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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACA4D9 it is the complementary color #535B26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACA4D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACA4D9 shade: #B1A4D4, #C2B6E7, #D3C8FA, #E4DAFF and #F5ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACA4D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACA4D9 shade: #ACA4D9, #9B92C6, #8A80B3, #796EA0 and #685C8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACA4D9 shade: #ADA5D9, #BBA5D9, #C9A5D9, #D7A5D9 and #D9A5CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACA4D9 shade: #ADA5D9 and #A5A5D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACA4D9 shade matches the following richer shades: #ADA5D9, #A59AE3, #9E90EE and #9786F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACA4D9 shade: #ADA5D9, #B4AFCF, #BBB9C4, #C2C4BA and #C9CEB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACA4D9 shade: #A5B9D9, #A5ABD9, #ACA5D9, #BAA5D9 and #C8A5D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACA4D9 shade: #776AC1, #9288CD, #ADA5D9, #C7C2E5 and #E2DFF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACA4D9 shade: #ACA4D9, #D9A5C7 and #B2D9A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACA4D9 shade: #ACA4D9, #D9ACA5 and #A5D9AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACA4D9 shade: #ACA4D9, #D9A5C7, #D1D9A5 and #A5D9B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACA4D9 shade: #ACA4D9, #D9A5B7, #D1D9A5 and #A5D9C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 24 / 0 / 15

HEX #ACA4D9

RGB 172 164 217

HSL 249.06, 0.41%, 0.75%

LAB 69.7, 13.86, -25.81

 

Complementary color

CMYK 9 / 0 / 58 / 64

HEX #535B26

RGB 83 91 38

HSL 69.06, 0.41%, 0.25%

LAB 36.86, -11.88, 29.05

 

CMYK 17 / 23 / 0 / 17

HEX #B1A4D4

RGB 177 164 212

HSL 256.25, 0.36%, 0.74%

LAB 69.93, 14.31, -22.67

 

CMYK 16 / 21 / 0 / 9

HEX #C2B6E7

RGB 194 182 231

HSL 254.69, 0.51%, 0.81%

LAB 76.49, 13.9, -22.91

 

CMYK 16 / 20 / 0 / 2

HEX #D3C8FA

RGB 211 200 250

HSL 253.2, 0.83%, 0.88%

LAB 82.95, 13.52, -23.17

 

CMYK 11 / 15 / 0 / 0

HEX #E4DAFF

RGB 228 218 255

HSL 256.22, 1%, 0.93%

LAB 88.85, 10.32, -16.75

 

CMYK 4 / 7 / 0 / 0

HEX #F5ECFF

RGB 245 236 255

HSL 268.42, 1%, 0.96%

LAB 94.58, 6.41, -8.07

 

CMYK 21 / 24 / 0 / 15

HEX #ACA4D9

RGB 172 164 217

HSL 249.06, 0.41%, 0.75%

LAB 69.7, 13.86, -25.81

 

CMYK 22 / 26 / 0 / 22

HEX #9B92C6

RGB 155 146 198

HSL 250.38, 0.31%, 0.67%

LAB 63.01, 14.32, -25.65

 

CMYK 23 / 28 / 0 / 30

HEX #8A80B3

RGB 138 128 179

HSL 251.76, 0.25%, 0.6%

LAB 56.18, 14.83, -25.52

 

CMYK 24 / 31 / 0 / 37

HEX #796EA0

RGB 121 110 160

HSL 253.2, 0.21%, 0.53%

LAB 49.2, 15.41, -25.43

 

CMYK 26 / 35 / 0 / 45

HEX #685C8D

RGB 104 92 141

HSL 254.69, 0.21%, 0.46%

LAB 42.03, 16.07, -25.38

 

CMYK 20 / 24 / 0 / 15

HEX #ADA5D9

RGB 173 165 217

HSL 249.23, 0.41%, 0.75%

LAB 70.04, 13.61, -25.29

 

