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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7322 it is the complementary color #538CDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7322. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7322 shade: #B1731D, #C28530, #D39743, #E4A956 and #F5BB69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7322. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7322 shade: #AC7322, #9B610F, #8A4F00, #793D00 and #682B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7322 shade: #AA7222, #AA4D22, #AA2822 and #AA2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7322 shade: #AA7222, #AA9722, #99AA22, #74AA22 and #4FAA22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7322 shade matches the following richer shades: #AA7222, #BB7511 and #CB7801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7322 shade: #AA7222, #9A6F32, #896C43, #796953 and #686664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7322 shade: #AA2822, #AA4D22, #AA7122, #AA9622 and #9AAA22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7322 shade: #654414, #885B1B, #AA7222, #CD8928 and #DA9C44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7322 shade: #AC7322, #3FAA22 and #3B22AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7322 shade: #AC7322, #22AA71 and #7122AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7322 shade: #AC7322, #3FAA22, #225BAA and #8D22AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7322 shade: #AC7322, #22AA2D, #225BAA and #AA229F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 80 / 33

HEX #AC7322

RGB 172 115 34

HSL 35.22, 0.67%, 0.4%

LAB 53.11, 15.63, 50.73

 

Complementary color

CMYK 62 / 37 / 0 / 13

HEX #538CDD

RGB 83 140 221

HSL 215.22, 0.67%, 0.6%

LAB 57.86, 6.19, -46.91

 

CMYK 0 / 35 / 84 / 31

HEX #B1731D

RGB 177 115 29

HSL 34.86, 0.72%, 0.4%

LAB 53.7, 17.69, 53.36

 

CMYK 0 / 31 / 75 / 24

HEX #C28530

RGB 194 133 48

HSL 34.93, 0.6%, 0.47%

LAB 60.3, 15.92, 52.8

 

CMYK 0 / 28 / 68 / 17

HEX #D39743

RGB 211 151 67

HSL 35, 0.62%, 0.55%

LAB 66.81, 14.41, 51.71

 

CMYK 0 / 26 / 62 / 11

HEX #E4A956

RGB 228 169 86

HSL 35.07, 0.72%, 0.62%

LAB 73.25, 13.11, 50.42

 

CMYK 0 / 24 / 57 / 4

HEX #F5BB69

RGB 245 187 105

HSL 35.14, 0.88%, 0.69%

LAB 79.6, 11.98, 49.06

 

CMYK 0 / 33 / 80 / 33

HEX #AC7322

RGB 172 115 34

HSL 35.22, 0.67%, 0.4%

LAB 53.11, 15.63, 50.73

 

CMYK 0 / 37 / 90 / 39

HEX #9B610F

RGB 155 97 15

HSL 35.14, 0.82%, 0.33%

LAB 46.38, 17.6, 50.62

 

CMYK 0 / 43 / 100 / 46

HEX #8A4F00

RGB 138 79 0

HSL 34.35, 1%, 0.27%

LAB 39.57, 19.9, 48.71

 

CMYK 0 / 50 / 100 / 53

HEX #793D00

RGB 121 61 0

HSL 30.25, 1%, 0.24%

LAB 32.71, 22.54, 43.16

 

CMYK 0 / 59 / 100 / 59

HEX #682B00

RGB 104 43 0

HSL 24.81, 1%, 0.2%

LAB 25.78, 25.16, 36.5

 

CMYK 0 / 33 / 80 / 33

HEX #AA7222

RGB 170 114 34

HSL 35.29, 0.67%, 0.4%

LAB 52.62, 15.3, 50.18

 

CMYK 0 / 55 / 80 / 33

HEX #AA4D22

RGB 170 77 34

HSL 18.97, 0.67%, 0.4%

LAB 44.19, 35.56, 42.18

 

CMYK 0 / 76 / 80 / 33

HEX #AA2822

RGB 170 40 34

HSL 2.65, 0.67%, 0.4%

LAB 38.16, 51.67, 36.17

 

CMYK 0 / 80 / 80 / 33

HEX #AA2222

RGB 170 34 34

HSL 0, 0.67%, 0.4%

LAB 37.49, 53.55, 35.48

 

CMYK 0 / 33 / 80 / 33

HEX #AA7222

RGB 170 114 34

HSL 35.29, 0.67%, 0.4%

LAB 52.62, 15.3, 50.18

 

CMYK 0 / 11 / 80 / 33

HEX #AA9722

RGB 170 151 34

HSL 51.62, 0.67%, 0.4%

LAB 62.33, -5.22, 59.01

 

CMYK 10 / 0 / 80 / 33

HEX #99AA22

RGB 153 170 34

HSL 67.5, 0.67%, 0.4%

LAB 66.24, -22.59, 61.96

 

CMYK 32 / 0 / 80 / 33

HEX #74AA22

RGB 116 170 34

HSL 83.82, 0.67%, 0.4%

LAB 63.82, -37.67, 58.86

 

CMYK 54 / 0 / 80 / 33

HEX #4FAA22

RGB 79 170 34

HSL 100.15, 0.67%, 0.4%

LAB 62.11, -50.13, 56.65

 

CMYK 0 / 33 / 80 / 33

HEX #AA7222

RGB 170 114 34

HSL 35.29, 0.67%, 0.4%

LAB 52.62, 15.3, 50.18

 

CMYK 0 / 37 / 91 / 27

HEX #BB7511

RGB 187 117 17

HSL 35.29, 0.83%, 0.4%

LAB 55.41, 20.71, 58.85

 

CMYK 0 / 41 / 100 / 20

HEX #CB7801

RGB 203 120 1

HSL 35.35, 0.99%, 0.4%

LAB 58.16, 25.8, 64.76

 

