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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB5E1 it is the complementary color #534A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB5E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB5E1 shade: #B1B5DC, #C2C7EF, #D3D9FF, #E4EBFF and #F5FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB5E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB5E1 shade: #ACB5E1, #9BA3CE, #8A91BB, #797FA8 and #686D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB5E1 shade: #ACB5E1, #B1ACE1, #C0ACE1, #CEACE1 and #DCACE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB5E1 shade: #ACB5E1 and #ACACE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB5E1 shade matches the following richer shades: #ACB5E1, #A3AFEA, #9AA9F3 and #91A3FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB5E1 shade: #ACB5E1, #B5BBD8, #BEC1CF, #C7C7C6 and #D0CDBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB5E1 shade: #ACD2E1, #ACC4E1, #ACB6E1, #B0ACE1 and #BEACE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB5E1 shade: #6F7FCB, #8E9AD6, #ACB5E1, #CAD0EC and #E9EBF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB5E1 shade: #ACB5E1, #E1ACE0 and #CBE1AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB5E1 shade: #ACB5E1, #E1ACB6 and #B6E1AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB5E1 shade: #ACB5E1, #E1ACE0, #E1D7AC and #ACE1AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB5E1 shade: #ACB5E1, #E1ACD0, #E1D7AC and #ACE1BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 20 / 0 / 12

HEX #ACB5E1

RGB 172 181 225

HSL 229.81, 0.47%, 0.78%

LAB 74.35, 6.3, -23.08

 

Complementary color

CMYK 0 / 11 / 64 / 67

HEX #534A1E

RGB 83 74 30

HSL 49.81, 0.47%, 0.22%

LAB 31.42, -2.57, 27.14

 

CMYK 20 / 18 / 0 / 14

HEX #B1B5DC

RGB 177 181 220

HSL 234.42, 0.38%, 0.78%

LAB 74.55, 6.7, -20.03

 

CMYK 19 / 17 / 0 / 6

HEX #C2C7EF

RGB 194 199 239

HSL 233.33, 0.58%, 0.85%

LAB 81.04, 6.42, -20.31

 

CMYK 17 / 15 / 0 / 0

HEX #D3D9FF

RGB 211 217 255

HSL 231.82, 1%, 0.91%

LAB 87.34, 5.53, -19.16

 

CMYK 11 / 8 / 0 / 0

HEX #E4EBFF

RGB 228 235 255

HSL 224.44, 1%, 0.95%

LAB 93.07, 1.46, -10.44

 

CMYK 4 / 1 / 0 / 0

HEX #F5FDFF

RGB 245 253 255

HSL 192, 1%, 0.98%

LAB 98.78, -2.25, -1.88

 

CMYK 24 / 20 / 0 / 12

HEX #ACB5E1

RGB 172 181 225

HSL 229.81, 0.47%, 0.78%

LAB 74.35, 6.3, -23.08

 

CMYK 25 / 21 / 0 / 19

HEX #9BA3CE

RGB 155 163 206

HSL 230.59, 0.34%, 0.71%

LAB 67.74, 6.61, -22.86

 

CMYK 26 / 22 / 0 / 27

HEX #8A91BB

RGB 138 145 187

HSL 231.43, 0.26%, 0.64%

LAB 60.99, 6.95, -22.67

 

CMYK 28 / 24 / 0 / 34

HEX #797FA8

RGB 121 127 168

HSL 232.34, 0.21%, 0.57%

LAB 54.1, 7.33, -22.51

 

CMYK 30 / 27 / 0 / 42

HEX #686D95

RGB 104 109 149

HSL 233.33, 0.18%, 0.5%

LAB 47.04, 7.77, -22.39

 

CMYK 24 / 20 / 0 / 12

HEX #ACB5E1

RGB 172 181 225

HSL 229.81, 0.47%, 0.78%

LAB 74.35, 6.3, -23.08

 

