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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB40ACE it is the complementary color #534BF5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB40ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB40ACE shade: #B1B405CE, #C2C618CE, #D3D82BCE, #E4EA3ECE and #F5FC51CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB40ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB40ACE shade: #ACB40ACE, #9BA200CE, #8A9000CE, #797E00CE and #686C00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB40ACE shade: #AAB20A, #B28D0A, #B2600A, #B2320A and #B20A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB40ACE shade: #AAB20A, #7DB20A, #50B20A, #23B20A and #0AB21F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB40ACE shade matches the following richer shades: #AAB20A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB40ACE shade: #AAB20A, #9DA31A, #8F9429, #818538 and #737547

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB40ACE shade: #B25E0A, #B28B0A, #ADB20A, #80B20A and #53B20A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB40ACE shade: #606406, #858B08, #AAB20A, #D0D90D and #E8F21D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB40ACE shade: #ACB40A, #0AB232 and #750AB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB40ACE shade: #ACB40A, #0AADB2 and #B20AAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB40ACE shade: #ACB40A, #0AB232, #100AB2 and #B20A8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB40ACE shade: #ACB40A, #0AB264, #100AB2 and #B20A59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 77 / 24

HEX #ACB40ACE

RGBA 172 180 10 0.81

HSLA 62.82, 0.89%, 0.37%, 0.81

LABA 70.48, -19.96, 70.84, 0.81

 

Complementary color

CMYK 54 / 56 / 0 / 3

HEX #534BF5CE

RGBA 83 75 245 0.81

HSLA 242.82, 0.89%, 0.63%, 0.81

LABA 43.45, 53.33, -83.65, 0.81

 

CMYK 1 / 0 / 79 / 24

HEX #B1B405CE

RGBA 177 180 5 0.81

HSLA 61.03, 0.95%, 0.36%, 0.81

LABA 70.87, -17.85, 71.88, 0.81

 

CMYK 2 / 0 / 71 / 18

HEX #C2C618CE

RGBA 194 198 24 0.81

HSLA 61.38, 0.78%, 0.44%, 0.81

LABA 77.24, -19.21, 74.8, 0.81

 

CMYK 2 / 0 / 65 / 12

HEX #D3D82BCE

RGBA 211 216 43 0.81

HSLA 61.73, 0.69%, 0.51%, 0.81

LABA 83.51, -20.38, 76.39, 0.81

 

CMYK 2 / 0 / 60 / 7

HEX #E4EA3ECE

RGBA 228 234 62 0.81

HSLA 62.09, 0.8%, 0.58%, 0.81

LABA 89.71, -21.36, 76.98, 0.81

 

CMYK 2 / 0 / 55 / 1

HEX #F5FC51CE

RGBA 245 252 81 0.81

HSLA 62.46, 0.97%, 0.65%, 0.81

LABA 95.84, -22.2, 76.94, 0.81

 

CMYK 4 / 0 / 77 / 24

HEX #ACB40ACE

RGBA 172 180 10 0.81

HSLA 62.82, 0.89%, 0.37%, 0.81

LABA 70.48, -19.96, 70.84, 0.81

 

CMYK 4 / 0 / 81 / 30

HEX #9BA200CE

RGBA 155 162 0 0.81

HSLA 62.59, 1%, 0.32%, 0.81

LABA 64.01, -18.47, 66.61, 0.81

 

CMYK 3 / 0 / 81 / 35

HEX #8A9000CE

RGBA 138 144 0 0.81

HSLA 62.5, 1%, 0.28%, 0.81

LABA 57.41, -16.81, 61.13, 0.81

 

CMYK 3 / 0 / 81 / 41

HEX #797E00CE

RGBA 121 126 0 0.81

HSLA 62.38, 1%, 0.25%, 0.81

LABA 50.67, -15.11, 55.53, 0.81

 

CMYK 3 / 0 / 81 / 47

HEX #686C00CE

RGBA 104 108 0 0.81

HSLA 62.22, 1%, 0.21%, 0.81

LABA 43.75, -13.37, 49.78, 0.81

 

