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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC9F90 it is the complementary color #53606F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC9F90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC9F90 shade: #B19F8B, #C2B19E, #D3C3B1, #E4D5C4 and #F5E7D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC9F90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC9F90 shade: #AC9F90, #9B8D7D, #8A7B6A, #796957 and #685744

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC9F90 shade: #AC9F91, #AC9891 and #AC9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC9F90 shade: #AC9F91, #ACA691, #AAAC91, #A2AC91 and #9BAC91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC9F90 shade matches the following richer shades: #AC9F91, #BBA081, #CBA171, #DBA261 and #EAA452

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC9F90 shade: #AC9F91, #9C9EA0, #8C9DB0, #7D9CC0 and #6D9BCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC9F90 shade: #AC9191, #AC9891, #AC9F91, #ACA691 and #AAAC91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC9F90 shade: #857664, #9A8B79, #AC9F91, #BDB3A8 and #CFC8C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC9F90 shade: #AC9F90, #98AC91 and #9491AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC9F90 shade: #AC9F90, #91AC9F and #9F91AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC9F90 shade: #AC9F90, #98AC91, #919DAC and #A491AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC9F90 shade: #AC9F90, #91AC91, #919DAC and #AC91AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 16 / 33

HEX #AC9F90

RGB 172 159 144

HSL 32.14, 0.14%, 0.62%

LAB 66.2, 2.18, 9.53

 

Complementary color

CMYK 25 / 14 / 0 / 56

HEX #53606F

RGB 83 96 111

HSL 212.14, 0.14%, 0.38%

LAB 40.17, -1.28, -10.15

 

CMYK 0 / 10 / 21 / 31

HEX #B19F8B

RGB 177 159 139

HSL 31.58, 0.2%, 0.62%

LAB 66.53, 3.32, 12.84

 

CMYK 0 / 9 / 19 / 24

HEX #C2B19E

RGB 194 177 158

HSL 31.67, 0.23%, 0.69%

LAB 73.14, 2.97, 11.93

 

CMYK 0 / 8 / 16 / 17

HEX #D3C3B1

RGB 211 195 177

HSL 31.76, 0.28%, 0.76%

LAB 79.64, 2.66, 11.07

 

CMYK 0 / 7 / 14 / 11

HEX #E4D5C4

RGB 228 213 196

HSL 31.88, 0.37%, 0.83%

LAB 86.04, 2.38, 10.25

 

CMYK 0 / 6 / 12 / 4

HEX #F5E7D7

RGB 245 231 215

HSL 32, 0.6%, 0.9%

LAB 92.34, 2.13, 9.48

 

CMYK 0 / 8 / 16 / 33

HEX #AC9F90

RGB 172 159 144

HSL 32.14, 0.14%, 0.62%

LAB 66.2, 2.18, 9.53

 

CMYK 0 / 9 / 19 / 39

HEX #9B8D7D

RGB 155 141 125

HSL 32, 0.13%, 0.55%

LAB 59.43, 2.5, 10.43

 

CMYK 0 / 11 / 23 / 46

HEX #8A7B6A

RGB 138 123 106

HSL 31.88, 0.13%, 0.48%

LAB 52.52, 2.87, 11.4

 

CMYK 0 / 13 / 28 / 53

HEX #796957

RGB 121 105 87

HSL 31.76, 0.16%, 0.41%

LAB 45.44, 3.31, 12.46

 

CMYK 0 / 16 / 35 / 59

HEX #685744

RGB 104 87 68

HSL 31.67, 0.21%, 0.34%

LAB 38.16, 3.86, 13.65

 

CMYK 0 / 8 / 16 / 33

HEX #AC9F91

RGB 172 159 145

HSL 31.11, 0.14%, 0.62%

LAB 66.22, 2.34, 9.01

 

CMYK 0 / 12 / 16 / 33

HEX #AC9891

RGB 172 152 145

HSL 15.56, 0.14%, 0.62%

LAB 64.38, 6.2, 6.38

 

