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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB5E2 it is the complementary color #534A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB5E2 shade: #B1B5DD, #C2C7F0, #D3D9FF, #E4EBFF and #F5FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB5E2 shade: #ACB5E2, #9BA3CF, #8A91BC, #797FA9 and #686D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB5E2 shade: #ABB4E1, #B1ABE1, #C0ABE1, #CEABE1 and #DDABE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB5E2 shade: #ABB4E1 and #ABABE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB5E2 shade matches the following richer shades: #ABB4E1, #A2AEEA, #99A8F3 and #90A2FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB5E2 shade: #ABB4E1, #B5BAD8, #BEC1CF, #C7C7C6 and #D0CDBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB5E2 shade: #ABD1E1, #ABC3E1, #ABB4E1, #B1ABE1 and #BFABE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB5E2 shade: #6E7ECC, #8D99D7, #ABB4E1, #CAD0EC and #E9EBF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB5E2 shade: #ACB5E2, #E1ABE0 and #CAE1AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB5E2 shade: #ACB5E2, #E1ABB4 and #B4E1AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB5E2 shade: #ACB5E2, #E1ABE0, #E1D8AB and #ABE1AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB5E2 shade: #ACB5E2, #E1ABCF, #E1D8AB and #ABE1BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 20 / 0 / 11

HEX #ACB5E2

RGB 172 181 226

HSL 230, 0.48%, 0.78%

LAB 74.39, 6.53, -23.57

 

Complementary color

CMYK 0 / 11 / 65 / 67

HEX #534A1D

RGB 83 74 29

HSL 50, 0.48%, 0.22%

LAB 31.41, -2.65, 27.67

 

CMYK 20 / 18 / 0 / 13

HEX #B1B5DD

RGB 177 181 221

HSL 234.55, 0.39%, 0.78%

LAB 74.58, 6.92, -20.52

 

CMYK 19 / 17 / 0 / 6

HEX #C2C7F0

RGB 194 199 240

HSL 233.48, 0.61%, 0.85%

LAB 81.08, 6.64, -20.79

 

CMYK 17 / 15 / 0 / 0

HEX #D3D9FF

RGB 211 217 255

HSL 231.82, 1%, 0.91%

LAB 87.34, 5.53, -19.16

 

CMYK 11 / 8 / 0 / 0

HEX #E4EBFF

RGB 228 235 255

HSL 224.44, 1%, 0.95%

LAB 93.07, 1.46, -10.44

 

CMYK 4 / 1 / 0 / 0

HEX #F5FDFF

RGB 245 253 255

HSL 192, 1%, 0.98%

LAB 98.78, -2.25, -1.88

 

CMYK 24 / 20 / 0 / 11

HEX #ACB5E2

RGB 172 181 226

HSL 230, 0.48%, 0.78%

LAB 74.39, 6.53, -23.57

 

CMYK 25 / 21 / 0 / 19

HEX #9BA3CF

RGB 155 163 207

HSL 230.77, 0.35%, 0.71%

LAB 67.78, 6.85, -23.36

 

CMYK 27 / 23 / 0 / 26

HEX #8A91BC

RGB 138 145 188

HSL 231.6, 0.27%, 0.64%

LAB 61.03, 7.2, -23.18

 

CMYK 28 / 25 / 0 / 34

HEX #797FA9

RGB 121 127 169

HSL 232.5, 0.22%, 0.57%

LAB 54.14, 7.59, -23.03

 

CMYK 31 / 27 / 0 / 41

HEX #686D96

RGB 104 109 150

HSL 233.48, 0.18%, 0.5%

LAB 47.08, 8.04, -22.92

 

CMYK 24 / 20 / 0 / 12

HEX #ABB4E1

RGB 171 180 225

HSL 230, 0.47%, 0.78%

LAB 74.02, 6.54, -23.59

 

