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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB107 it is the complementary color #534EF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB107 shade: #B1B102, #C2C315, #D3D528, #E4E73B and #F5F94E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB107 shade: #ACB107, #9B9F00, #8A8D00, #797B00 and #686900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB107 shade: #ABB007, #B08807, #B05A07, #B02D07 and #B00707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB107 shade: #ABB007, #7EB007, #50B007, #23B007 and #07B01A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB107 shade matches the following richer shades: #ABB007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB107 shade: #ABB007, #9DA116, #8F9325, #818434 and #737543

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB107 shade: #B05907, #B08607, #ADB007, #80B007 and #53B007

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB107 shade: #5E6104, #858906, #ABB007, #D2D809 and #EFF515

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB107 shade: #ACB107, #07B02C and #7007B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB107 shade: #ACB107, #07ADB0 and #B007AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB107 shade: #ACB107, #07B02C, #0A07B0 and #B0078C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB107 shade: #ACB107, #07B05F, #0A07B0 and #B00759

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 96 / 31

HEX #ACB107

RGB 172 177 7

HSL 61.76, 0.92%, 0.36%

LAB 69.63, -18.49, 70.54

 

Complementary color

CMYK 67 / 69 / 0 / 3

HEX #534EF8

RGB 83 78 248

HSL 241.76, 0.92%, 0.64%

LAB 44.33, 52.61, -83.89

 

CMYK 0 / 0 / 99 / 31

HEX #B1B102

RGB 177 177 2

HSL 60, 0.98%, 0.35%

LAB 70.03, -16.37, 71.61

 

CMYK 1 / 0 / 89 / 24

HEX #C2C315

RGB 194 195 21

HSL 60.34, 0.81%, 0.42%

LAB 76.41, -17.78, 74.66

 

CMYK 1 / 0 / 81 / 16

HEX #D3D528

RGB 211 213 40

HSL 60.69, 0.68%, 0.5%

LAB 82.7, -19, 76.44

 

CMYK 1 / 0 / 74 / 9

HEX #E4E73B

RGB 228 231 59

HSL 61.05, 0.78%, 0.57%

LAB 88.9, -20.04, 77.17

 

CMYK 2 / 0 / 69 / 2

HEX #F5F94E

RGB 245 249 78

HSL 61.4, 0.93%, 0.64%

LAB 95.04, -20.92, 77.2

 

CMYK 3 / 0 / 96 / 31

HEX #ACB107

RGB 172 177 7

HSL 61.76, 0.92%, 0.36%

LAB 69.63, -18.49, 70.54

 

CMYK 3 / 0 / 100 / 38

HEX #9B9F00

RGB 155 159 0

HSL 61.51, 1%, 0.31%

LAB 63.15, -16.93, 65.98

 

CMYK 2 / 0 / 100 / 45

HEX #8A8D00

RGB 138 141 0

HSL 61.28, 1%, 0.28%

LAB 56.54, -15.24, 60.49

 

CMYK 2 / 0 / 100 / 52

HEX #797B00

RGB 121 123 0

HSL 60.98, 1%, 0.24%

LAB 49.77, -13.5, 54.87

 

CMYK 1 / 0 / 100 / 59

HEX #686900

RGB 104 105 0

HSL 60.57, 1%, 0.21%

LAB 42.83, -11.71, 49.1

 

CMYK 3 / 0 / 96 / 31

HEX #ABB007

RGB 171 176 7

HSL 61.78, 0.92%, 0.36%

LAB 69.27, -18.42, 70.23

 

CMYK 0 / 23 / 96 / 31

HEX #B08807

RGB 176 136 7

HSL 45.8, 0.92%, 0.36%

LAB 58.84, 5.07, 62.69

 

CMYK 0 / 49 / 96 / 31

HEX #B05A07

RGB 176 90 7

HSL 29.47, 0.92%, 0.36%

LAB 47.7, 30.56, 54.87

 

CMYK 0 / 74 / 96 / 31

HEX #B02D07

RGB 176 45 7

HSL 13.49, 0.92%, 0.36%

LAB 39.79, 51.29, 49.86

 

CMYK 0 / 96 / 96 / 31

HEX #B00707

RGB 176 7 7

HSL 0, 0.92%, 0.36%

LAB 36.74, 59.91, 48.15

 

CMYK 3 / 0 / 96 / 31

HEX #ABB007

RGB 171 176 7

HSL 61.78, 0.92%, 0.36%

LAB 69.27, -18.42, 70.23

 

CMYK 28 / 0 / 96 / 31

HEX #7EB007

RGB 126 176 7

HSL 77.75, 0.92%, 0.36%

LAB 66.14, -37.28, 66.45

 

CMYK 55 / 0 / 96 / 31

HEX #50B007

RGB 80 176 7

HSL 94.08, 0.92%, 0.36%

LAB 63.98, -53.03, 63.81

 

CMYK 80 / 0 / 96 / 31

HEX #23B007

RGB 35 176 7

HSL 110.06, 0.92%, 0.36%

LAB 62.86, -62.38, 62.45

 

CMYK 96 / 0 / 85 / 31

HEX #07B01A

RGB 7 176 26

HSL 126.75, 0.92%, 0.36%

LAB 62.65, -64.1, 58.82

 

CMYK 3 / 0 / 96 / 31

HEX #ABB007

RGB 171 176 7

HSL 61.78, 0.92%, 0.36%

LAB 69.27, -18.42, 70.23

 

CMYK 3 / 0 / 96 / 31

HEX #ABB007

RGB 171 176 7

HSL 61.78, 0.92%, 0.36%

LAB 69.27, -18.42, 70.23

 

