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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC8E9F it is the complementary color #537160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC8E9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC8E9F shade: #B18E9A, #C2A0AD, #D3B2C0, #E4C4D3 and #F5D6E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC8E9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC8E9F shade: #AC8E9F, #9B7C8C, #8A6A79, #795866 and #684653

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC8E9F shade: #AD90A0, #AD9098 and #AD9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC8E9F shade: #AD90A0, #AD90A8, #AA90AD, #A290AD and #9A90AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC8E9F shade matches the following richer shades: #AD90A0, #BC80A2, #CC70A4, #DC61A6 and #EB51A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC8E9F shade: #AD90A0, #9D9F9E, #8DAF9C, #7EBF9A and #6ECE98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC8E9F shade: #AA90AD, #AD90A8, #AD90A0, #AD9098 and #AD9091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC8E9F shade: #866377, #9B788C, #AD90A0, #BEA7B4 and #D0BFC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC8E9F shade: #AC8E9F, #ADA290 and #90ACAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC8E9F shade: #AC8E9F, #A0AD90 and #90A0AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC8E9F shade: #AC8E9F, #ADA290, #90AD9C and #909AAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC8E9F shade: #AC8E9F, #ADAB90, #90AD9C and #9092AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 8 / 33

HEX #AC8E9F

RGB 172 142 159

HSL 326, 0.15%, 0.62%

LAB 62.19, 14.22, -4.73

 

Complementary color

CMYK 27 / 0 / 15 / 56

HEX #537160

RGB 83 113 96

HSL 146, 0.15%, 0.38%

LAB 44.93, -14.74, 5.94

 

CMYK 0 / 20 / 13 / 31

HEX #B18E9A

RGB 177 142 154

HSL 339.43, 0.18%, 0.63%

LAB 62.53, 15.18, -1.33

 

CMYK 0 / 18 / 11 / 24

HEX #C2A0AD

RGB 194 160 173

HSL 337.06, 0.22%, 0.69%

LAB 69.2, 14.67, -2.02

 

CMYK 0 / 16 / 9 / 17

HEX #D3B2C0

RGB 211 178 192

HSL 334.55, 0.27%, 0.76%

LAB 75.76, 14.21, -2.67

 

CMYK 0 / 14 / 7 / 11

HEX #E4C4D3

RGB 228 196 211

HSL 331.88, 0.37%, 0.83%

LAB 82.2, 13.79, -3.29

 

CMYK 0 / 13 / 6 / 4

HEX #F5D6E6

RGB 245 214 230

HSL 329.03, 0.61%, 0.9%

LAB 88.55, 13.4, -3.89

 

CMYK 0 / 17 / 8 / 33

HEX #AC8E9F

RGB 172 142 159

HSL 326, 0.15%, 0.62%

LAB 62.19, 14.22, -4.73

 

CMYK 0 / 20 / 10 / 39

HEX #9B7C8C

RGB 155 124 140

HSL 329.03, 0.13%, 0.55%

LAB 55.36, 14.73, -4.1

 

CMYK 0 / 23 / 12 / 46

HEX #8A6A79

RGB 138 106 121

HSL 331.88, 0.13%, 0.48%

LAB 48.38, 15.32, -3.42

 

CMYK 0 / 27 / 16 / 53

HEX #795866

RGB 121 88 102

HSL 334.55, 0.16%, 0.41%

LAB 41.22, 15.98, -2.67

 

CMYK 0 / 33 / 20 / 59

HEX #684653

RGB 104 70 83

HSL 337.06, 0.2%, 0.34%

LAB 33.87, 16.74, -1.83

 

CMYK 0 / 17 / 8 / 32

HEX #AD90A0

RGB 173 144 160

HSL 326.9, 0.15%, 0.62%

LAB 62.82, 13.64, -4.35

 

CMYK 0 / 17 / 12 / 32

HEX #AD9098

RGB 173 144 152

HSL 343.45, 0.15%, 0.62%

LAB 62.59, 12.22, -0.15

 

