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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACCCE2 it is the complementary color #53331D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACCCE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACCCE2 shade: #B1CCDD, #C2DEF0, #D3F0FF, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACCCE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACCCE2 shade: #ACCCE2, #9BBACF, #8AA8BC, #7996A9 and #688496

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACCCE2 shade: #ACCCE2, #ACBDE2, #ACAFE2, #B8ACE2 and #C6ACE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACCCE2 shade: #ACCCE2, #ACBDE2, #ACAFE2 and #ACACE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACCCE2 shade matches the following richer shades: #ACCCE2, #A3CEEB, #9ACFF4 and #91D1FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACCCE2 shade: #ACCCE2, #B5CAD9, #BEC9D0, #C7C7C7 and #D0C5BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACCCE2 shade: #ACE2DB, #ACDBE2, #ACCCE2, #ACBEE2 and #ACB0E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACCCE2 shade: #6FA6CC, #8DB9D7, #ACCCE2, #CBDFED and #E9F1F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACCCE2 shade: #ACCCE2, #CCACE2 and #E2E2AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACCCE2 shade: #ACCCE2, #E2ACCC and #CCE2AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACCCE2 shade: #ACCCE2, #CCACE2, #E2C2AC and #C2E2AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACCCE2 shade: #ACCCE2, #DCACE2, #E2C2AC and #B1E2AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

Complementary color

CMYK 0 / 39 / 65 / 67

HEX #53331D

RGB 83 51 29

HSL 24.44, 0.48%, 0.22%

LAB 24.62, 11.9, 19.77

 

CMYK 20 / 8 / 0 / 13

HEX #B1CCDD

RGB 177 204 221

HSL 203.18, 0.39%, 0.78%

LAB 80.6, -5.42, -11.46

 

CMYK 19 / 8 / 0 / 6

HEX #C2DEF0

RGB 194 222 240

HSL 203.48, 0.61%, 0.85%

LAB 87, -5.49, -11.88

 

CMYK 17 / 6 / 0 / 0

HEX #D3F0FF

RGB 211 240 255

HSL 200.45, 1%, 0.91%

LAB 93.18, -6.39, -10.4

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

CMYK 25 / 10 / 0 / 19

HEX #9BBACF

RGB 155 186 207

HSL 204.23, 0.35%, 0.71%

LAB 73.93, -5.76, -14.04

 

CMYK 27 / 11 / 0 / 26

HEX #8AA8BC

RGB 138 168 188

HSL 204, 0.27%, 0.64%

LAB 67.31, -5.68, -13.65

 

CMYK 28 / 11 / 0 / 34

HEX #7996A9

RGB 121 150 169

HSL 203.75, 0.22%, 0.57%

LAB 60.55, -5.59, -13.27

 

CMYK 31 / 12 / 0 / 41

HEX #688496

RGB 104 132 150

HSL 203.48, 0.18%, 0.5%

LAB 53.65, -5.5, -12.89

 

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

CMYK 24 / 16 / 0 / 11

HEX #ACBDE2

RGB 172 189 226

HSL 221.11, 0.48%, 0.78%

LAB 76.47, 2.17, -20.4

 

CMYK 24 / 23 / 0 / 11

HEX #ACAFE2

RGB 172 175 226

HSL 236.67, 0.48%, 0.78%

LAB 72.84, 9.83, -25.93

 

CMYK 19 / 24 / 0 / 11

HEX #B8ACE2

RGB 184 172 226

HSL 253.33, 0.48%, 0.78%

LAB 73.01, 15.17, -25.58

 

CMYK 12 / 24 / 0 / 11

HEX #C6ACE2

RGB 198 172 226

HSL 268.89, 0.48%, 0.78%

LAB 74.19, 19.58, -23.68

 

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

CMYK 24 / 16 / 0 / 11

HEX #ACBDE2

RGB 172 189 226

HSL 221.11, 0.48%, 0.78%

LAB 76.47, 2.17, -20.4

 

CMYK 24 / 23 / 0 / 11

HEX #ACAFE2

RGB 172 175 226

HSL 236.67, 0.48%, 0.78%

LAB 72.84, 9.83, -25.93

 

CMYK 24 / 24 / 0 / 11

HEX #ACACE2

RGB 172 172 226

HSL 240, 0.48%, 0.78%

LAB 72.07, 11.49, -27.11

 

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

CMYK 31 / 12 / 0 / 8

HEX #A3CEEB

RGB 163 206 235

HSL 204.17, 0.64%, 0.78%

LAB 80.7, -7.42, -18.89

 

CMYK 37 / 15 / 0 / 4

HEX #9ACFF4

RGB 154 207 244

HSL 204.67, 0.8%, 0.78%

LAB 80.75, -8.19, -23.65

 