CMYK 0 / 16 / 16 / 33

HEX #AC9191

RGB 172 145 145

HSL 0, 0.14%, 0.62%

LAB 62.56, 10.1, 3.76

 

CMYK 0 / 8 / 16 / 33

HEX #AC9F91

RGB 172 159 145

HSL 31.11, 0.14%, 0.62%

LAB 66.22, 2.34, 9.01

 

CMYK 0 / 3 / 16 / 33

HEX #ACA691

RGB 172 166 145

HSL 46.67, 0.14%, 0.62%

LAB 68.09, -1.48, 11.65

 

CMYK 1 / 0 / 16 / 33

HEX #AAAC91

RGB 170 172 145

HSL 64.44, 0.14%, 0.62%

LAB 69.54, -5.46, 13.67

 

CMYK 6 / 0 / 16 / 33

HEX #A2AC91

RGB 162 172 145

HSL 82.22, 0.14%, 0.62%

LAB 68.92, -8.45, 12.71

 

CMYK 10 / 0 / 16 / 33

HEX #9BAC91

RGB 155 172 145

HSL 97.78, 0.14%, 0.62%

LAB 68.4, -11.03, 11.91

 

CMYK 0 / 8 / 16 / 33

HEX #AC9F91

RGB 172 159 145

HSL 31.11, 0.14%, 0.62%

LAB 66.22, 2.34, 9.01

 

CMYK 0 / 14 / 31 / 27

HEX #BBA081

RGB 187 160 129

HSL 32.07, 0.3%, 0.62%

LAB 67.5, 5.28, 19.85

 

CMYK 0 / 21 / 44 / 20

HEX #CBA171

RGB 203 161 113

HSL 32, 0.46%, 0.62%

LAB 69.02, 9.31, 30.86

 

CMYK 0 / 26 / 56 / 14

HEX #DBA261

RGB 219 162 97

HSL 31.97, 0.63%, 0.62%

LAB 70.71, 13.9, 41.73

 

CMYK 0 / 30 / 65 / 8

HEX #EAA452

RGB 234 164 82

HSL 32.37, 0.78%, 0.62%

LAB 72.66, 18.01, 51.84

 

CMYK 0 / 8 / 16 / 33

HEX #AC9F91

RGB 172 159 145

HSL 31.11, 0.14%, 0.62%

LAB 66.22, 2.34, 9.01

 

CMYK 2 / 1 / 0 / 37

HEX #9C9EA0

RGB 156 158 160

HSL 210, 0.02%, 0.62%

LAB 65.01, -0.33, -1.3

 

CMYK 20 / 11 / 0 / 31

HEX #8C9DB0

RGB 140 157 176

HSL 211.67, 0.19%, 0.62%

LAB 64.02, -1.81, -11.88

 

CMYK 35 / 19 / 0 / 25

HEX #7D9CC0

RGB 125 156 192

HSL 212.24, 0.35%, 0.62%

LAB 63.3, -1.89, -22.04

 

CMYK 47 / 25 / 0 / 19

HEX #6D9BCF

RGB 109 155 207

HSL 211.84, 0.51%, 0.62%

LAB 62.68, -1.39, -31.46

 

CMYK 0 / 16 / 16 / 33

HEX #AC9191

RGB 172 145 145

HSL 0, 0.14%, 0.62%

LAB 62.56, 10.1, 3.76

 

CMYK 0 / 12 / 16 / 33

HEX #AC9891

RGB 172 152 145

HSL 15.56, 0.14%, 0.62%

LAB 64.38, 6.2, 6.38

 

CMYK 0 / 8 / 16 / 33

HEX #AC9F91

RGB 172 159 145

HSL 31.11, 0.14%, 0.62%

LAB 66.22, 2.34, 9.01

 

CMYK 0 / 3 / 16 / 33

HEX #ACA691

RGB 172 166 145

HSL 46.67, 0.14%, 0.62%

LAB 68.09, -1.48, 11.65

 

