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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACAF2F it is the complementary color #5350D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACAF2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACAF2F shade: #B1AF2A, #C2C13D, #D3D350, #E4E563 and #F5F776

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACAF2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACAF2F shade: #ACAF2F, #9B9D1C, #8A8B09, #797900 and #686700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACAF2F shade: #AEB12F, #B1912F, #B16E2F, #B14B2F and #B12F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACAF2F shade: #AEB12F, #8BB12F, #68B12F, #45B12F and #2FB13C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACAF2F shade matches the following richer shades: #AEB12F, #C0C31D and #D1D60B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACAF2F shade: #AEB12F, #9D9F41, #8C8D53, #7A7B66 and #696978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACAF2F shade: #B16E2F, #B1912F, #AFB12F, #8CB12F and #6AB12F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACAF2F shade: #6E701E, #8E9126, #AEB12F, #C8CC3E and #D2D45F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACAF2F shade: #ACAF2F, #2FB14B and #7F2FB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACAF2F shade: #ACAF2F, #2FAFB1 and #B12FAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACAF2F shade: #ACAF2F, #2FB14B, #312FB1 and #B12F95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACAF2F shade: #ACAF2F, #2FB172, #312FB1 and #B12F6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 73 / 31

HEX #ACAF2F

RGB 172 175 47

HSL 61.41, 0.58%, 0.44%

LAB 69.21, -16.37, 61.07

 

Complementary color

CMYK 60 / 62 / 0 / 18

HEX #5350D0

RGB 83 80 208

HSL 241.41, 0.58%, 0.56%

LAB 41.42, 38.67, -65.94

 

CMYK 0 / 1 / 76 / 31

HEX #B1AF2A

RGB 177 175 42

HSL 59.11, 0.62%, 0.43%

LAB 69.59, -14.42, 63.26

 

CMYK 0 / 1 / 69 / 24

HEX #C2C13D

RGB 194 193 61

HSL 59.55, 0.52%, 0.5%

LAB 76.04, -15.39, 63.24

 

CMYK 0 / 0 / 62 / 17

HEX #D3D350

RGB 211 211 80

HSL 60, 0.6%, 0.57%

LAB 82.39, -16.18, 62.69

 

CMYK 0 / 0 / 57 / 10

HEX #E4E563

RGB 228 229 99

HSL 60.46, 0.71%, 0.64%

LAB 88.65, -16.84, 61.85

 

CMYK 1 / 0 / 52 / 3

HEX #F5F776

RGB 245 247 118

HSL 60.93, 0.89%, 0.72%

LAB 94.84, -17.4, 60.86

 

CMYK 2 / 0 / 73 / 31

HEX #ACAF2F

RGB 172 175 47

HSL 61.41, 0.58%, 0.44%

LAB 69.21, -16.37, 61.07

 

CMYK 1 / 0 / 82 / 38

HEX #9B9D1C

RGB 155 157 28

HSL 60.93, 0.7%, 0.36%

LAB 62.65, -15.32, 60.54

 

CMYK 1 / 0 / 94 / 45

HEX #8A8B09

RGB 138 139 9

HSL 60.46, 0.88%, 0.29%

LAB 55.98, -14.02, 58.58

 

CMYK 0 / 0 / 100 / 53

HEX #797900

RGB 121 121 0

HSL 60, 1%, 0.24%

LAB 49.18, -12.42, 54.43

 

CMYK 0 / 1 / 100 / 59

HEX #686700

RGB 104 103 0

HSL 59.42, 1%, 0.2%

LAB 42.22, -10.59, 48.65

 

CMYK 2 / 0 / 73 / 31

HEX #AEB12F

RGB 174 177 47

HSL 61.38, 0.58%, 0.44%

LAB 69.93, -16.53, 61.81

 

CMYK 0 / 18 / 73 / 31

HEX #B1912F

RGB 177 145 47

HSL 45.23, 0.58%, 0.44%

LAB 61.48, 1.73, 53.76

 

