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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC855A it is the complementary color #537AA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC855A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC855A shade: #B18555, #C29768, #D3A97B, #E4BB8E and #F5CDA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC855A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC855A shade: #AC855A, #9B7347, #8A6134, #794F21 and #683D0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC855A shade: #AB8459, #AB6E59 and #AB5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC855A shade: #AB8459, #AB9A59, #A6AB59, #90AB59 and #7AAB59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC855A shade matches the following richer shades: #AB8459, #C08545, #D48630, #E8871C and #FC8808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC855A shade: #AB8459, #97836D, #838281, #6F8195 and #5A80AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC855A shade: #AB595A, #AB6D59, #AB8359, #AB9959 and #A7AB59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC855A shade: #765A3B, #926F49, #AB8459, #B99874 and #C7AD90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC855A shade: #AC855A, #70AB59 and #6259AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC855A shade: #AC855A, #59AB83 and #8359AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC855A shade: #AC855A, #70AB59, #5981AB and #9459AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC855A shade: #AC855A, #59AB5A, #5981AB and #AB59AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 48 / 33

HEX #AC855A

RGB 172 133 90

HSL 31.46, 0.33%, 0.51%

LAB 58.31, 9.4, 28.85

 

Complementary color

CMYK 50 / 26 / 0 / 35

HEX #537AA5

RGB 83 122 165

HSL 211.46, 0.33%, 0.49%

LAB 50.07, -1.31, -27.21

 

CMYK 0 / 25 / 52 / 31

HEX #B18555

RGB 177 133 85

HSL 31.3, 0.37%, 0.51%

LAB 58.77, 11.04, 32.28

 

CMYK 0 / 22 / 46 / 24

HEX #C29768

RGB 194 151 104

HSL 31.33, 0.42%, 0.58%

LAB 65.44, 10.11, 30.87

 

CMYK 0 / 20 / 42 / 17

HEX #D3A97B

RGB 211 169 123

HSL 31.36, 0.5%, 0.65%

LAB 72, 9.32, 29.56

 

CMYK 0 / 18 / 38 / 11

HEX #E4BB8E

RGB 228 187 142

HSL 31.4, 0.61%, 0.73%

LAB 78.45, 8.63, 28.33

 

CMYK 0 / 16 / 34 / 4

HEX #F5CDA1

RGB 245 205 161

HSL 31.43, 0.81%, 0.8%

LAB 84.82, 8.03, 27.18

 

CMYK 0 / 23 / 48 / 33

HEX #AC855A

RGB 172 133 90

HSL 31.46, 0.33%, 0.51%

LAB 58.31, 9.4, 28.85

 

CMYK 0 / 26 / 54 / 39

HEX #9B7347

RGB 155 115 71

HSL 31.43, 0.37%, 0.44%

LAB 51.48, 10.38, 30.32

 

CMYK 0 / 30 / 62 / 46

HEX #8A6134

RGB 138 97 52

HSL 31.4, 0.45%, 0.37%

LAB 44.52, 11.58, 31.88

 

CMYK 0 / 35 / 73 / 53

HEX #794F21

RGB 121 79 33

HSL 31.36, 0.57%, 0.3%

LAB 37.42, 13.07, 33.45

 

CMYK 0 / 41 / 87 / 59

HEX #683D0E

RGB 104 61 14

HSL 31.33, 0.76%, 0.23%

LAB 30.19, 14.97, 34.63

 

CMYK 0 / 23 / 48 / 33

HEX #AB8459

RGB 171 132 89

HSL 31.46, 0.33%, 0.51%

LAB 57.92, 9.43, 28.89

 

CMYK 0 / 36 / 48 / 33

HEX #AB6E59

RGB 171 110 89

HSL 15.37, 0.33%, 0.51%

LAB 52.43, 21.82, 21.73

 

CMYK 0 / 48 / 48 / 33

HEX #AB5959

RGB 171 89 89

HSL 0, 0.33%, 0.51%

LAB 47.65, 33.41, 15.29

 

