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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC77D2 it is the complementary color #53882D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC77D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC77D2 shade: #B177CD, #C289E0, #D39BF3, #E4ADFF and #F5BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC77D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC77D2 shade: #AC77D2, #9B65BF, #8A53AC, #794199 and #682F86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC77D2 shade: #AD79D2, #C579D2, #D279C8, #D279AF and #D27997

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC77D2 shade: #AD79D2, #9579D2, #7D79D2 and #7979D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC77D2 shade matches the following richer shades: #AD79D2, #AF6BE1, #B25CEF and #B44EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC77D2 shade: #AD79D2, #AB88C4, #A896B5, #A6A4A7 and #A4B399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC77D2 shade: #7C79D2, #9479D2, #AC79D2, #C479D2 and #D279C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC77D2 shade: #873EBB, #9A5AC8, #AD79D2, #C098DD and #D3B7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC77D2 shade: #AC77D2, #D2798E and #79D288

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC77D2 shade: #AC77D2, #D2AC79 and #79D2AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC77D2 shade: #AC77D2, #D2798E, #A0D279 and #79D2BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC77D2 shade: #AC77D2, #D27F79, #A0D279 and #79CCD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 43 / 0 / 18

HEX #AC77D2

RGB 172 119 210

HSL 274.95, 0.5%, 0.65%

LAB 58.62, 37.58, -39.1

 

Complementary color

CMYK 39 / 0 / 67 / 47

HEX #53882D

RGB 83 136 45

HSL 94.95, 0.5%, 0.35%

LAB 51.42, -34.03, 41.89

 

CMYK 14 / 42 / 0 / 20

HEX #B177CD

RGB 177 119 205

HSL 280.47, 0.46%, 0.64%

LAB 58.93, 37.96, -35.76

 

CMYK 13 / 39 / 0 / 12

HEX #C289E0

RGB 194 137 224

HSL 279.31, 0.58%, 0.71%

LAB 65.55, 37.18, -35.93

 

CMYK 13 / 36 / 0 / 5

HEX #D39BF3

RGB 211 155 243

HSL 278.18, 0.79%, 0.78%

LAB 72.07, 36.45, -36.1

 

CMYK 11 / 32 / 0 / 0

HEX #E4ADFF

RGB 228 173 255

HSL 280.24, 1%, 0.84%

LAB 78.23, 34.33, -32.93

 

CMYK 4 / 25 / 0 / 0

HEX #F5BFFF

RGB 245 191 255

HSL 290.63, 1%, 0.87%

LAB 83.91, 30.02, -24.09

 

CMYK 18 / 43 / 0 / 18

HEX #AC77D2

RGB 172 119 210

HSL 274.95, 0.5%, 0.65%

LAB 58.62, 37.58, -39.1

 

CMYK 19 / 47 / 0 / 25

HEX #9B65BF

RGB 155 101 191

HSL 276, 0.41%, 0.57%

LAB 51.88, 38.42, -39

 

CMYK 20 / 52 / 0 / 33

HEX #8A53AC

RGB 138 83 172

HSL 277.08, 0.35%, 0.5%

LAB 45.04, 39.28, -38.87

 

CMYK 21 / 58 / 0 / 40

HEX #794199

RGB 121 65 153

HSL 278.18, 0.4%, 0.43%

LAB 38.1, 40.12, -38.68

 

CMYK 22 / 65 / 0 / 47

HEX #682F86

RGB 104 47 134

HSL 279.31, 0.48%, 0.35%

LAB 31.11, 40.82, -38.35

 

CMYK 18 / 42 / 0 / 18

HEX #AD79D2

RGB 173 121 210

HSL 275.06, 0.5%, 0.65%

LAB 59.17, 36.76, -38.23

 

CMYK 6 / 42 / 0 / 18

HEX #C579D2

RGB 197 121 210

HSL 291.24, 0.5%, 0.65%

LAB 61.82, 43.86, -33.89

 