CMYK 21 / 24 / 0 / 12

HEX #B1ABE1

RGB 177 171 225

HSL 246.67, 0.47%, 0.78%

LAB 72.17, 13.34, -26.38

 

CMYK 15 / 24 / 0 / 12

HEX #C0ABE1

RGB 192 171 225

HSL 263.33, 0.47%, 0.78%

LAB 73.4, 18.01, -24.39

 

CMYK 8 / 24 / 0 / 12

HEX #CEABE1

RGB 206 171 225

HSL 278.89, 0.47%, 0.78%

LAB 74.63, 22.48, -22.41

 

CMYK 2 / 24 / 0 / 12

HEX #DDABE1

RGB 221 171 225

HSL 295.56, 0.47%, 0.78%

LAB 76.03, 27.35, -20.14

 

CMYK 24 / 20 / 0 / 12

HEX #ABB4E1

RGB 171 180 225

HSL 230, 0.47%, 0.78%

LAB 74.02, 6.54, -23.59

 

CMYK 24 / 24 / 0 / 12

HEX #ABABE1

RGB 171 171 225

HSL 240, 0.47%, 0.78%

LAB 71.7, 11.51, -27.13

 

CMYK 24 / 20 / 0 / 12

HEX #ABB4E1

RGB 171 180 225

HSL 230, 0.47%, 0.78%

LAB 74.02, 6.54, -23.59

 

CMYK 31 / 26 / 0 / 8

HEX #A2AEEA

RGB 162 174 234

HSL 230, 0.63%, 0.78%

LAB 72.16, 9.38, -31.4

 

CMYK 37 / 31 / 0 / 5

HEX #99A8F3

RGB 153 168 243

HSL 230, 0.79%, 0.78%

LAB 70.35, 12.58, -39.15

 

CMYK 43 / 36 / 0 / 1

HEX #90A2FD

RGB 144 162 253

HSL 230.09, 0.96%, 0.78%

LAB 68.65, 16.42, -47.29

 

CMYK 24 / 20 / 0 / 12

HEX #ABB4E1

RGB 171 180 225

HSL 230, 0.47%, 0.78%

LAB 74.02, 6.54, -23.59

 

CMYK 16 / 14 / 0 / 15

HEX #B5BAD8

RGB 181 186 216

HSL 231.43, 0.31%, 0.78%

LAB 76.01, 4.36, -15.62

 

CMYK 8 / 7 / 0 / 19

HEX #BEC1CF

RGB 190 193 207

HSL 229.41, 0.15%, 0.78%

LAB 78.22, 1.67, -7.37

 

CMYK 0 / 0 / 1 / 22

HEX #C7C7C6

RGB 199 199 198

HSL 60, 0.01%, 0.78%

LAB 80.22, -0.18, 0.49

 

CMYK 0 / 1 / 9 / 18

HEX #D0CDBD

RGB 208 205 189

HSL 50.53, 0.17%, 0.78%

LAB 82.24, -1.74, 8.32

 

CMYK 24 / 7 / 0 / 12

HEX #ABD1E1

RGB 171 209 225

HSL 197.78, 0.47%, 0.78%

LAB 81.67, -8.98, -12.04

 

CMYK 24 / 13 / 0 / 12

HEX #ABC3E1

RGB 171 195 225

HSL 213.33, 0.47%, 0.78%

LAB 77.95, -1.59, -17.63

 

CMYK 24 / 20 / 0 / 12

HEX #ABB4E1

RGB 171 180 225

HSL 230, 0.47%, 0.78%

LAB 74.02, 6.54, -23.59

 

CMYK 21 / 24 / 0 / 12

HEX #B1ABE1

RGB 177 171 225

HSL 246.67, 0.47%, 0.78%

LAB 72.17, 13.34, -26.38

 

CMYK 15 / 24 / 0 / 12

HEX #BFABE1

RGB 191 171 225

HSL 262.22, 0.47%, 0.78%

LAB 73.31, 17.7, -24.53

 

