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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB4BF it is the complementary color #534B40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB4BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB4BF shade: #B1B4BA, #C2C6CD, #D3D8E0, #E4EAF3 and #F5FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB4BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB4BF shade: #ACB4BF, #9BA2AC, #8A9099, #797E86 and #686C73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB4BF shade: #ABB4BF, #ABAEBF, #AEABBF, #B3ABBF and #B8ABBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB4BF shade: #ABB4BF, #ABAEBF and #ABABBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB4BF shade matches the following richer shades: #ABB4BF, #9FB2CB, #94B0D7, #88AEE3 and #7CACEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB4BF shade: #ABB4BF, #B7B5B3, #C3B7A7, #CFB99B and #DBBB8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB4BF shade: #ABBEBF, #ABB9BF, #ABB4BF, #ABAFBF and #ADABBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB4BF shade: #7D899B, #949EAD, #ABB4BF, #C3C9D1 and #DADEE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB4BF shade: #ACB4BF, #BAABBF and #BBBFAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB4BF shade: #ACB4BF, #BFABB4 and #B4BFAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB4BF shade: #ACB4BF, #BAABBF, #BFB6AB and #B0BFAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB4BF shade: #ACB4BF, #BFABBD, #BFB6AB and #ABBFAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 6 / 0 / 25

HEX #ACB4BF

RGB 172 180 191

HSL 214.74, 0.13%, 0.71%

LAB 73.01, -0.59, -6.55

 

Complementary color

CMYK 0 / 10 / 23 / 67

HEX #534B40

RGB 83 75 64

HSL 34.74, 0.13%, 0.29%

LAB 32.35, 1.27, 7.77

 

CMYK 5 / 3 / 0 / 27

HEX #B1B4BA

RGB 177 180 186

HSL 220, 0.06%, 0.71%

LAB 73.24, 0.11, -3.42

 

CMYK 5 / 3 / 0 / 20

HEX #C2C6CD

RGB 194 198 205

HSL 218.18, 0.1%, 0.78%

LAB 79.76, -0.04, -3.98

 

CMYK 6 / 4 / 0 / 12

HEX #D3D8E0

RGB 211 216 224

HSL 216.92, 0.17%, 0.85%

LAB 86.18, -0.19, -4.52

 

CMYK 6 / 4 / 0 / 5

HEX #E4EAF3

RGB 228 234 243

HSL 216, 0.38%, 0.92%

LAB 92.49, -0.33, -5.05

 

CMYK 4 / 1 / 0 / 0

HEX #F5FCFF

RGB 245 252 255

HSL 198, 1%, 0.98%

LAB 98.53, -1.75, -2.24

 

CMYK 10 / 6 / 0 / 25

HEX #ACB4BF

RGB 172 180 191

HSL 214.74, 0.13%, 0.71%

LAB 73.01, -0.59, -6.55

 

CMYK 10 / 6 / 0 / 33

HEX #9BA2AC

RGB 155 162 172

HSL 215.29, 0.09%, 0.64%

LAB 66.36, -0.46, -6.04

 

CMYK 10 / 6 / 0 / 40

HEX #8A9099

RGB 138 144 153

HSL 216, 0.07%, 0.57%

LAB 59.57, -0.31, -5.52

 

CMYK 10 / 6 / 0 / 47

HEX #797E86

RGB 121 126 134

HSL 216.92, 0.05%, 0.5%

LAB 52.63, -0.17, -4.98

 

CMYK 10 / 6 / 0 / 55

HEX #686C73

RGB 104 108 115

HSL 218.18, 0.05%, 0.43%

LAB 45.51, -0.01, -4.43

 

CMYK 10 / 6 / 0 / 25

HEX #ABB4BF

RGB 171 180 191

HSL 213, 0.14%, 0.71%

LAB 72.93, -0.93, -6.67

 

CMYK 10 / 9 / 0 / 25

HEX #ABAEBF

RGB 171 174 191

HSL 231, 0.14%, 0.71%

LAB 71.35, 2.33, -9.03

 

