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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC87253F it is the complementary color #5378DA3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC87253F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC87253F shade: #B187203F, #C299333F, #D3AB463F, #E4BD593F and #F5CF6C3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC87253F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC87253F shade: #AC87253F, #9B75123F, #8A63003F, #7951003F and #683F003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC87253F shade: #AD8725, #AD6325, #AD3E25 and #AD2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC87253F shade: #AD8725, #ADAC25, #88AD25, #64AD25 and #3FAD25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC87253F shade matches the following richer shades: #AD8725, #BD8F14 and #CE9703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC87253F shade: #AD8725, #9C8036, #8B7846, #7A7057 and #696968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC87253F shade: #AD3E25, #AD6225, #AD8625, #ADAA25 and #8BAD25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC87253F shade: #685216, #8A6D1D, #AD8725, #CFA22C and #D9B24B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC87253F shade: #AC8725, #30AD25 and #5025AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC87253F shade: #AC8725, #25AD86 and #8625AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC87253F shade: #AC8725, #30AD25, #254BAD and #A125AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC87253F shade: #AC8725, #25AD42, #254BAD and #AD258F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 20 / 8

HEX #AC87253F

RGBA 172 135 37 0.25

HSLA 43.56, 0.65%, 0.41%, 0.25

LABA 58.26, 4.55, 54.36, 0.25

 

Complementary color

CMYK 15 / 11 / 0 / 4

HEX #5378DA3F

RGBA 83 120 218 0.25

HSLA 223.56, 0.65%, 0.59%, 0.25

LABA 52.21, 17.28, -54.22, 0.25

 

CMYK 0 / 6 / 20 / 8

HEX #B187203F

RGBA 177 135 32 0.25

HSLA 42.62, 0.69%, 0.41%, 0.25

LABA 58.77, 6.63, 56.77, 0.25

 

CMYK 0 / 5 / 18 / 6

HEX #C299333F

RGBA 194 153 51 0.25

HSLA 42.8, 0.58%, 0.48%, 0.25

LABA 65.35, 5.11, 56.54, 0.25

 

CMYK 0 / 5 / 17 / 4

HEX #D3AB463F

RGBA 211 171 70 0.25

HSLA 42.98, 0.62%, 0.55%, 0.25

LABA 71.84, 3.83, 55.73, 0.25

 

CMYK 0 / 4 / 15 / 3

HEX #E4BD593F

RGBA 228 189 89 0.25

HSLA 43.17, 0.72%, 0.62%, 0.25

LABA 78.23, 2.75, 54.65, 0.25

 

CMYK 0 / 4 / 14 / 1

HEX #F5CF6C3F

RGBA 245 207 108 0.25

HSLA 43.36, 0.87%, 0.69%, 0.25

LABA 84.55, 1.81, 53.47, 0.25

 

CMYK 0 / 5 / 20 / 8

HEX #AC87253F

RGBA 172 135 37 0.25

HSLA 43.56, 0.65%, 0.41%, 0.25

LABA 58.26, 4.55, 54.36, 0.25

 

CMYK 0 / 6 / 22 / 10

HEX #9B75123F

RGBA 155 117 18 0.25

HSLA 43.36, 0.79%, 0.34%, 0.25

LABA 51.54, 6.23, 53.91, 0.25

 

CMYK 0 / 7 / 25 / 11

HEX #8A63003F

RGBA 138 99 0 0.25

HSLA 43.04, 1%, 0.27%, 0.25

LABA 44.7, 8.23, 52.08, 0.25

 

CMYK 0 / 8 / 25 / 13

HEX #7951003F

RGBA 121 81 0 0.25

HSLA 40.17, 1%, 0.24%, 0.25

LABA 37.75, 10.69, 46.39, 0.25

 

CMYK 0 / 10 / 25 / 15

HEX #683F003F

RGBA 104 63 0 0.25

HSLA 36.35, 1%, 0.2%, 0.25

LABA 30.64, 13.31, 40.52, 0.25

 