CMYK 46 / 38 / 0 / 20

HEX #6E7ECC

RGB 110 126 204

HSL 229.79, 0.48%, 0.62%

LAB 54.65, 14.92, -42.32

 

CMYK 34 / 29 / 0 / 16

HEX #8D99D7

RGB 141 153 215

HSL 230.27, 0.48%, 0.7%

LAB 64.44, 10.41, -33.01

 

CMYK 24 / 20 / 0 / 12

HEX #ABB4E1

RGB 171 180 225

HSL 230, 0.47%, 0.78%

LAB 74.02, 6.54, -23.59

 

CMYK 14 / 12 / 0 / 7

HEX #CAD0EC

RGB 202 208 236

HSL 229.41, 0.47%, 0.86%

LAB 83.82, 3.49, -14.46

 

CMYK 6 / 5 / 0 / 3

HEX #E9EBF7

RGB 233 235 247

HSL 231.43, 0.47%, 0.94%

LAB 93.21, 1.54, -6.03

 

CMYK 24 / 20 / 0 / 11

HEX #ACB5E2

RGB 172 181 226

HSL 230, 0.48%, 0.78%

LAB 74.39, 6.53, -23.57

 

CMYK 0 / 24 / 0 / 12

HEX #E1ABE0

RGB 225 171 224

HSL 301.11, 0.47%, 0.78%

LAB 76.38, 28.48, -19.02

 

CMYK 10 / 0 / 24 / 12

HEX #CAE1AB

RGB 202 225 171

HSL 85.56, 0.47%, 0.78%

LAB 86.68, -16.93, 23.95

 

CMYK 24 / 20 / 0 / 11

HEX #ACB5E2

RGB 172 181 226

HSL 230, 0.48%, 0.78%

LAB 74.39, 6.53, -23.57

 

CMYK 0 / 24 / 20 / 12

HEX #E1ABB4

RGB 225 171 180

HSL 350, 0.47%, 0.78%

LAB 75.09, 21.09, 3.08

 

CMYK 20 / 0 / 24 / 12

HEX #B4E1AB

RGB 180 225 171

HSL 110, 0.47%, 0.78%

LAB 85.25, -24.61, 21.76

 

CMYK 24 / 20 / 0 / 11

HEX #ACB5E2

RGB 172 181 226

HSL 230, 0.48%, 0.78%

LAB 74.39, 6.53, -23.57

 

CMYK 0 / 24 / 0 / 12

HEX #E1ABE0

RGB 225 171 224

HSL 301.11, 0.47%, 0.78%

LAB 76.38, 28.48, -19.02

 

CMYK 0 / 4 / 24 / 12

HEX #E1D8AB

RGB 225 216 171

HSL 50, 0.47%, 0.78%

LAB 86.04, -3.96, 23.34

 

CMYK 24 / 0 / 23 / 12

HEX #ABE1AD

RGB 171 225 173

HSL 122.22, 0.47%, 0.78%

LAB 84.75, -27.29, 19.95

 

CMYK 24 / 20 / 0 / 11

HEX #ACB5E2

RGB 172 181 226

HSL 230, 0.48%, 0.78%

LAB 74.39, 6.53, -23.57

 

CMYK 0 / 24 / 8 / 12

HEX #E1ABCF

RGB 225 171 207

HSL 320, 0.47%, 0.78%

LAB 75.85, 25.45, -10.58

 

CMYK 0 / 4 / 24 / 12

HEX #E1D8AB

RGB 225 216 171

HSL 50, 0.47%, 0.78%

LAB 86.04, -3.96, 23.34

 

CMYK 24 / 0 / 16 / 12

HEX #ABE1BD

RGB 171 225 189

HSL 140, 0.47%, 0.78%

LAB 85.09, -24.43, 12.04

 

Description

Color code: HEX #ACB5E2 | qconv.com Color code: HEX #ACB5E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 181 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 181 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 20 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 20% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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