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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB038 it is the complementary color #534FC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB038. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB038 shade: #B1B033, #C2C246, #D3D459, #E4E66C and #F5F87F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB038. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB038 shade: #ACB038, #9B9E25, #8A8C12, #797A00 and #686800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB038 shade: #AAAE37, #AE9237, #AE7237, #AE5237 and #AE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB038 shade: #AAAE37, #8AAE37, #6AAE37, #4AAE37 and #37AE44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB038 shade matches the following richer shades: #AAAE37, #BCC125 and #CDD412

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB038 shade: #AAAE37, #999C4A, #88895C, #76776F and #656481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB038 shade: #AE7337, #AE9337, #AAAE37, #8BAE37 and #6BAE37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB038 shade: #6D7023, #8C8F2D, #AAAE37, #C1C649 and #CCCF69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB038 shade: #ACB038, #37AE53 and #8337AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB038 shade: #ACB038, #37AAAE and #AE37AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB038 shade: #ACB038, #37AE53, #3B37AE and #AE3793

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB038 shade: #ACB038, #37AE77, #3B37AE and #AE376F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 68 / 31

HEX #ACB038

RGB 172 176 56

HSL 62, 0.52%, 0.45%

LAB 69.55, -16.42, 58.08

 

Complementary color

CMYK 58 / 60 / 0 / 22

HEX #534FC7

RGB 83 79 199

HSL 242, 0.52%, 0.55%

LAB 40.5, 36.36, -62.24

 

CMYK 0 / 1 / 71 / 31

HEX #B1B033

RGB 177 176 51

HSL 59.52, 0.55%, 0.45%

LAB 69.92, -14.53, 60.47

 

CMYK 0 / 0 / 64 / 24

HEX #C2C246

RGB 194 194 70

HSL 60, 0.5%, 0.52%

LAB 76.37, -15.38, 60.05

 

CMYK 0 / 0 / 58 / 17

HEX #D3D459

RGB 211 212 89

HSL 60.49, 0.59%, 0.59%

LAB 82.73, -16.07, 59.25

 

CMYK 1 / 0 / 53 / 10

HEX #E4E66C

RGB 228 230 108

HSL 60.98, 0.71%, 0.66%

LAB 89, -16.65, 58.27

 

CMYK 1 / 0 / 49 / 3

HEX #F5F87F

RGB 245 248 127

HSL 61.49, 0.9%, 0.74%

LAB 95.19, -17.14, 57.2

 

CMYK 2 / 0 / 68 / 31

HEX #ACB038

RGB 172 176 56

HSL 62, 0.52%, 0.45%

LAB 69.55, -16.42, 58.08

 

CMYK 2 / 0 / 77 / 38

HEX #9B9E25

RGB 155 158 37

HSL 61.49, 0.62%, 0.38%

LAB 62.97, -15.5, 58.13

 

CMYK 1 / 0 / 87 / 45

HEX #8A8C12

RGB 138 140 18

HSL 60.98, 0.77%, 0.31%

LAB 56.29, -14.36, 57.11

 

CMYK 1 / 0 / 100 / 52

HEX #797A00

RGB 121 122 0

HSL 60.49, 1%, 0.24%

LAB 49.48, -12.96, 54.65

 

CMYK 0 / 0 / 100 / 59

HEX #686800

RGB 104 104 0

HSL 60, 1%, 0.2%

LAB 42.53, -11.15, 48.88

 

CMYK 2 / 0 / 68 / 32

HEX #AAAE37

RGB 170 174 55

HSL 62.02, 0.52%, 0.45%

LAB 68.82, -16.31, 57.68

 

CMYK 0 / 16 / 68 / 32

HEX #AE9237

RGB 174 146 55

HSL 45.88, 0.52%, 0.45%

LAB 61.51, 0.27, 50.31

 

CMYK 0 / 34 / 68 / 32

HEX #AE7237

RGB 174 114 55

HSL 29.75, 0.52%, 0.45%

LAB 53.29, 18.09, 41.48

 

CMYK 0 / 53 / 68 / 32

HEX #AE5237

RGB 174 82 55

HSL 13.61, 0.52%, 0.45%

LAB 46.05, 35.57, 33.27

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 2 / 0 / 68 / 32

HEX #AAAE37

RGB 170 174 55

HSL 62.02, 0.52%, 0.45%

LAB 68.82, -16.31, 57.68

 

CMYK 21 / 0 / 68 / 32

HEX #8AAE37

RGB 138 174 55

HSL 78.15, 0.52%, 0.45%

LAB 66.48, -29.68, 54.55

 

CMYK 39 / 0 / 68 / 32

HEX #6AAE37

RGB 106 174 55

HSL 94.29, 0.52%, 0.45%

LAB 64.65, -41.73, 52.08

 

CMYK 57 / 0 / 68 / 32

HEX #4AAE37

RGB 74 174 55

HSL 110.42, 0.52%, 0.45%

LAB 63.35, -51.46, 50.3

 

CMYK 68 / 0 / 61 / 32

HEX #37AE44

RGB 55 174 68

HSL 126.55, 0.52%, 0.45%

LAB 62.93, -54.39, 44.04

 

CMYK 2 / 0 / 68 / 32

HEX #AAAE37

RGB 170 174 55

HSL 62.02, 0.52%, 0.45%

LAB 68.82, -16.31, 57.68

 

CMYK 3 / 0 / 81 / 24

HEX #BCC125

RGB 188 193 37

HSL 61.92, 0.68%, 0.45%

LAB 75.43, -18.95, 70.24

 

CMYK 3 / 0 / 92 / 17

HEX #CDD412

RGB 205 212 18

HSL 62.16, 0.84%, 0.45%

LAB 81.9, -21.52, 79.77

 

