

HEX #DEABCC

RGB 222 171 204

HSL 321.18, 0.44%, 0.77%

LAB 75.46, 23.9, -9.54

 

CMYK 8 / 0 / 23 / 13

HEX #CCDEAB

RGB 204 222 171

HSL 81.18, 0.44%, 0.77%

LAB 86.02, -14.72, 23.06

 

CMYK 23 / 8 / 0 / 13

HEX #ACCDDF

RGB 172 205 223

HSL 201.18, 0.44%, 0.77%

LAB 80.61, -7.04, -12.55

 

CMYK 10 / 23 / 0 / 13

HEX #C7ABDE

RGB 199 171 222

HSL 272.94, 0.44%, 0.77%

LAB 73.9, 19.62, -21.94

 

CMYK 0 / 15 / 23 / 13

HEX #DEBDAB

RGB 222 189 171

HSL 21.18, 0.44%, 0.77%

LAB 78.96, 9.02, 13.46

 

CMYK 13 / 0 / 23 / 13

HEX #C2DEAB

RGB 194 222 171

HSL 92.94, 0.44%, 0.77%

LAB 85.33, -18.29, 22.01

 

CMYK 23 / 8 / 0 / 13

HEX #ACCDDF

RGB 172 205 223

HSL 201.18, 0.44%, 0.77%

LAB 80.61, -7.04, -12.55

 

CMYK 4 / 23 / 0 / 13

HEX #D6ABDE

RGB 214 171 222

HSL 290.59, 0.44%, 0.77%

LAB 75.26, 24.49, -19.74

 

CMYK 0 / 15 / 23 / 13

HEX #DEBDAB

RGB 222 189 171

HSL 21.18, 0.44%, 0.77%

LAB 78.96, 9.02, 13.46

 

CMYK 20 / 0 / 23 / 13

HEX #B2DEAB

RGB 178 222 171

HSL 111.76, 0.44%, 0.77%

LAB 84.3, -23.84, 20.43

 

Description

Color code: HEX #ACCDDF | qconv.com Color code: HEX #ACCDDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 205 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 205 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 8 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 8% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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