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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC985F it is the complementary color #5367A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC985F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC985F shade: #B1985A, #C2AA6D, #D3BC80, #E4CE93 and #F5E0A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC985F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC985F shade: #AC985F, #9B864C, #8A7439, #796226 and #685013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC985F shade: #AC975D, #AC825D, #AC6D5D and #AC5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC985F shade: #AC975D, #ABAC5D, #96AC5D, #81AC5D and #6CAC5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC985F shade matches the following richer shades: #AC975D, #C0A14A, #D3AA36, #E7B422 and #FBBE0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC985F shade: #AC975D, #988E71, #848485, #707B99 and #5D71AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC985F shade: #AC6D5D, #AC825D, #AC975D, #ACAC5D and #97AC5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC985F shade: #79693E, #94814C, #AC975D, #BAA979 and #C8BA94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC985F shade: #AC985F, #63AC5D and #785DAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC985F shade: #AC985F, #5DAC97 and #975DAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC985F shade: #AC985F, #63AC5D, #5D72AC and #A75DAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC985F shade: #AC985F, #5DAC70, #5D72AC and #AC5D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 45 / 33

HEX #AC985F

RGB 172 152 95

HSL 44.42, 0.32%, 0.52%

LAB 63.39, -0.6, 32.63

 

Complementary color

CMYK 48 / 36 / 0 / 37

HEX #5367A0

RGB 83 103 160

HSL 224.42, 0.32%, 0.48%

LAB 44.34, 8.67, -33.22

 

CMYK 0 / 14 / 49 / 31

HEX #B1985A

RGB 177 152 90

HSL 42.76, 0.36%, 0.52%

LAB 63.79, 1.02, 35.88

 

CMYK 0 / 12 / 44 / 24

HEX #C2AA6D

RGB 194 170 109

HSL 43.06, 0.41%, 0.59%

LAB 70.4, 0.34, 34.59

 

CMYK 0 / 11 / 39 / 17

HEX #D3BC80

RGB 211 188 128

HSL 43.37, 0.49%, 0.66%

LAB 76.9, -0.23, 33.35

 

CMYK 0 / 10 / 36 / 11

HEX #E4CE93

RGB 228 206 147

HSL 43.7, 0.6%, 0.74%

LAB 83.31, -0.73, 32.17

 

CMYK 0 / 9 / 32 / 4

HEX #F5E0A6

RGB 245 224 166

HSL 44.05, 0.8%, 0.81%

LAB 89.62, -1.15, 31.06

 

CMYK 0 / 12 / 45 / 33

HEX #AC985F

RGB 172 152 95

HSL 44.42, 0.32%, 0.52%

LAB 63.39, -0.6, 32.63

 

CMYK 0 / 14 / 51 / 39

HEX #9B864C

RGB 155 134 76

HSL 44.05, 0.34%, 0.45%

LAB 56.62, 0.1, 33.96

 

CMYK 0 / 16 / 59 / 46

HEX #8A7439

RGB 138 116 57

HSL 43.7, 0.42%, 0.38%

LAB 49.73, 0.96, 35.31

 

CMYK 0 / 19 / 69 / 53

HEX #796226

RGB 121 98 38

HSL 43.37, 0.52%, 0.31%

LAB 42.67, 2.06, 36.57

 

CMYK 0 / 23 / 82 / 59

HEX #685013

RGB 104 80 19

HSL 43.06, 0.69%, 0.24%

LAB 35.45, 3.51, 37.37

 

CMYK 0 / 12 / 46 / 33

HEX #AC975D

RGB 172 151 93

HSL 44.05, 0.32%, 0.52%

LAB 63.09, -0.26, 33.32

 

CMYK 0 / 24 / 46 / 33

HEX #AC825D

RGB 172 130 93

HSL 28.1, 0.32%, 0.52%

LAB 57.58, 11.39, 26.26

 

CMYK 0 / 37 / 46 / 33

HEX #AC6D5D

RGB 172 109 93

HSL 12.15, 0.32%, 0.52%

LAB 52.4, 23.22, 19.38

 