CMYK 0 / 42 / 5 / 18

HEX #D279C8

RGB 210 121 200

HSL 306.74, 0.5%, 0.65%

LAB 62.97, 45.95, -26.37

 

CMYK 0 / 42 / 17 / 18

HEX #D279AF

RGB 210 121 175

HSL 323.6, 0.5%, 0.65%

LAB 62.06, 41.8, -13.58

 

CMYK 0 / 42 / 28 / 18

HEX #D27997

RGB 210 121 151

HSL 339.78, 0.5%, 0.65%

LAB 61.32, 38.29, -0.95

 

CMYK 18 / 42 / 0 / 18

HEX #AD79D2

RGB 173 121 210

HSL 275.06, 0.5%, 0.65%

LAB 59.17, 36.76, -38.23

 

CMYK 29 / 42 / 0 / 18

HEX #9579D2

RGB 149 121 210

HSL 258.88, 0.5%, 0.65%

LAB 56.8, 29.88, -42.12

 

CMYK 40 / 42 / 0 / 18

HEX #7D79D2

RGB 125 121 210

HSL 242.7, 0.5%, 0.65%

LAB 54.75, 23.44, -45.49

 

CMYK 42 / 42 / 0 / 18

HEX #7979D2

RGB 121 121 210

HSL 240, 0.5%, 0.65%

LAB 54.44, 22.42, -46

 

CMYK 18 / 42 / 0 / 18

HEX #AD79D2

RGB 173 121 210

HSL 275.06, 0.5%, 0.65%

LAB 59.17, 36.76, -38.23

 

CMYK 22 / 52 / 0 / 12

HEX #AF6BE1

RGB 175 107 225

HSL 274.58, 0.66%, 0.65%

LAB 57.14, 48.27, -49.86

 

CMYK 26 / 62 / 0 / 6

HEX #B25CEF

RGB 178 92 239

HSL 275.1, 0.82%, 0.65%

LAB 55.43, 59.69, -60.4

 

CMYK 29 / 69 / 0 / 0

HEX #B44EFE

RGB 180 78 254

HSL 274.77, 0.99%, 0.65%

LAB 54.35, 69.68, -70.48

 

CMYK 18 / 42 / 0 / 18

HEX #AD79D2

RGB 173 121 210

HSL 275.06, 0.5%, 0.65%

LAB 59.17, 36.76, -38.23

 

CMYK 13 / 31 / 0 / 23

HEX #AB88C4

RGB 171 136 196

HSL 275, 0.34%, 0.65%

LAB 61.87, 24.64, -26.16

 

CMYK 7 / 17 / 0 / 29

HEX #A896B5

RGB 168 150 181

HSL 274.84, 0.17%, 0.65%

LAB 64.54, 12.56, -13.68

 

CMYK 1 / 2 / 0 / 35

HEX #A6A4A7

RGB 166 164 167

HSL 280, 0.02%, 0.65%

LAB 67.61, 1.29, -1.3

 

CMYK 8 / 0 / 15 / 30

HEX #A4B399

RGB 164 179 153

HSL 94.62, 0.15%, 0.65%

LAB 71.17, -10.05, 11.52

 

CMYK 41 / 42 / 0 / 18

HEX #7C79D2

RGB 124 121 210

HSL 242.02, 0.5%, 0.65%

LAB 54.67, 23.18, -45.62

 

CMYK 30 / 42 / 0 / 18

HEX #9479D2

RGB 148 121 210

HSL 258.2, 0.5%, 0.65%

LAB 56.71, 29.6, -42.27

 

CMYK 18 / 42 / 0 / 18

HEX #AC79D2

RGB 172 121 210

HSL 274.38, 0.5%, 0.65%

LAB 59.07, 36.47, -38.4

 

CMYK 7 / 42 / 0 / 18

HEX #C479D2

RGB 196 121 210

HSL 290.56, 0.5%, 0.65%

LAB 61.71, 43.56, -34.08

 

CMYK 0 / 42 / 4 / 18

HEX #D279C9

RGB 210 121 201

HSL 306.07, 0.5%, 0.65%

LAB 63.01, 46.13, -26.87

 

