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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB2F9 it is the complementary color #534D06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB2F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB2F9 shade: #B1B2F4, #C2C4FF, #D3D6FF, #E4E8FF and #F5FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB2F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB2F9 shade: #ACB2F9, #9BA0E6, #8A8ED3, #797CC0 and #686AAD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB2F9 shade: #AEB4F9, #BCAEF9, #D1AEF9, #E5AEF9 and #F9AEF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB2F9 shade: #AEB4F9 and #AEAEF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB2F9 shade matches the following richer shades: #AEB4F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB2F9 shade: #AEB4F9, #B5BAF2, #BCC0EB, #C3C6E4 and #CACBDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB2F9 shade: #AEDCF9, #AEC8F9, #AEB4F9, #BCAEF9 and #D0AEF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB2F9 shade: #616CF4, #8790F7, #AEB4F9, #D5D8FC and #FBFBFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB2F9 shade: #ACB2F9, #F9AEF1 and #D2F9AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB2F9 shade: #ACB2F9, #F9AEB4 and #B4F9AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB2F9 shade: #ACB2F9, #F9AEF1, #F9F3AE and #AEF9B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB2F9 shade: #ACB2F9, #F9AEDA, #F9F3AE and #AEF9CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 29 / 0 / 2

HEX #ACB2F9

RGB 172 178 249

HSL 235.32, 0.87%, 0.83%

LAB 74.48, 13.73, -35.88

 

Complementary color

CMYK 0 / 7 / 93 / 67

HEX #534D06

RGB 83 77 6

HSL 55.32, 0.87%, 0.17%

LAB 32.17, -5.76, 38.24

 

CMYK 27 / 27 / 0 / 4

HEX #B1B2F4

RGB 177 178 244

HSL 239.1, 0.75%, 0.83%

LAB 74.65, 13.93, -32.89

 

CMYK 24 / 23 / 0 / 0

HEX #C2C4FF

RGB 194 196 255

HSL 238.03, 1%, 0.88%

LAB 80.83, 11.63, -29.17

 

CMYK 17 / 16 / 0 / 0

HEX #D3D6FF

RGB 211 214 255

HSL 235.91, 1%, 0.91%

LAB 86.58, 7.11, -20.3

 

CMYK 11 / 9 / 0 / 0

HEX #E4E8FF

RGB 228 232 255

HSL 231.11, 1%, 0.95%

LAB 92.32, 3.01, -11.56

 

CMYK 4 / 2 / 0 / 0

HEX #F5FAFF

RGB 245 250 255

HSL 210, 1%, 0.98%

LAB 98.03, -0.74, -2.97

 

CMYK 31 / 29 / 0 / 2

HEX #ACB2F9

RGB 172 178 249

HSL 235.32, 0.87%, 0.83%

LAB 74.48, 13.73, -35.88

 

CMYK 33 / 30 / 0 / 10

HEX #9BA0E6

RGB 155 160 230

HSL 236, 0.6%, 0.75%

LAB 67.89, 14.25, -35.86

 

CMYK 35 / 33 / 0 / 17

HEX #8A8ED3

RGB 138 142 211

HSL 236.71, 0.45%, 0.68%

LAB 61.18, 14.85, -35.88

 

CMYK 37 / 35 / 0 / 25

HEX #797CC0

RGB 121 124 192

HSL 237.46, 0.36%, 0.61%

LAB 54.33, 15.53, -35.94

 

CMYK 40 / 39 / 0 / 32

HEX #686AAD

RGB 104 106 173

HSL 238.26, 0.3%, 0.54%

LAB 47.32, 16.32, -36.07

 

CMYK 30 / 28 / 0 / 2

HEX #AEB4F9

RGB 174 180 249

HSL 235.2, 0.86%, 0.83%

LAB 75.13, 13.18, -34.86

 

CMYK 24 / 30 / 0 / 2

HEX #BCAEF9

RGB 188 174 249

HSL 251.2, 0.86%, 0.83%

LAB 74.7, 20.53, -35.44

 

CMYK 16 / 30 / 0 / 2

HEX #D1AEF9

RGB 209 174 249

HSL 268, 0.86%, 0.83%

LAB 76.48, 26.78, -32.55

 

CMYK 8 / 30 / 0 / 2

HEX #E5AEF9

RGB 229 174 249

HSL 284, 0.86%, 0.83%

LAB 78.33, 32.91, -29.54

 

CMYK 0 / 30 / 0 / 2

HEX #F9AEF9

RGB 249 174 249

HSL 300, 0.86%, 0.83%

LAB 80.32, 39.14, -26.32

 

CMYK 30 / 28 / 0 / 2

HEX #AEB4F9

RGB 174 180 249

HSL 235.2, 0.86%, 0.83%

LAB 75.13, 13.18, -34.86

 

CMYK 30 / 30 / 0 / 2

HEX #AEAEF9

RGB 174 174 249

HSL 240, 0.86%, 0.83%

LAB 73.62, 16.51, -37.2

 

CMYK 30 / 28 / 0 / 2

HEX #AEB4F9

RGB 174 180 249

HSL 235.2, 0.86%, 0.83%

LAB 75.13, 13.18, -34.86

 

CMYK 30 / 28 / 0 / 2

HEX #AEB4F9

RGB 174 180 249

HSL 235.2, 0.86%, 0.83%

LAB 75.13, 13.18, -34.86

 

CMYK 25 / 23 / 0 / 5

HEX #B5BAF2

RGB 181 186 242

HSL 235.08, 0.7%, 0.83%

LAB 76.89, 10.22, -28.33

 