CMYK 0 / 46 / 46 / 33

HEX #AC5D5D

RGB 172 93 93

HSL 0, 0.32%, 0.52%

LAB 48.75, 32.06, 14.42

 

CMYK 0 / 12 / 46 / 33

HEX #AC975D

RGB 172 151 93

HSL 44.05, 0.32%, 0.52%

LAB 63.09, -0.26, 33.32

 

CMYK 1 / 0 / 46 / 33

HEX #ABAC5D

RGB 171 172 93

HSL 60.76, 0.32%, 0.52%

LAB 68.72, -11.89, 40.29

 

CMYK 13 / 0 / 46 / 33

HEX #96AC5D

RGB 150 172 93

HSL 76.71, 0.32%, 0.52%

LAB 67.11, -20.45, 37.95

 

CMYK 25 / 0 / 46 / 33

HEX #81AC5D

RGB 129 172 93

HSL 92.66, 0.32%, 0.52%

LAB 65.72, -28.58, 35.92

 

CMYK 37 / 0 / 46 / 33

HEX #6CAC5D

RGB 108 172 93

HSL 108.61, 0.32%, 0.52%

LAB 64.55, -36.02, 34.2

 

CMYK 0 / 12 / 46 / 33

HEX #AC975D

RGB 172 151 93

HSL 44.05, 0.32%, 0.52%

LAB 63.09, -0.26, 33.32

 

CMYK 0 / 16 / 61 / 25

HEX #C0A14A

RGB 192 161 74

HSL 44.24, 0.48%, 0.52%

LAB 67.42, 1.25, 48.54

 

CMYK 0 / 19 / 74 / 17

HEX #D3AA36

RGB 211 170 54

HSL 44.33, 0.64%, 0.52%

LAB 71.46, 3.55, 61.92

 

CMYK 0 / 22 / 85 / 9

HEX #E7B422

RGB 231 180 34

HSL 44.47, 0.8%, 0.52%

LAB 75.91, 6.27, 72.98

 

CMYK 0 / 24 / 94 / 2

HEX #FBBE0E

RGB 251 190 14

HSL 44.56, 0.97%, 0.52%

LAB 80.39, 9.31, 80.98

 

CMYK 0 / 12 / 46 / 33

HEX #AC975D

RGB 172 151 93

HSL 44.05, 0.32%, 0.52%

LAB 63.09, -0.26, 33.32

 

CMYK 0 / 7 / 26 / 40

HEX #988E71

RGB 152 142 113

HSL 44.62, 0.16%, 0.52%

LAB 59.17, -1.1, 16.82

 

CMYK 1 / 1 / 0 / 48

HEX #848485

RGB 132 132 133

HSL 240, 0%, 0.52%

LAB 55.18, 0.2, -0.54

 

CMYK 27 / 20 / 0 / 40

HEX #707B99

RGB 112 123 153

HSL 223.9, 0.17%, 0.52%

LAB 51.74, 3.01, -17.49

 

CMYK 46 / 35 / 0 / 32

HEX #5D71AD

RGB 93 113 173

HSL 225, 0.33%, 0.52%

LAB 48.45, 9.11, -34.34

 

CMYK 0 / 37 / 46 / 33

HEX #AC6D5D

RGB 172 109 93

HSL 12.15, 0.32%, 0.52%

LAB 52.4, 23.22, 19.38

 

CMYK 0 / 24 / 46 / 33

HEX #AC825D

RGB 172 130 93

HSL 28.1, 0.32%, 0.52%

LAB 57.58, 11.39, 26.26

 

CMYK 0 / 12 / 46 / 33

HEX #AC975D

RGB 172 151 93

HSL 44.05, 0.32%, 0.52%

LAB 63.09, -0.26, 33.32

 

CMYK 0 / 0 / 46 / 33

HEX #ACAC5D

RGB 172 172 93

HSL 60, 0.32%, 0.52%

LAB 68.8, -11.48, 40.41

 

