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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC82D6 it is the complementary color #537D29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC82D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC82D6 shade: #B182D1, #C294E4, #D3A6F7, #E4B8FF and #F5CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC82D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC82D6 shade: #AC82D6, #9B70C3, #8A5EB0, #794C9D and #683A8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC82D6 shade: #AB80D6, #C280D6, #D680D2, #D680BB and #D680A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC82D6 shade: #AB80D6, #9480D6 and #8080D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC82D6 shade matches the following richer shades: #AB80D6, #AB72E3, #AB65F1 and #AB57FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC82D6 shade: #AB80D6, #AB8EC8, #AB9BBB, #ABA9AD and #ABB69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC82D6 shade: #8083D6, #9480D6, #AB80D6, #C280D6 and #D680D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC82D6 shade: #8242C2, #9661CC, #AB80D6, #BF9FE0 and #D4BEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC82D6 shade: #AC82D6, #D6809A and #80D689

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC82D6 shade: #AC82D6, #D6AB80 and #80D6AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC82D6 shade: #AC82D6, #D6809A, #ABD680 and #80D6BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC82D6 shade: #AC82D6, #D68080, #ABD680 and #80D6D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 39 / 0 / 16

HEX #AC82D6

RGB 172 130 214

HSL 270, 0.51%, 0.67%

LAB 61.3, 32.33, -37.15

 

Complementary color

CMYK 34 / 0 / 67 / 51

HEX #537D29

RGB 83 125 41

HSL 90, 0.51%, 0.33%

LAB 47.84, -29.29, 39.81

 

CMYK 15 / 38 / 0 / 18

HEX #B182D1

RGB 177 130 209

HSL 275.7, 0.46%, 0.66%

LAB 61.58, 32.72, -33.87

 

CMYK 15 / 35 / 0 / 11

HEX #C294E4

RGB 194 148 228

HSL 274.5, 0.6%, 0.74%

LAB 68.2, 31.99, -34.01

 

CMYK 15 / 33 / 0 / 3

HEX #D3A6F7

RGB 211 166 247

HSL 273.33, 0.84%, 0.81%

LAB 74.72, 31.32, -34.16

 

CMYK 11 / 28 / 0 / 0

HEX #E4B8FF

RGB 228 184 255

HSL 277.18, 1%, 0.86%

LAB 80.74, 28.43, -29.07

 

CMYK 4 / 21 / 0 / 0

HEX #F5CAFF

RGB 245 202 255

HSL 288.68, 1%, 0.9%

LAB 86.44, 24.2, -20.25

 

CMYK 20 / 39 / 0 / 16

HEX #AC82D6

RGB 172 130 214

HSL 270, 0.51%, 0.67%

LAB 61.3, 32.33, -37.15

 

CMYK 21 / 43 / 0 / 24

HEX #9B70C3

RGB 155 112 195

HSL 271.08, 0.41%, 0.6%

LAB 54.55, 33.14, -37.1

 

CMYK 22 / 47 / 0 / 31

HEX #8A5EB0

RGB 138 94 176

HSL 272.2, 0.34%, 0.53%

LAB 47.68, 34, -37.05

 

CMYK 23 / 52 / 0 / 38

HEX #794C9D

RGB 121 76 157

HSL 273.33, 0.35%, 0.46%

LAB 40.68, 34.91, -36.99

 

CMYK 25 / 58 / 0 / 46

HEX #683A8A

RGB 104 58 138

HSL 274.5, 0.41%, 0.38%

LAB 33.57, 35.83, -36.88

 

CMYK 20 / 40 / 0 / 16

HEX #AB80D6

RGB 171 128 214

HSL 270, 0.51%, 0.67%

LAB 60.74, 33.16, -38.04

 

CMYK 9 / 40 / 0 / 16

HEX #C280D6

RGB 194 128 214

HSL 286.05, 0.51%, 0.67%

LAB 63.15, 40.01, -34.1

 

