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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACCD43 it is the complementary color #5332BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACCD43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACCD43 shade: #B1CD3E, #C2DF51, #D3F164, #E4FF77 and #F5FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACCD43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACCD43 shade: #ACCD43, #9BBB30, #8AA91D, #79970A and #688500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACCD43 shade: #ABCD42, #CDC842, #CDA342, #CD7D42 and #CD5842

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACCD43 shade: #ABCD42, #86CD42, #60CD42, #42CD48 and #42CD6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACCD43 shade matches the following richer shades: #ABCD42, #B6E02E and #C0F31B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACCD43 shade: #ABCD42, #A1B955, #97A668, #8D927C and #837F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACCD43 shade: #CDA342, #CDC842, #ACCD42, #87CD42 and #62CD42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACCD43 shade: #7A9427, #95B530, #ABCD42, #BAD562 and #C8DE83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACCD43 shade: #ACCD43, #42CD7E and #B542CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACCD43 shade: #ACCD43, #42ACCD and #CD42AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACCD43 shade: #ACCD43, #42CD7E, #6242CD and #CD4290

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACCD43 shade: #ACCD43, #42CDA8, #6242CD and #CD4267

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 67 / 20

HEX #ACCD43

RGB 172 205 67

HSL 74.35, 0.58%, 0.53%

LAB 77.78, -29.97, 62.19

 

Complementary color

CMYK 56 / 73 / 0 / 26

HEX #5332BC

RGB 83 50 188

HSL 254.35, 0.58%, 0.47%

LAB 33.46, 49.51, -67.31

 

CMYK 14 / 0 / 70 / 20

HEX #B1CD3E

RGB 177 205 62

HSL 71.75, 0.59%, 0.52%

LAB 78.09, -28.27, 64.49

 

CMYK 13 / 0 / 64 / 13

HEX #C2DF51

RGB 194 223 81

HSL 72.25, 0.69%, 0.6%

LAB 84.4, -28.81, 64.04

 

CMYK 12 / 0 / 59 / 5

HEX #D3F164

RGB 211 241 100

HSL 72.77, 0.83%, 0.67%

LAB 90.63, -29.24, 63.28

 

CMYK 11 / 0 / 53 / 0

HEX #E4FF77

RGB 228 255 119

HSL 71.91, 1%, 0.73%

LAB 95.72, -27.72, 61.13

 

CMYK 4 / 0 / 46 / 0

HEX #F5FF8A

RGB 245 255 138

HSL 65.13, 1%, 0.77%

LAB 97.13, -19.52, 54.44

 

CMYK 16 / 0 / 67 / 20

HEX #ACCD43

RGB 172 205 67

HSL 74.35, 0.58%, 0.53%

LAB 77.78, -29.97, 62.19

 

CMYK 17 / 0 / 74 / 27

HEX #9BBB30

RGB 155 187 48

HSL 73.81, 0.59%, 0.46%

LAB 71.37, -29.39, 62.35

 

CMYK 18 / 0 / 83 / 34

HEX #8AA91D

RGB 138 169 29

HSL 73.29, 0.71%, 0.39%

LAB 64.86, -28.63, 61.7

 

CMYK 20 / 0 / 93 / 41

HEX #79970A

RGB 121 151 10

HSL 72.77, 0.88%, 0.32%

LAB 58.25, -27.64, 59.66

 

CMYK 22 / 0 / 100 / 48

HEX #688500

RGB 104 133 0

HSL 73.08, 1%, 0.26%

LAB 51.52, -26.36, 55.58

 

CMYK 17 / 0 / 68 / 20

HEX #ABCD42

RGB 171 205 66

HSL 74.68, 0.58%, 0.53%

LAB 77.71, -30.43, 62.47

 

CMYK 0 / 2 / 68 / 20

HEX #CDC842

RGB 205 200 66

HSL 57.84, 0.58%, 0.53%

LAB 78.86, -14, 64.46

 

