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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACC5E4 it is the complementary color #533A1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACC5E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACC5E4 shade: #B1C5DF, #C2D7F2, #D3E9FF, #E4FBFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACC5E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACC5E4 shade: #ACC5E4, #9BB3D1, #8AA1BE, #798FAB and #687D98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACC5E4 shade: #AAC3E3, #AAB4E3, #AFAAE3, #BFAAE3 and #CEAAE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACC5E4 shade: #AAC3E3, #AAB4E3 and #AAAAE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACC5E4 shade matches the following richer shades: #AAC3E3, #A1C2EC, #98C1F5 and #8FC0FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACC5E4 shade: #AAC3E3, #B3C4DA, #BCC5D1, #C5C6C8 and #CEC7BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACC5E4 shade: #AAE2E3, #AAD3E3, #AAC4E3, #AAB4E3 and #AFAAE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACC5E4 shade: #6B98CF, #8BAED9, #AAC3E3, #C9D9ED and #E8EFF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACC5E4 shade: #ACC5E4, #D5AAE3 and #DAE3AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACC5E4 shade: #ACC5E4, #E3AAC4 and #C4E3AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACC5E4 shade: #ACC5E4, #D5AAE3, #E3C9AA and #B8E3AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACC5E4 shade: #ACC5E4, #E3AAE0, #E3C9AA and #AAE3AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 14 / 0 / 11

HEX #ACC5E4

RGB 172 197 228

HSL 213.21, 0.51%, 0.78%

LAB 78.64, -1.67, -18.19

 

Complementary color

CMYK 0 / 30 / 67 / 67

HEX #533A1B

RGB 83 58 27

HSL 33.21, 0.51%, 0.22%

LAB 26.58, 7.24, 23.29

 

CMYK 21 / 12 / 0 / 13

HEX #B1C5DF

RGB 177 197 223

HSL 213.91, 0.42%, 0.78%

LAB 78.81, -1.28, -15.21

 

CMYK 20 / 11 / 0 / 5

HEX #C2D7F2

RGB 194 215 242

HSL 213.75, 0.65%, 0.85%

LAB 85.24, -1.41, -15.57

 

CMYK 17 / 9 / 0 / 0

HEX #D3E9FF

RGB 211 233 255

HSL 210, 1%, 0.91%

LAB 91.39, -2.81, -13.07

 

CMYK 11 / 2 / 0 / 0

HEX #E4FBFF

RGB 228 251 255

HSL 188.89, 1%, 0.95%

LAB 97.11, -6.68, -4.47

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 25 / 14 / 0 / 11

HEX #ACC5E4

RGB 172 197 228

HSL 213.21, 0.51%, 0.78%

LAB 78.64, -1.67, -18.19

 

CMYK 26 / 14 / 0 / 18

HEX #9BB3D1

RGB 155 179 209

HSL 213.33, 0.37%, 0.71%

LAB 72.1, -1.51, -17.88

 

CMYK 27 / 15 / 0 / 25

HEX #8AA1BE

RGB 138 161 190

HSL 213.46, 0.29%, 0.64%

LAB 65.44, -1.34, -17.58

 

CMYK 29 / 16 / 0 / 33

HEX #798FAB

RGB 121 143 171

HSL 213.6, 0.23%, 0.57%

LAB 58.65, -1.16, -17.29

 

CMYK 32 / 18 / 0 / 40

HEX #687D98

RGB 104 125 152

HSL 213.75, 0.19%, 0.5%

LAB 51.7, -0.94, -17.02

 

CMYK 25 / 14 / 0 / 11

HEX #AAC3E3

RGB 170 195 227

HSL 213.68, 0.5%, 0.78%

LAB 77.95, -1.43, -18.71

 

CMYK 25 / 21 / 0 / 11

HEX #AAB4E3

RGB 170 180 227

HSL 229.47, 0.5%, 0.78%

LAB 74.02, 6.71, -24.68

 

