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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6F46 it is the complementary color #5390B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6F46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6F46 shade: #B16F41, #C28154, #D39367, #E4A57A and #F5B78D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6F46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6F46 shade: #AC6F46, #9B5D33, #8A4B20, #79390D and #682700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6F46 shade: #AA6E46, #AA5346 and #AA4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6F46 shade: #AA6E46, #AA8946, #AAA446, #95AA46 and #7AAA46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6F46 shade matches the following richer shades: #AA6E46, #BE6A32, #D1661F and #E4630B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6F46 shade: #AA6E46, #977259, #83766C, #707980 and #5D7D93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6F46 shade: #AA4653, #AA5346, #AA6E46, #AA8946 and #AAA346

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6F46 shade: #70482E, #8D5B3A, #AA6E46, #BD835C and #C9997A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6F46 shade: #AC6F46, #6EAA46 and #4646AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6F46 shade: #AC6F46, #46AA6E and #6E46AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6F46 shade: #AC6F46, #6EAA46, #4682AA and #8246AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6F46 shade: #AC6F46, #50AA46, #4682AA and #A046AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 59 / 33

HEX #AC6F46

RGB 172 111 70

HSL 24.12, 0.42%, 0.47%

LAB 52.49, 19.95, 32.57

 

Complementary color

CMYK 55 / 22 / 0 / 27

HEX #5390B9

RGB 83 144 185

HSL 204.12, 0.42%, 0.53%

LAB 57.36, -7.81, -27.42

 

CMYK 0 / 37 / 63 / 31

HEX #B16F41

RGB 177 111 65

HSL 24.64, 0.46%, 0.47%

LAB 53.06, 21.72, 36.11

 

CMYK 0 / 34 / 57 / 24

HEX #C28154

RGB 194 129 84

HSL 24.55, 0.47%, 0.55%

LAB 59.72, 20.38, 34.43

 

CMYK 0 / 30 / 51 / 17

HEX #D39367

RGB 211 147 103

HSL 24.44, 0.55%, 0.62%

LAB 66.29, 19.22, 32.87

 

CMYK 0 / 28 / 46 / 11

HEX #E4A57A

RGB 228 165 122

HSL 24.34, 0.66%, 0.69%

LAB 72.77, 18.2, 31.43

 

CMYK 0 / 25 / 42 / 4

HEX #F5B78D

RGB 245 183 141

HSL 24.23, 0.84%, 0.76%

LAB 79.16, 17.31, 30.1

 

CMYK 0 / 35 / 59 / 33

HEX #AC6F46

RGB 172 111 70

HSL 24.12, 0.42%, 0.47%

LAB 52.49, 19.95, 32.57

 

CMYK 0 / 40 / 67 / 39

HEX #9B5D33

RGB 155 93 51

HSL 24.23, 0.5%, 0.4%

LAB 45.68, 21.41, 34.33

 

CMYK 0 / 46 / 77 / 46

HEX #8A4B20

RGB 138 75 32

HSL 24.34, 0.62%, 0.33%

LAB 38.79, 23.13, 36.14

 

CMYK 0 / 53 / 89 / 53

HEX #79390D

RGB 121 57 13

HSL 24.44, 0.81%, 0.26%

LAB 31.85, 25.13, 37.52

 

CMYK 0 / 63 / 100 / 59

HEX #682700

RGB 104 39 0

HSL 22.5, 1%, 0.2%

LAB 24.93, 27.34, 35.71

 

CMYK 0 / 35 / 59 / 33

HEX #AA6E46

RGB 170 110 70

HSL 24, 0.42%, 0.47%

LAB 52, 19.66, 31.9

 

CMYK 0 / 51 / 59 / 33

HEX #AA5346

RGB 170 83 70

HSL 7.8, 0.42%, 0.47%

LAB 45.87, 34.5, 24.23

 

CMYK 0 / 59 / 59 / 33

HEX #AA4646

RGB 170 70 70

HSL 0, 0.42%, 0.47%

LAB 43.31, 41.1, 20.91

 

CMYK 0 / 35 / 59 / 33

HEX #AA6E46

RGB 170 110 70

HSL 24, 0.42%, 0.47%

LAB 52, 19.66, 31.9

 

CMYK 0 / 19 / 59 / 33

HEX #AA8946

RGB 170 137 70

HSL 40.2, 0.42%, 0.47%

LAB 58.86, 4.49, 40.12

 

CMYK 0 / 4 / 59 / 33

HEX #AAA446

RGB 170 164 70

HSL 56.4, 0.42%, 0.47%

LAB 66.17, -10.14, 48.45

 

CMYK 12 / 0 / 59 / 33

HEX #95AA46

RGB 149 170 70

HSL 72.6, 0.42%, 0.47%

LAB 66.2, -22.11, 48.03

 

CMYK 28 / 0 / 59 / 33

HEX #7AAA46

RGB 122 170 70

HSL 88.8, 0.42%, 0.47%

LAB 64.43, -32.82, 45.55

 

CMYK 0 / 35 / 59 / 33

HEX #AA6E46

RGB 170 110 70

HSL 24, 0.42%, 0.47%

LAB 52, 19.66, 31.9

 

CMYK 0 / 44 / 74 / 25

HEX #BE6A32

RGB 190 106 50

HSL 24, 0.58%, 0.47%

LAB 53.48, 29.07, 44.78

 

CMYK 0 / 51 / 85 / 18

HEX #D1661F

RGB 209 102 31

HSL 23.93, 0.74%, 0.47%

LAB 55.23, 38.21, 55.69

 