CMYK 12 / 0 / 46 / 33

HEX #97AC5D

RGB 151 172 93

HSL 75.95, 0.32%, 0.52%

LAB 67.18, -20.05, 38.06

 

CMYK 0 / 13 / 49 / 53

HEX #79693E

RGB 121 105 62

HSL 43.73, 0.32%, 0.36%

LAB 44.96, 0.06, 26.42

 

CMYK 0 / 13 / 49 / 42

HEX #94814C

RGB 148 129 76

HSL 44.17, 0.32%, 0.44%

LAB 54.57, -0.17, 31.27

 

CMYK 0 / 12 / 46 / 33

HEX #AC975D

RGB 172 151 93

HSL 44.05, 0.32%, 0.52%

LAB 63.09, -0.26, 33.32

 

CMYK 0 / 9 / 35 / 27

HEX #BAA979

RGB 186 169 121

HSL 44.31, 0.32%, 0.6%

LAB 69.61, -1.02, 27.04

 

CMYK 0 / 7 / 26 / 22

HEX #C8BA94

RGB 200 186 148

HSL 43.85, 0.32%, 0.68%

LAB 75.78, -1.01, 21.09

 

CMYK 0 / 12 / 45 / 33

HEX #AC985F

RGB 172 152 95

HSL 44.42, 0.32%, 0.52%

LAB 63.39, -0.6, 32.63

 

CMYK 42 / 0 / 46 / 33

HEX #63AC5D

RGB 99 172 93

HSL 115.44, 0.32%, 0.52%

LAB 64.12, -38.93, 33.57

 

CMYK 30 / 46 / 0 / 33

HEX #785DAC

RGB 120 93 172

HSL 260.51, 0.32%, 0.52%

LAB 45.36, 28.42, -38.49

 

CMYK 0 / 12 / 45 / 33

HEX #AC985F

RGB 172 152 95

HSL 44.42, 0.32%, 0.52%

LAB 63.39, -0.6, 32.63

 

CMYK 46 / 0 / 12 / 33

HEX #5DAC97

RGB 93 172 151

HSL 164.05, 0.32%, 0.52%

LAB 65.02, -29.48, 3.28

 

CMYK 12 / 46 / 0 / 33

HEX #975DAC

RGB 151 93 172

HSL 284.05, 0.32%, 0.52%

LAB 48.74, 37.5, -32.93

 

CMYK 0 / 12 / 45 / 33

HEX #AC985F

RGB 172 152 95

HSL 44.42, 0.32%, 0.52%

LAB 63.39, -0.6, 32.63

 

CMYK 42 / 0 / 46 / 33

HEX #63AC5D

RGB 99 172 93

HSL 115.44, 0.32%, 0.52%

LAB 64.12, -38.93, 33.57

 

CMYK 46 / 34 / 0 / 33

HEX #5D72AC

RGB 93 114 172

HSL 224.05, 0.32%, 0.52%

LAB 48.69, 8.2, -33.4

 

CMYK 3 / 46 / 0 / 33

HEX #A75DAC

RGB 167 93 172

HSL 296.2, 0.32%, 0.52%

LAB 50.71, 42.33, -29.71

 

CMYK 0 / 12 / 45 / 33

HEX #AC985F

RGB 172 152 95

HSL 44.42, 0.32%, 0.52%

LAB 63.39, -0.6, 32.63

 

CMYK 46 / 0 / 35 / 33

HEX #5DAC70

RGB 93 172 112

HSL 134.43, 0.32%, 0.52%

LAB 64.16, -37.65, 23.53

 

CMYK 46 / 34 / 0 / 33

HEX #5D72AC

RGB 93 114 172

HSL 224.05, 0.32%, 0.52%

LAB 48.69, 8.2, -33.4

 

CMYK 0 / 46 / 11 / 33

HEX #AC5D99

RGB 172 93 153

HSL 314.43, 0.32%, 0.52%

LAB 50.57, 40.43, -18.72

 

Description

Color code: HEX #AC985F | qconv.com Color code: HEX #AC985F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 152 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 152 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 45% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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