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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7720 it is the complementary color #5388DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7720. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7720 shade: #B1771B, #C2892E, #D39B41, #E4AD54 and #F5BF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7720. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7720 shade: #AC7720, #9B650D, #8A5300, #794100 and #682F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7720 shade: #AC7720, #AC5120, #AC2B20 and #AC2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7720 shade: #AC7720, #AC9D20, #96AC20, #70AC20 and #4AAC20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7720 shade matches the following richer shades: #AC7720 and #BD7B0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7720 shade: #AC7720, #9C7330, #8B6F41, #7B6B51 and #6A6762

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7720 shade: #AC2B20, #AC5120, #AC7620, #AC9C20 and #97AC20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7720 shade: #674713, #8A5F19, #AC7720, #CF8F26 and #DCA242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7720 shade: #AC7720, #39AC20 and #3E20AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7720 shade: #AC7720, #20AC76 and #7620AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7720 shade: #AC7720, #39AC20, #2056AC and #9320AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7720 shade: #AC7720, #20AC30, #2056AC and #AC209C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 81 / 33

HEX #AC7720

RGB 172 119 32

HSL 37.29, 0.69%, 0.4%

LAB 54.1, 13.31, 52.4

 

Complementary color

CMYK 63 / 39 / 0 / 13

HEX #5388DF

RGB 83 136 223

HSL 217.29, 0.69%, 0.6%

LAB 56.86, 9.25, -49.62

 

CMYK 0 / 33 / 85 / 31

HEX #B1771B

RGB 177 119 27

HSL 36.8, 0.74%, 0.4%

LAB 54.68, 15.39, 54.88

 

CMYK 0 / 29 / 76 / 24

HEX #C2892E

RGB 194 137 46

HSL 36.89, 0.62%, 0.47%

LAB 61.27, 13.63, 54.58

 

CMYK 0 / 27 / 69 / 17

HEX #D39B41

RGB 211 155 65

HSL 36.99, 0.62%, 0.54%

LAB 67.78, 12.13, 53.65

 

CMYK 0 / 24 / 63 / 11

HEX #E4AD54

RGB 228 173 84

HSL 37.08, 0.73%, 0.61%

LAB 74.2, 10.85, 52.45

 

CMYK 0 / 22 / 58 / 4

HEX #F5BF67

RGB 245 191 103

HSL 37.18, 0.88%, 0.68%

LAB 80.55, 9.74, 51.15

 

CMYK 0 / 31 / 81 / 33

HEX #AC7720

RGB 172 119 32

HSL 37.29, 0.69%, 0.4%

LAB 54.1, 13.31, 52.4

 

CMYK 0 / 35 / 92 / 39

HEX #9B650D

RGB 155 101 13

HSL 37.18, 0.85%, 0.33%

LAB 47.37, 15.27, 51.92

 

CMYK 0 / 40 / 100 / 46

HEX #8A5300

RGB 138 83 0

HSL 36.09, 1%, 0.27%

LAB 40.56, 17.58, 49.34

 

CMYK 0 / 46 / 100 / 53

HEX #794100

RGB 121 65 0

HSL 32.23, 1%, 0.24%

LAB 33.66, 20.21, 43.75

 

CMYK 0 / 55 / 100 / 59

HEX #682F00

RGB 104 47 0

HSL 27.12, 1%, 0.2%

LAB 26.67, 22.9, 37.31

 

CMYK 0 / 31 / 81 / 33

HEX #AC7720

RGB 172 119 32

HSL 37.29, 0.69%, 0.4%

LAB 54.1, 13.31, 52.4

 

CMYK 0 / 53 / 81 / 33

HEX #AC5120

RGB 172 81 32

HSL 21, 0.69%, 0.4%

LAB 45.3, 34.22, 44.3

 

CMYK 0 / 75 / 81 / 33

HEX #AC2B20

RGB 172 43 32

HSL 4.71, 0.69%, 0.4%

LAB 38.9, 51.21, 38.14

 

CMYK 0 / 81 / 81 / 33

HEX #AC2020

RGB 172 32 32

HSL 0, 0.69%, 0.4%

LAB 37.68, 54.65, 36.93

 

CMYK 0 / 31 / 81 / 33

HEX #AC7720

RGB 172 119 32

HSL 37.29, 0.69%, 0.4%

LAB 54.1, 13.31, 52.4

 

CMYK 0 / 9 / 81 / 33

HEX #AC9D20

RGB 172 157 32

HSL 53.57, 0.69%, 0.4%

LAB 64.15, -7.6, 61.3

 

CMYK 13 / 0 / 81 / 33

HEX #96AC20

RGB 150 172 32

HSL 69.43, 0.69%, 0.4%

LAB 66.59, -24.93, 62.74

 

CMYK 35 / 0 / 81 / 33

HEX #70AC20

RGB 112 172 32

HSL 85.71, 0.69%, 0.4%

LAB 64.2, -40.14, 59.71

 

CMYK 57 / 0 / 81 / 33

HEX #4AAC20

RGB 74 172 32

HSL 102, 0.69%, 0.4%

LAB 62.56, -52.37, 57.6

 

CMYK 0 / 31 / 81 / 33

HEX #AC7720

RGB 172 119 32

HSL 37.29, 0.69%, 0.4%

LAB 54.1, 13.31, 52.4

 

CMYK 0 / 35 / 92 / 26

HEX #BD7B0F

RGB 189 123 15

HSL 37.24, 0.85%, 0.4%

LAB 57.09, 18.25, 60.68

 

CMYK 0 / 31 / 81 / 33

HEX #AC7720

RGB 172 119 32

HSL 37.29, 0.69%, 0.4%

LAB 54.1, 13.31, 52.4

 

