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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC796F it is the complementary color #538690. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC796F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC796F shade: #B1796A, #C28B7D, #D39D90, #E4AFA3 and #F5C1B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC796F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC796F shade: #AC796F, #9B675C, #8A5549, #794336 and #683123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC796F shade: #AB776D and #AB6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC796F shade: #AB776D, #AB886D, #AB996D, #ABAA6D and #9CAB6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC796F shade matches the following richer shades: #AB776D, #BE6B5B, #D05E48, #E35236 and #F54623

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC796F shade: #AB776D, #998480, #869092, #749DA5 and #61A9B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC796F shade: #AB6D85, #AB6D74, #AB776D, #AB876D and #AB986D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC796F shade: #7E5148, #986257, #AB776D, #BA9087 and #C9A8A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC796F shade: #AC796F, #96AB6D and #6D7DAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC796F shade: #AC796F, #6DAB77 and #776DAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC796F shade: #AC796F, #96AB6D, #6DA2AB and #836DAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC796F shade: #AC796F, #83AB6D, #6DA2AB and #966DAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 35 / 33

HEX #AC796F

RGB 172 121 111

HSL 9.84, 0.27%, 0.55%

LAB 55.68, 18.59, 13.44

 

Complementary color

CMYK 42 / 7 / 0 / 44

HEX #538690

RGB 83 134 144

HSL 189.84, 0.27%, 0.45%

LAB 52.84, -14.33, -10.75

 

CMYK 0 / 32 / 40 / 31

HEX #B1796A

RGB 177 121 106

HSL 12.68, 0.31%, 0.55%

LAB 56.15, 19.99, 17.07

 

CMYK 0 / 28 / 36 / 24

HEX #C28B7D

RGB 194 139 125

HSL 12.17, 0.36%, 0.63%

LAB 62.86, 19.1, 15.8

 

CMYK 0 / 26 / 32 / 17

HEX #D39D90

RGB 211 157 144

HSL 11.64, 0.43%, 0.7%

LAB 69.45, 18.33, 14.66

 

CMYK 0 / 23 / 29 / 11

HEX #E4AFA3

RGB 228 175 163

HSL 11.08, 0.55%, 0.77%

LAB 75.95, 17.64, 13.61

 

CMYK 0 / 21 / 26 / 4

HEX #F5C1B6

RGB 245 193 182

HSL 10.48, 0.76%, 0.84%

LAB 82.34, 17.02, 12.64

 

CMYK 0 / 30 / 35 / 33

HEX #AC796F

RGB 172 121 111

HSL 9.84, 0.27%, 0.55%

LAB 55.68, 18.59, 13.44

 

CMYK 0 / 34 / 41 / 39

HEX #9B675C

RGB 155 103 92

HSL 10.48, 0.26%, 0.48%

LAB 48.81, 19.51, 14.74

 

CMYK 0 / 38 / 47 / 46

HEX #8A5549

RGB 138 85 73

HSL 11.08, 0.31%, 0.41%

LAB 41.82, 20.59, 16.24

 

CMYK 0 / 45 / 55 / 53

HEX #794336

RGB 121 67 54

HSL 11.64, 0.38%, 0.34%

LAB 34.69, 21.85, 18.03

 

CMYK 0 / 53 / 66 / 59

HEX #683123

RGB 104 49 35

HSL 12.17, 0.5%, 0.27%

LAB 27.47, 23.33, 20.21

 

CMYK 0 / 30 / 36 / 33

HEX #AB776D

RGB 171 119 109

HSL 9.68, 0.27%, 0.55%

LAB 55.03, 19.06, 13.68

 

CMYK 0 / 36 / 36 / 33

HEX #AB6D6D

RGB 171 109 109

HSL 0, 0.27%, 0.55%

LAB 52.62, 24.69, 10.31

 

CMYK 0 / 30 / 36 / 33

HEX #AB776D

RGB 171 119 109

HSL 9.68, 0.27%, 0.55%

LAB 55.03, 19.06, 13.68

 

CMYK 0 / 20 / 36 / 33

HEX #AB886D

RGB 171 136 109

HSL 26.13, 0.27%, 0.55%

LAB 59.32, 9.47, 19.57

 

CMYK 0 / 11 / 36 / 33

HEX #AB996D

RGB 171 153 109

HSL 42.58, 0.27%, 0.55%

LAB 63.79, 0.05, 25.58

 

CMYK 0 / 1 / 36 / 33

HEX #ABAA6D

RGB 171 170 109

HSL 59.03, 0.27%, 0.55%

LAB 68.4, -9.08, 31.61

 

CMYK 9 / 0 / 36 / 33

HEX #9CAB6D

RGB 156 171 109

HSL 74.52, 0.27%, 0.55%

LAB 67.5, -15.62, 30.22

 

CMYK 0 / 30 / 36 / 33

HEX #AB776D

RGB 171 119 109

HSL 9.68, 0.27%, 0.55%

LAB 55.03, 19.06, 13.68

 

CMYK 0 / 44 / 52 / 25

HEX #BE6B5B

RGB 190 107 91

HSL 9.7, 0.43%, 0.55%

LAB 54.26, 31.36, 23.44

 

CMYK 0 / 55 / 65 / 18

HEX #D05E48

RGB 208 94 72

HSL 9.71, 0.59%, 0.55%

LAB 53.9, 43.55, 34.34

 

CMYK 0 / 64 / 76 / 11

HEX #E35236

RGB 227 82 54

HSL 9.71, 0.76%, 0.55%

LAB 54.69, 54.91, 45.8

 

CMYK 0 / 71 / 86 / 4

HEX #F54623

RGB 245 70 35

HSL 10, 0.91%, 0.55%

LAB 56, 64.81, 57.16

 

