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Color name
HEX #AC7D16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7D16 it is the complementary color #5382E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7D16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7D16 shade: #B17D11, #C28F24, #D3A137, #E4B34A and #F5C55D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7D16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7D16 shade: #AC7D16, #9B6B03, #8A5900, #794700 and #683500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7D16 shade: #AC7D16, #AC5516, #AC2C16 and #AC1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7D16 shade: #AC7D16, #ACA516, #8AAC16, #62AC16 and #39AC16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7D16 shade matches the following richer shades: #AC7D16 and #BB8307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7D16 shade: #AC7D16, #9C7726, #8C7136, #7C6B45 and #6D6555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7D16 shade: #AC2D16, #AC5416, #AC7C16, #ACA416 and #8BAC16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7D16 shade: #62480D, #876212, #AC7D16, #D0971B and #E4AC30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7D16 shade: #AC7D16, #28AC16 and #4116AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7D16 shade: #AC7D16, #16AC7C and #7C16AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7D16 shade: #AC7D16, #28AC16, #1646AC and #9A16AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7D16 shade: #AC7D16, #16AC32, #1646AC and #AC1690

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 87 / 33

HEX #AC7D16

RGB 172 125 22

HSL 41.2, 0.77%, 0.38%

LAB 55.58, 9.64, 56.91

 

Complementary color

CMYK 64 / 44 / 0 / 9

HEX #5382E9

RGB 83 130 233

HSL 221.2, 0.77%, 0.62%

LAB 55.77, 16.28, -56.93

 

CMYK 0 / 29 / 90 / 31

HEX #B17D11

RGB 177 125 17

HSL 40.5, 0.82%, 0.38%

LAB 56.14, 11.8, 58.88

 

CMYK 0 / 26 / 81 / 24

HEX #C28F24

RGB 194 143 36

HSL 40.63, 0.69%, 0.45%

LAB 62.71, 9.97, 59.63

 

CMYK 0 / 24 / 74 / 17

HEX #D3A137

RGB 211 161 55

HSL 40.77, 0.64%, 0.52%

LAB 69.19, 8.41, 59.33

 

CMYK 0 / 21 / 68 / 11

HEX #E4B34A

RGB 228 179 74

HSL 40.91, 0.74%, 0.59%

LAB 75.59, 7.07, 58.49

 

CMYK 0 / 20 / 62 / 4

HEX #F5C55D

RGB 245 197 93

HSL 41.05, 0.88%, 0.66%

LAB 81.91, 5.93, 57.4

 

CMYK 0 / 27 / 87 / 33

HEX #AC7D16

RGB 172 125 22

HSL 41.2, 0.77%, 0.38%

LAB 55.58, 9.64, 56.91

 

CMYK 0 / 31 / 98 / 39

HEX #9B6B03

RGB 155 107 3

HSL 41.05, 0.96%, 0.31%

LAB 48.87, 11.66, 55.22

 

CMYK 0 / 36 / 100 / 46

HEX #8A5900

RGB 138 89 0

HSL 38.7, 1%, 0.27%

LAB 42.07, 14.08, 50.32

 

CMYK 0 / 41 / 100 / 53

HEX #794700

RGB 121 71 0

HSL 35.21, 1%, 0.24%

LAB 35.15, 16.67, 44.68

 

CMYK 0 / 49 / 100 / 59

HEX #683500

RGB 104 53 0

HSL 30.58, 1%, 0.2%

LAB 28.09, 19.38, 38.53

 

CMYK 0 / 27 / 87 / 33

HEX #AC7D16

RGB 172 125 22

HSL 41.2, 0.77%, 0.38%

LAB 55.58, 9.64, 56.91

 

CMYK 0 / 51 / 87 / 33

HEX #AC5516

RGB 172 85 22

HSL 25.2, 0.77%, 0.38%

LAB 46.08, 31.82, 49.13

 

CMYK 0 / 74 / 87 / 33

HEX #AC2C16

RGB 172 44 22

HSL 8.8, 0.77%, 0.38%

LAB 38.95, 50.59, 43.24

 

CMYK 0 / 87 / 87 / 33

HEX #AC1616

RGB 172 22 22

HSL 0, 0.77%, 0.38%

LAB 36.75, 56.79, 41.41

 

CMYK 0 / 27 / 87 / 33

HEX #AC7D16

RGB 172 125 22

HSL 41.2, 0.77%, 0.38%

LAB 55.58, 9.64, 56.91

 

CMYK 0 / 4 / 87 / 33

HEX #ACA516

RGB 172 165 22

HSL 57.2, 0.77%, 0.38%

LAB 66.32, -12.09, 65.64

 

CMYK 20 / 0 / 87 / 33

HEX #8AAC16

RGB 138 172 22

HSL 73.6, 0.77%, 0.38%

LAB 65.72, -30.28, 64.08

 

CMYK 43 / 0 / 87 / 33

HEX #62AC16

RGB 98 172 22

HSL 89.6, 0.77%, 0.38%

LAB 63.47, -45.49, 61.28

 

CMYK 67 / 0 / 87 / 33

HEX #39AC16

RGB 57 172 22

HSL 106, 0.77%, 0.38%

LAB 62.03, -56.92, 59.45

 

CMYK 0 / 27 / 87 / 33

HEX #AC7D16

RGB 172 125 22

HSL 41.2, 0.77%, 0.38%

LAB 55.58, 9.64, 56.91

 

CMYK 0 / 30 / 96 / 27

HEX #BB8307

RGB 187 131 7

HSL 41.33, 0.93%, 0.38%

LAB 58.8, 12.82, 63.23

 

CMYK 0 / 27 / 87 / 33

HEX #AC7D16

RGB 172 125 22

HSL 41.2, 0.77%, 0.38%

LAB 55.58, 9.64, 56.91

 

