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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC705A it is the complementary color #538FA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC705A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC705A shade: #B17055, #C28268, #D3947B, #E4A68E and #F5B8A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC705A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC705A shade: #AC705A, #9B5E47, #8A4C34, #793A21 and #68280E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC705A shade: #AB6F59 and #AB5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC705A shade: #AB6F59, #AB8559, #AB9B59, #A5AB59 and #8FAB59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC705A shade matches the following richer shades: #AB6F59, #C06645, #D45C30, #E8531C and #FC4908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC705A shade: #AB6F59, #97786D, #838281, #6F8B95 and #5A94AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC705A shade: #AB596F, #AB5959, #AB6F59, #AB8559 and #AB9B59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC705A shade: #764B3B, #925D49, #AB6F59, #B98774 and #C79F90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC705A shade: #AC705A, #85AB59 and #5964AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC705A shade: #AC705A, #59AB6F and #6F59AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC705A shade: #AC705A, #85AB59, #5995AB and #7F59AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC705A shade: #AC705A, #6CAB59, #5995AB and #9859AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 48 / 33

HEX #AC705A

RGB 172 112 90

HSL 16.1, 0.33%, 0.51%

LAB 53.06, 21.22, 22

 

Complementary color

CMYK 50 / 13 / 0 / 35

HEX #538FA5

RGB 83 143 165

HSL 196.1, 0.33%, 0.49%

LAB 56.29, -13.3, -17.65

 

CMYK 0 / 37 / 52 / 31

HEX #B17055

RGB 177 112 85

HSL 17.61, 0.37%, 0.51%

LAB 53.59, 22.8, 25.68

 

CMYK 0 / 33 / 46 / 24

HEX #C28268

RGB 194 130 104

HSL 17.33, 0.42%, 0.58%

LAB 60.28, 21.67, 24.12

 

CMYK 0 / 30 / 42 / 17

HEX #D3947B

RGB 211 148 123

HSL 17.05, 0.5%, 0.65%

LAB 66.87, 20.69, 22.72

 

CMYK 0 / 27 / 38 / 11

HEX #E4A68E

RGB 228 166 142

HSL 16.74, 0.61%, 0.73%

LAB 73.36, 19.82, 21.44

 

CMYK 0 / 25 / 34 / 4

HEX #F5B8A1

RGB 245 184 161

HSL 16.43, 0.81%, 0.8%

LAB 79.77, 19.05, 20.28

 

CMYK 0 / 35 / 48 / 33

HEX #AC705A

RGB 172 112 90

HSL 16.1, 0.33%, 0.51%

LAB 53.06, 21.22, 22

 

CMYK 0 / 39 / 54 / 39

HEX #9B5E47

RGB 155 94 71

HSL 16.43, 0.37%, 0.44%

LAB 46.22, 22.41, 23.66

 

CMYK 0 / 45 / 62 / 46

HEX #8A4C34

RGB 138 76 52

HSL 16.74, 0.45%, 0.37%

LAB 39.28, 23.81, 25.57

 

CMYK 0 / 52 / 73 / 53

HEX #793A21

RGB 121 58 33

HSL 17.05, 0.57%, 0.3%

LAB 32.26, 25.42, 27.77

 

CMYK 0 / 62 / 87 / 59

HEX #68280E

RGB 104 40 14

HSL 17.33, 0.76%, 0.23%

LAB 25.24, 27.22, 30.1

 

CMYK 0 / 35 / 48 / 33

HEX #AB6F59

RGB 171 111 89

HSL 16.1, 0.33%, 0.51%

LAB 52.67, 21.26, 22.04

 

CMYK 0 / 48 / 48 / 33

HEX #AB5959

RGB 171 89 89

HSL 0, 0.33%, 0.51%

LAB 47.65, 33.41, 15.29

 

CMYK 0 / 35 / 48 / 33

HEX #AB6F59

RGB 171 111 89

HSL 16.1, 0.33%, 0.51%

LAB 52.67, 21.26, 22.04

 

CMYK 0 / 22 / 48 / 33

HEX #AB8559

RGB 171 133 89

HSL 32.2, 0.33%, 0.51%

LAB 58.18, 8.87, 29.23

 

CMYK 0 / 9 / 48 / 33

HEX #AB9B59

RGB 171 155 89

HSL 48.29, 0.33%, 0.51%

LAB 64.02, -3.26, 36.56

 

CMYK 4 / 0 / 48 / 33

HEX #A5AB59

RGB 165 171 89

HSL 64.39, 0.33%, 0.51%

LAB 67.91, -14.26, 41.2

 

CMYK 16 / 0 / 48 / 33

HEX #8FAB59

RGB 143 171 89

HSL 80.49, 0.33%, 0.51%

LAB 66.28, -23.18, 38.84

 

CMYK 0 / 35 / 48 / 33

HEX #AB6F59

RGB 171 111 89

HSL 16.1, 0.33%, 0.51%

LAB 52.67, 21.26, 22.04

 

CMYK 0 / 47 / 64 / 25

HEX #C06645

RGB 192 102 69

HSL 16.1, 0.49%, 0.51%

LAB 53.1, 33.11, 34.48

 

CMYK 0 / 57 / 77 / 17

HEX #D45C30

RGB 212 92 48

HSL 16.1, 0.66%, 0.51%

LAB 53.88, 44.84, 47.21

 

CMYK 0 / 64 / 88 / 9

HEX #E8531C

RGB 232 83 28

HSL 16.18, 0.82%, 0.51%

LAB 55.51, 55.47, 58.56

 

CMYK 0 / 71 / 97 / 1

HEX #FC4908

RGB 252 73 8

HSL 15.98, 0.98%, 0.51%

LAB 57.54, 65.58, 67.04

 