CMYK 20 / 18 / 0 / 8

HEX #BCC0EB

RGB 188 192 235

HSL 234.89, 0.54%, 0.83%

LAB 78.69, 7.47, -21.78

 

CMYK 14 / 13 / 0 / 11

HEX #C3C6E4

RGB 195 198 228

HSL 234.55, 0.38%, 0.83%

LAB 80.51, 4.92, -15.21

 

CMYK 9 / 8 / 0 / 13

HEX #CACBDD

RGB 202 203 221

HSL 236.84, 0.22%, 0.83%

LAB 82.1, 3.09, -9.03

 

CMYK 30 / 12 / 0 / 2

HEX #AEDCF9

RGB 174 220 249

HSL 203.2, 0.86%, 0.83%

LAB 85.52, -8.3, -18.98

 

CMYK 30 / 20 / 0 / 2

HEX #AEC8F9

RGB 174 200 249

HSL 219.2, 0.86%, 0.83%

LAB 80.26, 2.26, -26.96

 

CMYK 30 / 28 / 0 / 2

HEX #AEB4F9

RGB 174 180 249

HSL 235.2, 0.86%, 0.83%

LAB 75.13, 13.18, -34.86

 

CMYK 24 / 30 / 0 / 2

HEX #BCAEF9

RGB 188 174 249

HSL 251.2, 0.86%, 0.83%

LAB 74.7, 20.53, -35.44

 

CMYK 16 / 30 / 0 / 2

HEX #D0AEF9

RGB 208 174 249

HSL 267.2, 0.86%, 0.83%

LAB 76.39, 26.47, -32.69

 

CMYK 60 / 56 / 0 / 4

HEX #616CF4

RGB 97 108 244

HSL 235.51, 0.87%, 0.67%

LAB 51.61, 35.73, -69.73

 

CMYK 45 / 42 / 0 / 3

HEX #8790F7

RGB 135 144 247

HSL 235.18, 0.88%, 0.75%

LAB 63.19, 22.94, -52.68

 

CMYK 30 / 28 / 0 / 2

HEX #AEB4F9

RGB 174 180 249

HSL 235.2, 0.86%, 0.83%

LAB 75.13, 13.18, -34.86

 

CMYK 15 / 14 / 0 / 1

HEX #D5D8FC

RGB 213 216 252

HSL 235.38, 0.87%, 0.91%

LAB 87.14, 6.04, -17.87

 

CMYK 2 / 2 / 0 / 0

HEX #FBFBFF

RGB 251 251 255

HSL 240, 1%, 0.99%

LAB 98.72, 0.71, -1.92

 

CMYK 31 / 29 / 0 / 2

HEX #ACB2F9

RGB 172 178 249

HSL 235.32, 0.87%, 0.83%

LAB 74.48, 13.73, -35.88

 

CMYK 0 / 30 / 3 / 2

HEX #F9AEF1

RGB 249 174 241

HSL 306.4, 0.86%, 0.83%

LAB 80.05, 37.71, -22.43

 

CMYK 16 / 0 / 30 / 2

HEX #D2F9AE

RGB 210 249 174

HSL 91.2, 0.86%, 0.83%

LAB 93.67, -25.32, 31.99

 

CMYK 31 / 29 / 0 / 2

HEX #ACB2F9

RGB 172 178 249

HSL 235.32, 0.87%, 0.83%

LAB 74.48, 13.73, -35.88

 

CMYK 0 / 30 / 28 / 2

HEX #F9AEB4

RGB 249 174 180

HSL 355.2, 0.86%, 0.83%

LAB 78.29, 28.23, 8.01

 

CMYK 28 / 0 / 30 / 2

HEX #B4F9AE

RGB 180 249 174

HSL 115.2, 0.86%, 0.83%

LAB 91.91, -35.42, 29.32

 

CMYK 31 / 29 / 0 / 2

HEX #ACB2F9

RGB 172 178 249

HSL 235.32, 0.87%, 0.83%

LAB 74.48, 13.73, -35.88

 

CMYK 0 / 30 / 3 / 2

HEX #F9AEF1

RGB 249 174 241

HSL 306.4, 0.86%, 0.83%

LAB 80.05, 37.71, -22.43

 

CMYK 0 / 2 / 30 / 2

HEX #F9F3AE

RGB 249 243 174

HSL 55.2, 0.86%, 0.83%

LAB 94.86, -8.23, 34.07

 

CMYK 30 / 0 / 27 / 2

HEX #AEF9B7

RGB 174 249 183

HSL 127.2, 0.86%, 0.83%

LAB 91.76, -35.86, 24.49

 

CMYK 31 / 29 / 0 / 2

HEX #ACB2F9

RGB 172 178 249

HSL 235.32, 0.87%, 0.83%

LAB 74.48, 13.73, -35.88

 

CMYK 0 / 30 / 12 / 2

HEX #F9AEDA

RGB 249 174 218

HSL 324.8, 0.86%, 0.83%

LAB 79.31, 33.84, -11.12

 

CMYK 0 / 2 / 30 / 2

HEX #F9F3AE

RGB 249 243 174

HSL 55.2, 0.86%, 0.83%

LAB 94.86, -8.23, 34.07

 

CMYK 30 / 0 / 18 / 2

HEX #AEF9CD

RGB 174 249 205

HSL 144.8, 0.86%, 0.83%

LAB 92.2, -31.94, 13.83

 

Description

Color code: HEX #ACB2F9 | qconv.com Color code: HEX #ACB2F9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 178 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 178 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 29 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 29% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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