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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACA754 it is the complementary color #5358AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACA754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACA754 shade: #B1A74F, #C2B962, #D3CB75, #E4DD88 and #F5EF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACA754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACA754 shade: #ACA754, #9B9541, #8A832E, #79711B and #685F08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACA754 shade: #ACA753, #AC8F53, #AC7753, #AC5F53 and #AC5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACA754 shade: #ACA753, #99AC53, #81AC53, #69AC53 and #53AC55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACA754 shade matches the following richer shades: #ACA753, #C1B93E, #D5CC2A, #EADE15 and #FFF000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACA754 shade: #ACA753, #979568, #83827C, #6E7091 and #5A5EA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACA754 shade: #AC7753, #AC8E53, #ACA653, #9AAC53 and #82AC53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACA754 shade: #747138, #908C45, #ACA753, #BAB56F and #C7C48B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACA754 shade: #ACA754, #53AC5F and #8253AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACA754 shade: #ACA754, #53ACA6 and #A653AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACA754 shade: #ACA754, #53AC5F, #5359AC and #AC53A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACA754 shade: #ACA754, #53AC7A, #5359AC and #AC5385

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 51 / 33

HEX #ACA754

RGB 172 167 84

HSL 56.59, 0.35%, 0.5%

LAB 67.31, -9.71, 43.11

 

Complementary color

CMYK 51 / 49 / 0 / 33

HEX #5358AB

RGB 83 88 171

HSL 236.59, 0.35%, 0.5%

LAB 40.83, 21.64, -45.3

 

CMYK 0 / 6 / 55 / 31

HEX #B1A74F

RGB 177 167 79

HSL 53.88, 0.39%, 0.5%

LAB 67.69, -8.02, 46.09

 

CMYK 0 / 5 / 49 / 24

HEX #C2B962

RGB 194 185 98

HSL 54.38, 0.44%, 0.57%

LAB 74.22, -8.65, 44.91

 

CMYK 0 / 4 / 45 / 17

HEX #D3CB75

RGB 211 203 117

HSL 54.89, 0.52%, 0.64%

LAB 80.65, -9.16, 43.71

 

CMYK 0 / 3 / 40 / 11

HEX #E4DD88

RGB 228 221 136

HSL 55.43, 0.63%, 0.71%

LAB 86.99, -9.6, 42.53

 

CMYK 0 / 2 / 37 / 4

HEX #F5EF9B

RGB 245 239 155

HSL 56, 0.82%, 0.78%

LAB 93.24, -9.97, 41.37

 

CMYK 0 / 3 / 51 / 33

HEX #ACA754

RGB 172 167 84

HSL 56.59, 0.35%, 0.5%

LAB 67.31, -9.71, 43.11

 

CMYK 0 / 4 / 58 / 39

HEX #9B9541

RGB 155 149 65

HSL 56, 0.41%, 0.43%

LAB 60.64, -9.07, 44.26

 

CMYK 0 / 5 / 67 / 46

HEX #8A832E

RGB 138 131 46

HSL 55.43, 0.5%, 0.36%

LAB 53.85, -8.26, 45.21

 

CMYK 0 / 7 / 78 / 53

HEX #79711B

RGB 121 113 27

HSL 54.89, 0.64%, 0.29%

LAB 46.91, -7.2, 45.62

 

CMYK 0 / 9 / 92 / 59

HEX #685F08

RGB 104 95 8

HSL 54.38, 0.86%, 0.22%

LAB 39.82, -5.8, 44.72

 

CMYK 0 / 3 / 52 / 33

HEX #ACA753

RGB 172 167 83

HSL 56.63, 0.35%, 0.5%

LAB 67.3, -9.8, 43.59

 

CMYK 0 / 17 / 52 / 33

HEX #AC8F53

RGB 172 143 83

HSL 40.45, 0.35%, 0.5%

LAB 60.82, 3.15, 35.78

 

CMYK 0 / 31 / 52 / 33

HEX #AC7753

RGB 172 119 83

HSL 24.27, 0.35%, 0.5%

LAB 54.65, 16.58, 28.05

 