CMYK 0 / 40 / 2 / 16

HEX #D680D2

RGB 214 128 210

HSL 302.79, 0.51%, 0.67%

LAB 65.27, 45.32, -28.39

 

CMYK 0 / 40 / 13 / 16

HEX #D680BB

RGB 214 128 187

HSL 318.84, 0.51%, 0.67%

LAB 64.42, 41.37, -16.77

 

CMYK 0 / 40 / 23 / 16

HEX #D680A4

RGB 214 128 164

HSL 334.88, 0.51%, 0.67%

LAB 63.68, 37.83, -4.84

 

CMYK 20 / 40 / 0 / 16

HEX #AB80D6

RGB 171 128 214

HSL 270, 0.51%, 0.67%

LAB 60.74, 33.16, -38.04

 

CMYK 31 / 40 / 0 / 16

HEX #9480D6

RGB 148 128 214

HSL 253.95, 0.51%, 0.67%

LAB 58.59, 26.57, -41.56

 

CMYK 40 / 40 / 0 / 16

HEX #8080D6

RGB 128 128 214

HSL 240, 0.51%, 0.67%

LAB 56.96, 21.19, -44.24

 

CMYK 20 / 40 / 0 / 16

HEX #AB80D6

RGB 171 128 214

HSL 270, 0.51%, 0.67%

LAB 60.74, 33.16, -38.04

 

CMYK 25 / 50 / 0 / 11

HEX #AB72E3

RGB 171 114 227

HSL 270.27, 0.67%, 0.67%

LAB 58.26, 43.92, -49.22

 

CMYK 29 / 58 / 0 / 5

HEX #AB65F1

RGB 171 101 241

HSL 270, 0.83%, 0.67%

LAB 56.4, 54.07, -60

 

CMYK 33 / 66 / 0 / 0

HEX #AB57FF

RGB 171 87 255

HSL 270, 1%, 0.67%

LAB 54.76, 64.17, -70.43

 

CMYK 20 / 40 / 0 / 16

HEX #AB80D6

RGB 171 128 214

HSL 270, 0.51%, 0.67%

LAB 60.74, 33.16, -38.04

 

CMYK 15 / 29 / 0 / 22

HEX #AB8EC8

RGB 171 142 200

HSL 270, 0.35%, 0.67%

LAB 63.49, 22.12, -25.92

 

CMYK 9 / 17 / 0 / 27

HEX #AB9BBB

RGB 171 155 187

HSL 270, 0.19%, 0.67%

LAB 66.28, 12.01, -14.39

 

CMYK 1 / 2 / 0 / 32

HEX #ABA9AD

RGB 171 169 173

HSL 270, 0.02%, 0.67%

LAB 69.51, 1.47, -1.81

 

CMYK 6 / 0 / 13 / 29

HEX #ABB69F

RGB 171 182 159

HSL 88.7, 0.14%, 0.67%

LAB 72.64, -8.06, 10.41

 

CMYK 40 / 39 / 0 / 16

HEX #8083D6

RGB 128 131 214

HSL 237.91, 0.51%, 0.67%

LAB 57.73, 19.41, -43.02

 

CMYK 31 / 40 / 0 / 16

HEX #9480D6

RGB 148 128 214

HSL 253.95, 0.51%, 0.67%

LAB 58.59, 26.57, -41.56

 

CMYK 20 / 40 / 0 / 16

HEX #AB80D6

RGB 171 128 214

HSL 270, 0.51%, 0.67%

LAB 60.74, 33.16, -38.04

 

CMYK 9 / 40 / 0 / 16

HEX #C280D6

RGB 194 128 214

HSL 286.05, 0.51%, 0.67%

LAB 63.15, 40.01, -34.1

 

CMYK 0 / 40 / 1 / 16

HEX #D680D3

RGB 214 128 211

HSL 302.09, 0.51%, 0.67%

LAB 65.31, 45.5, -28.89

 