CMYK 0 / 17 / 17 / 32

HEX #AD9090

RGB 173 144 144

HSL 0, 0.15%, 0.62%

LAB 62.38, 10.88, 4.07

 

CMYK 0 / 17 / 8 / 32

HEX #AD90A0

RGB 173 144 160

HSL 326.9, 0.15%, 0.62%

LAB 62.82, 13.64, -4.35

 

CMYK 0 / 17 / 3 / 32

HEX #AD90A8

RGB 173 144 168

HSL 310.34, 0.15%, 0.62%

LAB 63.06, 15.12, -8.52

 

CMYK 2 / 17 / 0 / 32

HEX #AA90AD

RGB 170 144 173

HSL 293.79, 0.15%, 0.62%

LAB 62.94, 15.02, -11.57

 

CMYK 6 / 17 / 0 / 32

HEX #A290AD

RGB 162 144 173

HSL 277.24, 0.15%, 0.62%

LAB 62.21, 12.24, -12.73

 

CMYK 11 / 17 / 0 / 32

HEX #9A90AD

RGB 154 144 173

HSL 260.69, 0.15%, 0.62%

LAB 61.51, 9.49, -13.85

 

CMYK 0 / 17 / 8 / 32

HEX #AD90A0

RGB 173 144 160

HSL 326.9, 0.15%, 0.62%

LAB 62.82, 13.64, -4.35

 

CMYK 0 / 32 / 14 / 26

HEX #BC80A2

RGB 188 128 162

HSL 326, 0.31%, 0.62%

LAB 60.55, 28.36, -8.69

 

CMYK 0 / 45 / 20 / 20

HEX #CC70A4

RGB 204 112 164

HSL 326.09, 0.47%, 0.62%

LAB 59.07, 42.8, -11.85

 

CMYK 0 / 56 / 25 / 14

HEX #DC61A6

RGB 220 97 166

HSL 326.34, 0.64%, 0.62%

LAB 58.53, 55.55, -13.61

 

CMYK 0 / 66 / 29 / 8

HEX #EB51A8

RGB 235 81 168

HSL 326.1, 0.79%, 0.62%

LAB 58.39, 66.93, -14.74

 

CMYK 0 / 17 / 8 / 32

HEX #AD90A0

RGB 173 144 160

HSL 326.9, 0.15%, 0.62%

LAB 62.82, 13.64, -4.35

 

CMYK 1 / 0 / 1 / 38

HEX #9D9F9E

RGB 157 159 158

HSL 150, 0.01%, 0.62%

LAB 65.3, -0.91, 0.26

 

CMYK 19 / 0 / 11 / 31

HEX #8DAF9C

RGB 141 175 156

HSL 146.47, 0.18%, 0.62%

LAB 68.55, -15.47, 5.93

 

CMYK 34 / 0 / 19 / 25

HEX #7EBF9A

RGB 126 191 154

HSL 145.85, 0.34%, 0.62%

LAB 72.25, -28.72, 12.18

 

CMYK 47 / 0 / 26 / 19

HEX #6ECE98

RGB 110 206 152

HSL 146.25, 0.49%, 0.62%

LAB 75.9, -40.6, 18.25

 

CMYK 2 / 17 / 0 / 32

HEX #AA90AD

RGB 170 144 173

HSL 293.79, 0.15%, 0.62%

LAB 62.94, 15.02, -11.57

 

CMYK 0 / 17 / 3 / 32

HEX #AD90A8

RGB 173 144 168

HSL 310.34, 0.15%, 0.62%

LAB 63.06, 15.12, -8.52

 

CMYK 0 / 17 / 8 / 32

HEX #AD90A0

RGB 173 144 160

HSL 326.9, 0.15%, 0.62%

LAB 62.82, 13.64, -4.35

 

CMYK 0 / 17 / 12 / 32

HEX #AD9098

RGB 173 144 152

HSL 343.45, 0.15%, 0.62%

LAB 62.59, 12.22, -0.15

 

