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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7F58 it is the complementary color #5380A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7F58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7F58 shade: #B17F53, #C29166, #D3A379, #E4B58C and #F5C79F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7F58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7F58 shade: #AC7F58, #9B6D45, #8A5B32, #79491F and #68370C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7F58 shade: #AD7F58, #AD6858 and #AD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7F58 shade: #AD7F58, #AD9658, #ACAD58, #95AD58 and #7EAD58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7F58 shade matches the following richer shades: #AD7F58, #C17E43, #D57C2F, #E97B1B and #FD7907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7F58 shade: #AD7F58, #98806C, #848280, #708394 and #5C85A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7F58 shade: #AD585F, #AD6758, #AD7E58, #AD9458 and #ADAB58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7F58 shade: #77573B, #936B48, #AD7F58, #BA9473 and #C8A98F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7F58 shade: #AC7F58, #75AD58 and #5C58AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7F58 shade: #AC7F58, #58AD7E and #7E58AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7F58 shade: #AC7F58, #75AD58, #5886AD and #8F58AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7F58 shade: #AC7F58, #5CAD58, #5886AD and #A858AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 49 / 33

HEX #AC7F58

RGB 172 127 88

HSL 27.86, 0.34%, 0.51%

LAB 56.74, 12.56, 27.94

 

Complementary color

CMYK 50 / 23 / 0 / 35

HEX #5380A7

RGB 83 128 167

HSL 207.86, 0.34%, 0.49%

LAB 51.91, -4.21, -25.51

 

CMYK 0 / 28 / 53 / 31

HEX #B17F53

RGB 177 127 83

HSL 28.09, 0.38%, 0.51%

LAB 57.22, 14.21, 31.43

 

CMYK 0 / 25 / 47 / 24

HEX #C29166

RGB 194 145 102

HSL 28.04, 0.43%, 0.58%

LAB 63.9, 13.2, 29.97

 

CMYK 0 / 23 / 43 / 17

HEX #D3A379

RGB 211 163 121

HSL 28, 0.51%, 0.65%

LAB 70.47, 12.34, 28.62

 

CMYK 0 / 21 / 39 / 11

HEX #E4B58C

RGB 228 181 140

HSL 27.95, 0.62%, 0.72%

LAB 76.94, 11.58, 27.37

 

CMYK 0 / 19 / 35 / 4

HEX #F5C79F

RGB 245 199 159

HSL 27.91, 0.81%, 0.79%

LAB 83.32, 10.92, 26.2

 

CMYK 0 / 26 / 49 / 33

HEX #AC7F58

RGB 172 127 88

HSL 27.86, 0.34%, 0.51%

LAB 56.74, 12.56, 27.94

 

CMYK 0 / 30 / 55 / 39

HEX #9B6D45

RGB 155 109 69

HSL 27.91, 0.38%, 0.44%

LAB 49.9, 13.64, 29.47

 

CMYK 0 / 34 / 64 / 46

HEX #8A5B32

RGB 138 91 50

HSL 27.95, 0.47%, 0.37%

LAB 42.94, 14.94, 31.11

 

CMYK 0 / 40 / 74 / 53

HEX #79491F

RGB 121 73 31

HSL 28, 0.59%, 0.3%

LAB 35.85, 16.55, 32.81

 

CMYK 0 / 47 / 88 / 59

HEX #68370C

RGB 104 55 12

HSL 28.04, 0.79%, 0.23%

LAB 28.65, 18.54, 34.11

 

CMYK 0 / 27 / 49 / 32

HEX #AD7F58

RGB 173 127 88

HSL 27.53, 0.34%, 0.51%

LAB 56.85, 12.99, 28.11

 

CMYK 0 / 40 / 49 / 32

HEX #AD6858

RGB 173 104 88

HSL 11.29, 0.34%, 0.51%

LAB 51.25, 25.9, 20.79

 

CMYK 0 / 49 / 49 / 32

HEX #AD5858

RGB 173 88 88

HSL 0, 0.34%, 0.51%

LAB 47.71, 34.62, 16.01

 

