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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB6F0 it is the complementary color #53490F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB6F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB6F0 shade: #B1B6EB, #C2C8FE, #D3DAFF, #E4ECFF and #F5FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB6F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB6F0 shade: #ACB6F0, #9BA4DD, #8A92CA, #7980B7 and #686EA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB6F0 shade: #ADB6EF, #B5ADEF, #C7ADEF, #D9ADEF and #EBADEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB6F0 shade: #ADB6EF and #ADADEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB6F0 shade matches the following richer shades: #ADB6EF and #A5B1F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB6F0 shade: #ADB6EF, #B4BCE8, #BCC2E0, #C4C7D8 and #CCCDD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB6F0 shade: #ADDAEF, #ADC8EF, #ADB7EF, #B4ADEF and #C6ADEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB6F0 shade: #6779E3, #8A98E9, #ADB6EF, #CFD5F6 and #F2F4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB6F0 shade: #ACB6F0, #EFADEC and #D1EFAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB6F0 shade: #ACB6F0, #EFADB7 and #B7EFAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB6F0 shade: #ACB6F0, #EFADEC, #EFE5AD and #ADEFB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB6F0 shade: #ACB6F0, #EFADD8, #EFE5AD and #ADEFC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 24 / 0 / 6

HEX #ACB6F0

RGB 172 182 240

HSL 231.18, 0.69%, 0.81%

LAB 75.15, 9.3, -29.98

 

Complementary color

CMYK 0 / 12 / 82 / 67

HEX #53490F

RGB 83 73 15

HSL 51.18, 0.69%, 0.19%

LAB 30.97, -2.97, 33.96

 

CMYK 25 / 23 / 0 / 8

HEX #B1B6EB

RGB 177 182 235

HSL 234.83, 0.59%, 0.81%

LAB 75.33, 9.58, -26.97

 

CMYK 24 / 21 / 0 / 0

HEX #C2C8FE

RGB 194 200 254

HSL 234, 0.97%, 0.88%

LAB 81.8, 9.24, -27.15

 

CMYK 17 / 15 / 0 / 0

HEX #D3DAFF

RGB 211 218 255

HSL 230.45, 1%, 0.91%

LAB 87.59, 5, -18.78

 

CMYK 11 / 7 / 0 / 0

HEX #E4ECFF

RGB 228 236 255

HSL 222.22, 1%, 0.95%

LAB 93.32, 0.95, -10.07

 

CMYK 4 / 0 / 0 / 0

HEX #F5FEFF

RGB 245 254 255

HSL 186, 1%, 0.98%

LAB 99.03, -2.76, -1.51

 

CMYK 28 / 24 / 0 / 6

HEX #ACB6F0

RGB 172 182 240

HSL 231.18, 0.69%, 0.81%

LAB 75.15, 9.3, -29.98

 

CMYK 30 / 26 / 0 / 13

HEX #9BA4DD

RGB 155 164 221

HSL 231.82, 0.49%, 0.74%

LAB 68.56, 9.71, -29.87

 

CMYK 32 / 28 / 0 / 21

HEX #8A92CA

RGB 138 146 202

HSL 232.5, 0.38%, 0.67%

LAB 61.85, 10.17, -29.8

 

CMYK 34 / 30 / 0 / 28

HEX #7980B7

RGB 121 128 183

HSL 233.23, 0.3%, 0.6%

LAB 54.99, 10.69, -29.76

 

CMYK 37 / 33 / 0 / 36

HEX #686EA4

RGB 104 110 164

HSL 234, 0.25%, 0.53%

LAB 47.98, 11.3, -29.78

 

CMYK 28 / 24 / 0 / 6

HEX #ADB6EF

RGB 173 182 239

HSL 231.82, 0.67%, 0.81%

LAB 75.18, 9.35, -29.38

 

CMYK 24 / 28 / 0 / 6

HEX #B5ADEF

RGB 181 173 239

HSL 247.27, 0.67%, 0.81%

LAB 73.51, 16.68, -31.91

 

CMYK 17 / 28 / 0 / 6

HEX #C7ADEF

RGB 199 173 239

HSL 263.64, 0.67%, 0.81%

LAB 74.99, 22.12, -29.51

 

CMYK 9 / 28 / 0 / 6

HEX #D9ADEF

RGB 217 173 239

HSL 280, 0.67%, 0.81%

LAB 76.6, 27.72, -26.9

 

CMYK 2 / 28 / 0 / 6

HEX #EBADEF

RGB 235 173 239

HSL 296.36, 0.67%, 0.81%

LAB 78.33, 33.42, -24.09

 

CMYK 28 / 24 / 0 / 6

HEX #ADB6EF

RGB 173 182 239

HSL 231.82, 0.67%, 0.81%

LAB 75.18, 9.35, -29.38

 

CMYK 28 / 28 / 0 / 6

HEX #ADADEF

RGB 173 173 239

HSL 240, 0.67%, 0.81%

LAB 72.89, 14.34, -32.91

 

CMYK 28 / 24 / 0 / 6

HEX #ADB6EF

RGB 173 182 239

HSL 231.82, 0.67%, 0.81%

LAB 75.18, 9.35, -29.38

 

CMYK 33 / 28 / 0 / 3

HEX #A5B1F7

RGB 165 177 247

HSL 231.22, 0.84%, 0.81%

LAB 73.65, 11.83, -36.12

 

CMYK 28 / 24 / 0 / 6

HEX #ADB6EF

RGB 173 182 239

HSL 231.82, 0.67%, 0.81%

LAB 75.18, 9.35, -29.38

 