CMYK 21 / 24 / 0 / 12

HEX #B1ACE1

RGB 177 172 225

HSL 245.66, 0.47%, 0.78%

LAB 72.42, 12.78, -25.99

 

CMYK 15 / 24 / 0 / 12

HEX #C0ACE1

RGB 192 172 225

HSL 262.64, 0.47%, 0.78%

LAB 73.64, 17.46, -24.02

 

CMYK 8 / 24 / 0 / 12

HEX #CEACE1

RGB 206 172 225

HSL 278.49, 0.47%, 0.78%

LAB 74.86, 21.94, -22.04

 

CMYK 2 / 24 / 0 / 12

HEX #DCACE1

RGB 220 172 225

HSL 294.34, 0.47%, 0.78%

LAB 76.17, 26.49, -19.95

 

CMYK 24 / 20 / 0 / 12

HEX #ACB5E1

RGB 172 181 225

HSL 229.81, 0.47%, 0.78%

LAB 74.35, 6.3, -23.08

 

CMYK 24 / 24 / 0 / 12

HEX #ACACE1

RGB 172 172 225

HSL 240, 0.47%, 0.78%

LAB 72.04, 11.26, -26.62

 

CMYK 24 / 20 / 0 / 12

HEX #ACB5E1

RGB 172 181 225

HSL 229.81, 0.47%, 0.78%

LAB 74.35, 6.3, -23.08

 

CMYK 30 / 25 / 0 / 8

HEX #A3AFEA

RGB 163 175 234

HSL 229.86, 0.63%, 0.78%

LAB 72.49, 9.11, -30.88

 

CMYK 37 / 30 / 0 / 5

HEX #9AA9F3

RGB 154 169 243

HSL 229.89, 0.79%, 0.78%

LAB 70.68, 12.28, -38.63

 

CMYK 42 / 35 / 0 / 1

HEX #91A3FC

RGB 145 163 252

HSL 229.91, 0.95%, 0.78%

LAB 68.93, 15.82, -46.31

 

CMYK 24 / 20 / 0 / 12

HEX #ACB5E1

RGB 172 181 225

HSL 229.81, 0.47%, 0.78%

LAB 74.35, 6.3, -23.08

 

CMYK 16 / 13 / 0 / 15

HEX #B5BBD8

RGB 181 187 216

HSL 229.71, 0.31%, 0.78%

LAB 76.27, 3.82, -15.23

 

CMYK 8 / 7 / 0 / 19

HEX #BEC1CF

RGB 190 193 207

HSL 229.41, 0.15%, 0.78%

LAB 78.22, 1.67, -7.37

 

CMYK 0 / 0 / 1 / 22

HEX #C7C7C6

RGB 199 199 198

HSL 60, 0.01%, 0.78%

LAB 80.22, -0.18, 0.49

 

CMYK 0 / 1 / 10 / 18

HEX #D0CDBC

RGB 208 205 188

HSL 51, 0.18%, 0.78%

LAB 82.22, -1.91, 8.82

 

CMYK 24 / 7 / 0 / 12

HEX #ACD2E1

RGB 172 210 225

HSL 196.98, 0.47%, 0.78%

LAB 82, -9.2, -11.54

 

CMYK 24 / 13 / 0 / 12

HEX #ACC4E1

RGB 172 196 225

HSL 212.83, 0.47%, 0.78%

LAB 78.28, -1.82, -17.12

 

CMYK 24 / 19 / 0 / 12

HEX #ACB6E1

RGB 172 182 225

HSL 228.68, 0.47%, 0.78%

LAB 74.61, 5.75, -22.68

 

CMYK 22 / 24 / 0 / 12

HEX #B0ACE1

RGB 176 172 225

HSL 244.53, 0.47%, 0.78%

LAB 72.34, 12.48, -26.12

 

CMYK 16 / 24 / 0 / 12

HEX #BEACE1

RGB 190 172 225

HSL 260.38, 0.47%, 0.78%

LAB 73.47, 16.83, -24.29

 

