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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6FD5 it is the complementary color #53902A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6FD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6FD5 shade: #B16FD0, #C281E3, #D393F6, #E4A5FF and #F5B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6FD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6FD5 shade: #AC6FD5, #9B5DC2, #8A4BAF, #79399C and #682789

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6FD5 shade: #AD71D6, #C871D6, #D671C8, #D671AD and #D67191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6FD5 shade: #AD71D6, #9271D6, #7771D6 and #7171D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6FD5 shade matches the following richer shades: #AD71D6, #B062E5 and #B353F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6FD5 shade: #AD71D6, #AA80C7, #A78EB8, #A49DA9 and #A1AC9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6FD5 shade: #7671D6, #9171D6, #AC71D6, #C771D6 and #D671CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6FD5 shade: #8737BD, #9B51CC, #AD71D6, #C091DF and #D2B1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6FD5 shade: #AC6FD5, #D67187 and #71D683

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6FD5 shade: #AC6FD5, #D6AC71 and #71D6AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6FD5 shade: #AC6FD5, #D67187, #9BD671 and #71D6C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6FD5 shade: #AC6FD5, #D67971, #9BD671 and #71CDD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 48 / 0 / 16

HEX #AC6FD5

RGB 172 111 213

HSL 275.88, 0.55%, 0.64%

LAB 57.02, 42.64, -43.31

 

Complementary color

CMYK 42 / 0 / 71 / 44

HEX #53902A

RGB 83 144 42

HSL 95.88, 0.55%, 0.36%

LAB 53.98, -37.83, 45.87

 

CMYK 15 / 47 / 0 / 18

HEX #B16FD0

RGB 177 111 208

HSL 280.82, 0.51%, 0.63%

LAB 57.34, 42.96, -39.95

 

CMYK 15 / 43 / 0 / 11

HEX #C281E3

RGB 194 129 227

HSL 279.8, 0.64%, 0.7%

LAB 63.93, 42.16, -40.12

 

CMYK 14 / 40 / 0 / 4

HEX #D393F6

RGB 211 147 246

HSL 278.79, 0.85%, 0.77%

LAB 70.43, 41.38, -40.28

 

CMYK 11 / 35 / 0 / 0

HEX #E4A5FF

RGB 228 165 255

HSL 282, 1%, 0.82%

LAB 76.45, 38.61, -35.67

 

CMYK 4 / 28 / 0 / 0

HEX #F5B7FF

RGB 245 183 255

HSL 291.67, 1%, 0.86%

LAB 82.11, 34.26, -26.83

 

CMYK 19 / 48 / 0 / 16

HEX #AC6FD5

RGB 172 111 213

HSL 275.88, 0.55%, 0.64%

LAB 57.02, 42.64, -43.31

 

CMYK 20 / 52 / 0 / 24

HEX #9B5DC2

RGB 155 93 194

HSL 276.83, 0.45%, 0.56%

LAB 50.33, 43.49, -43.18

 

CMYK 21 / 57 / 0 / 31

HEX #8A4BAF

RGB 138 75 175

HSL 277.8, 0.4%, 0.49%

LAB 43.55, 44.31, -43

 

CMYK 22 / 63 / 0 / 39

HEX #79399C

RGB 121 57 156

HSL 278.79, 0.46%, 0.42%

LAB 36.73, 45.01, -42.69

 

CMYK 24 / 72 / 0 / 46

HEX #682789

RGB 104 39 137

HSL 279.8, 0.56%, 0.35%

LAB 29.91, 45.39, -42.13

 

CMYK 19 / 47 / 0 / 16

HEX #AD71D6

RGB 173 113 214

HSL 275.64, 0.55%, 0.64%

LAB 57.61, 42.05, -42.94

 

CMYK 7 / 47 / 0 / 16

HEX #C871D6

RGB 200 113 214

HSL 291.68, 0.55%, 0.64%

LAB 60.73, 49.68, -37.81

 