CMYK 14 / 24 / 0 / 15

HEX #BBA5D9

RGB 187 165 217

HSL 265.38, 0.41%, 0.75%

LAB 71.2, 18.03, -23.4

 

CMYK 7 / 24 / 0 / 15

HEX #C9A5D9

RGB 201 165 217

HSL 281.54, 0.41%, 0.75%

LAB 72.45, 22.54, -21.38

 

CMYK 1 / 24 / 0 / 15

HEX #D7A5D9

RGB 215 165 217

HSL 297.69, 0.41%, 0.75%

LAB 73.78, 27.13, -19.24

 

CMYK 0 / 24 / 6 / 15

HEX #D9A5CD

RGB 217 165 205

HSL 313.85, 0.41%, 0.75%

LAB 73.59, 25.61, -12.94

 

CMYK 20 / 24 / 0 / 15

HEX #ADA5D9

RGB 173 165 217

HSL 249.23, 0.41%, 0.75%

LAB 70.04, 13.61, -25.29

 

CMYK 24 / 24 / 0 / 15

HEX #A5A5D9

RGB 165 165 217

HSL 240, 0.41%, 0.75%

LAB 69.41, 11.15, -26.3

 

CMYK 20 / 24 / 0 / 15

HEX #ADA5D9

RGB 173 165 217

HSL 249.23, 0.41%, 0.75%

LAB 70.04, 13.61, -25.29

 

CMYK 27 / 32 / 0 / 11

HEX #A59AE3

RGB 165 154 227

HSL 249.04, 0.57%, 0.75%

LAB 67.02, 19.76, -35.51

 

CMYK 34 / 39 / 0 / 7

HEX #9E90EE

RGB 158 144 238

HSL 248.94, 0.73%, 0.75%

LAB 64.47, 26.27, -45.59

 

CMYK 39 / 46 / 0 / 3

HEX #9786F8

RGB 151 134 248

HSL 248.95, 0.89%, 0.75%

LAB 62, 32.86, -55.04

 

CMYK 20 / 24 / 0 / 15

HEX #ADA5D9

RGB 173 165 217

HSL 249.23, 0.41%, 0.75%

LAB 70.04, 13.61, -25.29

 

CMYK 13 / 15 / 0 / 19

HEX #B4AFCF

RGB 180 175 207

HSL 249.38, 0.25%, 0.75%

LAB 72.81, 8.11, -15.55

 

CMYK 5 / 6 / 0 / 23

HEX #BBB9C4

RGB 187 185 196

HSL 250.91, 0.09%, 0.75%

LAB 75.61, 2.78, -5.31

 

CMYK 1 / 0 / 5 / 23

HEX #C2C4BA

RGB 194 196 186

HSL 72, 0.08%, 0.75%

LAB 78.75, -2.5, 4.77

 

CMYK 2 / 0 / 15 / 19

HEX #C9CEB0

RGB 201 206 176

HSL 70, 0.23%, 0.75%

LAB 81.67, -6.9, 14.36

 

CMYK 24 / 15 / 0 / 15

HEX #A5B9D9

RGB 165 185 217

HSL 216.92, 0.41%, 0.75%

LAB 74.64, 0.13, -18.34

 

CMYK 24 / 21 / 0 / 15

HEX #A5ABD9

RGB 165 171 217

HSL 233.08, 0.41%, 0.75%

LAB 70.96, 7.81, -23.93

 

CMYK 21 / 24 / 0 / 15

HEX #ACA5D9

RGB 172 165 217

HSL 248.08, 0.41%, 0.75%

LAB 69.96, 13.3, -25.42

 

CMYK 14 / 24 / 0 / 15

HEX #BAA5D9

RGB 186 165 217

HSL 264.23, 0.41%, 0.75%

LAB 71.12, 17.71, -23.54

 

CMYK 8 / 24 / 0 / 15

HEX #C8A5D9

RGB 200 165 217

HSL 280.38, 0.41%, 0.75%

LAB 72.36, 22.22, -21.53

 