CMYK 0 / 30 / 36 / 33

HEX #AB776D

RGB 171 119 109

HSL 9.68, 0.27%, 0.55%

LAB 55.03, 19.06, 13.68

 

CMYK 0 / 14 / 16 / 40

HEX #998480

RGB 153 132 128

HSL 9.6, 0.11%, 0.55%

LAB 56.91, 7.29, 5.1

 

CMYK 8 / 1 / 0 / 43

HEX #869092

RGB 134 144 146

HSL 190, 0.05%, 0.55%

LAB 59.06, -3.19, -2.31

 

CMYK 30 / 5 / 0 / 35

HEX #749DA5

RGB 116 157 165

HSL 189.8, 0.21%, 0.55%

LAB 62.12, -11.94, -8.69

 

CMYK 47 / 8 / 0 / 28

HEX #61A9B8

RGB 97 169 184

HSL 190.34, 0.38%, 0.55%

LAB 65.26, -18.49, -14.73

 

CMYK 0 / 36 / 22 / 33

HEX #AB6D85

RGB 171 109 133

HSL 336.77, 0.27%, 0.55%

LAB 53.26, 28.08, -2.89

 

CMYK 0 / 36 / 32 / 33

HEX #AB6D74

RGB 171 109 116

HSL 353.23, 0.27%, 0.55%

LAB 52.79, 25.61, 6.44

 

CMYK 0 / 30 / 36 / 33

HEX #AB776D

RGB 171 119 109

HSL 9.68, 0.27%, 0.55%

LAB 55.03, 19.06, 13.68

 

CMYK 0 / 21 / 36 / 33

HEX #AB876D

RGB 171 135 109

HSL 25.16, 0.27%, 0.55%

LAB 59.06, 10.03, 19.22

 

CMYK 0 / 11 / 36 / 33

HEX #AB986D

RGB 171 152 109

HSL 41.61, 0.27%, 0.55%

LAB 63.52, 0.6, 25.22

 

CMYK 0 / 36 / 43 / 51

HEX #7E5148

RGB 126 81 72

HSL 10, 0.27%, 0.39%

LAB 39.22, 17.7, 13.07

 

CMYK 0 / 36 / 43 / 40

HEX #986257

RGB 152 98 87

HSL 10.15, 0.27%, 0.47%

LAB 47.1, 20.54, 15.31

 

CMYK 0 / 30 / 36 / 33

HEX #AB776D

RGB 171 119 109

HSL 9.68, 0.27%, 0.55%

LAB 55.03, 19.06, 13.68

 

CMYK 0 / 23 / 27 / 27

HEX #BA9087

RGB 186 144 135

HSL 10.59, 0.27%, 0.63%

LAB 63.45, 14.52, 10.87

 

CMYK 0 / 16 / 19 / 21

HEX #C9A8A2

RGB 201 168 162

HSL 9.23, 0.27%, 0.71%

LAB 71.58, 11.09, 7.59

 

CMYK 0 / 30 / 35 / 33

HEX #AC796F

RGB 172 121 111

HSL 9.84, 0.27%, 0.55%

LAB 55.68, 18.59, 13.44

 

CMYK 12 / 0 / 36 / 33

HEX #96AB6D

RGB 150 171 109

HSL 80.32, 0.27%, 0.55%

LAB 67.06, -17.97, 29.56

 

CMYK 36 / 27 / 0 / 33

HEX #6D7DAB

RGB 109 125 171

HSL 224.52, 0.27%, 0.55%

LAB 52.79, 5.7, -26.34

 

CMYK 0 / 30 / 35 / 33

HEX #AC796F

RGB 172 121 111

HSL 9.84, 0.27%, 0.55%

LAB 55.68, 18.59, 13.44

 

CMYK 36 / 0 / 30 / 33

HEX #6DAB77

RGB 109 171 119

HSL 129.68, 0.27%, 0.55%

LAB 64.73, -31.08, 20.63

 

CMYK 30 / 36 / 0 / 33

HEX #776DAB

RGB 119 109 171

HSL 249.68, 0.27%, 0.55%

LAB 49.25, 18.24, -31.79

 

CMYK 0 / 30 / 35 / 33

HEX #AC796F

RGB 172 121 111

HSL 9.84, 0.27%, 0.55%

LAB 55.68, 18.59, 13.44

 

CMYK 12 / 0 / 36 / 33

HEX #96AB6D

RGB 150 171 109

HSL 80.32, 0.27%, 0.55%

LAB 67.06, -17.97, 29.56

 

CMYK 36 / 5 / 0 / 33

HEX #6DA2AB

RGB 109 162 171

HSL 188.71, 0.27%, 0.55%

LAB 63.37, -15.15, -10.24

 

CMYK 23 / 36 / 0 / 33

HEX #836DAB

RGB 131 109 171

HSL 261.29, 0.27%, 0.55%

LAB 50.34, 21.89, -30.01

 

CMYK 0 / 30 / 35 / 33

HEX #AC796F

RGB 172 121 111

HSL 9.84, 0.27%, 0.55%

LAB 55.68, 18.59, 13.44

 

CMYK 23 / 0 / 36 / 33

HEX #83AB6D

RGB 131 171 109

HSL 98.71, 0.27%, 0.55%

LAB 65.79, -25.16, 27.66

 

CMYK 36 / 5 / 0 / 33

HEX #6DA2AB

RGB 109 162 171

HSL 188.71, 0.27%, 0.55%

LAB 63.37, -15.15, -10.24

 

CMYK 12 / 36 / 0 / 33

HEX #966DAB

RGB 150 109 171

HSL 279.68, 0.27%, 0.55%

LAB 52.24, 27.89, -26.9

 

Description

Color code: HEX #AC796F | qconv.com Color code: HEX #AC796F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 121 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 121 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 35 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 35% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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