CMYK 9 / 10 / 0 / 25

HEX #AEABBF

RGB 174 171 191

HSL 249, 0.14%, 0.71%

LAB 70.79, 4.98, -9.82

 

CMYK 6 / 10 / 0 / 25

HEX #B3ABBF

RGB 179 171 191

HSL 264, 0.14%, 0.71%

LAB 71.19, 6.68, -9.18

 

CMYK 4 / 10 / 0 / 25

HEX #B8ABBF

RGB 184 171 191

HSL 279, 0.14%, 0.71%

LAB 71.61, 8.39, -8.52

 

CMYK 10 / 6 / 0 / 25

HEX #ABB4BF

RGB 171 180 191

HSL 213, 0.14%, 0.71%

LAB 72.93, -0.93, -6.67

 

CMYK 10 / 9 / 0 / 25

HEX #ABAEBF

RGB 171 174 191

HSL 231, 0.14%, 0.71%

LAB 71.35, 2.33, -9.03

 

CMYK 10 / 10 / 0 / 25

HEX #ABABBF

RGB 171 171 191

HSL 240, 0.14%, 0.71%

LAB 70.56, 3.97, -10.2

 

CMYK 10 / 6 / 0 / 25

HEX #ABB4BF

RGB 171 180 191

HSL 213, 0.14%, 0.71%

LAB 72.93, -0.93, -6.67

 

CMYK 22 / 12 / 0 / 20

HEX #9FB2CB

RGB 159 178 203

HSL 214.09, 0.3%, 0.71%

LAB 71.91, -1.13, -14.86

 

CMYK 31 / 18 / 0 / 16

HEX #94B0D7

RGB 148 176 215

HSL 214.93, 0.46%, 0.71%

LAB 71.04, -0.49, -22.81

 

CMYK 40 / 23 / 0 / 11

HEX #88AEE3

RGB 136 174 227

HSL 214.95, 0.62%, 0.71%

LAB 70.21, 0.43, -30.72

 

CMYK 48 / 28 / 0 / 6

HEX #7CACEF

RGB 124 172 239

HSL 214.96, 0.78%, 0.71%

LAB 69.49, 1.94, -38.45

 

CMYK 10 / 6 / 0 / 25

HEX #ABB4BF

RGB 171 180 191

HSL 213, 0.14%, 0.71%

LAB 72.93, -0.93, -6.67

 

CMYK 0 / 1 / 2 / 28

HEX #B7B5B3

RGB 183 181 179

HSL 30, 0.03%, 0.71%

LAB 73.78, 0.34, 1.26

 

CMYK 0 / 6 / 14 / 24

HEX #C3B7A7

RGB 195 183 167

HSL 34.29, 0.19%, 0.71%

LAB 74.99, 1.55, 9.66

 

CMYK 0 / 11 / 25 / 19

HEX #CFB99B

RGB 207 185 155

HSL 34.62, 0.35%, 0.71%

LAB 76.27, 3.19, 18.1

 

CMYK 0 / 15 / 35 / 14

HEX #DBBB8F

RGB 219 187 143

HSL 34.74, 0.51%, 0.71%

LAB 77.63, 5.21, 26.55

 

CMYK 10 / 1 / 0 / 25

HEX #ABBEBF

RGB 171 190 191

HSL 183, 0.14%, 0.71%

LAB 75.6, -6.27, -2.72

HEX #ABBEBF

CMYK 10 / 3 / 0 / 25

HEX #ABB9BF

RGB 171 185 191

HSL 198, 0.14%, 0.71%

LAB 74.26, -3.61, -4.7

HEX #ABB9BF

CMYK 10 / 6 / 0 / 25

HEX #ABB4BF

RGB 171 180 191

HSL 213, 0.14%, 0.71%

LAB 72.93, -0.93, -6.67

HEX #ABB4BF

CMYK 10 / 8 / 0 / 25

HEX #ABAFBF

RGB 171 175 191

HSL 228, 0.14%, 0.71%

LAB 71.61, 1.78, -8.63

HEX #ABAFBF

CMYK 9 / 10 / 0 / 25

HEX #ADABBF

RGB 173 171 191

HSL 246, 0.14%, 0.71%

LAB 70.71, 4.64, -9.95

HEX #ADABBF

CMYK 19 / 12 / 0 / 39

HEX #7D899B

RGB 125 137 155

HSL 216, 0.13%, 0.55%

LAB 56.7, -0.35, -11.04

 

