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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC9CEF3F it is the complementary color #5363103F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC9CEF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC9CEF3F shade: #B19CEA3F, #C2AEFD3F, #D3C0FF3F, #E4D2FF3F and #F5E4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC9CEF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC9CEF3F shade: #AC9CEF3F, #9B8ADC3F, #8A78C93F, #7966B63F and #6854A33F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC9CEF3F shade: #AA9AEF, #C19AEF, #D89AEF, #EF9AEE and #EF9AD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC9CEF3F shade: #AA9AEF and #9A9AEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC9CEF3F shade matches the following richer shades: #AA9AEF and #A591F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC9CEF3F shade: #AA9AEF, #B0A4E5, #B6ADDC, #BCB7D2 and #C2C0C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC9CEF3F shade: #9AB8EF, #9AA1EF, #AA9AEF, #C09AEF and #D79AEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC9CEF3F shade: #6F53E3, #8D77E9, #AA9AEF, #C8BEF4 and #E6E1FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC9CEF3F shade: #AC9CEF, #EF9ACE and #ACEF9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC9CEF3F shade: #AC9CEF, #EFAA9A and #9AEFAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC9CEF3F shade: #AC9CEF, #EF9ACE, #DFEF9A and #9AEFBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC9CEF3F shade: #AC9CEF, #EF9AB5, #DFEF9A and #9AEFD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 9 / 0 / 2

HEX #AC9CEF3F

RGBA 172 156 239 0.25

HSLA 251.57, 0.72%, 0.77%, 0.25

LABA 68.59, 23.58, -39.6, 0.25

 

Complementary color

CMYK 4 / 0 / 21 / 15

HEX #5363103F

RGBA 83 99 16 0.25

HSLA 71.57, 0.72%, 0.23%, 0.25

LABA 39.24, -17.87, 41.21, 0.25

 

CMYK 6 / 8 / 0 / 2

HEX #B19CEA3F

RGBA 177 156 234 0.25

HSLA 256.15, 0.65%, 0.76%, 0.25

LABA 68.8, 23.82, -36.51, 0.25

 

CMYK 6 / 8 / 0 / 0

HEX #C2AEFD3F

RGBA 194 174 253 0.25

HSLA 255.19, 0.95%, 0.84%, 0.25

LABA 75.35, 23.2, -36.55, 0.25

 

CMYK 4 / 6 / 0 / 0

HEX #D3C0FF3F

RGBA 211 192 255 0.25

HSLA 258.1, 1%, 0.88%, 0.25

LABA 81.16, 18.89, -28.55, 0.25

 

CMYK 3 / 4 / 0 / 0

HEX #E4D2FF3F

RGBA 228 210 255 0.25

HSLA 264, 1%, 0.91%, 0.25

LABA 86.9, 14.54, -19.69, 0.25

 

CMYK 1 / 3 / 0 / 0

HEX #F5E4FF3F

RGBA 245 228 255 0.25

HSLA 277.78, 1%, 0.95%, 0.25

LABA 92.63, 10.55, -10.97, 0.25

 

CMYK 7 / 9 / 0 / 2

HEX #AC9CEF3F

RGBA 172 156 239 0.25

HSLA 251.57, 0.72%, 0.77%, 0.25

LABA 68.59, 23.58, -39.6, 0.25

 

CMYK 7 / 9 / 0 / 3

HEX #9B8ADC3F

RGBA 155 138 220 0.25

HSLA 252.44, 0.54%, 0.7%, 0.25

LABA 61.92, 24.29, -39.64, 0.25

 

CMYK 8 / 10 / 0 / 5

HEX #8A78C93F

RGBA 138 120 201 0.25

HSLA 253.33, 0.43%, 0.63%, 0.25

LABA 55.13, 25.08, -39.72, 0.25

 

CMYK 8 / 11 / 0 / 7

HEX #7966B63F

RGBA 121 102 182 0.25

HSLA 254.25, 0.35%, 0.56%, 0.25

LABA 48.19, 25.97, -39.85, 0.25

 