CMYK 45 / 37 / 0 / 20

HEX #6F7FCB

RGB 111 127 203

HSL 229.57, 0.47%, 0.62%

LAB 54.94, 14.27, -41.3

 

CMYK 34 / 28 / 0 / 16

HEX #8E9AD6

RGB 142 154 214

HSL 230, 0.47%, 0.7%

LAB 64.74, 9.86, -31.99

 

CMYK 24 / 20 / 0 / 12

HEX #ACB5E1

RGB 172 181 225

HSL 229.81, 0.47%, 0.78%

LAB 74.35, 6.3, -23.08

 

CMYK 14 / 12 / 0 / 7

HEX #CAD0EC

RGB 202 208 236

HSL 229.41, 0.47%, 0.86%

LAB 83.82, 3.49, -14.46

 

CMYK 6 / 5 / 0 / 3

HEX #E9EBF7

RGB 233 235 247

HSL 231.43, 0.47%, 0.94%

LAB 93.21, 1.54, -6.03

 

CMYK 24 / 20 / 0 / 12

HEX #ACB5E1

RGB 172 181 225

HSL 229.81, 0.47%, 0.78%

LAB 74.35, 6.3, -23.08

 

CMYK 0 / 24 / 0 / 12

HEX #E1ACE0

RGB 225 172 224

HSL 301.13, 0.47%, 0.78%

LAB 76.62, 27.94, -18.68

 

CMYK 10 / 0 / 24 / 12

HEX #CBE1AC

RGB 203 225 172

HSL 84.91, 0.47%, 0.78%

LAB 86.76, -16.42, 23.56

 

CMYK 24 / 20 / 0 / 12

HEX #ACB5E1

RGB 172 181 225

HSL 229.81, 0.47%, 0.78%

LAB 74.35, 6.3, -23.08

 

CMYK 0 / 24 / 19 / 12

HEX #E1ACB6

RGB 225 172 182

HSL 348.68, 0.47%, 0.78%

LAB 75.38, 20.86, 2.4

 

CMYK 19 / 0 / 24 / 12

HEX #B6E1AC

RGB 182 225 172

HSL 108.68, 0.47%, 0.78%

LAB 85.39, -23.77, 21.45

 

CMYK 24 / 20 / 0 / 12

HEX #ACB5E1

RGB 172 181 225

HSL 229.81, 0.47%, 0.78%

LAB 74.35, 6.3, -23.08

 

CMYK 0 / 24 / 0 / 12

HEX #E1ACE0

RGB 225 172 224

HSL 301.13, 0.47%, 0.78%

LAB 76.62, 27.94, -18.68

 

CMYK 0 / 4 / 24 / 12

HEX #E1D7AC

RGB 225 215 172

HSL 48.68, 0.47%, 0.78%

LAB 85.8, -3.31, 22.5

 

CMYK 24 / 0 / 23 / 12

HEX #ACE1AD

RGB 172 225 173

HSL 121.13, 0.47%, 0.78%

LAB 84.81, -26.96, 20.04

 

CMYK 24 / 20 / 0 / 12

HEX #ACB5E1

RGB 172 181 225

HSL 229.81, 0.47%, 0.78%

LAB 74.35, 6.3, -23.08

 

CMYK 0 / 24 / 8 / 12

HEX #E1ACD0

RGB 225 172 208

HSL 319.25, 0.47%, 0.78%

LAB 76.11, 25.09, -10.73

 

CMYK 0 / 4 / 24 / 12

HEX #E1D7AC

RGB 225 215 172

HSL 48.68, 0.47%, 0.78%

LAB 85.8, -3.31, 22.5

 

CMYK 24 / 0 / 16 / 12

HEX #ACE1BD

RGB 172 225 189

HSL 139.25, 0.47%, 0.78%

LAB 85.15, -24.11, 12.13

 

Description

Color code: HEX #ACB5E1 | qconv.com Color code: HEX #ACB5E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 181 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 181 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 20 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 20% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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