CMYK 23 / 25 / 0 / 11

HEX #AFAAE3

RGB 175 170 227

HSL 245.26, 0.5%, 0.78%

LAB 71.83, 13.75, -28

 

CMYK 16 / 25 / 0 / 11

HEX #BFAAE3

RGB 191 170 227

HSL 262.11, 0.5%, 0.78%

LAB 73.14, 18.68, -25.89

 

CMYK 9 / 25 / 0 / 11

HEX #CEAAE3

RGB 206 170 227

HSL 277.89, 0.5%, 0.78%

LAB 74.46, 23.43, -23.75

 

CMYK 25 / 14 / 0 / 11

HEX #AAC3E3

RGB 170 195 227

HSL 213.68, 0.5%, 0.78%

LAB 77.95, -1.43, -18.71

 

CMYK 25 / 21 / 0 / 11

HEX #AAB4E3

RGB 170 180 227

HSL 229.47, 0.5%, 0.78%

LAB 74.02, 6.71, -24.68

 

CMYK 25 / 25 / 0 / 11

HEX #AAAAE3

RGB 170 170 227

HSL 240, 0.5%, 0.78%

LAB 71.45, 12.24, -28.63

 

CMYK 25 / 14 / 0 / 11

HEX #AAC3E3

RGB 170 195 227

HSL 213.68, 0.5%, 0.78%

LAB 77.95, -1.43, -18.71

 

CMYK 32 / 18 / 0 / 7

HEX #A1C2EC

RGB 161 194 236

HSL 213.6, 0.66%, 0.78%

LAB 77.41, -1.36, -24.43

 

CMYK 38 / 21 / 0 / 4

HEX #98C1F5

RGB 152 193 245

HSL 213.55, 0.82%, 0.78%

LAB 76.93, -0.99, -30.05

 

CMYK 44 / 24 / 0 / 0

HEX #8FC0FE

RGB 143 192 254

HSL 213.51, 0.98%, 0.78%

LAB 76.49, -0.32, -35.59

 

CMYK 25 / 14 / 0 / 11

HEX #AAC3E3

RGB 170 195 227

HSL 213.68, 0.5%, 0.78%

LAB 77.95, -1.43, -18.71

 

CMYK 18 / 10 / 0 / 15

HEX #B3C4DA

RGB 179 196 218

HSL 213.85, 0.35%, 0.78%

LAB 78.53, -1.22, -12.92

 

CMYK 10 / 6 / 0 / 18

HEX #BCC5D1

RGB 188 197 209

HSL 214.29, 0.19%, 0.78%

LAB 79.17, -0.73, -7.06

 

CMYK 1 / 1 / 0 / 22

HEX #C5C6C8

RGB 197 198 200

HSL 220, 0.03%, 0.78%

LAB 79.86, 0.03, -1.13

 

CMYK 0 / 3 / 7 / 19

HEX #CEC7BF

RGB 206 199 191

HSL 32, 0.13%, 0.78%

LAB 80.59, 1.03, 4.85

 

CMYK 25 / 0 / 0 / 11

HEX #AAE2E3

RGB 170 226 227

HSL 181.05, 0.5%, 0.78%

LAB 86.25, -17.51, -6.3

 

CMYK 25 / 7 / 0 / 11

HEX #AAD3E3

RGB 170 211 227

HSL 196.84, 0.5%, 0.78%

LAB 82.21, -9.86, -12.31

 

CMYK 25 / 14 / 0 / 11

HEX #AAC4E3

RGB 170 196 227

HSL 212.63, 0.5%, 0.78%

LAB 78.21, -1.97, -18.31

 

CMYK 25 / 21 / 0 / 11

HEX #AAB4E3

RGB 170 180 227

HSL 229.47, 0.5%, 0.78%

LAB 74.02, 6.71, -24.68

 

CMYK 23 / 25 / 0 / 11

HEX #AFAAE3

RGB 175 170 227

HSL 245.26, 0.5%, 0.78%

LAB 71.83, 13.75, -28

 

