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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC94F4 it is the complementary color #536B0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC94F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC94F4 shade: #B194EF, #C2A6FF, #D3B8FF, #E4CAFF and #F5DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC94F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC94F4 shade: #AC94F4, #9B82E1, #8A70CE, #795EBB and #684CA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC94F4 shade: #AD95F4, #C695F4, #E095F4, #F495EE and #F495D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC94F4 shade: #AD95F4 and #9595F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC94F4 shade matches the following richer shades: #AD95F4 and #A88BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC94F4 shade: #AD95F4, #B19EEA, #B6A8E1, #BBB1D7 and #C0BBCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC94F4 shade: #95B0F4, #9596F4, #AD95F4, #C695F4 and #DF95F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC94F4 shade: #734AEC, #9070F0, #AD95F4, #CABAF8 and #E7E0FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC94F4 shade: #AC94F4, #F495C9 and #A3F495

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC94F4 shade: #AC94F4, #F4AD95 and #95F4AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC94F4 shade: #AC94F4, #F495C9, #DCF495 and #95F4C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC94F4 shade: #AC94F4, #F495AD, #DCF495 and #95F4DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 39 / 0 / 4

HEX #AC94F4

RGB 172 148 244

HSL 255, 0.81%, 0.77%

LAB 66.89, 29.32, -45.01

 

Complementary color

CMYK 22 / 0 / 90 / 58

HEX #536B0B

RGB 83 107 11

HSL 75, 0.81%, 0.23%

LAB 41.81, -22.26, 44.89

 

CMYK 26 / 38 / 0 / 6

HEX #B194EF

RGB 177 148 239

HSL 259.12, 0.74%, 0.76%

LAB 67.1, 29.5, -41.91

 

CMYK 24 / 35 / 0 / 0

HEX #C2A6FF

RGB 194 166 255

HSL 258.88, 1%, 0.83%

LAB 73.52, 28.08, -40.47

 

CMYK 17 / 28 / 0 / 0

HEX #D3B8FF

RGB 211 184 255

HSL 262.82, 1%, 0.86%

LAB 79.24, 23.23, -31.5

 

CMYK 11 / 21 / 0 / 0

HEX #E4CAFF

RGB 228 202 255

HSL 269.43, 1%, 0.9%

LAB 84.97, 18.79, -22.61

 

CMYK 4 / 14 / 0 / 0

HEX #F5DCFF

RGB 245 220 255

HSL 282.86, 1%, 0.93%

LAB 90.7, 14.73, -13.85

 

CMYK 30 / 39 / 0 / 4

HEX #AC94F4

RGB 172 148 244

HSL 255, 0.81%, 0.77%

LAB 66.89, 29.32, -45.01

 

CMYK 31 / 42 / 0 / 12

HEX #9B82E1

RGB 155 130 225

HSL 255.79, 0.61%, 0.7%

LAB 60.22, 30.15, -45.1

 

CMYK 33 / 46 / 0 / 19

HEX #8A70CE

RGB 138 112 206

HSL 256.6, 0.49%, 0.62%

LAB 53.44, 31.07, -45.24

 

CMYK 35 / 50 / 0 / 27

HEX #795EBB

RGB 121 94 187

HSL 257.42, 0.41%, 0.55%

LAB 46.52, 32.09, -45.4

 

CMYK 38 / 55 / 0 / 34

HEX #684CA8

RGB 104 76 168

HSL 258.26, 0.38%, 0.48%

LAB 39.48, 33.23, -45.59

 

CMYK 29 / 39 / 0 / 4

HEX #AD95F4

RGB 173 149 244

HSL 255.16, 0.81%, 0.77%

LAB 67.21, 29.03, -44.49

 

CMYK 19 / 39 / 0 / 4

HEX #C695F4

RGB 198 149 244

HSL 270.95, 0.81%, 0.77%

LAB 69.49, 36.11, -40.75

 

CMYK 8 / 39 / 0 / 4

HEX #E095F4

RGB 224 149 244

HSL 287.37, 0.81%, 0.77%

LAB 72.14, 43.72, -36.42

 

CMYK 0 / 39 / 2 / 4

HEX #F495EE

RGB 244 149 238

HSL 303.79, 0.81%, 0.77%

LAB 74.13, 48.6, -29.91

 

CMYK 0 / 39 / 13 / 4

HEX #F495D5

RGB 244 149 213

HSL 319.58, 0.81%, 0.77%

LAB 73.24, 44.42, -17.57

 

CMYK 29 / 39 / 0 / 4

HEX #AD95F4

RGB 173 149 244

HSL 255.16, 0.81%, 0.77%

LAB 67.21, 29.03, -44.49

 

CMYK 39 / 39 / 0 / 4

HEX #9595F4

RGB 149 149 244

HSL 240, 0.81%, 0.77%

LAB 65.29, 22.64, -47.64

 

CMYK 29 / 39 / 0 / 4

HEX #AD95F4

RGB 173 149 244

HSL 255.16, 0.81%, 0.77%

LAB 67.21, 29.03, -44.49

 

CMYK 34 / 45 / 0 / 1

HEX #A88BFD

RGB 168 139 253

HSL 255.26, 0.97%, 0.77%

LAB 64.87, 35.59, -53.14

 

CMYK 29 / 39 / 0 / 4

HEX #AD95F4

RGB 173 149 244

HSL 255.16, 0.81%, 0.77%

LAB 67.21, 29.03, -44.49

 

CMYK 24 / 32 / 0 / 8

HEX #B19EEA

RGB 177 158 234

HSL 255, 0.64%, 0.77%

LAB 69.28, 22.69, -35.75

 

