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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7DCC it is the complementary color #538233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7DCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7DCC shade: #B17DC7, #C28FDA, #D3A1ED, #E4B3FF and #F5C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7DCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7DCC shade: #AC7DCC, #9B6BB9, #8A59A6, #794793 and #683580

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7DCC shade: #AD7ECD, #C27ECD, #CD7EC2, #CD7EAD and #CD7E98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7DCC shade: #AD7ECD, #987ECD, #837ECD and #7E7ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7DCC shade matches the following richer shades: #AD7ECD, #B070DB, #B362EA and #B553F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7DCC shade: #AD7ECD, #AA8DBF, #A89BB0, #A5AAA2 and #A2B893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7DCC shade: #827ECD, #977ECD, #AC7ECD, #C17ECD and #CD7EC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7DCC shade: #8746B3, #9A61C1, #AD7ECD, #C09CD9 and #D3BAE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7DCC shade: #AC7DCC, #CD7E8F and #7ECD8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7DCC shade: #AC7DCC, #CDAC7E and #7ECDAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7DCC shade: #AC7DCC, #CD7E8F, #9FCD7E and #7ECDBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7DCC shade: #AC7DCC, #CD857E, #9FCD7E and #7EC6CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 39 / 0 / 20

HEX #AC7DCC

RGB 172 125 204

HSL 275.7, 0.44%, 0.65%

LAB 59.71, 32.9, -34.02

 

Complementary color

CMYK 36 / 0 / 61 / 49

HEX #538233

RGB 83 130 51

HSL 95.7, 0.44%, 0.35%

LAB 49.55, -30.68, 37.02

 

CMYK 11 / 37 / 0 / 22

HEX #B17DC7

RGB 177 125 199

HSL 282.16, 0.4%, 0.64%

LAB 60.01, 33.36, -30.68

 

CMYK 11 / 34 / 0 / 15

HEX #C28FDA

RGB 194 143 218

HSL 280.8, 0.5%, 0.71%

LAB 66.65, 32.64, -30.89

 

CMYK 11 / 32 / 0 / 7

HEX #D3A1ED

RGB 211 161 237

HSL 279.47, 0.68%, 0.78%

LAB 73.19, 31.95, -31.1

 

CMYK 11 / 30 / 0 / 0

HEX #E4B3FF

RGB 228 179 255

HSL 278.68, 1%, 0.85%

LAB 79.59, 31.12, -30.84

 

CMYK 4 / 23 / 0 / 0

HEX #F5C5FF

RGB 245 197 255

HSL 289.66, 1%, 0.89%

LAB 85.28, 26.85, -22

 

CMYK 16 / 39 / 0 / 20

HEX #AC7DCC

RGB 172 125 204

HSL 275.7, 0.44%, 0.65%

LAB 59.71, 32.9, -34.02

 

CMYK 16 / 42 / 0 / 27

HEX #9B6BB9

RGB 155 107 185

HSL 276.92, 0.36%, 0.57%

LAB 52.93, 33.7, -33.89

 

CMYK 17 / 46 / 0 / 35

HEX #8A59A6

RGB 138 89 166

HSL 278.18, 0.3%, 0.5%

LAB 46.04, 34.54, -33.75

 

CMYK 18 / 52 / 0 / 42

HEX #794793

RGB 121 71 147

HSL 279.47, 0.35%, 0.43%

LAB 39.03, 35.4, -33.58

 

CMYK 19 / 59 / 0 / 50

HEX #683580

RGB 104 53 128

HSL 280.8, 0.41%, 0.35%

LAB 31.92, 36.23, -33.32

 

CMYK 16 / 39 / 0 / 20

HEX #AD7ECD

RGB 173 126 205

HSL 275.7, 0.44%, 0.65%

LAB 60.08, 32.87, -33.99

 

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

CMYK 0 / 39 / 5 / 20

HEX #CD7EC2

RGB 205 126 194

HSL 308.35, 0.44%, 0.65%

LAB 63.17, 40.7, -22.72

 