CMYK 4 / 0 / 94 / 30

HEX #AAB20A

RGB 170 178 10

HSL 62.86, 0.89%, 0.37%

LAB 69.76, -19.83, 70.22

 

CMYK 0 / 21 / 94 / 30

HEX #B28D0A

RGB 178 141 10

HSL 46.79, 0.89%, 0.37%

LAB 60.37, 3.27, 63.45

 

CMYK 0 / 46 / 94 / 30

HEX #B2600A

RGB 178 96 10

HSL 30.71, 0.89%, 0.37%

LAB 49.32, 28.21, 55.45

 

CMYK 0 / 72 / 94 / 30

HEX #B2320A

RGB 178 50 10

HSL 14.29, 0.89%, 0.37%

LAB 40.85, 50.15, 49.77

 

CMYK 0 / 94 / 94 / 30

HEX #B20A0A

RGB 178 10 10

HSL 0, 0.89%, 0.37%

LAB 37.31, 60.12, 47.6

 

CMYK 4 / 0 / 94 / 30

HEX #AAB20A

RGB 170 178 10

HSL 62.86, 0.89%, 0.37%

LAB 69.76, -19.83, 70.22

 

CMYK 30 / 0 / 94 / 30

HEX #7DB20A

RGB 125 178 10

HSL 78.93, 0.89%, 0.37%

LAB 66.69, -38.5, 66.5

 

CMYK 55 / 0 / 94 / 30

HEX #50B20A

RGB 80 178 10

HSL 95, 0.89%, 0.37%

LAB 64.62, -53.69, 63.96

 

CMYK 80 / 0 / 94 / 30

HEX #23B20A

RGB 35 178 10

HSL 111.07, 0.89%, 0.37%

LAB 63.52, -62.91, 62.61

 

CMYK 94 / 0 / 83 / 30

HEX #0AB21F

RGB 10 178 31

HSL 127.5, 0.89%, 0.37%

LAB 63.35, -64.26, 58.18

 

CMYK 4 / 0 / 94 / 30

HEX #AAB20A

RGB 170 178 10

HSL 62.86, 0.89%, 0.37%

LAB 69.76, -19.83, 70.22

 

CMYK 4 / 0 / 94 / 30

HEX #AAB20A

RGB 170 178 10

HSL 62.86, 0.89%, 0.37%

LAB 69.76, -19.83, 70.22

 

CMYK 4 / 0 / 84 / 36

HEX #9DA31A

RGB 157 163 26

HSL 62.63, 0.72%, 0.37%

LAB 64.51, -17.59, 62.72

 

CMYK 3 / 0 / 72 / 42

HEX #8F9429

RGB 143 148 41

HSL 62.8, 0.57%, 0.37%

LAB 59.14, -15.41, 52.74

 

CMYK 3 / 0 / 58 / 48

HEX #818538

RGB 129 133 56

HSL 63.12, 0.41%, 0.37%

LAB 53.74, -12.64, 40.2

 

CMYK 2 / 0 / 39 / 54

HEX #737547

RGB 115 117 71

HSL 62.61, 0.24%, 0.37%

LAB 48.04, -8.43, 25.13

 

CMYK 0 / 47 / 94 / 30

HEX #B25E0A

RGB 178 94 10

HSL 30, 0.89%, 0.37%

LAB 48.87, 29.29, 55.14

 

CMYK 0 / 22 / 94 / 30

HEX #B28B0A

RGB 178 139 10

HSL 46.07, 0.89%, 0.37%

LAB 59.85, 4.37, 63.06

 

CMYK 3 / 0 / 94 / 30

HEX #ADB20A

RGB 173 178 10

HSL 61.79, 0.89%, 0.37%

LAB 70, -18.52, 70.5

 

CMYK 28 / 0 / 94 / 30

HEX #80B20A

RGB 128 178 10

HSL 77.86, 0.89%, 0.37%

LAB 66.86, -37.34, 66.71

 

