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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC86E2 it is the complementary color #53791D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC86E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC86E2 shade: #B186DD, #C298F0, #D3AAFF, #E4BCFF and #F5CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC86E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC86E2 shade: #AC86E2, #9B74CF, #8A62BC, #7950A9 and #683E96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC86E2 shade: #AD88E2, #C688E2, #DE88E2, #E288CE and #E288B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC86E2 shade: #AD88E2, #9588E2 and #8888E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC86E2 shade matches the following richer shades: #AD88E2, #AB7CEE and #A970FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC86E2 shade: #AD88E2, #AF94D6, #B1A0CA, #B3ACBE and #B6B8B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC86E2 shade: #8894E2, #9488E2, #AC88E2, #C488E2 and #DC88E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC86E2 shade: #8046D2, #9667DA, #AD88E2, #C4A9EA and #DBCAF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC86E2 shade: #AC86E2, #E288AC and #88E288

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC86E2 shade: #AC86E2, #E2AC88 and #88E2AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC86E2 shade: #AC86E2, #E288AC, #BEE288 and #88E2BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC86E2 shade: #AC86E2, #E28891, #BEE288 and #88E2D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 41 / 0 / 11

HEX #AC86E2

RGB 172 134 226

HSL 264.78, 0.61%, 0.71%

LAB 62.77, 32.86, -41.54

 

Complementary color

CMYK 31 / 0 / 76 / 53

HEX #53791D

RGB 83 121 29

HSL 84.78, 0.61%, 0.29%

LAB 46.45, -28.3, 43.4

 

CMYK 20 / 39 / 0 / 13

HEX #B186DD

RGB 177 134 221

HSL 269.66, 0.56%, 0.7%

LAB 63.03, 33.15, -38.33

 

CMYK 19 / 37 / 0 / 6

HEX #C298F0

RGB 194 152 240

HSL 268.64, 0.75%, 0.77%

LAB 69.62, 32.41, -38.39

 

CMYK 17 / 33 / 0 / 0

HEX #D3AAFF

RGB 211 170 255

HSL 268.94, 1%, 0.83%

LAB 75.96, 30.85, -36.57

 

CMYK 11 / 26 / 0 / 0

HEX #E4BCFF

RGB 228 188 255

HSL 275.82, 1%, 0.87%

LAB 81.66, 26.29, -27.65

 

CMYK 4 / 19 / 0 / 0

HEX #F5CEFF

RGB 245 206 255

HSL 287.76, 1%, 0.9%

LAB 87.38, 22.09, -18.84

 

CMYK 24 / 41 / 0 / 11

HEX #AC86E2

RGB 172 134 226

HSL 264.78, 0.61%, 0.71%

LAB 62.77, 32.86, -41.54

 

CMYK 25 / 44 / 0 / 19

HEX #9B74CF

RGB 155 116 207

HSL 265.71, 0.49%, 0.63%

LAB 56.05, 33.7, -41.56

 

CMYK 27 / 48 / 0 / 26

HEX #8A62BC

RGB 138 98 188

HSL 266.67, 0.4%, 0.56%

LAB 49.22, 34.6, -41.6

 

CMYK 28 / 53 / 0 / 34

HEX #7950A9

RGB 121 80 169

HSL 267.64, 0.36%, 0.49%

LAB 42.26, 35.57, -41.64

 

CMYK 31 / 59 / 0 / 41

HEX #683E96

RGB 104 62 150

HSL 268.64, 0.42%, 0.42%

LAB 35.18, 36.58, -41.65

 

CMYK 23 / 40 / 0 / 11

HEX #AD88E2

RGB 173 136 226

HSL 264.67, 0.61%, 0.71%

LAB 63.33, 32.02, -40.66

 

CMYK 12 / 40 / 0 / 11

HEX #C688E2

RGB 198 136 226

HSL 281.33, 0.61%, 0.71%

LAB 65.83, 39.33, -36.57

 

CMYK 2 / 40 / 0 / 11

HEX #DE88E2

RGB 222 136 226

HSL 297.33, 0.61%, 0.71%

LAB 68.48, 46.51, -32.24

 

CMYK 0 / 40 / 9 / 11

HEX #E288CE

RGB 226 136 206

HSL 313.33, 0.61%, 0.71%

LAB 68.19, 44.22, -21.56

 

CMYK 0 / 40 / 19 / 11

HEX #E288B6

RGB 226 136 182

HSL 329.33, 0.61%, 0.71%

LAB 67.39, 40.4, -9.34

 

CMYK 23 / 40 / 0 / 11

HEX #AD88E2

RGB 173 136 226

HSL 264.67, 0.61%, 0.71%

LAB 63.33, 32.02, -40.66

 

CMYK 34 / 40 / 0 / 11

HEX #9588E2

RGB 149 136 226

HSL 248.67, 0.61%, 0.71%

LAB 61.21, 25.33, -44.14

 

CMYK 40 / 40 / 0 / 11

HEX #8888E2

RGB 136 136 226

HSL 240, 0.61%, 0.71%

LAB 60.19, 21.9, -45.82

 

CMYK 23 / 40 / 0 / 11

HEX #AD88E2

RGB 173 136 226

HSL 264.67, 0.61%, 0.71%

LAB 63.33, 32.02, -40.66

 

CMYK 28 / 48 / 0 / 7

HEX #AB7CEE

RGB 171 124 238

HSL 264.74, 0.77%, 0.71%

LAB 61, 41.03, -51

 

CMYK 32 / 55 / 0 / 2

HEX #A970FA

RGB 169 112 250

HSL 264.78, 0.93%, 0.71%

LAB 58.91, 49.98, -60.99

 