CMYK 0 / 47 / 7 / 16

HEX #D671C8

RGB 214 113 200

HSL 308.32, 0.55%, 0.64%

LAB 61.89, 51.23, -27.98

 

CMYK 0 / 47 / 19 / 16

HEX #D671AD

RGB 214 113 173

HSL 324.36, 0.55%, 0.64%

LAB 60.89, 46.92, -14.15

 

CMYK 0 / 47 / 32 / 16

HEX #D67191

RGB 214 113 145

HSL 340.99, 0.55%, 0.64%

LAB 60.02, 43.05, 0.68

 

CMYK 19 / 47 / 0 / 16

HEX #AD71D6

RGB 173 113 214

HSL 275.64, 0.55%, 0.64%

LAB 57.61, 42.05, -42.94

 

CMYK 32 / 47 / 0 / 16

HEX #9271D6

RGB 146 113 214

HSL 259.6, 0.55%, 0.64%

LAB 54.84, 34.69, -47.5

 

CMYK 44 / 47 / 0 / 16

HEX #7771D6

RGB 119 113 214

HSL 243.56, 0.55%, 0.64%

LAB 52.49, 27.88, -51.37

 

CMYK 47 / 47 / 0 / 16

HEX #7171D6

RGB 113 113 214

HSL 240, 0.55%, 0.64%

LAB 52.04, 26.47, -52.13

 

CMYK 19 / 47 / 0 / 16

HEX #AD71D6

RGB 173 113 214

HSL 275.64, 0.55%, 0.64%

LAB 57.61, 42.05, -42.94

 

CMYK 23 / 57 / 0 / 10

HEX #B062E5

RGB 176 98 229

HSL 275.73, 0.72%, 0.64%

LAB 55.71, 54.06, -54.37

 

CMYK 26 / 66 / 0 / 5

HEX #B353F3

RGB 179 83 243

HSL 276, 0.87%, 0.64%

LAB 54.28, 64.95, -64.48

 

CMYK 19 / 47 / 0 / 16

HEX #AD71D6

RGB 173 113 214

HSL 275.64, 0.55%, 0.64%

LAB 57.61, 42.05, -42.94

 

CMYK 15 / 36 / 0 / 22

HEX #AA80C7

RGB 170 128 199

HSL 275.49, 0.39%, 0.64%

LAB 59.99, 29.5, -30.77

 

CMYK 9 / 23 / 0 / 28

HEX #A78EB8

RGB 167 142 184

HSL 275.71, 0.23%, 0.64%

LAB 62.53, 17.37, -18.42

 

CMYK 3 / 7 / 0 / 34

HEX #A49DA9

RGB 164 157 169

HSL 275, 0.07%, 0.64%

LAB 65.65, 4.83, -5.33

 

CMYK 6 / 0 / 10 / 33

HEX #A1AC9A

RGB 161 172 154

HSL 96.67, 0.1%, 0.64%

LAB 69.05, -7.25, 7.93

 

CMYK 45 / 47 / 0 / 16

HEX #7671D6

RGB 118 113 214

HSL 242.97, 0.55%, 0.64%

LAB 52.42, 27.64, -51.5

 

CMYK 32 / 47 / 0 / 16

HEX #9171D6

RGB 145 113 214

HSL 259.01, 0.55%, 0.64%

LAB 54.75, 34.43, -47.65

 

CMYK 20 / 47 / 0 / 16

HEX #AC71D6

RGB 172 113 214

HSL 275.05, 0.55%, 0.64%

LAB 57.5, 41.77, -43.12

 

CMYK 7 / 47 / 0 / 16

HEX #C771D6

RGB 199 113 214

HSL 291.09, 0.55%, 0.64%

LAB 60.61, 49.39, -38.01

 

CMYK 0 / 47 / 6 / 16

HEX #D671CA

RGB 214 113 202

HSL 307.13, 0.55%, 0.64%

LAB 61.97, 51.57, -28.99

 

