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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACCBF74C it is the complementary color #5334084C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACCBF74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACCBF74C shade: #B1CBF24C, #C2DDFF4C, #D3EFFF4C, #E4FFFF4C and #F5FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACCBF74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACCBF74C shade: #ACCBF74C, #9BB9E44C, #8AA7D14C, #7995BE4C and #6883AB4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACCBF74C shade: #ABCBF7, #ABB6F7, #B5ABF7, #C9ABF7 and #DEABF7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACCBF74C shade: #ABCBF7, #ABB6F7 and #ABABF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACCBF74C shade matches the following richer shades: #ABCBF7 and #A4C9FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACCBF74C shade: #ABCBF7, #B3CCEF, #BACDE8, #C2CEE0 and #C9D0D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACCBF74C shade: #ABF3F7, #ABDFF7, #ABCBF7, #ABB7F7 and #B4ABF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACCBF74C shade: #609BEF, #86B3F3, #ABCBF7, #D1E2FA and #F7FAFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACCBF74C shade: #ACCBF7, #E6ABF7 and #E9F7AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACCBF74C shade: #ACCBF7, #F7ABCB and #CBF7AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACCBF74C shade: #ACCBF7, #E6ABF7, #F7D7AB and #BCF7AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACCBF74C shade: #ACCBF7, #F7ABF0, #F7D7AB and #ABF7B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 5 / 0 / 1

HEX #ACCBF74C

RGBA 172 203 247 0.3

HSLA 215.2, 0.82%, 0.82%, 0.3

LABA 80.85, -0.4, -25.01, 0.3

 

Complementary color

CMYK 0 / 11 / 27 / 20

HEX #5334084C

RGBA 83 52 8 0.3

HSLA 35.2, 0.82%, 0.18%, 0.3

LABA 24.68, 9.98, 31.01, 0.3

 

CMYK 8 / 5 / 0 / 2

HEX #B1CBF24C

RGBA 177 203 242 0.3

HSLA 216, 0.71%, 0.82%, 0.3

LABA 81, -0.15, -22.09, 0.3

 

CMYK 7 / 4 / 0 / 0

HEX #C2DDFF4C

RGBA 194 221 255 0.3

HSLA 213.44, 1%, 0.88%, 0.3

LABA 87.19, -1.69, -19.49, 0.3

 

CMYK 5 / 2 / 0 / 0

HEX #D3EFFF4C

RGBA 211 239 255 0.3

HSLA 201.82, 1%, 0.91%, 0.3

LABA 92.93, -5.88, -10.78, 0.3

 

CMYK 3 / 0 / 0 / 0

HEX #E4FFFF4C

RGBA 228 255 255 0.3

HSLA 180, 1%, 0.95%, 0.3

LABA 98.13, -8.69, -2.97, 0.3

 

CMYK 1 / 0 / 0 / 0

HEX #F5FFFF4C

RGBA 245 255 255 0.3

HSLA 180, 1%, 0.98%, 0.3

LABA 99.28, -3.26, -1.15, 0.3

 

CMYK 9 / 5 / 0 / 1

HEX #ACCBF74C

RGBA 172 203 247 0.3

HSLA 215.2, 0.82%, 0.82%, 0.3

LABA 80.85, -0.4, -25.01, 0.3

 

CMYK 10 / 6 / 0 / 3

HEX #9BB9E44C

RGBA 155 185 228 0.3

HSLA 215.34, 0.57%, 0.75%, 0.3

LABA 74.36, -0.16, -24.79, 0.3

 

CMYK 10 / 6 / 0 / 5

HEX #8AA7D14C

RGBA 138 167 209 0.3

HSLA 215.49, 0.44%, 0.68%, 0.3

LABA 67.76, 0.1, -24.6, 0.3

 

CMYK 11 / 6 / 0 / 8

HEX #7995BE4C

RGBA 121 149 190 0.3

HSLA 215.65, 0.35%, 0.61%, 0.3

LABA 61.03, 0.39, -24.42, 0.3

 