CMYK 23 / 40 / 0 / 11

HEX #AD88E2

RGB 173 136 226

HSL 264.67, 0.61%, 0.71%

LAB 63.33, 32.02, -40.66

 

CMYK 18 / 31 / 0 / 16

HEX #AF94D6

RGB 175 148 214

HSL 264.55, 0.45%, 0.71%

LAB 65.86, 23.1, -30.04

 

CMYK 12 / 21 / 0 / 21

HEX #B1A0CA

RGB 177 160 202

HSL 264.29, 0.28%, 0.71%

LAB 68.57, 14.37, -19.22

 

CMYK 6 / 9 / 0 / 25

HEX #B3ACBE

RGB 179 172 190

HSL 263.33, 0.12%, 0.71%

LAB 71.42, 5.93, -8.29

 

CMYK 1 / 0 / 3 / 28

HEX #B6B8B2

RGB 182 184 178

HSL 80, 0.04%, 0.71%

LAB 74.47, -1.8, 2.79

 

CMYK 40 / 35 / 0 / 11

HEX #8894E2

RGB 136 148 226

HSL 232, 0.61%, 0.71%

LAB 63.26, 14.91, -40.98

 

CMYK 35 / 40 / 0 / 11

HEX #9488E2

RGB 148 136 226

HSL 248, 0.61%, 0.71%

LAB 61.13, 25.06, -44.27

 

CMYK 24 / 40 / 0 / 11

HEX #AC88E2

RGB 172 136 226

HSL 264, 0.61%, 0.71%

LAB 63.24, 31.74, -40.81

 

CMYK 13 / 40 / 0 / 11

HEX #C488E2

RGB 196 136 226

HSL 280, 0.61%, 0.71%

LAB 65.62, 38.74, -36.91

 

CMYK 3 / 40 / 0 / 11

HEX #DC88E2

RGB 220 136 226

HSL 296, 0.61%, 0.71%

LAB 68.25, 45.91, -32.62

 

CMYK 39 / 67 / 0 / 18

HEX #8046D2

RGB 128 70 210

HSL 264.86, 0.61%, 0.55%

LAB 43.69, 53.06, -63.22

 

CMYK 31 / 53 / 0 / 15

HEX #9667DA

RGB 150 103 218

HSL 264.52, 0.61%, 0.63%

LAB 53.22, 42.39, -52.32

 

CMYK 23 / 40 / 0 / 11

HEX #AD88E2

RGB 173 136 226

HSL 264.67, 0.61%, 0.71%

LAB 63.33, 32.02, -40.66

 

CMYK 16 / 28 / 0 / 8

HEX #C4A9EA

RGB 196 169 234

HSL 264.92, 0.61%, 0.79%

LAB 73.58, 22.31, -28.98

 

CMYK 10 / 17 / 0 / 5

HEX #DBCAF2

RGB 219 202 242

HSL 265.5, 0.61%, 0.87%

LAB 83.82, 13.33, -17.53

 

CMYK 24 / 41 / 0 / 11

HEX #AC86E2

RGB 172 134 226

HSL 264.78, 0.61%, 0.71%

LAB 62.77, 32.86, -41.54

 

CMYK 0 / 40 / 24 / 11

HEX #E288AC

RGB 226 136 172

HSL 336, 0.61%, 0.71%

LAB 67.09, 38.94, -4.17

 

CMYK 40 / 0 / 40 / 11

HEX #88E288

RGB 136 226 136

HSL 120, 0.61%, 0.71%

LAB 82.6, -44.77, 35.73

 

CMYK 24 / 41 / 0 / 11

HEX #AC86E2

RGB 172 134 226

HSL 264.78, 0.61%, 0.71%

LAB 62.77, 32.86, -41.54

 

CMYK 0 / 24 / 40 / 11

HEX #E2AC88

RGB 226 172 136

HSL 24, 0.61%, 0.71%

LAB 74.48, 15.14, 26.16

 

CMYK 40 / 0 / 24 / 11

HEX #88E2AC

RGB 136 226 172

HSL 144, 0.61%, 0.71%

LAB 83.23, -38.63, 18.09

 

CMYK 24 / 41 / 0 / 11

HEX #AC86E2

RGB 172 134 226

HSL 264.78, 0.61%, 0.71%

LAB 62.77, 32.86, -41.54

 

CMYK 0 / 40 / 24 / 11

HEX #E288AC

RGB 226 136 172

HSL 336, 0.61%, 0.71%

LAB 67.09, 38.94, -4.17

 

CMYK 16 / 0 / 40 / 11

HEX #BEE288

RGB 190 226 136

HSL 84, 0.61%, 0.71%

LAB 85.56, -26.55, 40.14

 

CMYK 40 / 0 / 16 / 11

HEX #88E2BE

RGB 136 226 190

HSL 156, 0.61%, 0.71%

LAB 83.62, -35.02, 9.19

 

CMYK 24 / 41 / 0 / 11

HEX #AC86E2

RGB 172 134 226

HSL 264.78, 0.61%, 0.71%

LAB 62.77, 32.86, -41.54

 

CMYK 0 / 40 / 36 / 11

HEX #E28891

RGB 226 136 145

HSL 354, 0.61%, 0.71%

LAB 66.38, 35.4, 10.02

 

CMYK 16 / 0 / 40 / 11

HEX #BEE288

RGB 190 226 136

HSL 84, 0.61%, 0.71%

LAB 85.56, -26.55, 40.14

 

CMYK 40 / 0 / 4 / 11

HEX #88E2D9

RGB 136 226 217

HSL 174, 0.61%, 0.71%

LAB 84.3, -29.02, -4.09

 

Description

Color code: HEX #AC86E2 | qconv.com Color code: HEX #AC86E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 134 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 134 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 41 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 41% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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