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Color name
HEX #ACA41C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACA41C it is the complementary color #535BE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACA41C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACA41C shade: #B1A417, #C2B62A, #D3C83D, #E4DA50 and #F5EC63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACA41C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACA41C shade: #ACA41C, #9B9209, #8A8000, #796E00 and #685C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACA41C shade: #ABA31B, #AB7C1B, #AB551B, #AB2F1B and #AB1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACA41C shade: #ABA31B, #8CAB1B, #65AB1B, #3FAB1B and #1BAB1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACA41C shade matches the following richer shades: #ABA31B and #BBB10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACA41C shade: #ABA31B, #9A942B, #8A863C, #7A784C and #6A695C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACA41C shade: #AB551B, #AB7B1B, #ABA11B, #8EAB1B and #68AB1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACA41C shade: #645F10, #878116, #ABA31B, #CEC421 and #DED53A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACA41C shade: #ACA41C, #1BAB2E and #681BAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACA41C shade: #ACA41C, #1BABA1 and #A11BAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACA41C shade: #ACA41C, #1BAB2E, #1B25AB and #AB1B97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACA41C shade: #ACA41C, #1BAB59, #1B25AB and #AB1B6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 84 / 33

HEX #ACA41C

RGB 172 164 28

HSL 56.67, 0.72%, 0.39%

LAB 66.06, -11.41, 64.03

 

Complementary color

CMYK 63 / 60 / 0 / 11

HEX #535BE3

RGB 83 91 227

HSL 236.67, 0.72%, 0.61%

LAB 45.45, 38.22, -70.23

 

CMYK 0 / 7 / 87 / 31

HEX #B1A417

RGB 177 164 23

HSL 54.94, 0.77%, 0.39%

LAB 66.49, -9.32, 65.74

 

CMYK 0 / 6 / 78 / 24

HEX #C2B62A

RGB 194 182 42

HSL 55.26, 0.64%, 0.46%

LAB 72.95, -10.62, 66.84

 

CMYK 0 / 5 / 71 / 17

HEX #D3C83D

RGB 211 200 61

HSL 55.6, 0.63%, 0.53%

LAB 79.33, -11.72, 66.95

 

CMYK 0 / 4 / 65 / 11

HEX #E4DA50

RGB 228 218 80

HSL 55.95, 0.73%, 0.6%

LAB 85.61, -12.64, 66.5

 

CMYK 0 / 4 / 60 / 4

HEX #F5EC63

RGB 245 236 99

HSL 56.3, 0.88%, 0.67%

LAB 91.82, -13.42, 65.73

 

CMYK 0 / 5 / 84 / 33

HEX #ACA41C

RGB 172 164 28

HSL 56.67, 0.72%, 0.39%

LAB 66.06, -11.41, 64.03

 

CMYK 0 / 6 / 94 / 39

HEX #9B9209

RGB 155 146 9

HSL 56.3, 0.89%, 0.32%

LAB 59.48, -9.98, 61.93

 

CMYK 0 / 7 / 100 / 46

HEX #8A8000

RGB 138 128 0

HSL 55.65, 1%, 0.27%

LAB 52.78, -8.25, 57.75

 

CMYK 0 / 9 / 100 / 53

HEX #796E00

RGB 121 110 0

HSL 54.55, 1%, 0.24%

LAB 45.93, -6.31, 52.07

 

CMYK 0 / 12 / 100 / 59

HEX #685C00

RGB 104 92 0

HSL 53.08, 1%, 0.2%

LAB 38.89, -4.28, 46.25

 

CMYK 0 / 5 / 84 / 33

HEX #ABA31B

RGB 171 163 27

HSL 56.67, 0.73%, 0.39%

LAB 65.7, -11.36, 63.94

 

CMYK 0 / 27 / 84 / 33

HEX #AB7C1B

RGB 171 124 27

HSL 40.42, 0.73%, 0.39%

LAB 55.23, 9.88, 55.07

 