CMYK 12 / 7 / 0 / 10

HEX #6883AB4C

RGBA 104 131 171 0.3

HSLA 215.82, 0.29%, 0.54%, 0.3

LABA 54.15, 0.74, -24.27, 0.3

 

CMYK 31 / 18 / 0 / 3

HEX #ABCBF7

RGB 171 203 247

HSL 214.74, 0.83%, 0.82%

LAB 80.79, -0.68, -25.11

 

CMYK 31 / 26 / 0 / 3

HEX #ABB6F7

RGB 171 182 247

HSL 231.32, 0.83%, 0.82%

LAB 75.34, 10.73, -33.46

 

CMYK 27 / 31 / 0 / 3

HEX #B5ABF7

RGB 181 171 247

HSL 247.89, 0.83%, 0.82%

LAB 73.33, 19.69, -36.53

 

CMYK 19 / 31 / 0 / 3

HEX #C9ABF7

RGB 201 171 247

HSL 263.68, 0.83%, 0.82%

LAB 74.99, 25.57, -33.82

 

CMYK 10 / 31 / 0 / 3

HEX #DEABF7

RGB 222 171 247

HSL 280.26, 0.83%, 0.82%

LAB 76.9, 31.96, -30.71

 

CMYK 31 / 18 / 0 / 3

HEX #ABCBF7

RGB 171 203 247

HSL 214.74, 0.83%, 0.82%

LAB 80.79, -0.68, -25.11

 

CMYK 31 / 26 / 0 / 3

HEX #ABB6F7

RGB 171 182 247

HSL 231.32, 0.83%, 0.82%

LAB 75.34, 10.73, -33.46

 

CMYK 31 / 31 / 0 / 3

HEX #ABABF7

RGB 171 171 247

HSL 240, 0.83%, 0.82%

LAB 72.56, 16.85, -37.78

 

CMYK 31 / 18 / 0 / 3

HEX #ABCBF7

RGB 171 203 247

HSL 214.74, 0.83%, 0.82%

LAB 80.79, -0.68, -25.11

 

CMYK 35 / 21 / 0 / 0

HEX #A4C9FE

RGB 164 201 254

HSL 215.33, 0.98%, 0.82%

LAB 80.08, 0.2, -29.97

 

CMYK 31 / 18 / 0 / 3

HEX #ABCBF7

RGB 171 203 247

HSL 214.74, 0.83%, 0.82%

LAB 80.79, -0.68, -25.11

 

CMYK 25 / 15 / 0 / 6

HEX #B3CCEF

RGB 179 204 239

HSL 215, 0.65%, 0.82%

LAB 81.29, -0.79, -20.03

 

CMYK 20 / 12 / 0 / 9

HEX #BACDE8

RGB 186 205 232

HSL 215.22, 0.5%, 0.82%

LAB 81.8, -0.77, -15.48

 

CMYK 13 / 8 / 0 / 12

HEX #C2CEE0

RGB 194 206 224

HSL 216, 0.33%, 0.82%

LAB 82.38, -0.49, -10.29

 

CMYK 7 / 4 / 0 / 15

HEX #C9D0D9

RGB 201 208 217

HSL 213.75, 0.17%, 0.82%

LAB 83.2, -0.66, -5.28

 

CMYK 31 / 2 / 0 / 3

HEX #ABF3F7

RGB 171 243 247

HSL 183.16, 0.83%, 0.82%

LAB 91.45, -21.2, -9.07

 

CMYK 31 / 10 / 0 / 3

HEX #ABDFF7

RGB 171 223 247

HSL 198.95, 0.83%, 0.82%

LAB 86.08, -11.15, -17.09

 

CMYK 31 / 18 / 0 / 3

HEX #ABCBF7

RGB 171 203 247

HSL 214.74, 0.83%, 0.82%

LAB 80.79, -0.68, -25.11

 

CMYK 31 / 26 / 0 / 3

HEX #ABB7F7

RGB 171 183 247

HSL 230.53, 0.83%, 0.82%

LAB 75.6, 10.18, -33.07

 

