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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB64C it is the complementary color #5349B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB64C shade: #B1B647, #C2C85A, #D3DA6D, #E4EC80 and #F5FE93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB64C shade: #ACB64C, #9BA439, #8A9226, #798013 and #686E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB64C shade: #ADB74E, #B7A44E, #B7884E, #B76C4E and #B74F4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB64C shade: #ADB74E, #90B74E, #74B74E, #58B74E and #4EB760

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB64C shade matches the following richer shades: #ADB74E, #BDCB39, #CDDF25 and #DEF311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB64C shade: #ADB74E, #9CA262, #8C8E76, #7B7A8A and #6B669E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB64C shade: #B7874E, #B7A34E, #AEB74E, #92B74E and #76B74E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB64C shade: #777E33, #939B3F, #ADB74E, #BAC26B and #C8CE88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB64C shade: #ACB64C, #4EB76B and #954EB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB64C shade: #ACB64C, #4EAEB7 and #B74EAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB64C shade: #ACB64C, #4EB76B, #564EB7 and #B74E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB64C shade: #ACB64C, #4EB78B, #564EB7 and #B74E79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 58 / 29

HEX #ACB64C

RGB 172 182 76

HSL 65.66, 0.42%, 0.51%

LAB 71.38, -18.12, 51.57

 

Complementary color

CMYK 54 / 59 / 0 / 30

HEX #5349B3

RGB 83 73 179

HSL 245.66, 0.42%, 0.49%

LAB 37.59, 33.62, -55.26

 

CMYK 3 / 0 / 61 / 29

HEX #B1B647

RGB 177 182 71

HSL 62.7, 0.44%, 0.5%

LAB 71.73, -16.39, 54.28

 

CMYK 3 / 0 / 55 / 22

HEX #C2C85A

RGB 194 200 90

HSL 63.27, 0.5%, 0.57%

LAB 78.18, -16.97, 53.34

 

CMYK 3 / 0 / 50 / 15

HEX #D3DA6D

RGB 211 218 109

HSL 63.85, 0.6%, 0.64%

LAB 84.53, -17.45, 52.27

 

CMYK 3 / 0 / 46 / 7

HEX #E4EC80

RGB 228 236 128

HSL 64.44, 0.74%, 0.71%

LAB 90.8, -17.83, 51.15

 

CMYK 4 / 0 / 42 / 0

HEX #F5FE93

RGB 245 254 147

HSL 65.05, 0.98%, 0.79%

LAB 96.98, -18.16, 50.02

 

CMYK 5 / 0 / 58 / 29

HEX #ACB64C

RGB 172 182 76

HSL 65.66, 0.42%, 0.51%

LAB 71.38, -18.12, 51.57

 

CMYK 5 / 0 / 65 / 36

HEX #9BA439

RGB 155 164 57

HSL 65.05, 0.48%, 0.43%

LAB 64.82, -17.52, 52.39

 

CMYK 5 / 0 / 74 / 43

HEX #8A9226

RGB 138 146 38

HSL 64.44, 0.59%, 0.36%

LAB 58.13, -16.74, 52.74

 

CMYK 5 / 0 / 85 / 50

HEX #798013

RGB 121 128 19

HSL 63.85, 0.74%, 0.29%

LAB 51.32, -15.73, 52.12

 

CMYK 5 / 0 / 100 / 57

HEX #686E00

RGB 104 110 0

HSL 63.27, 1%, 0.22%

LAB 44.37, -14.46, 50.23

 

CMYK 5 / 0 / 57 / 28

HEX #ADB74E

RGB 173 183 78

HSL 65.71, 0.42%, 0.51%

LAB 71.76, -18.05, 51.11

 

CMYK 0 / 10 / 57 / 28

HEX #B7A44E

RGB 183 164 78

HSL 49.14, 0.42%, 0.51%

LAB 67.4, -3.94, 46.39

 

CMYK 0 / 26 / 57 / 28

HEX #B7884E

RGB 183 136 78

HSL 33.14, 0.42%, 0.51%

LAB 60.09, 11.34, 37.79

 