CMYK 0 / 26 / 69 / 39

HEX #9C7330

RGB 156 115 48

HSL 37.22, 0.53%, 0.4%

LAB 51.32, 9.08, 42.16

 

CMYK 0 / 20 / 53 / 45

HEX #8B6F41

RGB 139 111 65

HSL 37.3, 0.36%, 0.4%

LAB 48.56, 5.01, 29.63

 

CMYK 0 / 13 / 34 / 52

HEX #7B6B51

RGB 123 107 81

HSL 37.14, 0.21%, 0.4%

LAB 46.07, 2.12, 16.91

 

CMYK 0 / 3 / 8 / 58

HEX #6A6762

RGB 106 103 98

HSL 37.5, 0.04%, 0.4%

LAB 43.72, 0.19, 3.23

 

CMYK 0 / 75 / 81 / 33

HEX #AC2B20

RGB 172 43 32

HSL 4.71, 0.69%, 0.4%

LAB 38.9, 51.21, 38.14

 

CMYK 0 / 53 / 81 / 33

HEX #AC5120

RGB 172 81 32

HSL 21, 0.69%, 0.4%

LAB 45.3, 34.22, 44.3

 

CMYK 0 / 31 / 81 / 33

HEX #AC7620

RGB 172 118 32

HSL 36.86, 0.69%, 0.4%

LAB 53.85, 13.87, 52.17

 

CMYK 0 / 9 / 81 / 33

HEX #AC9C20

RGB 172 156 32

HSL 53.14, 0.69%, 0.4%

LAB 63.88, -7.07, 61.06

 

CMYK 12 / 0 / 81 / 33

HEX #97AC20

RGB 151 172 32

HSL 69, 0.69%, 0.4%

LAB 66.66, -24.51, 62.83

 

CMYK 0 / 31 / 82 / 60

HEX #674713

RGB 103 71 19

HSL 37.14, 0.69%, 0.24%

LAB 32.78, 8.53, 34.8

 

CMYK 0 / 31 / 82 / 46

HEX #8A5F19

RGB 138 95 25

HSL 37.17, 0.69%, 0.32%

LAB 43.74, 11.19, 44.11

 

CMYK 0 / 31 / 81 / 33

HEX #AC7720

RGB 172 119 32

HSL 37.29, 0.69%, 0.4%

LAB 54.1, 13.31, 52.4

 

CMYK 0 / 31 / 82 / 19

HEX #CF8F26

RGB 207 143 38

HSL 37.28, 0.69%, 0.48%

LAB 64.2, 15.75, 60.84

 

CMYK 0 / 26 / 70 / 14

HEX #DCA242

RGB 220 162 66

HSL 37.4, 0.69%, 0.56%

LAB 70.49, 12.28, 56.35

 

CMYK 0 / 31 / 81 / 33

HEX #AC7720

RGB 172 119 32

HSL 37.29, 0.69%, 0.4%

LAB 54.1, 13.31, 52.4

 

CMYK 67 / 0 / 81 / 33

HEX #39AC20

RGB 57 172 32

HSL 109.29, 0.69%, 0.4%

LAB 62.07, -56.44, 56.96

 

CMYK 64 / 81 / 0 / 33

HEX #3E20AC

RGB 62 32 172

HSL 252.86, 0.69%, 0.4%

LAB 26.84, 51.01, -68.76

 

CMYK 0 / 31 / 81 / 33

HEX #AC7720

RGB 172 119 32

HSL 37.29, 0.69%, 0.4%

LAB 54.1, 13.31, 52.4

 

CMYK 81 / 0 / 31 / 33

HEX #20AC76

RGB 32 172 118

HSL 156.86, 0.69%, 0.4%

LAB 62.61, -48.45, 17.88

 

CMYK 31 / 81 / 0 / 33

HEX #7620AC

RGB 118 32 172

HSL 276.86, 0.69%, 0.4%

LAB 33.7, 58.58, -57.24

 

CMYK 0 / 31 / 81 / 33

HEX #AC7720

RGB 172 119 32

HSL 37.29, 0.69%, 0.4%

LAB 54.1, 13.31, 52.4

 

CMYK 67 / 0 / 81 / 33

HEX #39AC20

RGB 57 172 32

HSL 109.29, 0.69%, 0.4%

LAB 62.07, -56.44, 56.96

 

CMYK 81 / 50 / 0 / 33

HEX #2056AC

RGB 32 86 172

HSL 216.86, 0.69%, 0.4%

LAB 37.74, 14.74, -51.01

 

CMYK 15 / 81 / 0 / 33

HEX #9320AC

RGB 147 32 172

HSL 289.29, 0.69%, 0.4%

LAB 38.22, 63.64, -49.69

 

CMYK 0 / 31 / 81 / 33

HEX #AC7720

RGB 172 119 32

HSL 37.29, 0.69%, 0.4%

LAB 54.1, 13.31, 52.4

 

CMYK 81 / 0 / 72 / 33

HEX #20AC30

RGB 32 172 48

HSL 126.86, 0.69%, 0.4%

LAB 61.68, -59.42, 51.02

 

CMYK 81 / 50 / 0 / 33

HEX #2056AC

RGB 32 86 172

HSL 216.86, 0.69%, 0.4%

LAB 37.74, 14.74, -51.01

 

CMYK 0 / 81 / 9 / 33

HEX #AC209C

RGB 172 32 156

HSL 306.86, 0.69%, 0.4%

LAB 41.54, 65.94, -34.55

 

Description

Color code: HEX #AC7720 | qconv.com Color code: HEX #AC7720 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 119 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 119 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 81 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 81% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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