CMYK 0 / 33 / 80 / 33

HEX #AA7222

RGB 170 114 34

HSL 35.29, 0.67%, 0.4%

LAB 52.62, 15.3, 50.18

 

CMYK 0 / 28 / 68 / 40

HEX #9A6F32

RGB 154 111 50

HSL 35.19, 0.51%, 0.4%

LAB 50.06, 10.59, 39.74

 

CMYK 0 / 21 / 51 / 46

HEX #896C43

RGB 137 108 67

HSL 35.14, 0.34%, 0.4%

LAB 47.56, 6.05, 27.22

 

CMYK 0 / 13 / 31 / 53

HEX #796953

RGB 121 105 83

HSL 34.74, 0.19%, 0.4%

LAB 45.35, 2.72, 14.72

 

CMYK 0 / 2 / 4 / 59

HEX #686664

RGB 104 102 100

HSL 30, 0.02%, 0.4%

LAB 43.31, 0.38, 1.4

 

CMYK 0 / 76 / 80 / 33

HEX #AA2822

RGB 170 40 34

HSL 2.65, 0.67%, 0.4%

LAB 38.16, 51.67, 36.17

 

CMYK 0 / 55 / 80 / 33

HEX #AA4D22

RGB 170 77 34

HSL 18.97, 0.67%, 0.4%

LAB 44.19, 35.56, 42.18

 

CMYK 0 / 34 / 80 / 33

HEX #AA7122

RGB 170 113 34

HSL 34.85, 0.67%, 0.4%

LAB 52.37, 15.86, 49.95

 

CMYK 0 / 12 / 80 / 33

HEX #AA9622

RGB 170 150 34

HSL 51.18, 0.67%, 0.4%

LAB 62.06, -4.68, 58.77

 

CMYK 9 / 0 / 80 / 33

HEX #9AAA22

RGB 154 170 34

HSL 67.06, 0.67%, 0.4%

LAB 66.32, -22.16, 62.05

 

CMYK 0 / 33 / 80 / 60

HEX #654414

RGB 101 68 20

HSL 35.56, 0.67%, 0.24%

LAB 31.7, 9.44, 33.2

 

CMYK 0 / 33 / 80 / 47

HEX #885B1B

RGB 136 91 27

HSL 35.23, 0.67%, 0.32%

LAB 42.45, 12.68, 42

 

CMYK 0 / 33 / 80 / 33

HEX #AA7222

RGB 170 114 34

HSL 35.29, 0.67%, 0.4%

LAB 52.62, 15.3, 50.18

 

CMYK 0 / 33 / 80 / 20

HEX #CD8928

RGB 205 137 40

HSL 35.27, 0.67%, 0.48%

LAB 62.53, 18.21, 58.54

 

CMYK 0 / 28 / 69 / 15

HEX #DA9C44

RGB 218 156 68

HSL 35.2, 0.67%, 0.56%

LAB 68.82, 14.75, 53.64

 

CMYK 0 / 33 / 80 / 33

HEX #AC7322

RGB 172 115 34

HSL 35.22, 0.67%, 0.4%

LAB 53.11, 15.63, 50.73

 

CMYK 63 / 0 / 80 / 33

HEX #3FAA22

RGB 63 170 34

HSL 107.21, 0.67%, 0.4%

LAB 61.59, -54.3, 55.98

 

CMYK 65 / 80 / 0 / 33

HEX #3B22AA

RGB 59 34 170

HSL 251.03, 0.67%, 0.4%

LAB 26.67, 49.2, -67.84

 

CMYK 0 / 33 / 80 / 33

HEX #AC7322

RGB 172 115 34

HSL 35.22, 0.67%, 0.4%

LAB 53.11, 15.63, 50.73

 

CMYK 80 / 0 / 34 / 33

HEX #22AA71

RGB 34 170 113

HSL 154.85, 0.67%, 0.4%

LAB 61.9, -48.55, 19.64

 

CMYK 34 / 80 / 0 / 33

HEX #7122AA

RGB 113 34 170

HSL 274.85, 0.67%, 0.4%

LAB 33.04, 56.62, -57.14

 

CMYK 0 / 33 / 80 / 33

HEX #AC7322

RGB 172 115 34

HSL 35.22, 0.67%, 0.4%

LAB 53.11, 15.63, 50.73

 

CMYK 63 / 0 / 80 / 33

HEX #3FAA22

RGB 63 170 34

HSL 107.21, 0.67%, 0.4%

LAB 61.59, -54.3, 55.98

 

CMYK 80 / 46 / 0 / 33

HEX #225BAA

RGB 34 91 170

HSL 214.85, 0.67%, 0.4%

LAB 39.11, 10.86, -47.6

 

CMYK 17 / 80 / 0 / 33

HEX #8D22AA

RGB 141 34 170

HSL 287.21, 0.67%, 0.4%

LAB 37.32, 61.58, -50.01

 

CMYK 0 / 33 / 80 / 33

HEX #AC7322

RGB 172 115 34

HSL 35.22, 0.67%, 0.4%

LAB 53.11, 15.63, 50.73

 

CMYK 80 / 0 / 74 / 33

HEX #22AA2D

RGB 34 170 45

HSL 124.85, 0.67%, 0.4%

LAB 61.03, -58.79, 51.49

 

CMYK 80 / 46 / 0 / 33

HEX #225BAA

RGB 34 91 170

HSL 214.85, 0.67%, 0.4%

LAB 39.11, 10.86, -47.6

 

CMYK 0 / 80 / 6 / 33

HEX #AA229F

RGB 170 34 159

HSL 304.85, 0.67%, 0.4%

LAB 41.52, 65.47, -36.41

 

Description

Color code: HEX #AC7322 | qconv.com Color code: HEX #AC7322 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 115 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 115 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 80 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 80% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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