CMYK 0 / 41 / 57 / 28

HEX #B76C4E

RGB 183 108 78

HSL 17.14, 0.42%, 0.51%

LAB 53.32, 26.88, 29.46

 

CMYK 0 / 57 / 57 / 28

HEX #B74F4E

RGB 183 79 78

HSL 0.57, 0.42%, 0.51%

LAB 47.25, 42.09, 21.65

 

CMYK 5 / 0 / 57 / 28

HEX #ADB74E

RGB 173 183 78

HSL 65.71, 0.42%, 0.51%

LAB 71.76, -18.05, 51.11

 

CMYK 21 / 0 / 57 / 28

HEX #90B74E

RGB 144 183 78

HSL 82.29, 0.42%, 0.51%

LAB 69.72, -29.75, 48.24

 

CMYK 37 / 0 / 57 / 28

HEX #74B74E

RGB 116 183 78

HSL 98.29, 0.42%, 0.51%

LAB 68.12, -40.04, 45.99

 

CMYK 52 / 0 / 57 / 28

HEX #58B74E

RGB 88 183 78

HSL 114.29, 0.42%, 0.51%

LAB 66.89, -48.76, 44.25

 

CMYK 57 / 0 / 48 / 28

HEX #4EB760

RGB 78 183 96

HSL 130.29, 0.42%, 0.51%

LAB 66.77, -48.92, 35.21

 

CMYK 5 / 0 / 57 / 28

HEX #ADB74E

RGB 173 183 78

HSL 65.71, 0.42%, 0.51%

LAB 71.76, -18.05, 51.11

 

CMYK 7 / 0 / 72 / 20

HEX #BDCB39

RGB 189 203 57

HSL 65.75, 0.58%, 0.51%

LAB 78.36, -22.65, 66.83

 

CMYK 8 / 0 / 83 / 13

HEX #CDDF25

RGB 205 223 37

HSL 65.81, 0.74%, 0.51%

LAB 84.94, -26.41, 78.86

 

CMYK 9 / 0 / 93 / 5

HEX #DEF311

RGB 222 243 17

HSL 65.58, 0.9%, 0.51%

LAB 91.54, -29.25, 87.88

 

CMYK 5 / 0 / 57 / 28

HEX #ADB74E

RGB 173 183 78

HSL 65.71, 0.42%, 0.51%

LAB 71.76, -18.05, 51.11

 

CMYK 4 / 0 / 40 / 36

HEX #9CA262

RGB 156 162 98

HSL 65.63, 0.26%, 0.51%

LAB 64.8, -12.29, 32.55

 

CMYK 1 / 0 / 17 / 44

HEX #8C8E76

RGB 140 142 118

HSL 65, 0.1%, 0.51%

LAB 58.25, -5.1, 12.56

 

CMYK 11 / 12 / 0 / 46

HEX #7B7A8A

RGB 123 122 138

HSL 243.75, 0.06%, 0.51%

LAB 51.8, 3.75, -8.54

 

CMYK 32 / 35 / 0 / 38

HEX #6B669E

RGB 107 102 158

HSL 245.36, 0.22%, 0.51%

LAB 45.77, 15.4, -29.68

 

CMYK 0 / 26 / 57 / 28

HEX #B7874E

RGB 183 135 78

HSL 32.57, 0.42%, 0.51%

LAB 59.84, 11.9, 37.49

 

CMYK 0 / 11 / 57 / 28

HEX #B7A34E

RGB 183 163 78

HSL 48.57, 0.42%, 0.51%

LAB 67.14, -3.4, 46.08

 

CMYK 5 / 0 / 57 / 28

HEX #AEB74E

RGB 174 183 78

HSL 65.14, 0.42%, 0.51%

LAB 71.84, -17.63, 51.22

 

CMYK 20 / 0 / 57 / 28

HEX #92B74E

RGB 146 183 78

HSL 81.14, 0.42%, 0.51%

LAB 69.84, -28.97, 48.42

 