CMYK 33 / 66 / 0 / 24

HEX #8242C2

RGB 130 66 194

HSL 270, 0.51%, 0.51%

LAB 42.06, 51.5, -56.59

 

CMYK 26 / 52 / 0 / 20

HEX #9661CC

RGB 150 97 204

HSL 269.72, 0.51%, 0.59%

LAB 51.14, 42.29, -47.66

 

CMYK 20 / 40 / 0 / 16

HEX #AB80D6

RGB 171 128 214

HSL 270, 0.51%, 0.67%

LAB 60.74, 33.16, -38.04

 

CMYK 15 / 29 / 0 / 12

HEX #BF9FE0

RGB 191 159 224

HSL 269.54, 0.51%, 0.75%

LAB 70.35, 24.12, -28.52

 

CMYK 9 / 19 / 0 / 8

HEX #D4BEEA

RGB 212 190 234

HSL 270, 0.51%, 0.83%

LAB 80.05, 15.91, -19

 

CMYK 20 / 39 / 0 / 16

HEX #AC82D6

RGB 172 130 214

HSL 270, 0.51%, 0.67%

LAB 61.3, 32.33, -37.15

 

CMYK 0 / 40 / 28 / 16

HEX #D6809A

RGB 214 128 154

HSL 341.86, 0.51%, 0.67%

LAB 63.4, 36.42, 0.43

 

CMYK 40 / 0 / 36 / 16

HEX #80D689

RGB 128 214 137

HSL 126.28, 0.51%, 0.67%

LAB 78.75, -41.78, 30.09

 

CMYK 20 / 39 / 0 / 16

HEX #AC82D6

RGB 172 130 214

HSL 270, 0.51%, 0.67%

LAB 61.3, 32.33, -37.15

 

CMYK 0 / 20 / 40 / 16

HEX #D6AB80

RGB 214 171 128

HSL 30, 0.51%, 0.67%

LAB 72.88, 10.01, 28.1

 

CMYK 40 / 0 / 20 / 16

HEX #80D6AB

RGB 128 214 171

HSL 150, 0.51%, 0.67%

LAB 79.4, -35.57, 13.18

 

CMYK 20 / 39 / 0 / 16

HEX #AC82D6

RGB 172 130 214

HSL 270, 0.51%, 0.67%

LAB 61.3, 32.33, -37.15

 

CMYK 0 / 40 / 28 / 16

HEX #D6809A

RGB 214 128 154

HSL 341.86, 0.51%, 0.67%

LAB 63.4, 36.42, 0.43

 

CMYK 20 / 0 / 40 / 16

HEX #ABD680

RGB 171 214 128

HSL 90, 0.51%, 0.67%

LAB 80.91, -28.78, 37.94

 

CMYK 40 / 0 / 12 / 16

HEX #80D6BC

RGB 128 214 188

HSL 161.86, 0.51%, 0.67%

LAB 79.79, -31.98, 4.7

 

CMYK 20 / 39 / 0 / 16

HEX #AC82D6

RGB 172 130 214

HSL 270, 0.51%, 0.67%

LAB 61.3, 32.33, -37.15

 

CMYK 0 / 40 / 40 / 16

HEX #D68080

RGB 214 128 128

HSL 0, 0.51%, 0.67%

LAB 62.75, 33.19, 14.32

 

CMYK 20 / 0 / 40 / 16

HEX #ABD680

RGB 171 214 128

HSL 90, 0.51%, 0.67%

LAB 80.91, -28.78, 37.94

 

CMYK 40 / 0 / 0 / 16

HEX #80D6D6

RGB 128 214 214

HSL 180, 0.51%, 0.67%

LAB 80.48, -25.92, -8.18

 

Description

Color code: HEX #AC82D6 | qconv.com Color code: HEX #AC82D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 130 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 130 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 39 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 39% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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