CMYK 9 / 12 / 0 / 9

HEX #6854A33F

RGBA 104 84 163 0.25

HSLA 255.19, 0.32%, 0.48%, 0.25

LABA 41.1, 26.99, -40.02, 0.25

 

CMYK 29 / 36 / 0 / 6

HEX #AA9AEF

RGB 170 154 239

HSL 251.29, 0.73%, 0.77%

LAB 67.94, 24.14, -40.63

 

CMYK 19 / 36 / 0 / 6

HEX #C19AEF

RGB 193 154 239

HSL 267.53, 0.73%, 0.77%

LAB 69.95, 30.79, -37.34

 

CMYK 10 / 36 / 0 / 6

HEX #D89AEF

RGB 216 154 239

HSL 283.76, 0.73%, 0.77%

LAB 72.19, 37.67, -33.69

 

CMYK 0 / 36 / 0 / 6

HEX #EF9AEE

RGB 239 154 238

HSL 300.71, 0.73%, 0.77%

LAB 74.59, 44.5, -29.24

 

CMYK 0 / 36 / 10 / 6

HEX #EF9AD8

RGB 239 154 216

HSL 316.24, 0.73%, 0.77%

LAB 73.82, 40.69, -18.4

 

CMYK 29 / 36 / 0 / 6

HEX #AA9AEF

RGB 170 154 239

HSL 251.29, 0.73%, 0.77%

LAB 67.94, 24.14, -40.63

 

CMYK 36 / 36 / 0 / 6

HEX #9A9AEF

RGB 154 154 239

HSL 240, 0.73%, 0.77%

LAB 66.68, 19.74, -42.69

 

CMYK 29 / 36 / 0 / 6

HEX #AA9AEF

RGB 170 154 239

HSL 251.29, 0.73%, 0.77%

LAB 67.94, 24.14, -40.63

 

CMYK 33 / 42 / 0 / 3

HEX #A591F8

RGB 165 145 248

HSL 251.65, 0.88%, 0.77%

LAB 65.77, 30.14, -49

 

CMYK 29 / 36 / 0 / 6

HEX #AA9AEF

RGB 170 154 239

HSL 251.29, 0.73%, 0.77%

LAB 67.94, 24.14, -40.63

 

CMYK 23 / 28 / 0 / 10

HEX #B0A4E5

RGB 176 164 229

HSL 251.08, 0.56%, 0.77%

LAB 70.48, 17.86, -31.17

 

CMYK 17 / 21 / 0 / 14

HEX #B6ADDC

RGB 182 173 220

HSL 251.49, 0.4%, 0.77%

LAB 72.89, 12.66, -22.51

 

CMYK 10 / 13 / 0 / 18

HEX #BCB7D2

RGB 188 183 210

HSL 251.11, 0.23%, 0.77%

LAB 75.58, 7, -12.95

 

CMYK 3 / 4 / 0 / 21

HEX #C2C0C9

RGB 194 192 201

HSL 253.33, 0.08%, 0.77%

LAB 78.1, 2.38, -4.27

 

CMYK 36 / 23 / 0 / 6

HEX #9AB8EF

RGB 154 184 239

HSL 218.82, 0.73%, 0.77%

LAB 74.43, 2.89, -30.64

 

CMYK 36 / 33 / 0 / 6

HEX #9AA1EF

RGB 154 161 239

HSL 235.06, 0.73%, 0.77%

LAB 68.45, 15.75, -39.92

 

CMYK 29 / 36 / 0 / 6

HEX #AA9AEF

RGB 170 154 239

HSL 251.29, 0.73%, 0.77%

LAB 67.94, 24.14, -40.63

 

CMYK 20 / 36 / 0 / 6

HEX #C09AEF

RGB 192 154 239

HSL 266.82, 0.73%, 0.77%

LAB 69.86, 30.49, -37.49

 

CMYK 10 / 36 / 0 / 6

HEX #D79AEF

RGB 215 154 239

HSL 283.06, 0.73%, 0.77%

LAB 72.09, 37.37, -33.86

 