CMYK 0 / 35 / 48 / 33

HEX #AB6F59

RGB 171 111 89

HSL 16.1, 0.33%, 0.51%

LAB 52.67, 21.26, 22.04

 

CMYK 0 / 21 / 28 / 41

HEX #97786D

RGB 151 120 109

HSL 15.71, 0.17%, 0.51%

LAB 53.08, 10.36, 10.62

 

CMYK 0 / 1 / 2 / 49

HEX #838281

RGB 131 130 129

HSL 30, 0.01%, 0.51%

LAB 54.42, 0.18, 0.67

 

CMYK 26 / 7 / 0 / 42

HEX #6F8B95

RGB 111 139 149

HSL 195.79, 0.15%, 0.51%

LAB 56.1, -7.5, -8.59

 

CMYK 47 / 13 / 0 / 33

HEX #5A94AA

RGB 90 148 170

HSL 196.5, 0.32%, 0.51%

LAB 58.28, -12.88, -17.45

 

CMYK 0 / 48 / 35 / 33

HEX #AB596F

RGB 171 89 111

HSL 343.9, 0.33%, 0.51%

LAB 48.2, 35.93, 2.81

 

CMYK 0 / 48 / 48 / 33

HEX #AB5959

RGB 171 89 89

HSL 0, 0.33%, 0.51%

LAB 47.65, 33.41, 15.29

 

CMYK 0 / 35 / 48 / 33

HEX #AB6F59

RGB 171 111 89

HSL 16.1, 0.33%, 0.51%

LAB 52.67, 21.26, 22.04

 

CMYK 0 / 22 / 48 / 33

HEX #AB8559

RGB 171 133 89

HSL 32.2, 0.33%, 0.51%

LAB 58.18, 8.87, 29.23

 

CMYK 0 / 9 / 48 / 33

HEX #AB9B59

RGB 171 155 89

HSL 48.29, 0.33%, 0.51%

LAB 64.02, -3.26, 36.56

 

CMYK 0 / 36 / 50 / 54

HEX #764B3B

RGB 118 75 59

HSL 16.27, 0.33%, 0.35%

LAB 36.37, 16.29, 17.05

 

CMYK 0 / 36 / 50 / 43

HEX #925D49

RGB 146 93 73

HSL 16.44, 0.33%, 0.43%

LAB 44.83, 19.35, 20.45

 

CMYK 0 / 35 / 48 / 33

HEX #AB6F59

RGB 171 111 89

HSL 16.1, 0.33%, 0.51%

LAB 52.67, 21.26, 22.04

 

CMYK 0 / 27 / 37 / 27

HEX #B98774

RGB 185 135 116

HSL 16.52, 0.33%, 0.59%

LAB 60.7, 16.61, 17.75

 

CMYK 0 / 20 / 28 / 22

HEX #C79F90

RGB 199 159 144

HSL 16.36, 0.33%, 0.67%

LAB 68.72, 12.59, 13.45

 

CMYK 0 / 35 / 48 / 33

HEX #AC705A

RGB 172 112 90

HSL 16.1, 0.33%, 0.51%

LAB 53.06, 21.22, 22

 

CMYK 22 / 0 / 48 / 33

HEX #85AB59

RGB 133 171 89

HSL 87.8, 0.33%, 0.51%

LAB 65.62, -27.07, 37.88

 

CMYK 48 / 42 / 0 / 33

HEX #5964AB

RGB 89 100 171

HSL 231.95, 0.33%, 0.51%

LAB 44.49, 15.51, -39.45

 

CMYK 0 / 35 / 48 / 33

HEX #AC705A

RGB 172 112 90

HSL 16.1, 0.33%, 0.51%

LAB 53.06, 21.22, 22

 

CMYK 48 / 0 / 35 / 33

HEX #59AB6F

RGB 89 171 111

HSL 136.1, 0.33%, 0.51%

LAB 63.67, -38.51, 23.38

 

CMYK 35 / 48 / 0 / 33

HEX #6F59AB

RGB 111 89 171

HSL 256.1, 0.33%, 0.51%

LAB 43.46, 28.06, -40.98

 

CMYK 0 / 35 / 48 / 33

HEX #AC705A

RGB 172 112 90

HSL 16.1, 0.33%, 0.51%

LAB 53.06, 21.22, 22

 

CMYK 22 / 0 / 48 / 33

HEX #85AB59

RGB 133 171 89

HSL 87.8, 0.33%, 0.51%

LAB 65.62, -27.07, 37.88

 

CMYK 48 / 13 / 0 / 33

HEX #5995AB

RGB 89 149 171

HSL 196.1, 0.33%, 0.51%

LAB 58.56, -13.39, -17.59

 

CMYK 26 / 48 / 0 / 33

HEX #7F59AB

RGB 127 89 171

HSL 267.8, 0.33%, 0.51%

LAB 45.08, 32.51, -38.3

 

CMYK 0 / 35 / 48 / 33

HEX #AC705A

RGB 172 112 90

HSL 16.1, 0.33%, 0.51%

LAB 53.06, 21.22, 22

 

CMYK 37 / 0 / 48 / 33

HEX #6CAB59

RGB 108 171 89

HSL 106.1, 0.33%, 0.51%

LAB 64.19, -36.11, 35.8

 

CMYK 48 / 13 / 0 / 33

HEX #5995AB

RGB 89 149 171

HSL 196.1, 0.33%, 0.51%

LAB 58.56, -13.39, -17.59

 

CMYK 11 / 48 / 0 / 33

HEX #9859AB

RGB 152 89 171

HSL 286.1, 0.33%, 0.51%

LAB 47.96, 39.79, -33.57

 

Description

Color code: HEX #AC705A | qconv.com Color code: HEX #AC705A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 112 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 112 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 48 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 48% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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