CMYK 0 / 45 / 52 / 33

HEX #AC5F53

RGB 172 95 83

HSL 8.09, 0.35%, 0.5%

LAB 48.98, 29.97, 20.67

 

CMYK 0 / 52 / 52 / 33

HEX #AC5353

RGB 172 83 83

HSL 0, 0.35%, 0.5%

LAB 46.42, 36.39, 17.24

 

CMYK 0 / 3 / 52 / 33

HEX #ACA753

RGB 172 167 83

HSL 56.63, 0.35%, 0.5%

LAB 67.3, -9.8, 43.59

 

CMYK 11 / 0 / 52 / 33

HEX #99AC53

RGB 153 172 83

HSL 72.81, 0.35%, 0.5%

LAB 67.2, -20.29, 43.1

 

CMYK 25 / 0 / 52 / 33

HEX #81AC53

RGB 129 172 83

HSL 88.99, 0.35%, 0.5%

LAB 65.59, -29.76, 40.79

 

CMYK 39 / 0 / 52 / 33

HEX #69AC53

RGB 105 172 83

HSL 105.17, 0.35%, 0.5%

LAB 64.27, -38.34, 38.88

 

CMYK 52 / 0 / 51 / 33

HEX #53AC55

RGB 83 172 85

HSL 121.35, 0.35%, 0.5%

LAB 63.34, -44.8, 36.53

 

CMYK 0 / 3 / 52 / 33

HEX #ACA753

RGB 172 167 83

HSL 56.63, 0.35%, 0.5%

LAB 67.3, -9.8, 43.59

 

CMYK 0 / 4 / 68 / 24

HEX #C1B93E

RGB 193 185 62

HSL 56.34, 0.51%, 0.5%

LAB 73.79, -11.69, 60.58

 

CMYK 0 / 4 / 80 / 16

HEX #D5CC2A

RGB 213 204 42

HSL 56.84, 0.67%, 0.5%

LAB 80.46, -13.63, 74.07

 

CMYK 0 / 5 / 91 / 8

HEX #EADE15

RGB 234 222 21

HSL 56.62, 0.84%, 0.5%

LAB 86.89, -14.14, 84.23

 

CMYK 0 / 6 / 100 / 0

HEX #FFF000

RGB 255 240 0

HSL 56.47, 1%, 0.5%

LAB 93.27, -14.35, 91.67

 

CMYK 0 / 3 / 52 / 33

HEX #ACA753

RGB 172 167 83

HSL 56.63, 0.35%, 0.5%

LAB 67.3, -9.8, 43.59

 

CMYK 0 / 1 / 31 / 41

HEX #979568

RGB 151 149 104

HSL 57.45, 0.18%, 0.5%

LAB 60.85, -6.62, 24.09

 

CMYK 0 / 1 / 5 / 49

HEX #83827C

RGB 131 130 124

HSL 51.43, 0.03%, 0.5%

LAB 54.29, -0.78, 3.37

 

CMYK 24 / 23 / 0 / 43

HEX #6E7091

RGB 110 112 145

HSL 236.57, 0.14%, 0.5%

LAB 48.19, 6.86, -18.22

 

CMYK 45 / 43 / 0 / 35

HEX #5A5EA5

RGB 90 94 165

HSL 236.8, 0.29%, 0.5%

LAB 42.61, 17.66, -38.89

 

CMYK 0 / 31 / 52 / 33

HEX #AC7753

RGB 172 119 83

HSL 24.27, 0.35%, 0.5%

LAB 54.65, 16.58, 28.05

 

CMYK 0 / 17 / 52 / 33

HEX #AC8E53

RGB 172 142 83

HSL 39.78, 0.35%, 0.5%

LAB 60.55, 3.7, 35.46

 

CMYK 0 / 3 / 52 / 33

HEX #ACA653

RGB 172 166 83

HSL 55.96, 0.35%, 0.5%

LAB 67.03, -9.28, 43.26

 

CMYK 10 / 0 / 52 / 33

HEX #9AAC53

RGB 154 172 83

HSL 72.13, 0.35%, 0.5%

LAB 67.28, -19.89, 43.21

 