CMYK 19 / 25 / 0 / 12

HEX #B6A8E1

RGB 182 168 225

HSL 254.74, 0.49%, 0.77%

LAB 71.82, 16.54, -26.88

 

CMYK 13 / 18 / 0 / 16

HEX #BBB1D7

RGB 187 177 215

HSL 255.79, 0.32%, 0.77%

LAB 74.14, 10.98, -17.85

 

CMYK 7 / 9 / 0 / 19

HEX #C0BBCE

RGB 192 187 206

HSL 255.79, 0.16%, 0.77%

LAB 76.8, 5.36, -8.92

 

CMYK 39 / 28 / 0 / 4

HEX #95B0F4

RGB 149 176 244

HSL 222.95, 0.81%, 0.77%

LAB 72.21, 7.3, -36.82

 

CMYK 39 / 39 / 0 / 4

HEX #9596F4

RGB 149 150 244

HSL 239.37, 0.81%, 0.77%

LAB 65.54, 22.07, -47.25

 

CMYK 29 / 39 / 0 / 4

HEX #AD95F4

RGB 173 149 244

HSL 255.16, 0.81%, 0.77%

LAB 67.21, 29.03, -44.49

 

CMYK 19 / 39 / 0 / 4

HEX #C695F4

RGB 198 149 244

HSL 270.95, 0.81%, 0.77%

LAB 69.49, 36.11, -40.75

 

CMYK 9 / 39 / 0 / 4

HEX #DF95F4

RGB 223 149 244

HSL 286.74, 0.81%, 0.77%

LAB 72.04, 43.42, -36.6

 

CMYK 51 / 69 / 0 / 7

HEX #734AEC

RGB 115 74 236

HSL 255.19, 0.81%, 0.61%

LAB 45.08, 55.62, -75.82

 

CMYK 40 / 53 / 0 / 6

HEX #9070F0

RGB 144 112 240

HSL 255, 0.81%, 0.69%

LAB 55.9, 41.61, -60.41

 

CMYK 29 / 39 / 0 / 4

HEX #AD95F4

RGB 173 149 244

HSL 255.16, 0.81%, 0.77%

LAB 67.21, 29.03, -44.49

 

CMYK 19 / 25 / 0 / 3

HEX #CABAF8

RGB 202 186 248

HSL 255.48, 0.82%, 0.85%

LAB 78.72, 17.89, -28.6

 

CMYK 8 / 11 / 0 / 1

HEX #E7E0FC

RGB 231 224 252

HSL 255, 0.82%, 0.93%

LAB 90.47, 7.54, -12.73

 

CMYK 30 / 39 / 0 / 4

HEX #AC94F4

RGB 172 148 244

HSL 255, 0.81%, 0.77%

LAB 66.89, 29.32, -45.01

 

CMYK 0 / 39 / 18 / 4

HEX #F495C9

RGB 244 149 201

HSL 327.16, 0.81%, 0.77%

LAB 72.86, 42.55, -11.54

 

CMYK 33 / 0 / 39 / 4

HEX #A3F495

RGB 163 244 149

HSL 111.16, 0.81%, 0.77%

LAB 89.23, -42.36, 38.13

 

CMYK 30 / 39 / 0 / 4

HEX #AC94F4

RGB 172 148 244

HSL 255, 0.81%, 0.77%

LAB 66.89, 29.32, -45.01

 

CMYK 0 / 29 / 39 / 4

HEX #F4AD95

RGB 244 173 149

HSL 15.16, 0.81%, 0.77%

LAB 76.85, 23.07, 22.71

 

CMYK 39 / 0 / 29 / 4

HEX #95F4AD

RGB 149 244 173

HSL 135.16, 0.81%, 0.77%

LAB 88.97, -42.78, 25.58

 

CMYK 30 / 39 / 0 / 4

HEX #AC94F4

RGB 172 148 244

HSL 255, 0.81%, 0.77%

LAB 66.89, 29.32, -45.01

 

CMYK 0 / 39 / 18 / 4

HEX #F495C9

RGB 244 149 201

HSL 327.16, 0.81%, 0.77%

LAB 72.86, 42.55, -11.54

 

CMYK 10 / 0 / 39 / 4

HEX #DCF495

RGB 220 244 149

HSL 75.16, 0.81%, 0.77%

LAB 92.61, -22.53, 43.16

 

CMYK 39 / 0 / 21 / 4

HEX #95F4C0

RGB 149 244 192

HSL 147.16, 0.81%, 0.77%

LAB 89.34, -39.29, 16.34

 

CMYK 30 / 39 / 0 / 4

HEX #AC94F4

RGB 172 148 244

HSL 255, 0.81%, 0.77%

LAB 66.89, 29.32, -45.01

 

CMYK 0 / 39 / 29 / 4

HEX #F495AD

RGB 244 149 173

HSL 344.84, 0.81%, 0.77%

LAB 72.06, 38.6, 2.8

 

CMYK 10 / 0 / 39 / 4

HEX #DCF495

RGB 220 244 149

HSL 75.16, 0.81%, 0.77%

LAB 92.61, -22.53, 43.16

 

CMYK 39 / 0 / 10 / 4

HEX #95F4DC

RGB 149 244 220

HSL 164.84, 0.81%, 0.77%

LAB 89.98, -33.53, 2.71

 

Description

Color code: HEX #AC94F4 | qconv.com Color code: HEX #AC94F4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 148 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 148 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 39 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 39% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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