CMYK 27 / 31 / 0 / 3

HEX #B4ABF7

RGB 180 171 247

HSL 247.11, 0.83%, 0.82%

LAB 73.25, 19.4, -36.66

 

CMYK 60 / 35 / 0 / 6

HEX #609BEF

RGB 96 155 239

HSL 215.24, 0.82%, 0.66%

LAB 63.48, 5.72, -47.97

 

CMYK 45 / 26 / 0 / 5

HEX #86B3F3

RGB 134 179 243

HSL 215.23, 0.82%, 0.74%

LAB 72.08, 1.57, -36.54

 

CMYK 31 / 18 / 0 / 3

HEX #ABCBF7

RGB 171 203 247

HSL 214.74, 0.83%, 0.82%

LAB 80.79, -0.68, -25.11

 

CMYK 16 / 10 / 0 / 2

HEX #D1E2FA

RGB 209 226 250

HSL 215.12, 0.8%, 0.9%

LAB 89.32, -0.85, -13.56

 

CMYK 3 / 2 / 0 / 0

HEX #F7FAFE

RGB 247 250 254

HSL 214.29, 0.78%, 0.98%

LAB 98.15, -0.27, -2.27

 

CMYK 30 / 18 / 0 / 3

HEX #ACCBF7

RGB 172 203 247

HSL 215.2, 0.82%, 0.82%

LAB 80.85, -0.4, -25.01

 

CMYK 7 / 31 / 0 / 3

HEX #E6ABF7

RGB 230 171 247

HSL 286.58, 0.83%, 0.82%

LAB 77.68, 34.43, -29.46

 

CMYK 6 / 0 / 31 / 3

HEX #E9F7AB

RGB 233 247 171

HSL 71.05, 0.83%, 0.82%

LAB 94.65, -16.51, 35.08

 

CMYK 30 / 18 / 0 / 3

HEX #ACCBF7

RGB 172 203 247

HSL 215.2, 0.82%, 0.82%

LAB 80.85, -0.4, -25.01

 

CMYK 0 / 31 / 18 / 3

HEX #F7ABCB

RGB 247 171 203

HSL 334.74, 0.83%, 0.82%

LAB 78, 32.39, -4.95

 

CMYK 18 / 0 / 31 / 3

HEX #CBF7AB

RGB 203 247 171

HSL 94.74, 0.83%, 0.82%

LAB 92.64, -27.24, 32.05

 

CMYK 30 / 18 / 0 / 3

HEX #ACCBF7

RGB 172 203 247

HSL 215.2, 0.82%, 0.82%

LAB 80.85, -0.4, -25.01

 

CMYK 7 / 31 / 0 / 3

HEX #E6ABF7

RGB 230 171 247

HSL 286.58, 0.83%, 0.82%

LAB 77.68, 34.43, -29.46

 

CMYK 0 / 13 / 31 / 3

HEX #F7D7AB

RGB 247 215 171

HSL 34.74, 0.83%, 0.82%

LAB 87.64, 4.84, 25.84

 

CMYK 24 / 0 / 31 / 3

HEX #BCF7AB

RGB 188 247 171

HSL 106.58, 0.83%, 0.82%

LAB 91.75, -32.34, 30.7

 

CMYK 30 / 18 / 0 / 3

HEX #ACCBF7

RGB 172 203 247

HSL 215.2, 0.82%, 0.82%

LAB 80.85, -0.4, -25.01

 

CMYK 0 / 31 / 3 / 3

HEX #F7ABF0

RGB 247 171 240

HSL 305.53, 0.83%, 0.82%

LAB 79.15, 38.47, -23.28

 

CMYK 0 / 13 / 31 / 3

HEX #F7D7AB

RGB 247 215 171

HSL 34.74, 0.83%, 0.82%

LAB 87.64, 4.84, 25.84

 

CMYK 31 / 0 / 28 / 3

HEX #ABF7B2

RGB 171 247 178

HSL 125.53, 0.83%, 0.82%

LAB 90.96, -36.71, 25.92

 

Description

Color code: HEX #ACCBF74C | qconv.com Color code: HEX #ACCBF74C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 203 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 203 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 5 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 5% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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