CMYK 2 / 0 / 86 / 37

HEX #9DA116

RGB 157 161 22

HSL 61.73, 0.76%, 0.36%

LAB 63.93, -16.68, 63.16

 

CMYK 3 / 0 / 75 / 42

HEX #8F9325

RGB 143 147 37

HSL 62.18, 0.6%, 0.36%

LAB 58.83, -15.09, 53.9

 

CMYK 2 / 0 / 61 / 48

HEX #818434

RGB 129 132 52

HSL 62.25, 0.43%, 0.36%

LAB 53.4, -12.42, 41.74

 

CMYK 2 / 0 / 43 / 54

HEX #737543

RGB 115 117 67

HSL 62.4, 0.27%, 0.36%

LAB 47.97, -8.92, 27.28

 

CMYK 0 / 49 / 96 / 31

HEX #B05907

RGB 176 89 7

HSL 29.11, 0.92%, 0.36%

LAB 47.48, 31.09, 54.73

 

CMYK 0 / 24 / 96 / 31

HEX #B08607

RGB 176 134 7

HSL 45.09, 0.92%, 0.36%

LAB 58.32, 6.18, 62.31

 

CMYK 2 / 0 / 96 / 31

HEX #ADB007

RGB 173 176 7

HSL 61.07, 0.92%, 0.36%

LAB 69.43, -17.55, 70.42

 

CMYK 27 / 0 / 96 / 31

HEX #80B007

RGB 128 176 7

HSL 77.04, 0.92%, 0.36%

LAB 66.26, -36.49, 66.6

 

CMYK 53 / 0 / 96 / 31

HEX #53B007

RGB 83 176 7

HSL 93.02, 0.92%, 0.36%

LAB 64.08, -52.17, 63.95

 

CMYK 3 / 0 / 96 / 62

HEX #5E6104

RGB 94 97 4

HSL 61.94, 0.92%, 0.2%

LAB 39.48, -11.96, 45.11

 

CMYK 3 / 0 / 96 / 46

HEX #858906

RGB 133 137 6

HSL 61.83, 0.92%, 0.28%

LAB 54.96, -15.31, 58.11

 

CMYK 3 / 0 / 96 / 31

HEX #ABB007

RGB 171 176 7

HSL 61.78, 0.92%, 0.36%

LAB 69.27, -18.42, 70.23

 

CMYK 3 / 0 / 96 / 15

HEX #D2D809

RGB 210 216 9

HSL 61.74, 0.92%, 0.44%

LAB 83.35, -21.46, 82.01

 

CMYK 2 / 0 / 91 / 4

HEX #EFF515

RGB 239 245 21

HSL 61.61, 0.92%, 0.52%

LAB 93.32, -23.19, 89.35

 

CMYK 3 / 0 / 96 / 31

HEX #ACB107

RGB 172 177 7

HSL 61.76, 0.92%, 0.36%

LAB 69.63, -18.49, 70.54

 

CMYK 96 / 0 / 75 / 31

HEX #07B02C

RGB 7 176 44

HSL 133.14, 0.92%, 0.36%

LAB 62.74, -62.94, 53.51

 

CMYK 36 / 96 / 0 / 31

HEX #7007B0

RGB 112 7 176

HSL 277.28, 0.92%, 0.36%

LAB 31.19, 64.35, -63.77

 

CMYK 3 / 0 / 96 / 31

HEX #ACB107

RGB 172 177 7

HSL 61.76, 0.92%, 0.36%

LAB 69.63, -18.49, 70.54

 

CMYK 96 / 2 / 0 / 31

HEX #07ADB0

RGB 7 173 176

HSL 181.07, 0.92%, 0.36%

LAB 64.22, -34.78, -12.04

 

CMYK 0 / 96 / 2 / 31

HEX #B007AD

RGB 176 7 173

HSL 301.07, 0.92%, 0.36%

LAB 41.84, 73.25, -44.2

 

CMYK 3 / 0 / 96 / 31

HEX #ACB107

RGB 172 177 7

HSL 61.76, 0.92%, 0.36%

LAB 69.63, -18.49, 70.54

 

CMYK 96 / 0 / 75 / 31

HEX #07B02C

RGB 7 176 44

HSL 133.14, 0.92%, 0.36%

LAB 62.74, -62.94, 53.51

 

CMYK 94 / 96 / 0 / 31

HEX #0A07B0

RGB 10 7 176

HSL 241.07, 0.92%, 0.36%

LAB 21.4, 58.27, -80.29

 

CMYK 0 / 96 / 20 / 31

HEX #B0078C

RGB 176 7 140

HSL 312.78, 0.92%, 0.36%

LAB 40.04, 68.73, -27.12

 

CMYK 3 / 0 / 96 / 31

HEX #ACB107

RGB 172 177 7

HSL 61.76, 0.92%, 0.36%

LAB 69.63, -18.49, 70.54

 

CMYK 96 / 0 / 46 / 31

HEX #07B05F

RGB 7 176 95

HSL 151.24, 0.92%, 0.36%

LAB 63.28, -56.31, 31.02

 

CMYK 94 / 96 / 0 / 31

HEX #0A07B0

RGB 10 7 176

HSL 241.07, 0.92%, 0.36%

LAB 21.4, 58.27, -80.29

 

CMYK 0 / 96 / 49 / 31

HEX #B00759

RGB 176 7 89

HSL 330.89, 0.92%, 0.36%

LAB 38.03, 63.44, 1.85

 

Description

Color code: HEX #ACB107 | qconv.com Color code: HEX #ACB107 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 177 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 177 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 96 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 96% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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