CMYK 1 / 0 / 16 / 33

HEX #AAAC91

RGB 170 172 145

HSL 64.44, 0.14%, 0.62%

LAB 69.54, -5.46, 13.67

 

CMYK 0 / 11 / 25 / 48

HEX #857664

RGB 133 118 100

HSL 32.73, 0.14%, 0.46%

LAB 50.53, 2.76, 12.04

 

CMYK 0 / 10 / 21 / 40

HEX #9A8B79

RGB 154 139 121

HSL 32.73, 0.14%, 0.54%

LAB 58.71, 2.59, 11.67

 

CMYK 0 / 8 / 16 / 33

HEX #AC9F91

RGB 172 159 145

HSL 31.11, 0.14%, 0.62%

LAB 66.22, 2.34, 9.01

 

CMYK 0 / 5 / 11 / 26

HEX #BDB3A8

RGB 189 179 168

HSL 31.43, 0.14%, 0.7%

LAB 73.47, 1.65, 6.88

 

CMYK 0 / 3 / 7 / 19

HEX #CFC8C0

RGB 207 200 192

HSL 32, 0.14%, 0.78%

LAB 80.95, 1.03, 4.85

 

CMYK 0 / 8 / 16 / 33

HEX #AC9F90

RGB 172 159 144

HSL 32.14, 0.14%, 0.62%

LAB 66.2, 2.18, 9.53

 

CMYK 12 / 0 / 16 / 33

HEX #98AC91

RGB 152 172 145

HSL 104.44, 0.14%, 0.62%

LAB 68.19, -12.12, 11.57

 

CMYK 14 / 16 / 0 / 33

HEX #9491AC

RGB 148 145 172

HSL 246.67, 0.14%, 0.62%

LAB 61.24, 6.67, -13.74

 

CMYK 0 / 8 / 16 / 33

HEX #AC9F90

RGB 172 159 144

HSL 32.14, 0.14%, 0.62%

LAB 66.2, 2.18, 9.53

 

CMYK 16 / 0 / 8 / 33

HEX #91AC9F

RGB 145 172 159

HSL 151.11, 0.14%, 0.62%

LAB 68.04, -11.94, 3.57

 

CMYK 8 / 16 / 0 / 33

HEX #9F91AC

RGB 159 145 172

HSL 271.11, 0.14%, 0.62%

LAB 62.17, 10.43, -12.25

 

CMYK 0 / 8 / 16 / 33

HEX #AC9F90

RGB 172 159 144

HSL 32.14, 0.14%, 0.62%

LAB 66.2, 2.18, 9.53

 

CMYK 12 / 0 / 16 / 33

HEX #98AC91

RGB 152 172 145

HSL 104.44, 0.14%, 0.62%

LAB 68.19, -12.12, 11.57

 

CMYK 16 / 9 / 0 / 33

HEX #919DAC

RGB 145 157 172

HSL 213.33, 0.14%, 0.62%

LAB 64.25, -1.07, -9.25

 

CMYK 5 / 16 / 0 / 33

HEX #A491AC

RGB 164 145 172

HSL 282.22, 0.14%, 0.62%

LAB 62.61, 12.16, -11.54

 

CMYK 0 / 8 / 16 / 33

HEX #AC9F90

RGB 172 159 144

HSL 32.14, 0.14%, 0.62%

LAB 66.2, 2.18, 9.53

 

CMYK 16 / 0 / 16 / 33

HEX #91AC91

RGB 145 172 145

HSL 120, 0.14%, 0.62%

LAB 67.7, -14.62, 10.82

 

CMYK 16 / 9 / 0 / 33

HEX #919DAC

RGB 145 157 172

HSL 213.33, 0.14%, 0.62%

LAB 64.25, -1.07, -9.25

 

CMYK 0 / 16 / 1 / 33

HEX #AC91AB

RGB 172 145 171

HSL 302.22, 0.14%, 0.62%

LAB 63.31, 14.77, -9.85

 

Description

Color code: HEX #AC9F90 | qconv.com Color code: HEX #AC9F90 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 159 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 159 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 16 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 16% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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