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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACCDDA it is the complementary color #533225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACCDDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACCDDA shade: #B1CDD5, #C2DFE8, #D3F1FB, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACCDDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACCDDA shade: #ACCDDA, #9BBBC7, #8AA9B4, #7997A1 and #68858E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACCDDA shade: #ABCCD9, #ABBFD9, #ABB3D9, #AFABD9 and #BBABD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACCDDA shade: #ABCCD9, #ABBFD9, #ABB3D9 and #ABABD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACCDDA shade matches the following richer shades: #ABCCD9, #A1D0E3, #97D5ED and #8DD9F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACCDDA shade: #ABCCD9, #B4C8CF, #BEC3C5, #C8BFBB and #D2BBB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACCDDA shade: #ABD9CD, #ABD9D9, #ABCDD9, #ABC0D9 and #ABB4D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACCDDA shade: #72A9BF, #8EBBCC, #ABCCD9, #C7DDE6 and #E3EEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACCDDA shade: #ACCDDA, #C0ABD9 and #D9D3AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACCDDA shade: #ACCDDA, #D9ABCD and #CDD9AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACCDDA shade: #ACCDDA, #C0ABD9, #D9B7AB and #C3D9AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACCDDA shade: #ACCDDA, #CEABD9, #D9B7AB and #B5D9AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 6 / 0 / 15

HEX #ACCDDA

RGB 172 205 218

HSL 196.96, 0.38%, 0.76%

LAB 80.46, -8.14, -10.1

 

Complementary color

CMYK 0 / 40 / 55 / 67

HEX #533225

RGB 83 50 37

HSL 16.96, 0.38%, 0.24%

LAB 24.49, 13.33, 14.48

 

CMYK 17 / 4 / 0 / 16

HEX #B1CDD5

RGB 177 205 213

HSL 193.33, 0.3%, 0.76%

LAB 80.64, -7.66, -7.12

 

CMYK 16 / 4 / 0 / 9

HEX #C2DFE8

RGB 194 223 232

HSL 194.21, 0.45%, 0.84%

LAB 87.03, -7.69, -7.62

 

CMYK 16 / 4 / 0 / 2

HEX #D3F1FB

RGB 211 241 251

HSL 195, 0.83%, 0.91%

LAB 93.33, -7.72, -8.11

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 21 / 6 / 0 / 15

HEX #ACCDDA

RGB 172 205 218

HSL 196.96, 0.38%, 0.76%

LAB 80.46, -8.14, -10.1

 

CMYK 22 / 6 / 0 / 22

HEX #9BBBC7

RGB 155 187 199

HSL 196.36, 0.28%, 0.69%

LAB 73.95, -8.12, -9.64

 

CMYK 23 / 6 / 0 / 29

HEX #8AA9B4

RGB 138 169 180

HSL 195.71, 0.22%, 0.62%

LAB 67.33, -8.1, -9.17

 

CMYK 25 / 6 / 0 / 37

HEX #7997A1

RGB 121 151 161

HSL 195, 0.18%, 0.55%

LAB 60.58, -8.09, -8.7

 

CMYK 27 / 6 / 0 / 44

HEX #68858E

RGB 104 133 142

HSL 194.21, 0.15%, 0.48%

LAB 53.68, -8.08, -8.21

 

CMYK 21 / 6 / 0 / 15

HEX #ABCCD9

RGB 171 204 217

HSL 196.96, 0.38%, 0.76%

LAB 80.1, -8.15, -10.11

 

CMYK 21 / 12 / 0 / 15

HEX #ABBFD9

RGB 171 191 217

HSL 213.91, 0.38%, 0.76%

LAB 76.64, -1.26, -15.29

 

CMYK 21 / 18 / 0 / 15

HEX #ABB3D9

RGB 171 179 217

HSL 229.57, 0.38%, 0.76%

LAB 73.49, 5.25, -20.05

 