CMYK 51 / 63 / 0 / 11

HEX #6F53E3

RGB 111 83 227

HSL 251.67, 0.72%, 0.61%

LAB 45.79, 47.56, -69.59

 

CMYK 39 / 49 / 0 / 9

HEX #8D77E9

RGB 141 119 233

HSL 251.58, 0.72%, 0.69%

LAB 56.82, 35, -55.04

 

CMYK 29 / 36 / 0 / 6

HEX #AA9AEF

RGB 170 154 239

HSL 251.29, 0.73%, 0.77%

LAB 67.94, 24.14, -40.63

 

CMYK 18 / 22 / 0 / 4

HEX #C8BEF4

RGB 200 190 244

HSL 251.11, 0.71%, 0.85%

LAB 79.41, 14.23, -25.43

 

CMYK 8 / 10 / 0 / 2

HEX #E6E1FA

RGB 230 225 250

HSL 252, 0.71%, 0.93%

LAB 90.59, 6.31, -11.52

 

CMYK 28 / 35 / 0 / 6

HEX #AC9CEF

RGB 172 156 239

HSL 251.57, 0.72%, 0.77%

LAB 68.59, 23.58, -39.6

 

CMYK 0 / 36 / 14 / 6

HEX #EF9ACE

RGB 239 154 206

HSL 323.29, 0.73%, 0.77%

LAB 73.49, 39.07, -13.4

 

CMYK 28 / 0 / 36 / 6

HEX #ACEF9A

RGB 172 239 154

HSL 107.29, 0.73%, 0.77%

LAB 88.37, -36.49, 34.59

 

CMYK 28 / 35 / 0 / 6

HEX #AC9CEF

RGB 172 156 239

HSL 251.57, 0.72%, 0.77%

LAB 68.59, 23.58, -39.6

 

CMYK 0 / 29 / 36 / 6

HEX #EFAA9A

RGB 239 170 154

HSL 11.29, 0.73%, 0.77%

LAB 75.72, 23.33, 18.36

 

CMYK 36 / 0 / 29 / 6

HEX #9AEFAA

RGB 154 239 170

HSL 131.29, 0.73%, 0.77%

LAB 87.73, -39.62, 25.45

 

CMYK 28 / 35 / 0 / 6

HEX #AC9CEF

RGB 172 156 239

HSL 251.57, 0.72%, 0.77%

LAB 68.59, 23.58, -39.6

 

CMYK 0 / 36 / 14 / 6

HEX #EF9ACE

RGB 239 154 206

HSL 323.29, 0.73%, 0.77%

LAB 73.49, 39.07, -13.4

 

CMYK 7 / 0 / 36 / 6

HEX #DFEF9A

RGB 223 239 154

HSL 71.29, 0.73%, 0.77%

LAB 91.57, -18.41, 39.39

 

CMYK 36 / 0 / 22 / 6

HEX #9AEFBA

RGB 154 239 186

HSL 142.59, 0.73%, 0.77%

LAB 88.04, -36.76, 17.64

 

CMYK 28 / 35 / 0 / 6

HEX #AC9CEF

RGB 172 156 239

HSL 251.57, 0.72%, 0.77%

LAB 68.59, 23.58, -39.6

 

CMYK 0 / 36 / 24 / 6

HEX #EF9AB5

RGB 239 154 181

HSL 340.94, 0.73%, 0.77%

LAB 72.76, 35.32, -0.69

 

CMYK 7 / 0 / 36 / 6

HEX #DFEF9A

RGB 223 239 154

HSL 71.29, 0.73%, 0.77%

LAB 91.57, -18.41, 39.39

 

CMYK 36 / 0 / 11 / 6

HEX #9AEFD4

RGB 154 239 212

HSL 160.94, 0.73%, 0.77%

LAB 88.62, -31.58, 4.94

 

Description

Color code: HEX #AC9CEF3F | qconv.com Color code: HEX #AC9CEF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 156 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 156 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 9 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 9% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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