CMYK 38 / 45 / 0 / 24

HEX #776AC1

RGB 119 106 193

HSL 248.97, 0.41%, 0.59%

LAB 49.59, 26.06, -44

 

CMYK 29 / 34 / 0 / 20

HEX #9288CD

RGB 146 136 205

HSL 248.7, 0.41%, 0.67%

LAB 60, 19.06, -34.3

 

CMYK 20 / 24 / 0 / 15

HEX #ADA5D9

RGB 173 165 217

HSL 249.23, 0.41%, 0.75%

LAB 70.04, 13.61, -25.29

 

CMYK 13 / 15 / 0 / 10

HEX #C7C2E5

RGB 199 194 229

HSL 248.57, 0.4%, 0.83%

LAB 79.83, 8.55, -16.74

 

CMYK 6 / 7 / 0 / 5

HEX #E2DFF1

RGB 226 223 241

HSL 250, 0.39%, 0.91%

LAB 89.53, 4.33, -8.4

 

CMYK 21 / 24 / 0 / 15

HEX #ACA4D9

RGB 172 164 217

HSL 249.06, 0.41%, 0.75%

LAB 69.7, 13.86, -25.81

 

CMYK 0 / 24 / 8 / 15

HEX #D9A5C7

RGB 217 165 199

HSL 320.77, 0.41%, 0.75%

LAB 73.41, 24.56, -9.92

 

CMYK 18 / 0 / 24 / 15

HEX #B2D9A5

RGB 178 217 165

HSL 105, 0.41%, 0.75%

LAB 82.81, -22.38, 21.51

 

CMYK 21 / 24 / 0 / 15

HEX #ACA4D9

RGB 172 164 217

HSL 249.06, 0.41%, 0.75%

LAB 69.7, 13.86, -25.81

 

CMYK 0 / 21 / 24 / 15

HEX #D9ACA5

RGB 217 172 165

HSL 8.08, 0.41%, 0.75%

LAB 74.17, 15.38, 9.86

 

CMYK 24 / 0 / 21 / 15

HEX #A5D9AC

RGB 165 217 172

HSL 128.08, 0.41%, 0.75%

LAB 82.17, -25.57, 16.81

 

CMYK 21 / 24 / 0 / 15

HEX #ACA4D9

RGB 172 164 217

HSL 249.06, 0.41%, 0.75%

LAB 69.7, 13.86, -25.81

 

CMYK 0 / 24 / 8 / 15

HEX #D9A5C7

RGB 217 165 199

HSL 320.77, 0.41%, 0.75%

LAB 73.41, 24.56, -9.92

 

CMYK 4 / 0 / 24 / 15

HEX #D1D9A5

RGB 209 217 165

HSL 69.23, 0.41%, 0.75%

LAB 84.94, -11.25, 24.77

 

CMYK 24 / 0 / 16 / 15

HEX #A5D9B7

RGB 165 217 183

HSL 140.77, 0.41%, 0.75%

LAB 82.4, -23.57, 11.34

 

CMYK 21 / 24 / 0 / 15

HEX #ACA4D9

RGB 172 164 217

HSL 249.06, 0.41%, 0.75%

LAB 69.7, 13.86, -25.81

 

CMYK 0 / 24 / 16 / 15

HEX #D9A5B7

RGB 217 165 183

HSL 339.23, 0.41%, 0.75%

LAB 72.95, 21.9, -1.8

 

CMYK 4 / 0 / 24 / 15

HEX #D1D9A5

RGB 209 217 165

HSL 69.23, 0.41%, 0.75%

LAB 84.94, -11.25, 24.77

 

CMYK 24 / 0 / 8 / 15

HEX #A5D9C7

RGB 165 217 199

HSL 159.23, 0.41%, 0.75%

LAB 82.78, -20.44, 3.4

 

Description

Color code: HEX #ACA4D9 | qconv.com Color code: HEX #ACA4D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 164 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 164 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 24 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 24% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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