CMYK 0 / 38 / 73 / 31

HEX #B16E2F

RGB 177 110 47

HSL 29.08, 0.58%, 0.44%

LAB 52.62, 21.2, 44.8

 

CMYK 0 / 58 / 73 / 31

HEX #B14B2F

RGB 177 75 47

HSL 12.92, 0.58%, 0.44%

LAB 45.06, 39.85, 36.7

 

CMYK 0 / 73 / 73 / 31

HEX #B12F2F

RGB 177 47 47

HSL 0, 0.58%, 0.44%

LAB 40.55, 51.96, 31.63

 

CMYK 2 / 0 / 73 / 31

HEX #AEB12F

RGB 174 177 47

HSL 61.38, 0.58%, 0.44%

LAB 69.93, -16.53, 61.81

 

CMYK 21 / 0 / 73 / 31

HEX #8BB12F

RGB 139 177 47

HSL 77.54, 0.58%, 0.44%

LAB 67.38, -31.19, 58.48

 

CMYK 41 / 0 / 73 / 31

HEX #68B12F

RGB 104 177 47

HSL 93.69, 0.58%, 0.44%

LAB 65.43, -44.26, 55.9

 

CMYK 61 / 0 / 73 / 31

HEX #45B12F

RGB 69 177 47

HSL 109.85, 0.58%, 0.44%

LAB 64.09, -54.47, 54.12

 

CMYK 73 / 0 / 66 / 31

HEX #2FB13C

RGB 47 177 60

HSL 126, 0.58%, 0.44%

LAB 63.65, -57.74, 48.34

 

CMYK 2 / 0 / 73 / 31

HEX #AEB12F

RGB 174 177 47

HSL 61.38, 0.58%, 0.44%

LAB 69.93, -16.53, 61.81

 

CMYK 2 / 0 / 85 / 24

HEX #C0C31D

RGB 192 195 29

HSL 61.08, 0.74%, 0.44%

LAB 76.27, -18.46, 72.97

 

CMYK 2 / 0 / 95 / 16

HEX #D1D60B

RGB 209 214 11

HSL 61.48, 0.9%, 0.44%

LAB 82.74, -20.89, 81.33

 

CMYK 2 / 0 / 73 / 31

HEX #AEB12F

RGB 174 177 47

HSL 61.38, 0.58%, 0.44%

LAB 69.93, -16.53, 61.81

 

CMYK 1 / 0 / 59 / 38

HEX #9D9F41

RGB 157 159 65

HSL 61.28, 0.42%, 0.44%

LAB 63.63, -13.5, 47.64

 

CMYK 1 / 0 / 41 / 45

HEX #8C8D53

RGB 140 141 83

HSL 61.03, 0.26%, 0.44%

LAB 57.32, -9.49, 30.78

 

CMYK 1 / 0 / 17 / 52

HEX #7A7B66

RGB 122 123 102

HSL 62.86, 0.09%, 0.44%

LAB 50.99, -4.28, 11.38

 

CMYK 13 / 13 / 0 / 53

HEX #696978

RGB 105 105 120

HSL 240, 0.07%, 0.44%

LAB 44.89, 3.28, -8.35

 

CMYK 0 / 38 / 73 / 31

HEX #B16E2F

RGB 177 110 47

HSL 29.08, 0.58%, 0.44%

LAB 52.62, 21.2, 44.8

 

CMYK 0 / 18 / 73 / 31

HEX #B1912F

RGB 177 145 47

HSL 45.23, 0.58%, 0.44%

LAB 61.48, 1.73, 53.76

 

CMYK 1 / 0 / 73 / 31

HEX #AFB12F

RGB 175 177 47

HSL 60.92, 0.58%, 0.44%

LAB 70.01, -16.09, 61.92

 

CMYK 21 / 0 / 73 / 31

HEX #8CB12F

RGB 140 177 47

HSL 77.08, 0.58%, 0.44%

LAB 67.45, -30.79, 58.57

 