CMYK 19 / 21 / 0 / 15

HEX #AFABD9

RGB 175 171 217

HSL 245.22, 0.38%, 0.76%

LAB 71.72, 10.9, -22.7

 

CMYK 14 / 21 / 0 / 15

HEX #BBABD9

RGB 187 171 217

HSL 260.87, 0.38%, 0.76%

LAB 72.69, 14.71, -21.13

 

CMYK 21 / 6 / 0 / 15

HEX #ABCCD9

RGB 171 204 217

HSL 196.96, 0.38%, 0.76%

LAB 80.1, -8.15, -10.11

 

CMYK 21 / 12 / 0 / 15

HEX #ABBFD9

RGB 171 191 217

HSL 213.91, 0.38%, 0.76%

LAB 76.64, -1.26, -15.29

 

CMYK 21 / 18 / 0 / 15

HEX #ABB3D9

RGB 171 179 217

HSL 229.57, 0.38%, 0.76%

LAB 73.49, 5.25, -20.05

 

CMYK 21 / 21 / 0 / 15

HEX #ABABD9

RGB 171 171 217

HSL 240, 0.38%, 0.76%

LAB 71.41, 9.66, -23.2

 

CMYK 21 / 6 / 0 / 15

HEX #ABCCD9

RGB 171 204 217

HSL 196.96, 0.38%, 0.76%

LAB 80.1, -8.15, -10.11

 

CMYK 29 / 8 / 0 / 11

HEX #A1D0E3

RGB 161 208 227

HSL 197.27, 0.54%, 0.76%

LAB 80.87, -10.92, -14.37

 

CMYK 36 / 10 / 0 / 7

HEX #97D5ED

RGB 151 213 237

HSL 196.74, 0.7%, 0.76%

LAB 81.99, -13.85, -18.07

 

CMYK 43 / 12 / 0 / 3

HEX #8DD9F7

RGB 141 217 247

HSL 196.98, 0.87%, 0.76%

LAB 82.92, -15.89, -22.03

 

CMYK 21 / 6 / 0 / 15

HEX #ABCCD9

RGB 171 204 217

HSL 196.96, 0.38%, 0.76%

LAB 80.1, -8.15, -10.11

 

CMYK 13 / 3 / 0 / 19

HEX #B4C8CF

RGB 180 200 207

HSL 195.56, 0.22%, 0.76%

LAB 79.34, -5.33, -5.8

 

CMYK 4 / 1 / 0 / 23

HEX #BEC3C5

RGB 190 195 197

HSL 197.14, 0.06%, 0.76%

LAB 78.47, -1.34, -1.61

 

CMYK 0 / 5 / 7 / 22

HEX #C8BFBB

RGB 200 191 187

HSL 18.46, 0.11%, 0.76%

LAB 77.95, 2.45, 3.13

 

CMYK 0 / 11 / 16 / 18

HEX #D2BBB1

RGB 210 187 177

HSL 18.18, 0.27%, 0.76%

LAB 77.53, 6.54, 8.04

 

CMYK 21 / 0 / 6 / 15

HEX #ABD9CD

RGB 171 217 205

HSL 164.35, 0.38%, 0.76%

LAB 83.28, -17.35, 0.99

 

CMYK 21 / 0 / 0 / 15

HEX #ABD9D9

RGB 171 217 217

HSL 180, 0.38%, 0.76%

LAB 83.6, -14.84, -4.92

 

CMYK 21 / 6 / 0 / 15

HEX #ABCDD9

RGB 171 205 217

HSL 195.65, 0.38%, 0.76%

LAB 80.37, -8.67, -9.71

 

CMYK 21 / 12 / 0 / 15

HEX #ABC0D9

RGB 171 192 217

HSL 212.61, 0.38%, 0.76%

LAB 76.9, -1.8, -14.89

 

CMYK 21 / 17 / 0 / 15

HEX #ABB4D9

RGB 171 180 217

HSL 228.26, 0.38%, 0.76%

LAB 73.75, 4.7, -19.65

 