CMYK 0 / 39 / 16 / 20

HEX #CD7EAD

RGB 205 126 173

HSL 324.3, 0.44%, 0.65%

LAB 62.44, 37.16, -11.93

 

CMYK 0 / 39 / 26 / 20

HEX #CD7E98

RGB 205 126 152

HSL 340.25, 0.44%, 0.65%

LAB 61.8, 33.99, -0.9

 

CMYK 16 / 39 / 0 / 20

HEX #AD7ECD

RGB 173 126 205

HSL 275.7, 0.44%, 0.65%

LAB 60.08, 32.87, -33.99

 

CMYK 26 / 39 / 0 / 20

HEX #987ECD

RGB 152 126 205

HSL 259.75, 0.44%, 0.65%

LAB 58.04, 26.61, -37.32

 

CMYK 36 / 39 / 0 / 20

HEX #837ECD

RGB 131 126 205

HSL 243.8, 0.44%, 0.65%

LAB 56.24, 20.67, -40.28

 

CMYK 39 / 39 / 0 / 20

HEX #7E7ECD

RGB 126 126 205

HSL 240, 0.44%, 0.65%

LAB 55.85, 19.32, -40.92

 

CMYK 16 / 39 / 0 / 20

HEX #AD7ECD

RGB 173 126 205

HSL 275.7, 0.44%, 0.65%

LAB 60.08, 32.87, -33.99

 

CMYK 20 / 49 / 0 / 14

HEX #B070DB

RGB 176 112 219

HSL 275.89, 0.6%, 0.65%

LAB 57.97, 44.53, -45.16

 

CMYK 24 / 58 / 0 / 8

HEX #B362EA

RGB 179 98 234

HSL 275.74, 0.76%, 0.65%

LAB 56.35, 55.89, -56.13

 

CMYK 27 / 67 / 0 / 3

HEX #B553F8

RGB 181 83 248

HSL 275.64, 0.92%, 0.65%

LAB 54.85, 66.44, -66.33

 

CMYK 16 / 39 / 0 / 20

HEX #AD7ECD

RGB 173 126 205

HSL 275.7, 0.44%, 0.65%

LAB 60.08, 32.87, -33.99

 

CMYK 11 / 26 / 0 / 25

HEX #AA8DBF

RGB 170 141 191

HSL 274.8, 0.28%, 0.65%

LAB 62.81, 20.41, -21.92

 

CMYK 5 / 12 / 0 / 31

HEX #A89BB0

RGB 168 155 176

HSL 277.14, 0.12%, 0.65%

LAB 65.67, 8.74, -9.18

 

CMYK 3 / 0 / 5 / 33

HEX #A5AAA2

RGB 165 170 162

HSL 97.5, 0.04%, 0.65%

LAB 69.01, -3.28, 3.5

 

CMYK 12 / 0 / 20 / 28

HEX #A2B893

RGB 162 184 147

HSL 95.68, 0.21%, 0.65%

LAB 72.27, -14.4, 16.32

 

CMYK 37 / 39 / 0 / 20

HEX #827ECD

RGB 130 126 205

HSL 243.04, 0.44%, 0.65%

LAB 56.16, 20.4, -40.41

 

CMYK 26 / 39 / 0 / 20

HEX #977ECD

RGB 151 126 205

HSL 258.99, 0.44%, 0.65%

LAB 57.95, 26.32, -37.47

 

CMYK 16 / 39 / 0 / 20

HEX #AC7ECD

RGB 172 126 205

HSL 274.94, 0.44%, 0.65%

LAB 59.98, 32.56, -34.16

 

CMYK 6 / 39 / 0 / 20

HEX #C17ECD

RGB 193 126 205

HSL 290.89, 0.44%, 0.65%

LAB 62.23, 38.99, -30.49

 

CMYK 0 / 39 / 4 / 20

HEX #CD7EC4

RGB 205 126 196

HSL 306.84, 0.44%, 0.65%

LAB 63.25, 41.06, -23.73

 