CMYK 0 / 23 / 48 / 33

HEX #AB8459

RGB 171 132 89

HSL 31.46, 0.33%, 0.51%

LAB 57.92, 9.43, 28.89

 

CMYK 0 / 10 / 48 / 33

HEX #AB9A59

RGB 171 154 89

HSL 47.56, 0.33%, 0.51%

LAB 63.75, -2.72, 36.23

 

CMYK 3 / 0 / 48 / 33

HEX #A6AB59

RGB 166 171 89

HSL 63.66, 0.33%, 0.51%

LAB 67.99, -13.84, 41.31

 

CMYK 16 / 0 / 48 / 33

HEX #90AB59

RGB 144 171 89

HSL 79.76, 0.33%, 0.51%

LAB 66.35, -22.78, 38.94

 

CMYK 29 / 0 / 48 / 33

HEX #7AAB59

RGB 122 171 89

HSL 95.85, 0.33%, 0.51%

LAB 64.95, -31.18, 36.91

 

CMYK 0 / 23 / 48 / 33

HEX #AB8459

RGB 171 132 89

HSL 31.46, 0.33%, 0.51%

LAB 57.92, 9.43, 28.89

 

CMYK 0 / 31 / 64 / 25

HEX #C08545

RGB 192 133 69

HSL 31.22, 0.49%, 0.51%

LAB 60.26, 16.21, 42.87

 

CMYK 0 / 37 / 77 / 17

HEX #D48630

RGB 212 134 48

HSL 31.46, 0.66%, 0.51%

LAB 62.73, 23.12, 55.92

 

CMYK 0 / 42 / 88 / 9

HEX #E8871C

RGB 232 135 28

HSL 31.47, 0.82%, 0.51%

LAB 65.41, 30.39, 66.21

 

CMYK 0 / 46 / 97 / 1

HEX #FC8808

RGB 252 136 8

HSL 31.48, 0.98%, 0.51%

LAB 68.26, 37.72, 73.44

 

CMYK 0 / 23 / 48 / 33

HEX #AB8459

RGB 171 132 89

HSL 31.46, 0.33%, 0.51%

LAB 57.92, 9.43, 28.89

 

CMYK 0 / 13 / 28 / 41

HEX #97836D

RGB 151 131 109

HSL 31.43, 0.17%, 0.51%

LAB 56, 4.08, 14.71

 

CMYK 0 / 1 / 2 / 49

HEX #838281

RGB 131 130 129

HSL 30, 0.01%, 0.51%

LAB 54.42, 0.18, 0.67

 

CMYK 26 / 13 / 0 / 42

HEX #6F8195

RGB 111 129 149

HSL 211.58, 0.15%, 0.51%

LAB 53.22, -1.82, -12.91

 

CMYK 47 / 25 / 0 / 33

HEX #5A80AA

RGB 90 128 170

HSL 211.5, 0.32%, 0.51%

LAB 52.41, -1.56, -26.44

 

CMYK 0 / 48 / 47 / 33

HEX #AB595A

RGB 171 89 90

HSL 359.27, 0.33%, 0.51%

LAB 47.68, 33.51, 14.72

 

CMYK 0 / 36 / 48 / 33

HEX #AB6D59

RGB 171 109 89

HSL 14.63, 0.33%, 0.51%

LAB 52.19, 22.38, 21.41

 

CMYK 0 / 23 / 48 / 33

HEX #AB8359

RGB 171 131 89

HSL 30.73, 0.33%, 0.51%

LAB 57.67, 9.99, 28.56

 

CMYK 0 / 11 / 48 / 33

HEX #AB9959

RGB 171 153 89

HSL 46.83, 0.33%, 0.51%

LAB 63.48, -2.18, 35.89

 

CMYK 2 / 0 / 48 / 33

HEX #A7AB59

RGB 167 171 89

HSL 62.93, 0.33%, 0.51%

LAB 68.07, -13.43, 41.43

 