CMYK 40 / 12 / 0 / 25

HEX #72A9BF

RGB 114 169 191

HSL 197.14, 0.38%, 0.6%

LAB 66.3, -12.32, -16.97

 

CMYK 30 / 8 / 0 / 20

HEX #8EBBCC

RGB 142 187 204

HSL 196.45, 0.38%, 0.68%

LAB 73.32, -10.85, -13.4

 

CMYK 21 / 6 / 0 / 15

HEX #ABCCD9

RGB 171 204 217

HSL 196.96, 0.38%, 0.76%

LAB 80.1, -8.15, -10.11

 

CMYK 13 / 4 / 0 / 10

HEX #C7DDE6

RGB 199 221 230

HSL 197.42, 0.38%, 0.84%

LAB 86.78, -5.49, -6.89

 

CMYK 7 / 2 / 0 / 5

HEX #E3EEF3

RGB 227 238 243

HSL 198.75, 0.4%, 0.92%

LAB 93.43, -2.7, -3.68

 

CMYK 21 / 6 / 0 / 15

HEX #ACCDDA

RGB 172 205 218

HSL 196.96, 0.38%, 0.76%

LAB 80.46, -8.14, -10.1

 

CMYK 12 / 21 / 0 / 15

HEX #C0ABD9

RGB 192 171 217

HSL 267.39, 0.38%, 0.76%

LAB 73.12, 16.32, -20.45

 

CMYK 0 / 3 / 21 / 15

HEX #D9D3AB

RGB 217 211 171

HSL 52.17, 0.38%, 0.76%

LAB 84.11, -4.37, 20.59

 

CMYK 21 / 6 / 0 / 15

HEX #ACCDDA

RGB 172 205 218

HSL 196.96, 0.38%, 0.76%

LAB 80.46, -8.14, -10.1

 

CMYK 0 / 21 / 6 / 15

HEX #D9ABCD

RGB 217 171 205

HSL 315.65, 0.38%, 0.76%

LAB 75, 22.36, -10.82

 

CMYK 6 / 0 / 21 / 15

HEX #CDD9AB

RGB 205 217 171

HSL 75.65, 0.38%, 0.76%

LAB 84.76, -11.84, 21.35

 

CMYK 21 / 6 / 0 / 15

HEX #ACCDDA

RGB 172 205 218

HSL 196.96, 0.38%, 0.76%

LAB 80.46, -8.14, -10.1

 

CMYK 12 / 21 / 0 / 15

HEX #C0ABD9

RGB 192 171 217

HSL 267.39, 0.38%, 0.76%

LAB 73.12, 16.32, -20.45

 

CMYK 0 / 16 / 21 / 15

HEX #D9B7AB

RGB 217 183 171

HSL 15.65, 0.38%, 0.76%

LAB 77.02, 10.35, 10.64

 

CMYK 10 / 0 / 21 / 15

HEX #C3D9AB

RGB 195 217 171

HSL 88.7, 0.38%, 0.76%

LAB 84.05, -15.44, 20.26

 

CMYK 21 / 6 / 0 / 15

HEX #ACCDDA

RGB 172 205 218

HSL 196.96, 0.38%, 0.76%

LAB 80.46, -8.14, -10.1

 

CMYK 5 / 21 / 0 / 15

HEX #CEABD9

RGB 206 171 217

HSL 285.65, 0.38%, 0.76%

LAB 74.35, 20.89, -18.46

 

CMYK 0 / 16 / 21 / 15

HEX #D9B7AB

RGB 217 183 171

HSL 15.65, 0.38%, 0.76%

LAB 77.02, 10.35, 10.64

 

CMYK 17 / 0 / 21 / 15

HEX #B5D9AB

RGB 181 217 171

HSL 106.96, 0.38%, 0.76%

LAB 83.12, -20.36, 18.82

 

Description

Color code: HEX #ACCDDA | qconv.com Color code: HEX #ACCDDA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 205 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 205 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 6 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 6% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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