CMYK 0 / 27 / 49 / 32

HEX #AD7F58

RGB 173 127 88

HSL 27.53, 0.34%, 0.51%

LAB 56.85, 12.99, 28.11

 

CMYK 0 / 13 / 49 / 32

HEX #AD9658

RGB 173 150 88

HSL 43.76, 0.34%, 0.51%

LAB 62.85, 0.21, 35.68

 

CMYK 1 / 0 / 49 / 32

HEX #ACAD58

RGB 172 173 88

HSL 60.71, 0.34%, 0.51%

LAB 69.01, -12.48, 43.16

 

CMYK 14 / 0 / 49 / 32

HEX #95AD58

RGB 149 173 88

HSL 76.94, 0.34%, 0.51%

LAB 67.26, -21.9, 40.64

 

CMYK 27 / 0 / 49 / 32

HEX #7EAD58

RGB 126 173 88

HSL 93.18, 0.34%, 0.51%

LAB 65.77, -30.78, 38.48

 

CMYK 0 / 27 / 49 / 32

HEX #AD7F58

RGB 173 127 88

HSL 27.53, 0.34%, 0.51%

LAB 56.85, 12.99, 28.11

 

CMYK 0 / 35 / 65 / 24

HEX #C17E43

RGB 193 126 67

HSL 28.1, 0.5%, 0.51%

LAB 58.66, 20.37, 42.09

 

CMYK 0 / 42 / 78 / 16

HEX #D57C2F

RGB 213 124 47

HSL 27.83, 0.66%, 0.51%

LAB 60.58, 28.87, 54.31

 

CMYK 0 / 47 / 88 / 9

HEX #E97B1B

RGB 233 123 27

HSL 27.96, 0.82%, 0.51%

LAB 62.98, 36.99, 64.68

 

CMYK 0 / 52 / 97 / 1

HEX #FD7907

RGB 253 121 7

HSL 27.8, 0.98%, 0.51%

LAB 65.41, 45.54, 71.86

 

CMYK 0 / 27 / 49 / 32

HEX #AD7F58

RGB 173 127 88

HSL 27.53, 0.34%, 0.51%

LAB 56.85, 12.99, 28.11

 

CMYK 0 / 16 / 29 / 40

HEX #98806C

RGB 152 128 108

HSL 27.27, 0.18%, 0.51%

LAB 55.27, 6.05, 14.29

 

CMYK 0 / 2 / 3 / 48

HEX #848280

RGB 132 130 128

HSL 30, 0.02%, 0.51%

LAB 54.48, 0.36, 1.34

 

CMYK 24 / 11 / 0 / 42

HEX #708394

RGB 112 131 148

HSL 208.33, 0.14%, 0.51%

LAB 53.83, -2.89, -11.41

 

CMYK 45 / 21 / 0 / 34

HEX #5C85A8

RGB 92 133 168

HSL 207.63, 0.3%, 0.51%

LAB 53.9, -4.53, -22.99

 

CMYK 0 / 49 / 45 / 32

HEX #AD585F

RGB 173 88 95

HSL 355.06, 0.34%, 0.51%

LAB 47.87, 35.33, 12.02

 

CMYK 0 / 40 / 49 / 32

HEX #AD6758

RGB 173 103 88

HSL 10.59, 0.34%, 0.51%

LAB 51.02, 26.45, 20.48

 

CMYK 0 / 27 / 49 / 32

HEX #AD7E58

RGB 173 126 88

HSL 26.82, 0.34%, 0.51%

LAB 56.6, 13.55, 27.78

 

CMYK 0 / 14 / 49 / 32

HEX #AD9458

RGB 173 148 88

HSL 42.35, 0.34%, 0.51%

LAB 62.31, 1.3, 35.02

 

CMYK 0 / 1 / 49 / 32

HEX #ADAB58

RGB 173 171 88

HSL 58.59, 0.34%, 0.51%

LAB 68.54, -11.02, 42.62

 