CMYK 0 / 20 / 68 / 20

HEX #CDA342

RGB 205 163 66

HSL 41.87, 0.58%, 0.53%

LAB 69.16, 5.29, 54.47

 

CMYK 0 / 39 / 68 / 20

HEX #CD7D42

RGB 205 125 66

HSL 25.47, 0.58%, 0.53%

LAB 59.92, 25.9, 44.43

 

CMYK 0 / 57 / 68 / 20

HEX #CD5842

RGB 205 88 66

HSL 9.5, 0.58%, 0.53%

LAB 52.23, 45, 35.59

 

CMYK 17 / 0 / 68 / 20

HEX #ABCD42

RGB 171 205 66

HSL 74.68, 0.58%, 0.53%

LAB 77.71, -30.43, 62.47

 

CMYK 35 / 0 / 68 / 20

HEX #86CD42

RGB 134 205 66

HSL 90.65, 0.58%, 0.53%

LAB 75.53, -44.36, 59.54

 

CMYK 53 / 0 / 68 / 20

HEX #60CD42

RGB 96 205 66

HSL 107.05, 0.58%, 0.53%

LAB 73.9, -56.23, 57.32

 

CMYK 68 / 0 / 65 / 20

HEX #42CD48

RGB 66 205 72

HSL 122.59, 0.58%, 0.53%

LAB 73.08, -62.56, 53.76

 

CMYK 68 / 0 / 46 / 20

HEX #42CD6E

RGB 66 205 110

HSL 138.99, 0.58%, 0.53%

LAB 73.51, -57.58, 36.61

 

CMYK 17 / 0 / 68 / 20

HEX #ABCD42

RGB 171 205 66

HSL 74.68, 0.58%, 0.53%

LAB 77.71, -30.43, 62.47

 

CMYK 19 / 0 / 79 / 12

HEX #B6E02E

RGB 182 224 46

HSL 74.16, 0.74%, 0.53%

LAB 83.68, -35.85, 74.96

 

CMYK 21 / 0 / 89 / 5

HEX #C0F31B

RGB 192 243 27

HSL 74.17, 0.9%, 0.53%

LAB 89.57, -40.98, 84.2

 

CMYK 17 / 0 / 68 / 20

HEX #ABCD42

RGB 171 205 66

HSL 74.68, 0.58%, 0.53%

LAB 77.71, -30.43, 62.47

 

CMYK 13 / 0 / 54 / 27

HEX #A1B955

RGB 161 185 85

HSL 74.4, 0.42%, 0.53%

LAB 71.51, -23.35, 47.34

 

CMYK 9 / 0 / 37 / 35

HEX #97A668

RGB 151 166 104

HSL 74.52, 0.26%, 0.53%

LAB 65.63, -15.66, 30.37

 

CMYK 3 / 0 / 15 / 43

HEX #8D927C

RGB 141 146 124

HSL 73.64, 0.09%, 0.53%

LAB 59.59, -5.9, 11.05

 

CMYK 8 / 11 / 0 / 44

HEX #837F8F

RGB 131 127 143

HSL 255, 0.07%, 0.53%

LAB 54.01, 4.78, -8.08

 

CMYK 0 / 20 / 68 / 20

HEX #CDA342

RGB 205 163 66

HSL 41.87, 0.58%, 0.53%

LAB 69.16, 5.29, 54.47

 

CMYK 0 / 2 / 68 / 20

HEX #CDC842

RGB 205 200 66

HSL 57.84, 0.58%, 0.53%

LAB 78.86, -14, 64.46

 

CMYK 16 / 0 / 68 / 20

HEX #ACCD42

RGB 172 205 66

HSL 74.24, 0.58%, 0.53%

LAB 77.77, -30.04, 62.56

 

CMYK 34 / 0 / 68 / 20

HEX #87CD42

RGB 135 205 66

HSL 90.22, 0.58%, 0.53%

LAB 75.58, -44.01, 59.61

 

CMYK 52 / 0 / 68 / 20

HEX #62CD42

RGB 98 205 66

HSL 106.19, 0.58%, 0.53%

LAB 73.97, -55.68, 57.42

 

