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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACA0F44C it is the complementary color #535F0B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACA0F44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACA0F44C shade: #B1A0EF4C, #C2B2FF4C, #D3C4FF4C, #E4D6FF4C and #F5E8FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACA0F44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACA0F44C shade: #ACA0F44C, #9B8EE14C, #8A7CCE4C, #796ABB4C and #6858A84C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACA0F44C shade: #AB9FF4, #C29FF4, #D99FF4, #F09FF4 and #F49FE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACA0F44C shade: #AB9FF4 and #9F9FF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACA0F44C shade matches the following richer shades: #AB9FF4 and #A596FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACA0F44C shade: #AB9FF4, #B1A8EB, #B8B0E2, #BEB9DA and #C4C2D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACA0F44C shade: #9FC1F4, #9FAAF4, #AA9FF4, #C19FF4 and #D89FF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACA0F44C shade: #6B55EB, #8B7AEF, #AB9FF4, #CCC4F8 and #ECE9FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACA0F44C shade: #ACA0F4, #F49FD8 and #B6F49F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACA0F44C shade: #ACA0F4, #F4AA9F and #9FF4AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACA0F44C shade: #ACA0F4, #F49FD8, #E8F49F and #9FF4BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACA0F44C shade: #ACA0F4, #F49FBE, #E8F49F and #9FF4D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 10 / 0 / 1

HEX #ACA0F44C

RGBA 172 160 244 0.3

HSLA 248.57, 0.79%, 0.79%, 0.3

LABA 69.78, 22.56, -40.47, 0.3

 

Complementary color

CMYK 4 / 0 / 27 / 19

HEX #535F0B4C

RGBA 83 95 11 0.3

HSLA 68.57, 0.79%, 0.21%, 0.3

LABA 37.93, -15.91, 41.57, 0.3

 

CMYK 8 / 10 / 0 / 2

HEX #B1A0EF4C

RGBA 177 160 239 0.3

HSLA 252.91, 0.71%, 0.78%, 0.3

LABA 69.98, 22.76, -37.41, 0.3

 

CMYK 7 / 9 / 0 / 0

HEX #C2B2FF4C

RGBA 194 178 255 0.3

HSLA 252.47, 1%, 0.85%, 0.3

LABA 76.39, 21.46, -36.01, 0.3

 

CMYK 5 / 7 / 0 / 0

HEX #D3C4FF4C

RGBA 211 196 255 0.3

HSLA 255.25, 1%, 0.88%, 0.3

LABA 82.14, 16.73, -27.06, 0.3

 

CMYK 3 / 5 / 0 / 0

HEX #E4D6FF4C

RGBA 228 214 255 0.3

HSLA 260.49, 1%, 0.92%, 0.3

LABA 87.88, 12.42, -18.22, 0.3

 

CMYK 1 / 3 / 0 / 0

HEX #F5E8FF4C

RGBA 245 232 255 0.3

HSLA 273.91, 1%, 0.95%, 0.3

LABA 93.6, 8.48, -9.52, 0.3

 

CMYK 9 / 10 / 0 / 1

HEX #ACA0F44C

RGBA 172 160 244 0.3

HSLA 248.57, 0.79%, 0.79%, 0.3

LABA 69.78, 22.56, -40.47, 0.3

 

CMYK 9 / 11 / 0 / 4

HEX #9B8EE14C

RGBA 155 142 225 0.3

HSLA 249.4, 0.58%, 0.72%, 0.3

LABA 63.14, 23.26, -40.52, 0.3

 

CMYK 10 / 12 / 0 / 6

HEX #8A7CCE4C

RGBA 138 124 206 0.3

HSLA 250.24, 0.46%, 0.65%, 0.3

LABA 56.36, 24.04, -40.61, 0.3

 

CMYK 11 / 13 / 0 / 8

HEX #796ABB4C

RGBA 121 106 187 0.3

HSLA 251.11, 0.37%, 0.57%, 0.3

LABA 49.45, 24.93, -40.76, 0.3

 