CMYK 14 / 9 / 0 / 32

HEX #949EAD

RGB 148 158 173

HSL 216, 0.13%, 0.63%

LAB 64.78, -0.4, -9

 

CMYK 10 / 6 / 0 / 25

HEX #ABB4BF

RGB 171 180 191

HSL 213, 0.14%, 0.71%

LAB 72.93, -0.93, -6.67

 

CMYK 7 / 4 / 0 / 18

HEX #C3C9D1

RGB 195 201 209

HSL 214.29, 0.13%, 0.79%

LAB 80.73, -0.52, -4.7

 

CMYK 4 / 2 / 0 / 11

HEX #DADEE3

RGB 218 222 227

HSL 213.33, 0.14%, 0.87%

LAB 88.3, -0.42, -2.92

 

CMYK 10 / 6 / 0 / 25

HEX #ACB4BF

RGB 172 180 191

HSL 214.74, 0.13%, 0.71%

LAB 73.01, -0.59, -6.55

 

CMYK 3 / 10 / 0 / 25

HEX #BAABBF

RGB 186 171 191

HSL 285, 0.14%, 0.71%

LAB 71.78, 9.08, -8.25

 

CMYK 2 / 0 / 10 / 25

HEX #BBBFAB

RGB 187 191 171

HSL 72, 0.14%, 0.71%

LAB 76.54, -4.96, 9.61

 

CMYK 10 / 6 / 0 / 25

HEX #ACB4BF

RGB 172 180 191

HSL 214.74, 0.13%, 0.71%

LAB 73.01, -0.59, -6.55

 

CMYK 0 / 10 / 6 / 25

HEX #BFABB4

RGB 191 171 180

HSL 333, 0.14%, 0.71%

LAB 71.89, 8.79, -1.98

 

CMYK 6 / 0 / 10 / 25

HEX #B4BFAB

RGB 180 191 171

HSL 93, 0.14%, 0.71%

LAB 76.01, -7.47, 8.79

 

CMYK 10 / 6 / 0 / 25

HEX #ACB4BF

RGB 172 180 191

HSL 214.74, 0.13%, 0.71%

LAB 73.01, -0.59, -6.55

 

CMYK 3 / 10 / 0 / 25

HEX #BAABBF

RGB 186 171 191

HSL 285, 0.14%, 0.71%

LAB 71.78, 9.08, -8.25

 

CMYK 0 / 5 / 10 / 25

HEX #BFB6AB

RGB 191 182 171

HSL 33, 0.14%, 0.71%

LAB 74.49, 1.27, 6.72

 

CMYK 8 / 0 / 10 / 25

HEX #B0BFAB

RGB 176 191 171

HSL 105, 0.14%, 0.71%

LAB 75.72, -8.89, 8.33

 

CMYK 10 / 6 / 0 / 25

HEX #ACB4BF

RGB 172 180 191

HSL 214.74, 0.13%, 0.71%

LAB 73.01, -0.59, -6.55

 

CMYK 0 / 10 / 1 / 25

HEX #BFABBD

RGB 191 171 189

HSL 306, 0.14%, 0.71%

LAB 72.15, 10.43, -6.56

 

CMYK 0 / 5 / 10 / 25

HEX #BFB6AB

RGB 191 182 171

HSL 33, 0.14%, 0.71%

LAB 74.49, 1.27, 6.72

 

CMYK 10 / 0 / 9 / 25

HEX #ABBFAD

RGB 171 191 173

HSL 126, 0.14%, 0.71%

LAB 75.41, -10.27, 6.76

 

Description

Color code: HEX #ACB4BF | qconv.com Color code: HEX #ACB4BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 180 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 180 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 6 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 6% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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