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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACCB33 it is the complementary color #5334CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACCB33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACCB33 shade: #B1CB2E, #C2DD41, #D3EF54, #E4FF67 and #F5FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACCB33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACCB33 shade: #ACCB33, #9BB920, #8AA70D, #799500 and #688300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACCB33 shade: #ADCC33, #CCC233, #CC9933, #CC6F33 and #CC4633

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACCB33 shade: #ADCC33, #84CC33, #5ACC33, #33CC35 and #33CC5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACCB33 shade matches the following richer shades: #ADCC33, #B9E11E and #C5F50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACCB33 shade: #ADCC33, #A1B748, #94A35C, #888E71 and #7C7986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACCB33 shade: #CC9933, #CCC233, #ADCC33, #85CC33 and #5CCC33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACCB33 shade: #758A22, #91AB2B, #ADCC33, #BAD454 and #C7DD75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACCB33 shade: #ACCB33, #33CC70 and #AD33CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACCB33 shade: #ACCB33, #33ADCC and #CC33AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACCB33 shade: #ACCB33, #33CC70, #5233CC and #CC338F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACCB33 shade: #ACCB33, #33CC9E, #5233CC and #CC3361

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 75 / 20

HEX #ACCB33

RGB 172 203 51

HSL 72.24, 0.6%, 0.5%

LAB 77.11, -29.91, 67.22

 

Complementary color

CMYK 59 / 75 / 0 / 20

HEX #5334CC

RGB 83 52 204

HSL 252.24, 0.6%, 0.5%

LAB 35.31, 53.14, -73.63

 

CMYK 13 / 0 / 77 / 20

HEX #B1CB2E

RGB 177 203 46

HSL 69.94, 0.63%, 0.49%

LAB 77.43, -28.1, 69.19

 

CMYK 12 / 0 / 71 / 13

HEX #C2DD41

RGB 194 221 65

HSL 70.38, 0.7%, 0.56%

LAB 83.74, -28.83, 69.4

 

CMYK 12 / 0 / 65 / 6

HEX #D3EF54

RGB 211 239 84

HSL 70.84, 0.83%, 0.63%

LAB 89.96, -29.42, 69.06

 

CMYK 11 / 0 / 60 / 0

HEX #E4FF67

RGB 228 255 103

HSL 70.66, 1%, 0.7%

LAB 95.58, -28.97, 67.81

 

CMYK 4 / 0 / 52 / 0

HEX #F5FF7A

RGB 245 255 122

HSL 64.51, 1%, 0.74%

LAB 96.96, -20.92, 61.53

 

CMYK 15 / 0 / 75 / 20

HEX #ACCB33

RGB 172 203 51

HSL 72.24, 0.6%, 0.5%

LAB 77.11, -29.91, 67.22

 

CMYK 16 / 0 / 83 / 27

HEX #9BB920

RGB 155 185 32

HSL 71.76, 0.71%, 0.43%

LAB 70.71, -29.12, 66.48

 

CMYK 17 / 0 / 92 / 35

HEX #8AA70D

RGB 138 167 13

HSL 71.3, 0.86%, 0.35%

LAB 64.22, -28.11, 64.47

 

CMYK 19 / 0 / 100 / 42

HEX #799500

RGB 121 149 0

HSL 71.28, 1%, 0.29%

LAB 57.62, -26.86, 60.71

 

CMYK 21 / 0 / 100 / 49

HEX #688300

RGB 104 131 0

HSL 72.37, 1%, 0.26%

LAB 50.89, -25.37, 55.11

 

CMYK 15 / 0 / 75 / 20

HEX #ADCC33

RGB 173 204 51

HSL 72.16, 0.6%, 0.5%

LAB 77.47, -29.98, 67.58

 

CMYK 0 / 5 / 75 / 20

HEX #CCC233

RGB 204 194 51

HSL 56.08, 0.6%, 0.5%

LAB 77.08, -12.1, 68.06

 