CMYK 11 / 14 / 0 / 10

HEX #6858A84C

RGBA 104 88 168 0.3

HSLA 252, 0.31%, 0.5%, 0.3

LABA 42.38, 25.95, -40.95, 0.3

 

CMYK 30 / 35 / 0 / 4

HEX #AB9FF4

RGB 171 159 244

HSL 248.47, 0.79%, 0.79%

LAB 69.46, 22.84, -40.98

 

CMYK 20 / 35 / 0 / 4

HEX #C29FF4

RGB 194 159 244

HSL 264.71, 0.79%, 0.79%

LAB 71.42, 29.44, -37.78

 

CMYK 11 / 35 / 0 / 4

HEX #D99FF4

RGB 217 159 244

HSL 280.94, 0.79%, 0.79%

LAB 73.6, 36.3, -34.23

 

CMYK 2 / 35 / 0 / 4

HEX #F09FF4

RGB 240 159 244

HSL 297.18, 0.79%, 0.79%

LAB 75.98, 43.29, -30.36

 

CMYK 0 / 35 / 8 / 4

HEX #F49FE1

RGB 244 159 225

HSL 313.41, 0.79%, 0.79%

LAB 75.74, 41.2, -20.36

 

CMYK 30 / 35 / 0 / 4

HEX #AB9FF4

RGB 171 159 244

HSL 248.47, 0.79%, 0.79%

LAB 69.46, 22.84, -40.98

 

CMYK 35 / 35 / 0 / 4

HEX #9F9FF4

RGB 159 159 244

HSL 240, 0.79%, 0.79%

LAB 68.53, 19.55, -42.5

 

CMYK 30 / 35 / 0 / 4

HEX #AB9FF4

RGB 171 159 244

HSL 248.47, 0.79%, 0.79%

LAB 69.46, 22.84, -40.98

 

CMYK 35 / 40 / 0 / 1

HEX #A596FC

RGB 165 150 252

HSL 248.82, 0.94%, 0.79%

LAB 67.16, 28.34, -48.99

 

CMYK 30 / 35 / 0 / 4

HEX #AB9FF4

RGB 171 159 244

HSL 248.47, 0.79%, 0.79%

LAB 69.46, 22.84, -40.98

 

CMYK 25 / 29 / 0 / 8

HEX #B1A8EB

RGB 177 168 235

HSL 248.06, 0.63%, 0.79%

LAB 71.79, 17.34, -32.41

 

CMYK 19 / 22 / 0 / 11

HEX #B8B0E2

RGB 184 176 226

HSL 249.6, 0.46%, 0.79%

LAB 74.02, 12.96, -24.05

 

CMYK 13 / 15 / 0 / 15

HEX #BEB9DA

RGB 190 185 218

HSL 249.09, 0.31%, 0.79%

LAB 76.5, 8.22, -15.89

 

CMYK 6 / 7 / 0 / 18

HEX #C4C2D1

RGB 196 194 209

HSL 248, 0.14%, 0.79%

LAB 79, 3.53, -7.25

 

CMYK 35 / 21 / 0 / 4

HEX #9FC1F4

RGB 159 193 244

HSL 216, 0.79%, 0.79%

LAB 77.31, 0.63, -28.9

 

CMYK 35 / 30 / 0 / 4

HEX #9FAAF4

RGB 159 170 244

HSL 232.24, 0.79%, 0.79%

LAB 71.32, 13.33, -38.15

 

CMYK 30 / 35 / 0 / 4

HEX #AA9FF4

RGB 170 159 244

HSL 247.76, 0.79%, 0.79%

LAB 69.38, 22.56, -41.11

 

CMYK 21 / 35 / 0 / 4

HEX #C19FF4

RGB 193 159 244

HSL 264, 0.79%, 0.79%

LAB 71.33, 29.14, -37.93

 

CMYK 11 / 35 / 0 / 4

HEX #D89FF4

RGB 216 159 244

HSL 280.24, 0.79%, 0.79%

LAB 73.5, 35.99, -34.39

 