CMYK 18 / 0 / 74 / 42

HEX #7A9427

RGB 122 148 39

HSL 74.31, 0.58%, 0.37%

LAB 57.52, -24.65, 51.37

 

CMYK 18 / 0 / 73 / 29

HEX #95B530

RGB 149 181 48

HSL 74.44, 0.58%, 0.45%

LAB 69.22, -28.98, 60.14

 

CMYK 17 / 0 / 68 / 20

HEX #ABCD42

RGB 171 205 66

HSL 74.68, 0.58%, 0.53%

LAB 77.71, -30.43, 62.47

 

CMYK 13 / 0 / 54 / 16

HEX #BAD562

RGB 186 213 98

HSL 74.09, 0.58%, 0.61%

LAB 81.24, -25.88, 53.05

 

CMYK 10 / 0 / 41 / 13

HEX #C8DE83

RGB 200 222 131

HSL 74.51, 0.58%, 0.69%

LAB 85.08, -21.47, 42.14

 

CMYK 16 / 0 / 67 / 20

HEX #ACCD43

RGB 172 205 67

HSL 74.35, 0.58%, 0.53%

LAB 77.78, -29.97, 62.19

 

CMYK 68 / 0 / 39 / 20

HEX #42CD7E

RGB 66 205 126

HSL 145.9, 0.58%, 0.53%

LAB 73.76, -54.81, 28.77

 

CMYK 12 / 68 / 0 / 20

HEX #B542CD

RGB 181 66 205

HSL 289.64, 0.58%, 0.53%

LAB 49.65, 64.94, -50.38

 

CMYK 16 / 0 / 67 / 20

HEX #ACCD43

RGB 172 205 67

HSL 74.35, 0.58%, 0.53%

LAB 77.78, -29.97, 62.19

 

CMYK 68 / 16 / 0 / 20

HEX #42ACCD

RGB 66 172 205

HSL 194.24, 0.58%, 0.53%

LAB 65.8, -19.84, -25.66

 

CMYK 0 / 68 / 16 / 20

HEX #CD42AC

RGB 205 66 172

HSL 314.24, 0.58%, 0.53%

LAB 51.67, 65.22, -27.79

 

CMYK 16 / 0 / 67 / 20

HEX #ACCD43

RGB 172 205 67

HSL 74.35, 0.58%, 0.53%

LAB 77.78, -29.97, 62.19

 

CMYK 68 / 0 / 39 / 20

HEX #42CD7E

RGB 66 205 126

HSL 145.9, 0.58%, 0.53%

LAB 73.76, -54.81, 28.77

 

CMYK 52 / 68 / 0 / 20

HEX #6242CD

RGB 98 66 205

HSL 253.81, 0.58%, 0.53%

LAB 39.41, 48.31, -67.43

 

CMYK 0 / 68 / 30 / 20

HEX #CD4290

RGB 205 66 144

HSL 326.33, 0.58%, 0.53%

LAB 50.56, 61.53, -12.94

 

CMYK 16 / 0 / 67 / 20

HEX #ACCD43

RGB 172 205 67

HSL 74.35, 0.58%, 0.53%

LAB 77.78, -29.97, 62.19

 

CMYK 68 / 0 / 18 / 20

HEX #42CDA8

RGB 66 205 168

HSL 164.03, 0.58%, 0.53%

LAB 74.6, -45.81, 7.68

 

CMYK 52 / 68 / 0 / 20

HEX #6242CD

RGB 98 66 205

HSL 253.81, 0.58%, 0.53%

LAB 39.41, 48.31, -67.43

 

CMYK 0 / 68 / 50 / 20

HEX #CD4267

RGB 205 66 103

HSL 344.03, 0.58%, 0.53%

LAB 49.32, 57.26, 9.97

 

Description

Color code: HEX #ACCD43 | qconv.com Color code: HEX #ACCD43 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 205 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 205 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 67 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 67% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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