CMYK 0 / 25 / 75 / 20

HEX #CC9933

RGB 204 153 51

HSL 40, 0.6%, 0.5%

LAB 66.41, 9.5, 57.94

 

CMYK 0 / 46 / 75 / 20

HEX #CC6F33

RGB 204 111 51

HSL 23.53, 0.6%, 0.5%

LAB 56.53, 32.22, 48.08

 

CMYK 0 / 66 / 75 / 20

HEX #CC4633

RGB 204 70 51

HSL 7.45, 0.6%, 0.5%

LAB 48.83, 52.02, 39.96

 

CMYK 15 / 0 / 75 / 20

HEX #ADCC33

RGB 173 204 51

HSL 72.16, 0.6%, 0.5%

LAB 77.47, -29.98, 67.58

 

CMYK 35 / 0 / 75 / 20

HEX #84CC33

RGB 132 204 51

HSL 88.24, 0.6%, 0.5%

LAB 75.03, -45.62, 64.4

 

CMYK 56 / 0 / 75 / 20

HEX #5ACC33

RGB 90 204 51

HSL 104.71, 0.6%, 0.5%

LAB 73.28, -58.59, 62.1

 

CMYK 75 / 0 / 74 / 20

HEX #33CC35

RGB 51 204 53

HSL 120.78, 0.6%, 0.5%

LAB 72.33, -66.45, 60.15

 

CMYK 75 / 0 / 54 / 20

HEX #33CC5E

RGB 51 204 94

HSL 136.86, 0.6%, 0.5%

LAB 72.69, -62.03, 43.35

 

CMYK 15 / 0 / 75 / 20

HEX #ADCC33

RGB 173 204 51

HSL 72.16, 0.6%, 0.5%

LAB 77.47, -29.98, 67.58

 

CMYK 18 / 0 / 87 / 12

HEX #B9E11E

RGB 185 225 30

HSL 72.31, 0.76%, 0.5%

LAB 84.1, -35.61, 79.03

 

CMYK 20 / 0 / 96 / 4

HEX #C5F50A

RGB 197 245 10

HSL 72.26, 0.92%, 0.5%

LAB 90.41, -40.17, 86.92

 

CMYK 15 / 0 / 75 / 20

HEX #ADCC33

RGB 173 204 51

HSL 72.16, 0.6%, 0.5%

LAB 77.47, -29.98, 67.58

 

CMYK 12 / 0 / 61 / 28

HEX #A1B748

RGB 161 183 72

HSL 71.89, 0.44%, 0.5%

LAB 70.81, -23.47, 52.49

 

CMYK 9 / 0 / 44 / 36

HEX #94A35C

RGB 148 163 92

HSL 72.68, 0.28%, 0.5%

LAB 64.37, -16.77, 35.03

 

CMYK 4 / 0 / 20 / 44

HEX #888E71

RGB 136 142 113

HSL 72.41, 0.11%, 0.5%

LAB 57.82, -7.49, 14.74

 

CMYK 7 / 10 / 0 / 47

HEX #7C7986

RGB 124 121 134

HSL 253.85, 0.05%, 0.5%

LAB 51.47, 3.82, -6.67

 

CMYK 0 / 25 / 75 / 20

HEX #CC9933

RGB 204 153 51

HSL 40, 0.6%, 0.5%

LAB 66.41, 9.5, 57.94

 

CMYK 0 / 5 / 75 / 20

HEX #CCC233

RGB 204 194 51

HSL 56.08, 0.6%, 0.5%

LAB 77.08, -12.1, 68.06

 

CMYK 15 / 0 / 75 / 20

HEX #ADCC33

RGB 173 204 51

HSL 72.16, 0.6%, 0.5%

LAB 77.47, -29.98, 67.58

 

CMYK 35 / 0 / 75 / 20

HEX #85CC33

RGB 133 204 51

HSL 87.84, 0.6%, 0.5%

LAB 75.08, -45.26, 64.47

 