CMYK 0 / 24 / 50 / 54

HEX #765A3B

RGB 118 90 59

HSL 31.53, 0.33%, 0.35%

LAB 40.38, 7.25, 22.27

 

CMYK 0 / 24 / 50 / 43

HEX #926F49

RGB 146 111 73

HSL 31.23, 0.33%, 0.43%

LAB 49.45, 8.91, 26.43

 

CMYK 0 / 23 / 48 / 33

HEX #AB8459

RGB 171 132 89

HSL 31.46, 0.33%, 0.51%

LAB 57.92, 9.43, 28.89

 

CMYK 0 / 18 / 37 / 27

HEX #B99874

RGB 185 152 116

HSL 31.3, 0.33%, 0.59%

LAB 64.99, 7.2, 23.57

 

CMYK 0 / 13 / 28 / 22

HEX #C7AD90

RGB 199 173 144

HSL 31.64, 0.33%, 0.67%

LAB 72.26, 4.99, 18.38

 

CMYK 0 / 23 / 48 / 33

HEX #AC855A

RGB 172 133 90

HSL 31.46, 0.33%, 0.51%

LAB 58.31, 9.4, 28.85

 

CMYK 35 / 0 / 48 / 33

HEX #70AB59

RGB 112 171 89

HSL 103.17, 0.33%, 0.51%

LAB 64.4, -34.74, 36.1

 

CMYK 43 / 48 / 0 / 33

HEX #6259AB

RGB 98 89 171

HSL 246.59, 0.33%, 0.51%

LAB 42.28, 24.64, -42.92

 

CMYK 0 / 23 / 48 / 33

HEX #AC855A

RGB 172 133 90

HSL 31.46, 0.33%, 0.51%

LAB 58.31, 9.4, 28.85

 

CMYK 48 / 0 / 23 / 33

HEX #59AB83

RGB 89 171 131

HSL 150.73, 0.33%, 0.51%

LAB 64.07, -34.55, 12.99

 

CMYK 23 / 48 / 0 / 33

HEX #8359AB

RGB 131 89 171

HSL 270.73, 0.33%, 0.51%

LAB 45.51, 33.66, -37.59

 

CMYK 0 / 23 / 48 / 33

HEX #AC855A

RGB 172 133 90

HSL 31.46, 0.33%, 0.51%

LAB 58.31, 9.4, 28.85

 

CMYK 35 / 0 / 48 / 33

HEX #70AB59

RGB 112 171 89

HSL 103.17, 0.33%, 0.51%

LAB 64.4, -34.74, 36.1

 

CMYK 48 / 25 / 0 / 33

HEX #5981AB

RGB 89 129 171

HSL 210.73, 0.33%, 0.51%

LAB 52.69, -2.09, -26.6

 

CMYK 13 / 48 / 0 / 33

HEX #9459AB

RGB 148 89 171

HSL 283.17, 0.33%, 0.51%

LAB 47.47, 38.61, -34.37

 

CMYK 0 / 23 / 48 / 33

HEX #AC855A

RGB 172 133 90

HSL 31.46, 0.33%, 0.51%

LAB 58.31, 9.4, 28.85

 

CMYK 48 / 0 / 47 / 33

HEX #59AB5A

RGB 89 171 90

HSL 120.73, 0.33%, 0.51%

LAB 63.33, -41.96, 34.03

 

CMYK 48 / 25 / 0 / 33

HEX #5981AB

RGB 89 129 171

HSL 210.73, 0.33%, 0.51%

LAB 52.69, -2.09, -26.6

 

CMYK 0 / 48 / 1 / 33

HEX #AB59AA

RGB 171 89 170

HSL 300.73, 0.33%, 0.51%

LAB 50.34, 45.24, -29.08

 

Description

Color code: HEX #AC855A | qconv.com Color code: HEX #AC855A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 133 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 133 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 48 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 48% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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