CMYK 54 / 64 / 0 / 8

HEX #6B55EB

RGB 107 85 235

HSL 248.8, 0.79%, 0.63%

LAB 46.47, 48.09, -73.01

 

CMYK 42 / 49 / 0 / 6

HEX #8B7AEF

RGB 139 122 239

HSL 248.72, 0.79%, 0.71%

LAB 57.69, 34.44, -57

 

CMYK 30 / 35 / 0 / 4

HEX #AB9FF4

RGB 171 159 244

HSL 248.47, 0.79%, 0.79%

LAB 69.46, 22.84, -40.98

 

CMYK 18 / 21 / 0 / 3

HEX #CCC4F8

RGB 204 196 248

HSL 249.23, 0.79%, 0.87%

LAB 81.34, 13.08, -24.59

 

CMYK 6 / 8 / 0 / 1

HEX #ECE9FC

RGB 236 233 252

HSL 249.47, 0.76%, 0.95%

LAB 93.08, 4.48, -8.81

 

CMYK 30 / 34 / 0 / 4

HEX #ACA0F4

RGB 172 160 244

HSL 248.57, 0.79%, 0.79%

LAB 69.78, 22.56, -40.47

 

CMYK 0 / 35 / 11 / 4

HEX #F49FD8

RGB 244 159 216

HSL 319.76, 0.79%, 0.79%

LAB 75.44, 39.71, -15.89

 

CMYK 25 / 0 / 35 / 4

HEX #B6F49F

RGB 182 244 159

HSL 103.76, 0.79%, 0.79%

LAB 90.39, -34.72, 34.85

 

CMYK 30 / 34 / 0 / 4

HEX #ACA0F4

RGB 172 160 244

HSL 248.57, 0.79%, 0.79%

LAB 69.78, 22.56, -40.47

 

CMYK 0 / 30 / 35 / 4

HEX #F4AA9F

RGB 244 170 159

HSL 7.76, 0.79%, 0.79%

LAB 76.37, 25.82, 16.62

 

CMYK 35 / 0 / 30 / 4

HEX #9FF4AA

RGB 159 244 170

HSL 127.76, 0.79%, 0.79%

LAB 89.38, -40.36, 27.74

 

CMYK 30 / 34 / 0 / 4

HEX #ACA0F4

RGB 172 160 244

HSL 248.57, 0.79%, 0.79%

LAB 69.78, 22.56, -40.47

 

CMYK 0 / 35 / 11 / 4

HEX #F49FD8

RGB 244 159 216

HSL 319.76, 0.79%, 0.79%

LAB 75.44, 39.71, -15.89

 

CMYK 5 / 0 / 35 / 4

HEX #E8F49F

RGB 232 244 159

HSL 68.47, 0.79%, 0.79%

LAB 93.61, -16.89, 39.68

 

CMYK 35 / 0 / 23 / 4

HEX #9FF4BB

RGB 159 244 187

HSL 139.76, 0.79%, 0.79%

LAB 89.7, -37.4, 19.48

 

CMYK 30 / 34 / 0 / 4

HEX #ACA0F4

RGB 172 160 244

HSL 248.57, 0.79%, 0.79%

LAB 69.78, 22.56, -40.47

 

CMYK 0 / 35 / 22 / 4

HEX #F49FBE

RGB 244 159 190

HSL 338.12, 0.79%, 0.79%

LAB 74.67, 35.73, -2.79

 

CMYK 5 / 0 / 35 / 4

HEX #E8F49F

RGB 232 244 159

HSL 68.47, 0.79%, 0.79%

LAB 93.61, -16.89, 39.68

 

CMYK 35 / 0 / 13 / 4

HEX #9FF4D5

RGB 159 244 213

HSL 158.12, 0.79%, 0.79%

LAB 90.26, -32.34, 6.82

 

Description

Color code: HEX #ACA0F44C | qconv.com Color code: HEX #ACA0F44C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 160 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 160 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 10 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 10% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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