CMYK 24 / 0 / 52 / 33

HEX #82AC53

RGB 130 172 83

HSL 88.31, 0.35%, 0.5%

LAB 65.65, -29.38, 40.88

 

CMYK 0 / 3 / 52 / 55

HEX #747138

RGB 116 113 56

HSL 57, 0.35%, 0.34%

LAB 46.72, -7.43, 31.76

 

CMYK 0 / 3 / 52 / 44

HEX #908C45

RGB 144 140 69

HSL 56.8, 0.35%, 0.42%

LAB 57.19, -8.68, 38.04

 

CMYK 0 / 3 / 52 / 33

HEX #ACA753

RGB 172 167 83

HSL 56.63, 0.35%, 0.5%

LAB 67.3, -9.8, 43.59

 

CMYK 0 / 3 / 40 / 27

HEX #BAB56F

RGB 186 181 111

HSL 56, 0.35%, 0.58%

LAB 72.65, -8.54, 36.27

 

CMYK 0 / 2 / 30 / 22

HEX #C7C48B

RGB 199 196 139

HSL 57, 0.35%, 0.66%

LAB 78.16, -7.82, 29.07

 

CMYK 0 / 3 / 51 / 33

HEX #ACA754

RGB 172 167 84

HSL 56.59, 0.35%, 0.5%

LAB 67.31, -9.71, 43.11

 

CMYK 52 / 0 / 45 / 33

HEX #53AC5F

RGB 83 172 95

HSL 128.09, 0.35%, 0.5%

LAB 63.48, -43.31, 31.59

 

CMYK 24 / 52 / 0 / 33

HEX #8253AC

RGB 130 83 172

HSL 271.69, 0.35%, 0.5%

LAB 44.1, 37.06, -40.41

 

CMYK 0 / 3 / 51 / 33

HEX #ACA754

RGB 172 167 84

HSL 56.59, 0.35%, 0.5%

LAB 67.31, -9.71, 43.11

 

CMYK 52 / 0 / 3 / 33

HEX #53ACA6

RGB 83 172 166

HSL 175.96, 0.35%, 0.5%

LAB 65.04, -28.09, -5.09

 

CMYK 3 / 52 / 0 / 33

HEX #A653AC

RGB 166 83 172

HSL 295.96, 0.35%, 0.5%

LAB 48.6, 47.22, -33.02

 

CMYK 0 / 3 / 51 / 33

HEX #ACA754

RGB 172 167 84

HSL 56.59, 0.35%, 0.5%

LAB 67.31, -9.71, 43.11

 

CMYK 52 / 0 / 45 / 33

HEX #53AC5F

RGB 83 172 95

HSL 128.09, 0.35%, 0.5%

LAB 63.48, -43.31, 31.59

 

CMYK 52 / 48 / 0 / 33

HEX #5359AC

RGB 83 89 172

HSL 235.96, 0.35%, 0.5%

LAB 41.16, 21.33, -45.37

 

CMYK 0 / 52 / 7 / 33

HEX #AC53A0

RGB 172 83 160

HSL 308.09, 0.35%, 0.5%

LAB 48.88, 46.8, -25.46

 

CMYK 0 / 3 / 51 / 33

HEX #ACA754

RGB 172 167 84

HSL 56.59, 0.35%, 0.5%

LAB 67.31, -9.71, 43.11

 

CMYK 52 / 0 / 29 / 33

HEX #53AC7A

RGB 83 172 122

HSL 146.29, 0.35%, 0.5%

LAB 63.96, -38.43, 17.75

 

CMYK 52 / 48 / 0 / 33

HEX #5359AC

RGB 83 89 172

HSL 235.96, 0.35%, 0.5%

LAB 41.16, 21.33, -45.37

 

CMYK 0 / 52 / 23 / 33

HEX #AC5385

RGB 172 83 133

HSL 326.29, 0.35%, 0.5%

LAB 47.82, 42.44, -10.99

 

Description

Color code: HEX #ACA754 | qconv.com Color code: HEX #ACA754 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 167 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 167 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 51% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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