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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC86C1 it is the complementary color #53793E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC86C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AC86C1: #B186BC, #C298CF, #D3AAE2, #E4BCF5 and #F5CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC86C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AC86C1: #AC86C1, #9B74AE, #8A629B, #795088 and #683E75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 31 / 0 / 24

HEX #AC86C1

RGB 172 134 193

HSL 278.64, 0.32%, 0.64%

LAB 61.37, 25.45, -25.23

 

Complementary color

CMYK 31 / 0 / 49 / 53

HEX #53793E

RGB 83 121 62

HSL 98.64, 0.32%, 0.36%

LAB 46.79, -24.99, 28.05

 

CMYK 6 / 29 / 0 / 26

HEX #B186BC

RGB 177 134 188

HSL 287.78, 0.29%, 0.63%

LAB 61.68, 26.05, -21.89

 

CMYK 6 / 27 / 0 / 19

HEX #C298CF

RGB 194 152 207

HSL 285.82, 0.36%, 0.7%

LAB 68.34, 25.42, -22.21

 

CMYK 7 / 25 / 0 / 11

HEX #D3AAE2

RGB 211 170 226

HSL 283.93, 0.49%, 0.78%

LAB 74.88, 24.84, -22.52

 

CMYK 7 / 23 / 0 / 4

HEX #E4BCF5

RGB 228 188 245

HSL 282.11, 0.74%, 0.85%

LAB 81.32, 24.3, -22.83

 

CMYK 4 / 19 / 0 / 0

HEX #F5CEFF

RGB 245 206 255

HSL 287.76, 1%, 0.9%

LAB 87.38, 22.09, -18.84

 

CMYK 11 / 31 / 0 / 24

HEX #AC86C1

RGB 172 134 193

HSL 278.64, 0.32%, 0.64%

LAB 61.37, 25.45, -25.23

 

CMYK 11 / 33 / 0 / 32

HEX #9B74AE

RGB 155 116 174

HSL 280.34, 0.26%, 0.57%

LAB 54.57, 26.13, -25

 

CMYK 11 / 37 / 0 / 39

HEX #8A629B

RGB 138 98 155

HSL 282.11, 0.23%, 0.5%

LAB 47.63, 26.87, -24.77

 

CMYK 11 / 41 / 0 / 47

HEX #795088

RGB 121 80 136

HSL 283.93, 0.26%, 0.42%

LAB 40.54, 27.68, -24.54

 

CMYK 11 / 47 / 0 / 54

HEX #683E75

RGB 104 62 117

HSL 285.82, 0.31%, 0.35%

LAB 33.29, 28.53, -24.27

 

CMYK 11 / 31 / 0 / 24

HEX #AC86C1

RGB 172 134 193

HSL 278.64, 0.32%, 0.64%

LAB 61.37, 25.45, -25.23

 

CMYK 6 / 31 / 0 / 25

HEX #B485C0

RGB 180 133 192

HSL 287.8, 0.32%, 0.64%

LAB 61.9, 28.4, -23.79

 

CMYK 1 / 31 / 0 / 25

HEX #BE85C0

RGB 190 133 192

HSL 297.97, 0.32%, 0.64%

LAB 62.95, 31.68, -22.08

 

CMYK 0 / 31 / 4 / 25

HEX #C085B8

RGB 192 133 184

HSL 308.14, 0.32%, 0.64%

LAB 62.88, 30.84, -17.65

 

CMYK 0 / 31 / 9 / 25

HEX #C085AE

RGB 192 133 174

HSL 318.31, 0.32%, 0.64%

LAB 62.54, 29.05, -12.5

 

CMYK 11 / 31 / 0 / 24

HEX #AC86C1

RGB 172 134 193

HSL 278.64, 0.32%, 0.64%

LAB 61.37, 25.45, -25.23

 

CMYK 11 / 31 / 0 / 4

HEX #D9A9F4

RGB 217 169 244

HSL 278.4, 0.77%, 0.81%

LAB 75.86, 30.89, -30.74

 

CMYK 10 / 30 / 0 / 84

HEX #241C28

RGB 36 28 40

HSL 280, 0.18%, 0.13%

LAB 11.68, 6.82, -6.66

 

CMYK 11 / 31 / 0 / 64

HEX #513F5B

RGB 81 63 91

HSL 278.57, 0.18%, 0.3%

LAB 29.56, 13.78, -13.72

 

CMYK 11 / 30 / 0 / 44

HEX #7F638E

RGB 127 99 142

HSL 279.07, 0.18%, 0.47%

LAB 46.16, 19.71, -19.41

 

CMYK 11 / 31 / 0 / 24

HEX #AC86C1

RGB 172 134 193

HSL 278.64, 0.32%, 0.64%

LAB 61.37, 25.45, -25.23

 

CMYK 0 / 31 / 26 / 25

HEX #C0858F

RGB 192 133 143

HSL 349.83, 0.32%, 0.64%

LAB 61.62, 24.08, 3.81

 

CMYK 31 / 0 / 23 / 25

HEX #85C093

RGB 133 192 147

HSL 134.24, 0.32%, 0.64%

LAB 72.75, -28.36, 16.72

 

CMYK 11 / 31 / 0 / 24

HEX #AC86C1

RGB 172 134 193

HSL 278.64, 0.32%, 0.64%

LAB 61.37, 25.45, -25.23

 

CMYK 0 / 11 / 31 / 25

HEX #C0AB85

RGB 192 171 133

HSL 38.64, 0.32%, 0.64%

LAB 70.89, 1.84, 22.37

 

CMYK 31 / 0 / 11 / 25

HEX #85C0AB

RGB 133 192 171

HSL 158.64, 0.32%, 0.64%

LAB 73.3, -23.59, 4.51

 

CMYK 11 / 31 / 0 / 24

HEX #AC86C1

RGB 172 134 193

HSL 278.64, 0.32%, 0.64%

LAB 61.37, 25.45, -25.23

 

CMYK 0 / 31 / 26 / 25

HEX #C0858F

RGB 192 133 143

HSL 349.83, 0.32%, 0.64%

LAB 61.62, 24.08, 3.81

 

CMYK 19 / 0 / 31 / 25

HEX #9BC085

RGB 155 192 133

HSL 97.63, 0.32%, 0.64%

LAB 73.78, -23.22, 25.8

 

CMYK 31 / 0 / 5 / 25

HEX #85C0B6

RGB 133 192 182

HSL 169.83, 0.32%, 0.64%

LAB 73.59, -21.18, -1.06

 

CMYK 11 / 31 / 0 / 24

HEX #AC86C1

RGB 172 134 193

HSL 278.64, 0.32%, 0.64%

LAB 61.37, 25.45, -25.23

 

CMYK 0 / 27 / 31 / 25

HEX #C08D85

RGB 192 141 133

HSL 8.14, 0.32%, 0.64%

LAB 63.3, 18.25, 11.88

 

CMYK 19 / 0 / 31 / 25

HEX #9BC085

RGB 155 192 133

HSL 97.63, 0.32%, 0.64%

LAB 73.78, -23.22, 25.8

 

CMYK 31 / 4 / 0 / 25

HEX #85B8C0

RGB 133 184 192

HSL 188.14, 0.32%, 0.64%

LAB 71.6, -14.75, -9.45

 

Description

Color code: HEX #AC86C1 | qconv.com Color code: HEX #AC86C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 134 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 134 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 31 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 31% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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