CMYK 0 / 22 / 79 / 32

HEX #AD8725

RGB 173 135 37

HSL 43.24, 0.65%, 0.41%

LAB 58.36, 5, 54.49

 

CMYK 0 / 43 / 79 / 32

HEX #AD6325

RGB 173 99 37

HSL 27.35, 0.65%, 0.41%

LAB 49.43, 25.13, 46.03

 

CMYK 0 / 64 / 79 / 32

HEX #AD3E25

RGB 173 62 37

HSL 11.03, 0.65%, 0.41%

LAB 41.94, 44.08, 38.57

 

CMYK 0 / 79 / 79 / 32

HEX #AD2525

RGB 173 37 37

HSL 0, 0.65%, 0.41%

LAB 38.45, 53.66, 34.94

 

CMYK 0 / 22 / 79 / 32

HEX #AD8725

RGB 173 135 37

HSL 43.24, 0.65%, 0.41%

LAB 58.36, 5, 54.49

 

CMYK 0 / 1 / 79 / 32

HEX #ADAC25

RGB 173 172 37

HSL 59.56, 0.65%, 0.41%

LAB 68.4, -14.82, 63.6

 

CMYK 21 / 0 / 79 / 32

HEX #88AD25

RGB 136 173 37

HSL 76.32, 0.65%, 0.41%

LAB 65.95, -31.03, 60.36

 

CMYK 42 / 0 / 79 / 32

HEX #64AD25

RGB 100 173 37

HSL 92.21, 0.65%, 0.41%

LAB 63.94, -44.56, 57.77

 

CMYK 64 / 0 / 79 / 32

HEX #3FAD25

RGB 63 173 37

HSL 108.53, 0.65%, 0.41%

LAB 62.57, -55.17, 55.98

 

CMYK 0 / 22 / 79 / 32

HEX #AD8725

RGB 173 135 37

HSL 43.24, 0.65%, 0.41%

LAB 58.36, 5, 54.49

 

CMYK 0 / 24 / 89 / 26

HEX #BD8F14

RGB 189 143 20

HSL 43.67, 0.81%, 0.41%

LAB 62.1, 7.31, 63.41

 

CMYK 0 / 27 / 99 / 19

HEX #CE9703

RGB 206 151 3

HSL 43.74, 0.97%, 0.41%

LAB 65.95, 10.31, 69.84

 

CMYK 0 / 22 / 79 / 32

HEX #AD8725

RGB 173 135 37

HSL 43.24, 0.65%, 0.41%

LAB 58.36, 5, 54.49

 

CMYK 0 / 18 / 65 / 39

HEX #9C8036

RGB 156 128 54

HSL 43.53, 0.49%, 0.41%

LAB 54.84, 2.1, 43.09

 

CMYK 0 / 14 / 50 / 45

HEX #8B7846

RGB 139 120 70

HSL 43.48, 0.33%, 0.41%

LAB 51.11, 0.34, 30.03

 

CMYK 0 / 8 / 29 / 52

HEX #7A7057

RGB 122 112 87

HSL 42.86, 0.17%, 0.41%

LAB 47.51, -0.35, 15.34

 

CMYK 0 / 0 / 1 / 59

HEX #696968

RGB 105 105 104

HSL 60, 0%, 0.41%

LAB 44.38, -0.2, 0.56

 

CMYK 0 / 64 / 79 / 32

HEX #AD3E25

RGB 173 62 37

HSL 11.03, 0.65%, 0.41%

LAB 41.94, 44.08, 38.57

 

CMYK 0 / 43 / 79 / 32

HEX #AD6225

RGB 173 98 37

HSL 26.91, 0.65%, 0.41%

LAB 49.2, 25.68, 45.8

 

CMYK 0 / 23 / 79 / 32

HEX #AD8625

RGB 173 134 37

HSL 42.79, 0.65%, 0.41%

LAB 58.1, 5.56, 54.25

 

CMYK 0 / 2 / 79 / 32

HEX #ADAA25

RGB 173 170 37

HSL 58.68, 0.65%, 0.41%

LAB 67.85, -13.79, 63.11

 