CMYK 0 / 17 / 16 / 32

HEX #AD9091

RGB 173 144 145

HSL 357.93, 0.15%, 0.62%

LAB 62.4, 11.04, 3.54

 

CMYK 0 / 26 / 11 / 47

HEX #866377

RGB 134 99 119

HSL 325.71, 0.15%, 0.46%

LAB 46.07, 17.55, -5.67

 

CMYK 0 / 23 / 10 / 39

HEX #9B788C

RGB 155 120 140

HSL 325.71, 0.15%, 0.54%

LAB 54.34, 17.04, -5.6

 

CMYK 0 / 17 / 8 / 32

HEX #AD90A0

RGB 173 144 160

HSL 326.9, 0.15%, 0.62%

LAB 62.82, 13.64, -4.35

 

CMYK 0 / 12 / 5 / 25

HEX #BEA7B4

RGB 190 167 180

HSL 326.09, 0.15%, 0.7%

LAB 70.79, 10.62, -3.61

 

CMYK 0 / 8 / 4 / 18

HEX #D0BFC8

RGB 208 191 200

HSL 328.24, 0.15%, 0.78%

LAB 78.95, 7.56, -2.35

 

CMYK 0 / 17 / 8 / 33

HEX #AC8E9F

RGB 172 142 159

HSL 326, 0.15%, 0.62%

LAB 62.19, 14.22, -4.73

 

CMYK 0 / 6 / 17 / 32

HEX #ADA290

RGB 173 162 144

HSL 37.24, 0.15%, 0.62%

LAB 67.08, 0.92, 10.8

 

CMYK 17 / 1 / 0 / 32

HEX #90ACAD

RGB 144 172 173

HSL 182.07, 0.15%, 0.62%

LAB 68.35, -9.36, -3.73

 

CMYK 0 / 17 / 8 / 33

HEX #AC8E9F

RGB 172 142 159

HSL 326, 0.15%, 0.62%

LAB 62.19, 14.22, -4.73

 

CMYK 8 / 0 / 17 / 32

HEX #A0AD90

RGB 160 173 144

HSL 86.9, 0.15%, 0.62%

LAB 69.02, -9.89, 13.38

 

CMYK 17 / 8 / 0 / 32

HEX #90A0AD

RGB 144 160 173

HSL 206.9, 0.15%, 0.62%

LAB 65.03, -2.84, -8.65

 

CMYK 0 / 17 / 8 / 33

HEX #AC8E9F

RGB 172 142 159

HSL 326, 0.15%, 0.62%

LAB 62.19, 14.22, -4.73

 

CMYK 0 / 6 / 17 / 32

HEX #ADA290

RGB 173 162 144

HSL 37.24, 0.15%, 0.62%

LAB 67.08, 0.92, 10.8

 

CMYK 17 / 0 / 10 / 32

HEX #90AD9C

RGB 144 173 156

HSL 144.83, 0.15%, 0.62%

LAB 68.18, -13.4, 5.42

 

CMYK 17 / 11 / 0 / 32

HEX #909AAD

RGB 144 154 173

HSL 219.31, 0.15%, 0.62%

LAB 63.39, 0.49, -11.11

 

CMYK 0 / 17 / 8 / 33

HEX #AC8E9F

RGB 172 142 159

HSL 326, 0.15%, 0.62%

LAB 62.19, 14.22, -4.73

 

CMYK 0 / 1 / 17 / 32

HEX #ADAB90

RGB 173 171 144

HSL 55.86, 0.15%, 0.62%

LAB 69.49, -3.95, 14.18

 

CMYK 17 / 0 / 10 / 32

HEX #90AD9C

RGB 144 173 156

HSL 144.83, 0.15%, 0.62%

LAB 68.18, -13.4, 5.42

 

CMYK 17 / 16 / 0 / 32

HEX #9092AD

RGB 144 146 173

HSL 235.86, 0.15%, 0.62%

LAB 61.22, 4.99, -14.36

 

Description

Color code: HEX #AC8E9F | qconv.com Color code: HEX #AC8E9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 142 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 142 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 8 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 8% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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