CMYK 40 / 0 / 73 / 31

HEX #6AB12F

RGB 106 177 47

HSL 92.77, 0.58%, 0.44%

LAB 65.53, -43.58, 56.03

 

CMYK 2 / 0 / 73 / 56

HEX #6E701E

RGB 110 112 30

HSL 61.46, 0.58%, 0.28%

LAB 45.63, -11.66, 42.87

 

CMYK 2 / 0 / 74 / 43

HEX #8E9126

RGB 142 145 38

HSL 61.68, 0.58%, 0.36%

LAB 58.17, -14.44, 52.89

 

CMYK 2 / 0 / 73 / 31

HEX #AEB12F

RGB 174 177 47

HSL 61.38, 0.58%, 0.44%

LAB 69.93, -16.53, 61.81

 

CMYK 2 / 0 / 70 / 20

HEX #C8CC3E

RGB 200 204 62

HSL 61.69, 0.58%, 0.52%

LAB 79.51, -18.31, 66.46

 

CMYK 1 / 0 / 55 / 17

HEX #D2D45F

RGB 210 212 95

HSL 61.03, 0.58%, 0.6%

LAB 82.71, -16.04, 56.56

 

CMYK 2 / 0 / 73 / 31

HEX #ACAF2F

RGB 172 175 47

HSL 61.41, 0.58%, 0.44%

LAB 69.21, -16.37, 61.07

 

CMYK 73 / 0 / 58 / 31

HEX #2FB14B

RGB 47 177 75

HSL 132.92, 0.58%, 0.44%

LAB 63.8, -55.96, 41.74

 

CMYK 28 / 73 / 0 / 31

HEX #7F2FB1

RGB 127 47 177

HSL 276.92, 0.58%, 0.44%

LAB 37.33, 55.67, -54.25

 

CMYK 2 / 0 / 73 / 31

HEX #ACAF2F

RGB 172 175 47

HSL 61.41, 0.58%, 0.44%

LAB 69.21, -16.37, 61.07

 

CMYK 73 / 1 / 0 / 31

HEX #2FAFB1

RGB 47 175 177

HSL 180.92, 0.58%, 0.44%

LAB 65.31, -32.53, -10.91

 

CMYK 0 / 73 / 1 / 31

HEX #B12FAF

RGB 177 47 175

HSL 300.92, 0.58%, 0.44%

LAB 44.91, 65.69, -40.5

 

CMYK 2 / 0 / 73 / 31

HEX #ACAF2F

RGB 172 175 47

HSL 61.41, 0.58%, 0.44%

LAB 69.21, -16.37, 61.07

 

CMYK 73 / 0 / 58 / 31

HEX #2FB14B

RGB 47 177 75

HSL 132.92, 0.58%, 0.44%

LAB 63.8, -55.96, 41.74

 

CMYK 72 / 73 / 0 / 31

HEX #312FB1

RGB 49 47 177

HSL 240.92, 0.58%, 0.44%

LAB 29.06, 43.54, -68.12

 

CMYK 0 / 73 / 16 / 31

HEX #B12F95

RGB 177 47 149

HSL 312.92, 0.58%, 0.44%

LAB 43.58, 61.71, -27.06

 

CMYK 2 / 0 / 73 / 31

HEX #ACAF2F

RGB 172 175 47

HSL 61.41, 0.58%, 0.44%

LAB 69.21, -16.37, 61.07

 

CMYK 73 / 0 / 36 / 31

HEX #2FB172

RGB 47 177 114

HSL 150.92, 0.58%, 0.44%

LAB 64.37, -49.38, 22.49

 

CMYK 72 / 73 / 0 / 31

HEX #312FB1

RGB 49 47 177

HSL 240.92, 0.58%, 0.44%

LAB 29.06, 43.54, -68.12

 

CMYK 0 / 73 / 38 / 31

HEX #B12F6E

RGB 177 47 110

HSL 330.92, 0.58%, 0.44%

LAB 42.01, 56.78, -5.54

 

Description

Color code: HEX #ACAF2F | qconv.com Color code: HEX #ACAF2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 175 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 175 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 73 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 73% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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