CMYK 36 / 0 / 57 / 28

HEX #76B74E

RGB 118 183 78

HSL 97.14, 0.42%, 0.51%

LAB 68.22, -39.35, 46.13

 

CMYK 6 / 0 / 60 / 51

HEX #777E33

RGB 119 126 51

HSL 65.6, 0.42%, 0.35%

LAB 50.78, -13.72, 39.08

 

CMYK 5 / 0 / 59 / 39

HEX #939B3F

RGB 147 155 63

HSL 65.22, 0.42%, 0.43%

LAB 61.66, -15.87, 46.15

 

CMYK 5 / 0 / 57 / 28

HEX #ADB74E

RGB 173 183 78

HSL 65.71, 0.42%, 0.51%

LAB 71.76, -18.05, 51.11

 

CMYK 4 / 0 / 45 / 24

HEX #BAC26B

RGB 186 194 107

HSL 65.52, 0.42%, 0.59%

LAB 76.12, -15.65, 42.63

 

CMYK 3 / 0 / 34 / 19

HEX #C8CE88

RGB 200 206 136

HSL 65.14, 0.42%, 0.67%

LAB 80.85, -12.93, 34.19

 

CMYK 5 / 0 / 58 / 29

HEX #ACB64C

RGB 172 182 76

HSL 65.66, 0.42%, 0.51%

LAB 71.38, -18.12, 51.57

 

CMYK 57 / 0 / 42 / 28

HEX #4EB76B

RGB 78 183 107

HSL 136.57, 0.42%, 0.51%

LAB 66.94, -47.14, 29.75

 

CMYK 19 / 57 / 0 / 28

HEX #954EB7

RGB 149 78 183

HSL 280.57, 0.42%, 0.51%

LAB 45.98, 47.38, -43.74

 

CMYK 5 / 0 / 58 / 29

HEX #ACB64C

RGB 172 182 76

HSL 65.66, 0.42%, 0.51%

LAB 71.38, -18.12, 51.57

 

CMYK 57 / 5 / 0 / 28

HEX #4EAEB7

RGB 78 174 183

HSL 185.14, 0.42%, 0.51%

LAB 65.99, -25.43, -13.15

 

CMYK 0 / 57 / 5 / 28

HEX #B74EAE

RGB 183 78 174

HSL 305.14, 0.42%, 0.51%

LAB 50.18, 54.76, -31.54

 

CMYK 5 / 0 / 58 / 29

HEX #ACB64C

RGB 172 182 76

HSL 65.66, 0.42%, 0.51%

LAB 71.38, -18.12, 51.57

 

CMYK 57 / 0 / 42 / 28

HEX #4EB76B

RGB 78 183 107

HSL 136.57, 0.42%, 0.51%

LAB 66.94, -47.14, 29.75

 

CMYK 53 / 57 / 0 / 28

HEX #564EB7

RGB 86 78 183

HSL 244.57, 0.42%, 0.51%

LAB 39.32, 32.41, -54.8

 

CMYK 0 / 57 / 16 / 28

HEX #B74E99

RGB 183 78 153

HSL 317.14, 0.42%, 0.51%

LAB 49.27, 51.36, -20.57

 

CMYK 5 / 0 / 58 / 29

HEX #ACB64C

RGB 172 182 76

HSL 65.66, 0.42%, 0.51%

LAB 71.38, -18.12, 51.57

 

CMYK 57 / 0 / 24 / 28

HEX #4EB78B

RGB 78 183 139

HSL 154.86, 0.42%, 0.51%

LAB 67.54, -40.86, 13.41

 

CMYK 53 / 57 / 0 / 28

HEX #564EB7

RGB 86 78 183

HSL 244.57, 0.42%, 0.51%

LAB 39.32, 32.41, -54.8

 

CMYK 0 / 57 / 34 / 28

HEX #B74E79

RGB 183 78 121

HSL 335.43, 0.42%, 0.51%

LAB 48.13, 46.92, -3.11

 

Description

Color code: HEX #ACB64C | qconv.com Color code: HEX #ACB64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 182 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 182 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 58 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 58% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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