CMYK 0 / 27 / 50 / 53

HEX #77573B

RGB 119 87 59

HSL 28, 0.34%, 0.35%

LAB 39.67, 9.51, 21.39

 

CMYK 0 / 27 / 51 / 42

HEX #936B48

RGB 147 107 72

HSL 28, 0.34%, 0.43%

LAB 48.49, 11.57, 25.8

 

CMYK 0 / 27 / 49 / 32

HEX #AD7F58

RGB 173 127 88

HSL 27.53, 0.34%, 0.51%

LAB 56.85, 12.99, 28.11

 

CMYK 0 / 20 / 38 / 27

HEX #BA9473

RGB 186 148 115

HSL 27.89, 0.34%, 0.59%

LAB 64.04, 9.69, 22.87

 

CMYK 0 / 16 / 29 / 22

HEX #C8A98F

RGB 200 169 143

HSL 27.37, 0.34%, 0.67%

LAB 71.31, 7.4, 17.63

 

CMYK 0 / 26 / 49 / 33

HEX #AC7F58

RGB 172 127 88

HSL 27.86, 0.34%, 0.51%

LAB 56.74, 12.56, 27.94

 

CMYK 32 / 0 / 49 / 32

HEX #75AD58

RGB 117 173 88

HSL 99.53, 0.34%, 0.51%

LAB 65.26, -34.04, 37.73

 

CMYK 47 / 49 / 0 / 32

HEX #5C58AD

RGB 92 88 173

HSL 242.82, 0.34%, 0.51%

LAB 41.65, 24.38, -45.14

 

CMYK 0 / 26 / 49 / 33

HEX #AC7F58

RGB 172 127 88

HSL 27.86, 0.34%, 0.51%

LAB 56.74, 12.56, 27.94

 

CMYK 49 / 0 / 27 / 32

HEX #58AD7E

RGB 88 173 126

HSL 146.82, 0.34%, 0.51%

LAB 64.54, -36.78, 16.39

 

CMYK 27 / 49 / 0 / 32

HEX #7E58AD

RGB 126 88 173

HSL 266.82, 0.34%, 0.51%

LAB 44.85, 33.31, -39.85

 

CMYK 0 / 26 / 49 / 33

HEX #AC7F58

RGB 172 127 88

HSL 27.86, 0.34%, 0.51%

LAB 56.74, 12.56, 27.94

 

CMYK 32 / 0 / 49 / 32

HEX #75AD58

RGB 117 173 88

HSL 99.53, 0.34%, 0.51%

LAB 65.26, -34.04, 37.73

 

CMYK 49 / 23 / 0 / 32

HEX #5886AD

RGB 88 134 173

HSL 207.53, 0.34%, 0.51%

LAB 54.18, -4.64, -25.45

 

CMYK 17 / 49 / 0 / 32

HEX #8F58AD

RGB 143 88 173

HSL 278.82, 0.34%, 0.51%

LAB 46.76, 38.15, -36.7

 

CMYK 0 / 26 / 49 / 33

HEX #AC7F58

RGB 172 127 88

HSL 27.86, 0.34%, 0.51%

LAB 56.74, 12.56, 27.94

 

CMYK 47 / 0 / 49 / 32

HEX #5CAD58

RGB 92 173 88

HSL 117.18, 0.34%, 0.51%

LAB 64.05, -42.22, 35.98

 

CMYK 49 / 23 / 0 / 32

HEX #5886AD

RGB 88 134 173

HSL 207.53, 0.34%, 0.51%

LAB 54.18, -4.64, -25.45

 

CMYK 3 / 49 / 0 / 32

HEX #A858AD

RGB 168 88 173

HSL 296.47, 0.34%, 0.51%

LAB 49.88, 45.44, -31.58

 

Description

Color code: HEX #AC7F58 | qconv.com Color code: HEX #AC7F58 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 127 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 127 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 49 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 49% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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