CMYK 48 / 27 / 0 / 19

HEX #6B98CF

RGB 107 152 207

HSL 213, 0.51%, 0.62%

LAB 61.73, -0.17, -32.93

 

CMYK 36 / 20 / 0 / 15

HEX #8BAED9

RGB 139 174 217

HSL 213.08, 0.51%, 0.7%

LAB 70.02, -1.42, -25.53

 

CMYK 25 / 14 / 0 / 11

HEX #AAC3E3

RGB 170 195 227

HSL 213.68, 0.5%, 0.78%

LAB 77.95, -1.43, -18.71

 

CMYK 15 / 8 / 0 / 7

HEX #C9D9ED

RGB 201 217 237

HSL 213.33, 0.5%, 0.86%

LAB 86.09, -1.35, -11.61

 

CMYK 6 / 3 / 0 / 3

HEX #E8EFF7

RGB 232 239 247

HSL 212, 0.48%, 0.94%

LAB 94.14, -0.84, -4.67

 

CMYK 25 / 14 / 0 / 11

HEX #ACC5E4

RGB 172 197 228

HSL 213.21, 0.51%, 0.78%

LAB 78.64, -1.67, -18.19

 

CMYK 6 / 25 / 0 / 11

HEX #D5AAE3

RGB 213 170 227

HSL 285.26, 0.5%, 0.78%

LAB 75.1, 25.68, -22.71

 

CMYK 4 / 0 / 25 / 11

HEX #DAE3AA

RGB 218 227 170

HSL 69.47, 0.5%, 0.78%

LAB 88.33, -12.26, 26.9

 

CMYK 25 / 14 / 0 / 11

HEX #ACC5E4

RGB 172 197 228

HSL 213.21, 0.51%, 0.78%

LAB 78.64, -1.67, -18.19

 

CMYK 0 / 25 / 14 / 11

HEX #E3AAC4

RGB 227 170 196

HSL 332.63, 0.5%, 0.78%

LAB 75.49, 24.85, -5.07

 

CMYK 14 / 0 / 25 / 11

HEX #C4E3AA

RGB 196 227 170

HSL 92.63, 0.5%, 0.78%

LAB 86.79, -20.2, 24.55

 

CMYK 25 / 14 / 0 / 11

HEX #ACC5E4

RGB 172 197 228

HSL 213.21, 0.51%, 0.78%

LAB 78.64, -1.67, -18.19

 

CMYK 6 / 25 / 0 / 11

HEX #D5AAE3

RGB 213 170 227

HSL 285.26, 0.5%, 0.78%

LAB 75.1, 25.68, -22.71

 

CMYK 0 / 11 / 25 / 11

HEX #E3C9AA

RGB 227 201 170

HSL 32.63, 0.5%, 0.78%

LAB 82.38, 4.43, 18.85

 

CMYK 19 / 0 / 25 / 11

HEX #B8E3AA

RGB 184 227 170

HSL 105.26, 0.5%, 0.78%

LAB 86.02, -24.38, 23.38

 

CMYK 25 / 14 / 0 / 11

HEX #ACC5E4

RGB 172 197 228

HSL 213.21, 0.51%, 0.78%

LAB 78.64, -1.67, -18.19

 

CMYK 0 / 25 / 1 / 11

HEX #E3AAE0

RGB 227 170 224

HSL 303.16, 0.5%, 0.78%

LAB 76.35, 29.67, -19.05

 

CMYK 0 / 11 / 25 / 11

HEX #E3C9AA

RGB 227 201 170

HSL 32.63, 0.5%, 0.78%

LAB 82.38, 4.43, 18.85

 

CMYK 25 / 0 / 24 / 11

HEX #AAE3AD

RGB 170 227 173

HSL 123.16, 0.5%, 0.78%

LAB 85.25, -28.57, 20.63

 

Description

Color code: HEX #ACC5E4 | qconv.com Color code: HEX #ACC5E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 197 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 197 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 14 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 14% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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