CMYK 0 / 24 / 76 / 39

HEX #9C7726

RGB 156 119 38

HSL 41.19, 0.61%, 0.38%

LAB 52.29, 6.27, 47.67

 

CMYK 0 / 19 / 61 / 45

HEX #8C7136

RGB 140 113 54

HSL 41.16, 0.44%, 0.38%

LAB 49.07, 3.35, 36.17

 

CMYK 0 / 14 / 44 / 51

HEX #7C6B45

RGB 124 107 69

HSL 41.45, 0.28%, 0.38%

LAB 45.95, 1.03, 23.75

 

CMYK 0 / 7 / 22 / 57

HEX #6D6555

RGB 109 101 85

HSL 40, 0.12%, 0.38%

LAB 43.08, 0.27, 10.21

 

CMYK 0 / 74 / 87 / 33

HEX #AC2D16

RGB 172 45 22

HSL 9.2, 0.77%, 0.38%

LAB 39.08, 50.23, 43.35

 

CMYK 0 / 51 / 87 / 33

HEX #AC5416

RGB 172 84 22

HSL 24.8, 0.77%, 0.38%

LAB 45.87, 32.35, 48.96

 

CMYK 0 / 28 / 87 / 33

HEX #AC7C16

RGB 172 124 22

HSL 40.8, 0.77%, 0.38%

LAB 55.32, 10.2, 56.7

 

CMYK 0 / 5 / 87 / 33

HEX #ACA416

RGB 172 164 22

HSL 56.8, 0.77%, 0.38%

LAB 66.04, -11.57, 65.41

 

CMYK 19 / 0 / 87 / 33

HEX #8BAC16

RGB 139 172 22

HSL 73.2, 0.77%, 0.38%

LAB 65.79, -29.87, 64.16

 

CMYK 0 / 27 / 87 / 62

HEX #62480D

RGB 98 72 13

HSL 41.65, 0.77%, 0.22%

LAB 32.39, 5.17, 36.68

 

CMYK 0 / 27 / 87 / 47

HEX #876212

RGB 135 98 18

HSL 41.03, 0.76%, 0.3%

LAB 44.13, 7.78, 46.84

 

CMYK 0 / 27 / 87 / 33

HEX #AC7D16

RGB 172 125 22

HSL 41.2, 0.77%, 0.38%

LAB 55.58, 9.64, 56.91

 

CMYK 0 / 27 / 87 / 18

HEX #D0971B

RGB 208 151 27

HSL 41.1, 0.77%, 0.46%

LAB 66.23, 11.55, 65.89

 

CMYK 0 / 25 / 79 / 11

HEX #E4AC30

RGB 228 172 48

HSL 41.33, 0.77%, 0.54%

LAB 73.68, 9.61, 66.79

 

CMYK 0 / 27 / 87 / 33

HEX #AC7D16

RGB 172 125 22

HSL 41.2, 0.77%, 0.38%

LAB 55.58, 9.64, 56.91

 

CMYK 77 / 0 / 87 / 33

HEX #28AC16

RGB 40 172 22

HSL 112.8, 0.77%, 0.38%

LAB 61.67, -60.01, 59

 

CMYK 62 / 87 / 0 / 33

HEX #4116AC

RGB 65 22 172

HSL 257.2, 0.77%, 0.38%

LAB 25.79, 55.22, -70.48

 

CMYK 0 / 27 / 87 / 33

HEX #AC7D16

RGB 172 125 22

HSL 41.2, 0.77%, 0.38%

LAB 55.58, 9.64, 56.91

 

CMYK 87 / 0 / 28 / 33

HEX #16AC7C

RGB 22 172 124

HSL 160.8, 0.77%, 0.38%

LAB 62.62, -47.95, 14.58

 

CMYK 28 / 87 / 0 / 33

HEX #7C16AC

RGB 124 22 172

HSL 280.8, 0.77%, 0.38%

LAB 33.64, 62.36, -57.29

 

CMYK 0 / 27 / 87 / 33

HEX #AC7D16

RGB 172 125 22

HSL 41.2, 0.77%, 0.38%

LAB 55.58, 9.64, 56.91

 

CMYK 77 / 0 / 87 / 33

HEX #28AC16

RGB 40 172 22

HSL 112.8, 0.77%, 0.38%

LAB 61.67, -60.01, 59

 

CMYK 87 / 59 / 0 / 33

HEX #1646AC

RGB 22 70 172

HSL 220.8, 0.77%, 0.38%

LAB 32.98, 24.65, -58.74

 

CMYK 10 / 87 / 0 / 33

HEX #9A16AC

RGB 154 22 172

HSL 292.8, 0.77%, 0.38%

LAB 38.59, 67.26, -49.04

 

CMYK 0 / 27 / 87 / 33

HEX #AC7D16

RGB 172 125 22

HSL 41.2, 0.77%, 0.38%

LAB 55.58, 9.64, 56.91

 

CMYK 87 / 0 / 71 / 33

HEX #16AC32

RGB 22 172 50

HSL 131.2, 0.77%, 0.38%

LAB 61.57, -60.26, 50.1

 

CMYK 87 / 59 / 0 / 33

HEX #1646AC

RGB 22 70 172

HSL 220.8, 0.77%, 0.38%

LAB 32.98, 24.65, -58.74

 

CMYK 0 / 87 / 16 / 33

HEX #AC1690

RGB 172 22 144

HSL 311.2, 0.77%, 0.38%

LAB 40.18, 66.4, -29.41

 

Description

Color code: HEX #AC7D16 | qconv.com Color code: HEX #AC7D16 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 125 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 125 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 87 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 87% 33% C M Y K

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Provide designers and agencies with accurate color values.

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