CMYK 2 / 0 / 68 / 32

HEX #AAAE37

RGB 170 174 55

HSL 62.02, 0.52%, 0.45%

LAB 68.82, -16.31, 57.68

 

CMYK 2 / 0 / 53 / 39

HEX #999C4A

RGB 153 156 74

HSL 62.2, 0.36%, 0.45%

LAB 62.54, -12.89, 42.03

 

CMYK 1 / 0 / 33 / 46

HEX #88895C

RGB 136 137 92

HSL 61.33, 0.2%, 0.45%

LAB 55.99, -7.86, 24.07

 

CMYK 1 / 0 / 7 / 53

HEX #76776F

RGB 118 119 111

HSL 67.5, 0.03%, 0.45%

LAB 49.73, -1.95, 4.26

 

CMYK 22 / 22 / 0 / 49

HEX #656481

RGB 101 100 129

HSL 242.07, 0.13%, 0.45%

LAB 43.46, 7.06, -15.97

 

CMYK 0 / 34 / 68 / 32

HEX #AE7337

RGB 174 115 55

HSL 30.25, 0.52%, 0.45%

LAB 53.53, 17.53, 41.75

 

CMYK 0 / 16 / 68 / 32

HEX #AE9337

RGB 174 147 55

HSL 46.39, 0.52%, 0.45%

LAB 61.78, -0.27, 50.59

 

CMYK 2 / 0 / 68 / 32

HEX #AAAE37

RGB 170 174 55

HSL 62.02, 0.52%, 0.45%

LAB 68.82, -16.31, 57.68

 

CMYK 20 / 0 / 68 / 32

HEX #8BAE37

RGB 139 174 55

HSL 77.65, 0.52%, 0.45%

LAB 66.55, -29.28, 54.64

 

CMYK 39 / 0 / 68 / 32

HEX #6BAE37

RGB 107 174 55

HSL 93.78, 0.52%, 0.45%

LAB 64.7, -41.38, 52.15

 

CMYK 3 / 0 / 69 / 56

HEX #6D7023

RGB 109 112 35

HSL 62.34, 0.52%, 0.29%

LAB 45.58, -11.82, 40.68

 

CMYK 2 / 0 / 69 / 44

HEX #8C8F2D

RGB 140 143 45

HSL 61.84, 0.52%, 0.37%

LAB 57.47, -13.89, 49.43

 

CMYK 2 / 0 / 68 / 32

HEX #AAAE37

RGB 170 174 55

HSL 62.02, 0.52%, 0.45%

LAB 68.82, -16.31, 57.68

 

CMYK 3 / 0 / 63 / 22

HEX #C1C649

RGB 193 198 73

HSL 62.4, 0.52%, 0.53%

LAB 77.4, -17.61, 59.87

 

CMYK 1 / 0 / 49 / 19

HEX #CCCF69

RGB 204 207 105

HSL 61.76, 0.52%, 0.61%

LAB 81.01, -15.14, 49.84

 

CMYK 2 / 0 / 68 / 31

HEX #ACB038

RGB 172 176 56

HSL 62, 0.52%, 0.45%

LAB 69.55, -16.42, 58.08

 

CMYK 68 / 0 / 52 / 32

HEX #37AE53

RGB 55 174 83

HSL 134.12, 0.52%, 0.45%

LAB 63.1, -52.38, 37.05

 

CMYK 25 / 68 / 0 / 32

HEX #8337AE

RGB 131 55 174

HSL 278.32, 0.52%, 0.45%

LAB 38.92, 52.33, -49.88

 

CMYK 2 / 0 / 68 / 31

HEX #ACB038

RGB 172 176 56

HSL 62, 0.52%, 0.45%

LAB 69.55, -16.42, 58.08

 

CMYK 68 / 2 / 0 / 32

HEX #37AAAE

RGB 55 170 174

HSL 182.02, 0.52%, 0.45%

LAB 63.85, -29.96, -11.41

 

CMYK 0 / 68 / 2 / 32

HEX #AE37AA

RGB 174 55 170

HSL 302.02, 0.52%, 0.45%

LAB 45.13, 61.41, -37.22

 

CMYK 2 / 0 / 68 / 31

HEX #ACB038

RGB 172 176 56

HSL 62, 0.52%, 0.45%

LAB 69.55, -16.42, 58.08

 

CMYK 68 / 0 / 52 / 32

HEX #37AE53

RGB 55 174 83

HSL 134.12, 0.52%, 0.45%

LAB 63.1, -52.38, 37.05

 

CMYK 66 / 68 / 0 / 32

HEX #3B37AE

RGB 59 55 174

HSL 242.02, 0.52%, 0.45%

LAB 31.16, 38.99, -62.85

 

CMYK 0 / 68 / 16 / 32

HEX #AE3793

RGB 174 55 147

HSL 313.61, 0.52%, 0.45%

LAB 44, 57.8, -25.24

 

CMYK 2 / 0 / 68 / 31

HEX #ACB038

RGB 172 176 56

HSL 62, 0.52%, 0.45%

LAB 69.55, -16.42, 58.08

 

CMYK 68 / 0 / 32 / 32

HEX #37AE77

RGB 55 174 119

HSL 152.27, 0.52%, 0.45%

LAB 63.69, -45.87, 18.88

 

CMYK 66 / 68 / 0 / 32

HEX #3B37AE

RGB 59 55 174

HSL 242.02, 0.52%, 0.45%

LAB 31.16, 38.99, -62.85

 

CMYK 0 / 68 / 36 / 32

HEX #AE376F

RGB 174 55 111

HSL 331.76, 0.52%, 0.45%

LAB 42.58, 53.05, -5.37

 

Description

Color code: HEX #ACB038 | qconv.com Color code: HEX #ACB038 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 176 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 176 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 68 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 68% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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