CMYK 55 / 0 / 75 / 20

HEX #5CCC33

RGB 92 204 51

HSL 103.92, 0.6%, 0.5%

LAB 73.35, -58.06, 62.19

 

CMYK 15 / 0 / 75 / 46

HEX #758A22

RGB 117 138 34

HSL 72.12, 0.6%, 0.34%

LAB 54.11, -22.06, 49.77

 

CMYK 15 / 0 / 75 / 33

HEX #91AB2B

RGB 145 171 43

HSL 72.19, 0.6%, 0.42%

LAB 66, -26.07, 58.68

 

CMYK 15 / 0 / 75 / 20

HEX #ADCC33

RGB 173 204 51

HSL 72.16, 0.6%, 0.5%

LAB 77.47, -29.98, 67.58

 

CMYK 12 / 0 / 60 / 17

HEX #BAD454

RGB 186 212 84

HSL 72.19, 0.6%, 0.58%

LAB 80.83, -26.55, 58.79

 

CMYK 10 / 0 / 47 / 13

HEX #C7DD75

RGB 199 221 117

HSL 72.69, 0.6%, 0.66%

LAB 84.56, -22.87, 48.3

 

CMYK 15 / 0 / 75 / 20

HEX #ACCB33

RGB 172 203 51

HSL 72.24, 0.6%, 0.5%

LAB 77.11, -29.91, 67.22

 

CMYK 75 / 0 / 45 / 20

HEX #33CC70

RGB 51 204 112

HSL 143.92, 0.6%, 0.5%

LAB 72.93, -59.24, 34.8

 

CMYK 15 / 75 / 0 / 20

HEX #AD33CC

RGB 173 51 204

HSL 287.84, 0.6%, 0.5%

LAB 46.46, 68.6, -54.99

 

CMYK 15 / 0 / 75 / 20

HEX #ACCB33

RGB 172 203 51

HSL 72.24, 0.6%, 0.5%

LAB 77.11, -29.91, 67.22

 

CMYK 75 / 15 / 0 / 20

HEX #33ADCC

RGB 51 173 204

HSL 192.16, 0.6%, 0.5%

LAB 65.71, -22.67, -25.28

 

CMYK 0 / 75 / 15 / 20

HEX #CC33AD

RGB 204 51 173

HSL 312.16, 0.6%, 0.5%

LAB 49.76, 70.17, -31.36

 

CMYK 15 / 0 / 75 / 20

HEX #ACCB33

RGB 172 203 51

HSL 72.24, 0.6%, 0.5%

LAB 77.11, -29.91, 67.22

 

CMYK 75 / 0 / 45 / 20

HEX #33CC70

RGB 51 204 112

HSL 143.92, 0.6%, 0.5%

LAB 72.93, -59.24, 34.8

 

CMYK 60 / 75 / 0 / 20

HEX #5233CC

RGB 82 51 204

HSL 252.16, 0.6%, 0.5%

LAB 35.05, 53.51, -74.07

 

CMYK 0 / 75 / 30 / 20

HEX #CC338F

RGB 204 51 143

HSL 323.92, 0.6%, 0.5%

LAB 48.5, 66.33, -15.48

 

CMYK 15 / 0 / 75 / 20

HEX #ACCB33

RGB 172 203 51

HSL 72.24, 0.6%, 0.5%

LAB 77.11, -29.91, 67.22

 

CMYK 75 / 0 / 23 / 20

HEX #33CC9E

RGB 51 204 158

HSL 161.96, 0.6%, 0.5%

LAB 73.78, -49.86, 11.84

 

CMYK 60 / 75 / 0 / 20

HEX #5233CC

RGB 82 51 204

HSL 252.16, 0.6%, 0.5%

LAB 35.05, 53.51, -74.07

 

CMYK 0 / 75 / 52 / 20

HEX #CC3361

RGB 204 51 97

HSL 341.96, 0.6%, 0.5%

LAB 47.06, 61.83, 10.45

 

Description

Color code: HEX #ACCB33 | qconv.com Color code: HEX #ACCB33 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 203 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 203 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 75 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 75% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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