CMYK 43 / 17 / 0 / 1

HEX #91D1FD

RGB 145 209 253

HSL 204.44, 0.96%, 0.78%

LAB 81.13, -9.2, -27.91

 

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

CMYK 17 / 7 / 0 / 15

HEX #B5CAD9

RGB 181 202 217

HSL 205, 0.32%, 0.78%

LAB 80.22, -3.98, -9.85

 

CMYK 9 / 3 / 0 / 18

HEX #BEC9D0

RGB 190 201 208

HSL 203.33, 0.16%, 0.78%

LAB 80.33, -2.38, -4.79

 

CMYK 0 / 0 / 0 / 22

HEX #C7C7C7

RGB 199 199 199

HSL 0, 0%, 0.78%

LAB 80.24, 0, -0.01

 

CMYK 0 / 5 / 9 / 18

HEX #D0C5BE

RGB 208 197 190

HSL 23.33, 0.16%, 0.78%

LAB 80.21, 2.63, 4.87

 

CMYK 24 / 0 / 3 / 11

HEX #ACE2DB

RGB 172 226 219

HSL 172.22, 0.48%, 0.78%

LAB 86.15, -18.64, -2.22

 

CMYK 24 / 3 / 0 / 11

HEX #ACDBE2

RGB 172 219 226

HSL 187.78, 0.48%, 0.78%

LAB 84.44, -13.61, -8.43

 

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

CMYK 24 / 16 / 0 / 11

HEX #ACBEE2

RGB 172 190 226

HSL 220, 0.48%, 0.78%

LAB 76.73, 1.63, -20

 

CMYK 24 / 22 / 0 / 11

HEX #ACB0E2

RGB 172 176 226

HSL 235.56, 0.48%, 0.78%

LAB 73.1, 9.28, -25.54

 

CMYK 46 / 19 / 0 / 20

HEX #6FA6CC

RGB 111 166 204

HSL 204.52, 0.48%, 0.62%

LAB 65.76, -7.89, -25.03

 

CMYK 34 / 14 / 0 / 16

HEX #8DB9D7

RGB 141 185 215

HSL 204.32, 0.48%, 0.7%

LAB 73.07, -7.35, -19.78

 

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

CMYK 14 / 6 / 0 / 7

HEX #CBDFED

RGB 203 223 237

HSL 204.71, 0.49%, 0.86%

LAB 87.77, -3.84, -9.09

 

CMYK 6 / 2 / 0 / 3

HEX #E9F1F7

RGB 233 241 247

HSL 205.71, 0.47%, 0.94%

LAB 94.72, -1.54, -3.82

HEX #E9F1F7

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

CMYK 10 / 24 / 0 / 11

HEX #CCACE2

RGB 204 172 226

HSL 275.56, 0.48%, 0.78%

LAB 74.72, 21.5, -22.82

 

CMYK 0 / 0 / 24 / 11

HEX #E2E2AC

RGB 226 226 172

HSL 60, 0.48%, 0.78%

LAB 88.7, -8.53, 26.49

 

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

CMYK 0 / 24 / 10 / 11

HEX #E2ACCC

RGB 226 172 204

HSL 324.44, 0.48%, 0.78%

LAB 76.09, 24.75, -8.57

 

CMYK 10 / 0 / 24 / 11

HEX #CCE2AC

RGB 204 226 172

HSL 84.44, 0.48%, 0.78%

LAB 87.1, -16.56, 24.03

 

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

CMYK 10 / 24 / 0 / 11

HEX #CCACE2

RGB 204 172 226

HSL 275.56, 0.48%, 0.78%

LAB 74.72, 21.5, -22.82

 

CMYK 0 / 14 / 24 / 11

HEX #E2C2AC

RGB 226 194 172

HSL 24.44, 0.48%, 0.78%

LAB 80.59, 8.02, 15.26

 

CMYK 14 / 0 / 24 / 11

HEX #C2E2AC

RGB 194 226 172

HSL 95.56, 0.48%, 0.78%

LAB 86.43, -20.11, 23

 

CMYK 24 / 10 / 0 / 11

HEX #ACCCE2

RGB 172 204 226

HSL 204.44, 0.48%, 0.78%

LAB 80.43, -5.84, -14.42

 

CMYK 3 / 24 / 0 / 11

HEX #DCACE2

RGB 220 172 226

HSL 293.33, 0.48%, 0.78%

LAB 76.2, 26.68, -20.44

 

CMYK 0 / 14 / 24 / 11

HEX #E2C2AC

RGB 226 194 172

HSL 24.44, 0.48%, 0.78%

LAB 80.59, 8.02, 15.26

 

CMYK 22 / 0 / 24 / 11

HEX #B1E2AC

RGB 177 226 172

HSL 114.44, 0.48%, 0.78%

LAB 85.36, -25.94, 21.37

 

Description

Color code: HEX #ACCCE2 | qconv.com Color code: HEX #ACCCE2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 204 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 204 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 10 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 10% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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