CMYK 20 / 0 / 79 / 32

HEX #8BAD25

RGB 139 173 37

HSL 75, 0.65%, 0.41%

LAB 66.14, -29.8, 60.61

 

CMYK 0 / 21 / 79 / 59

HEX #685216

RGB 104 82 22

HSL 43.9, 0.65%, 0.25%

LAB 36.05, 2.44, 36.67

 

CMYK 0 / 21 / 79 / 46

HEX #8A6D1D

RGB 138 109 29

HSL 44.04, 0.65%, 0.33%

LAB 47.53, 3.21, 46.06

 

CMYK 0 / 22 / 79 / 32

HEX #AD8725

RGB 173 135 37

HSL 43.24, 0.65%, 0.41%

LAB 58.36, 5, 54.49

 

CMYK 0 / 22 / 79 / 19

HEX #CFA22C

RGB 207 162 44

HSL 43.44, 0.65%, 0.49%

LAB 68.96, 5.68, 63.05

 

CMYK 0 / 18 / 65 / 15

HEX #D9B24B

RGB 217 178 75

HSL 43.52, 0.65%, 0.57%

LAB 74.25, 2.98, 56.29

 

CMYK 0 / 22 / 78 / 33

HEX #AC8725

RGB 172 135 37

HSL 43.56, 0.65%, 0.41%

LAB 58.26, 4.55, 54.36

 

CMYK 72 / 0 / 79 / 32

HEX #30AD25

RGB 48 173 37

HSL 115.15, 0.65%, 0.41%

LAB 62.21, -58.21, 55.51

 

CMYK 54 / 79 / 0 / 32

HEX #5025AD

RGB 80 37 173

HSL 258.97, 0.65%, 0.41%

LAB 29.53, 51.15, -64.86

 

CMYK 0 / 22 / 78 / 33

HEX #AC8725

RGB 172 135 37

HSL 43.56, 0.65%, 0.41%

LAB 58.26, 4.55, 54.36

 

CMYK 79 / 0 / 23 / 32

HEX #25AD86

RGB 37 173 134

HSL 162.79, 0.65%, 0.41%

LAB 63.34, -44.56, 10.11

 

CMYK 23 / 79 / 0 / 32

HEX #8625AD

RGB 134 37 173

HSL 282.79, 0.65%, 0.41%

LAB 36.76, 59.91, -52.75

 

CMYK 0 / 22 / 78 / 33

HEX #AC8725

RGB 172 135 37

HSL 43.56, 0.65%, 0.41%

LAB 58.26, 4.55, 54.36

 

CMYK 72 / 0 / 79 / 32

HEX #30AD25

RGB 48 173 37

HSL 115.15, 0.65%, 0.41%

LAB 62.21, -58.21, 55.51

 

CMYK 79 / 57 / 0 / 32

HEX #254BAD

RGB 37 75 173

HSL 223.24, 0.65%, 0.41%

LAB 34.89, 22.99, -56.21

 

CMYK 7 / 79 / 0 / 32

HEX #A125AD

RGB 161 37 173

HSL 294.71, 0.65%, 0.41%

LAB 41.08, 65.08, -45.56

 

CMYK 0 / 22 / 78 / 33

HEX #AC8725

RGB 172 135 37

HSL 43.56, 0.65%, 0.41%

LAB 58.26, 4.55, 54.36

 

CMYK 79 / 0 / 62 / 32

HEX #25AD42

RGB 37 173 66

HSL 132.79, 0.65%, 0.41%

LAB 62.23, -57.21, 44.06

 

CMYK 79 / 57 / 0 / 32

HEX #254BAD

RGB 37 75 173

HSL 223.24, 0.65%, 0.41%

LAB 34.89, 22.99, -56.21

 

CMYK 0 / 79 / 17 / 32

HEX #AD258F

RGB 173 37 143

HSL 313.24, 0.65%, 0.41%

LAB 41.52, 62.99, -26.69

 

Description

Color code: HEX #AC87253F | qconv.com Color code: HEX #AC87253F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 135 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 135 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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