CMYK 53 / 0 / 94 / 30

HEX #53B20A

RGB 83 178 10

HSL 93.93, 0.89%, 0.37%

LAB 64.73, -52.84, 64.09

 

CMYK 4 / 0 / 94 / 61

HEX #606406

RGB 96 100 6

HSL 62.55, 0.89%, 0.21%

LAB 40.6, -12.61, 45.54

 

CMYK 4 / 0 / 94 / 45

HEX #858B08

RGB 133 139 8

HSL 62.75, 0.89%, 0.29%

LAB 55.55, -16.32, 58.23

 

CMYK 4 / 0 / 94 / 30

HEX #AAB20A

RGB 170 178 10

HSL 62.86, 0.89%, 0.37%

LAB 69.76, -19.83, 70.22

 

CMYK 4 / 0 / 94 / 15

HEX #D0D90D

RGB 208 217 13

HSL 62.65, 0.89%, 0.45%

LAB 83.48, -22.75, 81.67

 

CMYK 4 / 0 / 88 / 5

HEX #E8F21D

RGB 232 242 29

HSL 62.82, 0.89%, 0.53%

LAB 92.02, -24.52, 86.98

 

CMYK 4 / 0 / 94 / 29

HEX #ACB40A

RGB 172 180 10

HSL 62.82, 0.89%, 0.37%

LAB 70.48, -19.96, 70.84

 

CMYK 94 / 0 / 72 / 30

HEX #0AB232

RGB 10 178 50

HSL 134.29, 0.89%, 0.37%

LAB 63.45, -62.87, 52.04

 

CMYK 34 / 94 / 0 / 30

HEX #750AB2

RGB 117 10 178

HSL 278.21, 0.89%, 0.37%

LAB 32.29, 64.92, -63.13

 

CMYK 4 / 0 / 94 / 29

HEX #ACB40A

RGB 172 180 10

HSL 62.82, 0.89%, 0.37%

LAB 70.48, -19.96, 70.84

 

CMYK 94 / 3 / 0 / 30

HEX #0AADB2

RGB 10 173 178

HSL 181.79, 0.89%, 0.37%

LAB 64.3, -34.05, -13.04

 

CMYK 0 / 94 / 3 / 30

HEX #B20AAD

RGB 178 10 173

HSL 301.79, 0.89%, 0.37%

LAB 42.31, 73.3, -43.44

 

CMYK 4 / 0 / 94 / 29

HEX #ACB40A

RGB 172 180 10

HSL 62.82, 0.89%, 0.37%

LAB 70.48, -19.96, 70.84

 

CMYK 94 / 0 / 72 / 30

HEX #0AB232

RGB 10 178 50

HSL 134.29, 0.89%, 0.37%

LAB 63.45, -62.87, 52.04

 

CMYK 91 / 94 / 0 / 30

HEX #100AB2

RGB 16 10 178

HSL 242.14, 0.89%, 0.37%

LAB 22.09, 58.15, -80.33

 

CMYK 0 / 94 / 22 / 30

HEX #B20A8B

RGB 178 10 139

HSL 313.93, 0.89%, 0.37%

LAB 40.49, 68.69, -25.79

 

CMYK 4 / 0 / 94 / 29

HEX #ACB40A

RGB 172 180 10

HSL 62.82, 0.89%, 0.37%

LAB 70.48, -19.96, 70.84

 

CMYK 94 / 0 / 44 / 30

HEX #0AB264

RGB 10 178 100

HSL 152.14, 0.89%, 0.37%

LAB 64.02, -55.95, 29.38

 

CMYK 91 / 94 / 0 / 30

HEX #100AB2

RGB 16 10 178

HSL 242.14, 0.89%, 0.37%

LAB 22.09, 58.15, -80.33

 

CMYK 0 / 94 / 50 / 30

HEX #B20A59

RGB 178 10 89

HSL 331.79, 0.89%, 0.37%

LAB 38.56, 63.58, 2.67

 

Description

Color code: HEX #ACB40ACE | qconv.com Color code: HEX #ACB40ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 180 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 180 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 77 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 77% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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