CMYK 22 / 19 / 0 / 9

HEX #B4BCE8

RGB 180 188 232

HSL 230.77, 0.53%, 0.81%

LAB 76.98, 6.51, -22.81

 

CMYK 16 / 13 / 0 / 12

HEX #BCC2E0

RGB 188 194 224

HSL 230, 0.37%, 0.81%

LAB 78.84, 3.99, -15.62

 

CMYK 9 / 8 / 0 / 15

HEX #C4C7D8

RGB 196 199 216

HSL 231, 0.2%, 0.81%

LAB 80.48, 2.25, -8.81

 

CMYK 2 / 1 / 0 / 18

HEX #CCCDD0

RGB 204 205 208

HSL 225, 0.04%, 0.81%

LAB 82.41, 0.21, -1.62

 

CMYK 28 / 9 / 0 / 6

HEX #ADDAEF

RGB 173 218 239

HSL 199.09, 0.67%, 0.81%

LAB 84.62, -9.88, -15.05

 

CMYK 28 / 16 / 0 / 6

HEX #ADC8EF

RGB 173 200 239

HSL 215.45, 0.67%, 0.81%

LAB 79.85, -0.42, -22.25

 

CMYK 28 / 23 / 0 / 6

HEX #ADB7EF

RGB 173 183 239

HSL 230.91, 0.67%, 0.81%

LAB 75.44, 8.8, -28.99

 

CMYK 25 / 28 / 0 / 6

HEX #B4ADEF

RGB 180 173 239

HSL 246.36, 0.67%, 0.81%

LAB 73.43, 16.38, -32.04

 

CMYK 17 / 28 / 0 / 6

HEX #C6ADEF

RGB 198 173 239

HSL 262.73, 0.67%, 0.81%

LAB 74.9, 21.81, -29.65

 

CMYK 55 / 47 / 0 / 11

HEX #6779E3

RGB 103 121 227

HSL 231.29, 0.69%, 0.65%

LAB 54.14, 23.49, -56.14

 

CMYK 41 / 35 / 0 / 9

HEX #8A98E9

RGB 138 152 233

HSL 231.16, 0.68%, 0.73%

LAB 64.76, 15.06, -42.49

 

CMYK 28 / 24 / 0 / 6

HEX #ADB6EF

RGB 173 182 239

HSL 231.82, 0.67%, 0.81%

LAB 75.18, 9.35, -29.38

 

CMYK 16 / 13 / 0 / 4

HEX #CFD5F6

RGB 207 213 246

HSL 230.77, 0.68%, 0.89%

LAB 85.76, 4.5, -16.82

 

CMYK 4 / 3 / 0 / 1

HEX #F2F4FC

RGB 242 244 252

HSL 228, 0.63%, 0.97%

LAB 96.25, 0.79, -4.08

 

CMYK 28 / 24 / 0 / 6

HEX #ACB6F0

RGB 172 182 240

HSL 231.18, 0.69%, 0.81%

LAB 75.15, 9.3, -29.98

 

CMYK 0 / 28 / 1 / 6

HEX #EFADEC

RGB 239 173 236

HSL 302.73, 0.67%, 0.81%

LAB 78.63, 34.15, -21.98

 

CMYK 13 / 0 / 28 / 6

HEX #D1EFAD

RGB 209 239 173

HSL 87.27, 0.67%, 0.81%

LAB 90.92, -21.01, 28.78

 

CMYK 28 / 24 / 0 / 6

HEX #ACB6F0

RGB 172 182 240

HSL 231.18, 0.69%, 0.81%

LAB 75.15, 9.3, -29.98

 

CMYK 0 / 28 / 23 / 6

HEX #EFADB7

RGB 239 173 183

HSL 350.91, 0.67%, 0.81%

LAB 77.08, 25.55, 4.49

 

CMYK 23 / 0 / 28 / 6

HEX #B7EFAD

RGB 183 239 173

HSL 110.91, 0.67%, 0.81%

LAB 89.31, -29.96, 26.32

 

CMYK 28 / 24 / 0 / 6

HEX #ACB6F0

RGB 172 182 240

HSL 231.18, 0.69%, 0.81%

LAB 75.15, 9.3, -29.98

 

CMYK 0 / 28 / 1 / 6

HEX #EFADEC

RGB 239 173 236

HSL 302.73, 0.67%, 0.81%

LAB 78.63, 34.15, -21.98

 

CMYK 0 / 4 / 28 / 6

HEX #EFE5AD

RGB 239 229 173

HSL 50.91, 0.67%, 0.81%

LAB 90.51, -5.08, 28.59

 

CMYK 28 / 0 / 26 / 6

HEX #ADEFB0

RGB 173 239 176

HSL 122.73, 0.67%, 0.81%

LAB 88.81, -32.74, 24.01

 

CMYK 28 / 24 / 0 / 6

HEX #ACB6F0

RGB 172 182 240

HSL 231.18, 0.69%, 0.81%

LAB 75.15, 9.3, -29.98

 

CMYK 0 / 28 / 10 / 6

HEX #EFADD8

RGB 239 173 216

HSL 320.91, 0.67%, 0.81%

LAB 77.99, 30.67, -12.12

 

CMYK 0 / 4 / 28 / 6

HEX #EFE5AD

RGB 239 229 173

HSL 50.91, 0.67%, 0.81%

LAB 90.51, -5.08, 28.59

 

CMYK 28 / 0 / 18 / 6

HEX #ADEFC4

RGB 173 239 196

HSL 140.91, 0.67%, 0.81%

LAB 89.21, -29.22, 14.24

 

Description

Color code: HEX #ACB6F0 | qconv.com Color code: HEX #ACB6F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 182 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 182 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 24 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 24% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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