CMYK 0 / 50 / 84 / 33

HEX #AB551B

RGB 171 85 27

HSL 24.17, 0.73%, 0.39%

LAB 45.95, 31.55, 47.02

 

CMYK 0 / 73 / 84 / 33

HEX #AB2F1B

RGB 171 47 27

HSL 8.33, 0.73%, 0.39%

LAB 39.19, 49.29, 40.96

 

CMYK 0 / 84 / 84 / 33

HEX #AB1B1B

RGB 171 27 27

HSL 0, 0.73%, 0.39%

LAB 36.97, 55.51, 38.92

 

CMYK 0 / 5 / 84 / 33

HEX #ABA31B

RGB 171 163 27

HSL 56.67, 0.73%, 0.39%

LAB 65.7, -11.36, 63.94

 

CMYK 18 / 0 / 84 / 33

HEX #8CAB1B

RGB 140 171 27

HSL 72.92, 0.73%, 0.39%

LAB 65.58, -28.83, 62.88

 

CMYK 41 / 0 / 84 / 33

HEX #65AB1B

RGB 101 171 27

HSL 89.17, 0.73%, 0.39%

LAB 63.32, -43.87, 60.03

 

CMYK 63 / 0 / 84 / 33

HEX #3FAB1B

RGB 63 171 27

HSL 105, 0.73%, 0.39%

LAB 61.88, -55.02, 58.2

 

CMYK 84 / 0 / 82 / 33

HEX #1BAB1F

RGB 27 171 31

HSL 121.67, 0.73%, 0.39%

LAB 61.18, -60.92, 56.22

 

CMYK 0 / 5 / 84 / 33

HEX #ABA31B

RGB 171 163 27

HSL 56.67, 0.73%, 0.39%

LAB 65.7, -11.36, 63.94

 

CMYK 0 / 5 / 94 / 27

HEX #BBB10B

RGB 187 177 11

HSL 56.59, 0.89%, 0.39%

LAB 70.89, -11.86, 71.58

 

CMYK 0 / 5 / 84 / 33

HEX #ABA31B

RGB 171 163 27

HSL 56.67, 0.73%, 0.39%

LAB 65.7, -11.36, 63.94

 

CMYK 0 / 4 / 72 / 40

HEX #9A942B

RGB 154 148 43

HSL 56.76, 0.56%, 0.39%

LAB 60.09, -10.41, 53.23

 

CMYK 0 / 3 / 57 / 46

HEX #8A863C

RGB 138 134 60

HSL 56.92, 0.39%, 0.39%

LAB 54.84, -8.86, 39.7

 

CMYK 0 / 2 / 38 / 52

HEX #7A784C

RGB 122 120 76

HSL 57.39, 0.23%, 0.39%

LAB 49.61, -6.45, 24.46

 

CMYK 0 / 1 / 13 / 58

HEX #6A695C

RGB 106 105 92

HSL 55.71, 0.07%, 0.39%

LAB 44.15, -2.12, 7.45

 

CMYK 0 / 50 / 84 / 33

HEX #AB551B

RGB 171 85 27

HSL 24.17, 0.73%, 0.39%

LAB 45.95, 31.55, 47.02

 

CMYK 0 / 28 / 84 / 33

HEX #AB7B1B

RGB 171 123 27

HSL 40, 0.73%, 0.39%

LAB 54.97, 10.45, 54.85

 

CMYK 0 / 6 / 84 / 33

HEX #ABA11B

RGB 171 161 27

HSL 55.83, 0.73%, 0.39%

LAB 65.14, -10.32, 63.47

 

CMYK 17 / 0 / 84 / 33

HEX #8EAB1B

RGB 142 171 27

HSL 72.08, 0.73%, 0.39%

LAB 65.71, -27.99, 63.05

 

CMYK 39 / 0 / 84 / 33

HEX #68AB1B

RGB 104 171 27

HSL 87.92, 0.73%, 0.39%

LAB 63.47, -42.82, 60.22

 