CMYK 25 / 61 / 0 / 30

HEX #8746B3

RGB 135 70 179

HSL 275.78, 0.44%, 0.49%

LAB 42.44, 47.07, -47.16

 

CMYK 20 / 50 / 0 / 24

HEX #9A61C1

RGB 154 97 193

HSL 275.63, 0.44%, 0.57%

LAB 51, 40.8, -41.55

 

CMYK 16 / 39 / 0 / 20

HEX #AD7ECD

RGB 173 126 205

HSL 275.7, 0.44%, 0.65%

LAB 60.08, 32.87, -33.99

 

CMYK 12 / 28 / 0 / 15

HEX #C09CD9

RGB 192 156 217

HSL 275.41, 0.45%, 0.73%

LAB 69.46, 24.61, -26.02

 

CMYK 7 / 18 / 0 / 11

HEX #D3BAE4

RGB 211 186 228

HSL 275.71, 0.44%, 0.81%

LAB 78.79, 16.55, -17.67

 

CMYK 16 / 39 / 0 / 20

HEX #AC7DCC

RGB 172 125 204

HSL 275.7, 0.44%, 0.65%

LAB 59.71, 32.9, -34.02

 

CMYK 0 / 39 / 30 / 20

HEX #CD7E8F

RGB 205 126 143

HSL 347.09, 0.44%, 0.65%

LAB 61.55, 32.75, 3.9

 

CMYK 39 / 0 / 31 / 20

HEX #7ECD8D

RGB 126 205 141

HSL 131.39, 0.44%, 0.65%

LAB 76.08, -37.7, 24.42

 

CMYK 16 / 39 / 0 / 20

HEX #AC7DCC

RGB 172 125 204

HSL 275.7, 0.44%, 0.65%

LAB 59.71, 32.9, -34.02

 

CMYK 0 / 16 / 39 / 20

HEX #CDAC7E

RGB 205 172 126

HSL 34.94, 0.44%, 0.65%

LAB 72.22, 5.63, 28.14

 

CMYK 39 / 0 / 16 / 20

HEX #7ECDAC

RGB 126 205 172

HSL 154.94, 0.44%, 0.65%

LAB 76.73, -31.72, 8.84

 

CMYK 16 / 39 / 0 / 20

HEX #AC7DCC

RGB 172 125 204

HSL 275.7, 0.44%, 0.65%

LAB 59.71, 32.9, -34.02

 

CMYK 0 / 39 / 30 / 20

HEX #CD7E8F

RGB 205 126 143

HSL 347.09, 0.44%, 0.65%

LAB 61.55, 32.75, 3.9

 

CMYK 22 / 0 / 39 / 20

HEX #9FCD7E

RGB 159 205 126

HSL 94.94, 0.44%, 0.65%

LAB 77.6, -29.09, 34.54

 

CMYK 39 / 0 / 8 / 20

HEX #7ECDBC

RGB 126 205 188

HSL 167.09, 0.44%, 0.65%

LAB 77.12, -28.21, 0.81

 

CMYK 16 / 39 / 0 / 20

HEX #AC7DCC

RGB 172 125 204

HSL 275.7, 0.44%, 0.65%

LAB 59.71, 32.9, -34.02

 

CMYK 0 / 35 / 39 / 20

HEX #CD857E

RGB 205 133 126

HSL 5.32, 0.44%, 0.65%

LAB 62.73, 26.83, 15.25

 

CMYK 22 / 0 / 39 / 20

HEX #9FCD7E

RGB 159 205 126

HSL 94.94, 0.44%, 0.65%

LAB 77.6, -29.09, 34.54

 

CMYK 39 / 3 / 0 / 20

HEX #7EC6CD

RGB 126 198 205

HSL 185.32, 0.44%, 0.65%

LAB 75.6, -20.68, -10.62

 

Description

Color code: HEX #AC7DCC | qconv.com Color code: HEX #AC7DCC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 125 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 125 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 39 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 39% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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