CMYK 29 / 71 / 0 / 26

HEX #8737BD

RGB 135 55 189

HSL 275.82, 0.55%, 0.48%

LAB 40.5, 56.51, -56.15

 

CMYK 24 / 60 / 0 / 20

HEX #9B51CC

RGB 155 81 204

HSL 276.1, 0.55%, 0.56%

LAB 48.53, 52, -51.8

 

CMYK 19 / 47 / 0 / 16

HEX #AD71D6

RGB 173 113 214

HSL 275.64, 0.55%, 0.64%

LAB 57.61, 42.05, -42.94

 

CMYK 14 / 35 / 0 / 13

HEX #C091DF

RGB 192 145 223

HSL 276.15, 0.55%, 0.72%

LAB 67.12, 31.97, -32.96

 

CMYK 9 / 24 / 0 / 9

HEX #D2B1E8

RGB 210 177 232

HSL 276, 0.54%, 0.8%

LAB 76.66, 21.91, -23.07

 

CMYK 19 / 48 / 0 / 16

HEX #AC6FD5

RGB 172 111 213

HSL 275.88, 0.55%, 0.64%

LAB 57.02, 42.64, -43.31

 

CMYK 0 / 47 / 37 / 16

HEX #D67187

RGB 214 113 135

HSL 346.93, 0.55%, 0.64%

LAB 59.76, 41.83, 6.07

 

CMYK 47 / 0 / 39 / 16

HEX #71D683

RGB 113 214 131

HSL 130.69, 0.55%, 0.64%

LAB 78.02, -47.03, 32.09

 

CMYK 19 / 48 / 0 / 16

HEX #AC6FD5

RGB 172 111 213

HSL 275.88, 0.55%, 0.64%

LAB 57.02, 42.64, -43.31

 

CMYK 0 / 20 / 47 / 16

HEX #D6AC71

RGB 214 172 113

HSL 35.05, 0.55%, 0.64%

LAB 72.89, 7.9, 36.05

 

CMYK 47 / 0 / 20 / 16

HEX #71D6AC

RGB 113 214 172

HSL 155.05, 0.55%, 0.64%

LAB 78.8, -39.3, 11.71

 

CMYK 19 / 48 / 0 / 16

HEX #AC6FD5

RGB 172 111 213

HSL 275.88, 0.55%, 0.64%

LAB 57.02, 42.64, -43.31

 

CMYK 0 / 47 / 37 / 16

HEX #D67187

RGB 214 113 135

HSL 346.93, 0.55%, 0.64%

LAB 59.76, 41.83, 6.07

 

CMYK 28 / 0 / 47 / 16

HEX #9BD671

RGB 155 214 113

HSL 95.05, 0.55%, 0.64%

LAB 79.76, -36.36, 43.71

 

CMYK 47 / 0 / 10 / 16

HEX #71D6C0

RGB 113 214 192

HSL 166.93, 0.55%, 0.64%

LAB 79.28, -34.83, 1.74

 

CMYK 19 / 48 / 0 / 16

HEX #AC6FD5

RGB 172 111 213

HSL 275.88, 0.55%, 0.64%

LAB 57.02, 42.64, -43.31

 

CMYK 0 / 43 / 47 / 16

HEX #D67971

RGB 214 121 113

HSL 4.75, 0.55%, 0.64%

LAB 60.93, 35.31, 20.34

 

CMYK 28 / 0 / 47 / 16

HEX #9BD671

RGB 155 214 113

HSL 95.05, 0.55%, 0.64%

LAB 79.76, -36.36, 43.71

 

CMYK 47 / 4 / 0 / 16

HEX #71CDD6

RGB 113 205 214

HSL 185.35, 0.55%, 0.64%

LAB 77.3, -25.03, -12.99

 

Description

Color code: HEX #AC6FD5 | qconv.com Color code: HEX #AC6FD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 111 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 111 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 48 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 48% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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