CMYK 0 / 5 / 84 / 61

HEX #645F10

RGB 100 95 16

HSL 56.43, 0.72%, 0.23%

LAB 39.46, -7.51, 41.97

 

CMYK 0 / 4 / 84 / 47

HEX #878116

RGB 135 129 22

HSL 56.81, 0.72%, 0.31%

LAB 52.85, -9.71, 53.08

 

CMYK 0 / 5 / 84 / 33

HEX #ABA31B

RGB 171 163 27

HSL 56.67, 0.73%, 0.39%

LAB 65.7, -11.36, 63.94

 

CMYK 0 / 5 / 84 / 19

HEX #CEC421

RGB 206 196 33

HSL 56.53, 0.72%, 0.47%

LAB 77.7, -12.85, 73.74

 

CMYK 0 / 4 / 74 / 13

HEX #DED53A

RGB 222 213 58

HSL 56.71, 0.71%, 0.55%

LAB 83.66, -13.74, 72.45

 

CMYK 0 / 5 / 84 / 33

HEX #ACA41C

RGB 172 164 28

HSL 56.67, 0.72%, 0.39%

LAB 66.06, -11.41, 64.03

 

CMYK 84 / 0 / 73 / 33

HEX #1BAB2E

RGB 27 171 46

HSL 127.92, 0.73%, 0.39%

LAB 61.27, -59.84, 51.34

 

CMYK 39 / 84 / 0 / 33

HEX #681BAB

RGB 104 27 171

HSL 272.08, 0.73%, 0.39%

LAB 31.04, 57.82, -61.07

 

CMYK 0 / 5 / 84 / 33

HEX #ACA41C

RGB 172 164 28

HSL 56.67, 0.72%, 0.39%

LAB 66.06, -11.41, 64.03

 

CMYK 84 / 0 / 6 / 33

HEX #1BABA1

RGB 27 171 161

HSL 175.83, 0.73%, 0.39%

LAB 63.29, -37.35, -5.03

 

CMYK 6 / 84 / 0 / 33

HEX #A11BAB

RGB 161 27 171

HSL 295.83, 0.73%, 0.39%

LAB 40.08, 67.29, -45.98

 

CMYK 0 / 5 / 84 / 33

HEX #ACA41C

RGB 172 164 28

HSL 56.67, 0.72%, 0.39%

LAB 66.06, -11.41, 64.03

 

CMYK 84 / 0 / 73 / 33

HEX #1BAB2E

RGB 27 171 46

HSL 127.92, 0.73%, 0.39%

LAB 61.27, -59.84, 51.34

 

CMYK 84 / 78 / 0 / 33

HEX #1B25AB

RGB 27 37 171

HSL 235.83, 0.73%, 0.39%

LAB 25.25, 45.48, -70.86

 

CMYK 0 / 84 / 12 / 33

HEX #AB1B97

RGB 171 27 151

HSL 308.33, 0.73%, 0.39%

LAB 40.7, 66.16, -32.87

 

CMYK 0 / 5 / 84 / 33

HEX #ACA41C

RGB 172 164 28

HSL 56.67, 0.72%, 0.39%

LAB 66.06, -11.41, 64.03

 

CMYK 84 / 0 / 48 / 33

HEX #1BAB59

RGB 27 171 89

HSL 145.83, 0.73%, 0.39%

LAB 61.72, -54.31, 32.18

 

CMYK 84 / 78 / 0 / 33

HEX #1B25AB

RGB 27 37 171

HSL 235.83, 0.73%, 0.39%

LAB 25.25, 45.48, -70.86

 

CMYK 0 / 84 / 37 / 33

HEX #AB1B6C

RGB 171 27 108

HSL 326.25, 0.73%, 0.39%

LAB 38.77, 60.8, -9.26

 

Description

Color code: HEX #ACA41C | qconv.com Color code: HEX #ACA41C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 164 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 164 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 84% 33% C M Y K

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