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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB8D5 it is the complementary color #53472A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB8D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ACB8D5: #B1B8D0, #C2CAE3, #D3DCF6, #E4EEFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB8D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ACB8D5: #ACB8D5, #9BA6C2, #8A94AF, #79829C and #687089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 14 / 0 / 16

HEX #ACB8D5

RGB 172 184 213

HSL 222.44, 0.33%, 0.75%

LAB 74.73, 1.94, -15.97

 

Complementary color

CMYK 0 / 14 / 49 / 67

HEX #53472A

RGB 83 71 42

HSL 42.44, 0.33%, 0.25%

LAB 30.67, 0.52, 19.27

 

CMYK 15 / 12 / 0 / 18

HEX #B1B8D0

RGB 177 184 208

HSL 226.45, 0.25%, 0.75%

LAB 74.94, 2.44, -12.91

 

CMYK 15 / 11 / 0 / 11

HEX #C2CAE3

RGB 194 202 227

HSL 225.45, 0.37%, 0.83%

LAB 81.43, 2.26, -13.3

 

CMYK 14 / 11 / 0 / 4

HEX #D3DCF6

RGB 211 220 246

HSL 224.57, 0.66%, 0.9%

LAB 87.82, 2.08, -13.7

 

CMYK 11 / 7 / 0 / 0

HEX #E4EEFF

RGB 228 238 255

HSL 217.78, 1%, 0.95%

LAB 93.82, -0.08, -9.33

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 19 / 14 / 0 / 16

HEX #ACB8D5

RGB 172 184 213

HSL 222.44, 0.33%, 0.75%

LAB 74.73, 1.94, -15.97

 

CMYK 20 / 14 / 0 / 24

HEX #9BA6C2

RGB 155 166 194

HSL 223.08, 0.24%, 0.68%

LAB 68.12, 2.14, -15.64

 

CMYK 21 / 15 / 0 / 31

HEX #8A94AF

RGB 138 148 175

HSL 223.78, 0.19%, 0.61%

LAB 61.38, 2.35, -15.31

 

CMYK 22 / 17 / 0 / 39

HEX #79829C

RGB 121 130 156

HSL 224.57, 0.15%, 0.54%

LAB 54.48, 2.59, -15

 

CMYK 24 / 18 / 0 / 46

HEX #687089

RGB 104 112 137

HSL 225.45, 0.14%, 0.47%

LAB 47.41, 2.85, -14.71

 

CMYK 19 / 14 / 0 / 16

HEX #ACB8D5

RGB 172 184 213

HSL 222.44, 0.33%, 0.75%

LAB 74.73, 1.94, -15.97

 

CMYK 20 / 17 / 0 / 17

HEX #AAAFD4

RGB 170 175 212

HSL 232.86, 0.33%, 0.75%

LAB 72.2, 6, -19.27

 

CMYK 19 / 20 / 0 / 17

HEX #ABAAD4

RGB 171 170 212

HSL 241.43, 0.33%, 0.75%

LAB 70.98, 9.07, -21.12

 

CMYK 16 / 20 / 0 / 17

HEX #B2AAD4

RGB 178 170 212

HSL 251.43, 0.33%, 0.75%

LAB 71.53, 11.3, -20.23

 

CMYK 13 / 20 / 0 / 17

HEX #B9AAD4

RGB 185 170 212

HSL 261.43, 0.33%, 0.75%

LAB 72.11, 13.55, -19.3

 

CMYK 19 / 14 / 0 / 16

HEX #ACB8D5

RGB 172 184 213

HSL 222.44, 0.33%, 0.75%

LAB 74.73, 1.94, -15.97

 

CMYK 22 / 11 / 0 / 96

HEX #070809

RGB 7 8 9

HSL 210, 0.13%, 0.03%

LAB 2.15, -0.12, -0.47

 

CMYK 20 / 13 / 0 / 76

HEX #30343C

RGB 48 52 60

HSL 220, 0.11%, 0.21%

LAB 21.62, 0.35, -5.6

 

CMYK 19 / 14 / 0 / 56

HEX #5A606F

RGB 90 96 111

HSL 222.86, 0.1%, 0.39%

LAB 40.71, 1.17, -9.28

 

CMYK 19 / 14 / 0 / 36

HEX #838CA2

RGB 131 140 162

HSL 222.58, 0.14%, 0.57%

LAB 58.22, 1.56, -12.74

 

CMYK 19 / 14 / 0 / 16

HEX #ACB8D5

RGB 172 184 213

HSL 222.44, 0.33%, 0.75%

LAB 74.73, 1.94, -15.97

 

CMYK 2 / 20 / 0 / 17

HEX #D0AAD4

RGB 208 170 212

HSL 294.29, 0.33%, 0.75%

LAB 74.13, 21.14, -16.04

 

CMYK 6 / 0 / 20 / 17

HEX #C7D4AA

RGB 199 212 170

HSL 78.57, 0.33%, 0.75%

LAB 82.98, -11.64, 19.34

 

CMYK 19 / 14 / 0 / 16

HEX #ACB8D5

RGB 172 184 213

HSL 222.44, 0.33%, 0.75%

LAB 74.73, 1.94, -15.97

 

CMYK 0 / 20 / 14 / 17

HEX #D4AAB6

RGB 212 170 182

HSL 342.86, 0.33%, 0.75%

LAB 73.63, 17.23, -0.31

 

CMYK 14 / 0 / 20 / 17

HEX #B6D4AA

RGB 182 212 170

HSL 102.86, 0.33%, 0.75%

LAB 81.8, -17.69, 17.52

 

CMYK 19 / 14 / 0 / 16

HEX #ACB8D5

RGB 172 184 213

HSL 222.44, 0.33%, 0.75%

LAB 74.73, 1.94, -15.97

 

CMYK 2 / 20 / 0 / 17

HEX #D0AAD4

RGB 208 170 212

HSL 294.29, 0.33%, 0.75%

LAB 74.13, 21.14, -16.04

 

CMYK 0 / 6 / 20 / 17

HEX #D4C7AA

RGB 212 199 170

HSL 41.43, 0.33%, 0.75%

LAB 80.6, -0.14, 16.17

 

CMYK 18 / 0 / 20 / 17

HEX #AED4AA

RGB 174 212 170

HSL 114.29, 0.33%, 0.75%

LAB 81.28, -20.46, 16.72

 

CMYK 19 / 14 / 0 / 16

HEX #ACB8D5

RGB 172 184 213

HSL 222.44, 0.33%, 0.75%

LAB 74.73, 1.94, -15.97

 

CMYK 0 / 20 / 4 / 17

HEX #D4AACB

RGB 212 170 203

HSL 312.86, 0.33%, 0.75%

LAB 74.23, 20.83, -10.94

 

CMYK 0 / 6 / 20 / 17

HEX #D4C7AA

RGB 212 199 170

HSL 41.43, 0.33%, 0.75%

LAB 80.6, -0.14, 16.17

 

CMYK 20 / 0 / 16 / 17

HEX #AAD4B2

RGB 170 212 178

HSL 131.43, 0.33%, 0.75%

LAB 81.21, -20.39, 12.34

 

Description

Color code: HEX #ACB8D5 | qconv.com Color code: HEX #ACB8D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 184 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 184 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 14 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 14% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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