CMYK 28 / 67 / 0 / 27

HEX #873EBB

RGB 135 62 187

HSL 275.04, 0.5%, 0.49%

LAB 41.51, 52.87, -53.36

 

CMYK 23 / 55 / 0 / 22

HEX #9A5AC8

RGB 154 90 200

HSL 274.91, 0.5%, 0.57%

LAB 49.92, 46.19, -47.29

 

CMYK 18 / 42 / 0 / 18

HEX #AD79D2

RGB 173 121 210

HSL 275.06, 0.5%, 0.65%

LAB 59.17, 36.76, -38.23

 

CMYK 13 / 31 / 0 / 13

HEX #C098DD

RGB 192 152 221

HSL 274.78, 0.5%, 0.73%

LAB 68.67, 27.67, -29.46

 

CMYK 9 / 21 / 0 / 9

HEX #D3B7E7

RGB 211 183 231

HSL 275, 0.5%, 0.81%

LAB 78.16, 18.77, -20.25

 

CMYK 18 / 43 / 0 / 18

HEX #AC77D2

RGB 172 119 210

HSL 274.95, 0.5%, 0.65%

LAB 58.62, 37.58, -39.1

 

CMYK 0 / 42 / 32 / 18

HEX #D2798E

RGB 210 121 142

HSL 345.84, 0.5%, 0.65%

LAB 61.07, 37.1, 3.86

 

CMYK 42 / 0 / 35 / 18

HEX #79D288

RGB 121 210 136

HSL 130.11, 0.5%, 0.65%

LAB 77.24, -42.25, 28.55

 

CMYK 18 / 43 / 0 / 18

HEX #AC77D2

RGB 172 119 210

HSL 274.95, 0.5%, 0.65%

LAB 58.62, 37.58, -39.1

 

CMYK 0 / 18 / 42 / 18

HEX #D2AC79

RGB 210 172 121

HSL 34.38, 0.5%, 0.65%

LAB 72.62, 7.09, 31.42

 

CMYK 42 / 0 / 18 / 18

HEX #79D2AC

RGB 121 210 172

HSL 154.38, 0.5%, 0.65%

LAB 77.96, -35.42, 10.56

 

CMYK 18 / 43 / 0 / 18

HEX #AC77D2

RGB 172 119 210

HSL 274.95, 0.5%, 0.65%

LAB 58.62, 37.58, -39.1

 

CMYK 0 / 42 / 32 / 18

HEX #D2798E

RGB 210 121 142

HSL 345.84, 0.5%, 0.65%

LAB 61.07, 37.1, 3.86

 

CMYK 24 / 0 / 42 / 18

HEX #A0D279

RGB 160 210 121

HSL 93.71, 0.5%, 0.65%

LAB 79.01, -31.75, 38.89

 

CMYK 42 / 0 / 10 / 18

HEX #79D2BE

RGB 121 210 190

HSL 166.52, 0.5%, 0.65%

LAB 78.39, -31.45, 1.56

 

CMYK 18 / 43 / 0 / 18

HEX #AC77D2

RGB 172 119 210

HSL 274.95, 0.5%, 0.65%

LAB 58.62, 37.58, -39.1

 

CMYK 0 / 40 / 42 / 18

HEX #D27F79

RGB 210 127 121

HSL 4.04, 0.5%, 0.65%

LAB 61.88, 31.42, 17.01

 

CMYK 24 / 0 / 42 / 18

HEX #A0D279

RGB 160 210 121

HSL 93.71, 0.5%, 0.65%

LAB 79.01, -31.75, 38.89

 

CMYK 42 / 3 / 0 / 18

HEX #79CCD2

RGB 121 204 210

HSL 184.04, 0.5%, 0.65%

LAB 77.22, -23.69, -10.91

 

Description

Color code: HEX #AC77D2 | qconv.com Color code: HEX #AC77D2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 119 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 119 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 43 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 43% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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