CMYK 0 / 57 / 95 / 11

HEX #E4630B

RGB 228 99 11

HSL 24.33, 0.91%, 0.47%

LAB 57.5, 46.66, 64.36

 

CMYK 0 / 35 / 59 / 33

HEX #AA6E46

RGB 170 110 70

HSL 24, 0.42%, 0.47%

LAB 52, 19.66, 31.9

 

CMYK 0 / 25 / 41 / 41

HEX #977259

RGB 151 114 89

HSL 24.19, 0.26%, 0.47%

LAB 51.08, 11.13, 19.5

 

CMYK 0 / 10 / 18 / 49

HEX #83766C

RGB 131 118 108

HSL 26.09, 0.1%, 0.47%

LAB 50.53, 3.24, 7.33

 

CMYK 13 / 5 / 0 / 50

HEX #707980

RGB 112 121 128

HSL 206.25, 0.07%, 0.47%

LAB 50.31, -1.82, -4.97

 

CMYK 37 / 15 / 0 / 42

HEX #5D7D93

RGB 93 125 147

HSL 204.44, 0.23%, 0.47%

LAB 50.81, -5.61, -15.52

 

CMYK 0 / 59 / 51 / 33

HEX #AA4653

RGB 170 70 83

HSL 352.2, 0.42%, 0.47%

LAB 43.58, 42.2, 13.32

 

CMYK 0 / 51 / 59 / 33

HEX #AA5346

RGB 170 83 70

HSL 7.8, 0.42%, 0.47%

LAB 45.87, 34.5, 24.23

 

CMYK 0 / 35 / 59 / 33

HEX #AA6E46

RGB 170 110 70

HSL 24, 0.42%, 0.47%

LAB 52, 19.66, 31.9

 

CMYK 0 / 19 / 59 / 33

HEX #AA8946

RGB 170 137 70

HSL 40.2, 0.42%, 0.47%

LAB 58.86, 4.49, 40.12

 

CMYK 0 / 4 / 59 / 33

HEX #AAA346

RGB 170 163 70

HSL 55.8, 0.42%, 0.47%

LAB 65.89, -9.62, 48.15

 

CMYK 0 / 36 / 59 / 56

HEX #70482E

RGB 112 72 46

HSL 23.64, 0.42%, 0.31%

LAB 34.55, 14.08, 22.48

 

CMYK 0 / 35 / 59 / 45

HEX #8D5B3A

RGB 141 91 58

HSL 23.86, 0.42%, 0.39%

LAB 43.43, 16.93, 27.29

 

CMYK 0 / 35 / 59 / 33

HEX #AA6E46

RGB 170 110 70

HSL 24, 0.42%, 0.47%

LAB 52, 19.66, 31.9

 

CMYK 0 / 31 / 51 / 26

HEX #BD835C

RGB 189 131 92

HSL 24.12, 0.42%, 0.55%

LAB 59.73, 17.88, 29.96

 

CMYK 0 / 24 / 39 / 21

HEX #C9997A

RGB 201 153 122

HSL 23.54, 0.42%, 0.63%

LAB 66.98, 13.85, 23.23

 

CMYK 0 / 35 / 59 / 33

HEX #AC6F46

RGB 172 111 70

HSL 24.12, 0.42%, 0.47%

LAB 52.49, 19.95, 32.57

 

CMYK 35 / 0 / 59 / 33

HEX #6EAA46

RGB 110 170 70

HSL 96, 0.42%, 0.47%

LAB 63.76, -37.21, 44.61

 

CMYK 59 / 59 / 0 / 33

HEX #4646AA

RGB 70 70 170

HSL 240, 0.42%, 0.47%

LAB 35.17, 30.07, -53.88

 

CMYK 0 / 35 / 59 / 33

HEX #AC6F46

RGB 172 111 70

HSL 24.12, 0.42%, 0.47%

LAB 52.49, 19.95, 32.57

 

CMYK 59 / 0 / 35 / 33

HEX #46AA6E

RGB 70 170 110

HSL 144, 0.42%, 0.47%

LAB 62.66, -43.06, 22.44

 

CMYK 35 / 59 / 0 / 33

HEX #6E46AA

RGB 110 70 170

HSL 264, 0.42%, 0.47%

LAB 38.89, 38.75, -47.68

 

CMYK 0 / 35 / 59 / 33

HEX #AC6F46

RGB 172 111 70

HSL 24.12, 0.42%, 0.47%

LAB 52.49, 19.95, 32.57

 

CMYK 35 / 0 / 59 / 33

HEX #6EAA46

RGB 110 170 70

HSL 96, 0.42%, 0.47%

LAB 63.76, -37.21, 44.61

 

CMYK 59 / 24 / 0 / 33

HEX #4682AA

RGB 70 130 170

HSL 204, 0.42%, 0.47%

LAB 52.03, -7.35, -27.12

 

CMYK 24 / 59 / 0 / 33

HEX #8246AA

RGB 130 70 170

HSL 276, 0.42%, 0.47%

LAB 41.26, 43.74, -43.76

 

CMYK 0 / 35 / 59 / 33

HEX #AC6F46

RGB 172 111 70

HSL 24.12, 0.42%, 0.47%

LAB 52.49, 19.95, 32.57

 

CMYK 53 / 0 / 59 / 33

HEX #50AA46

RGB 80 170 70

HSL 114, 0.42%, 0.47%

LAB 62.42, -46.76, 42.72

 

CMYK 59 / 24 / 0 / 33

HEX #4682AA

RGB 70 130 170

HSL 204, 0.42%, 0.47%

LAB 52.03, -7.35, -27.12

 

CMYK 6 / 59 / 0 / 33

HEX #A046AA

RGB 160 70 170

HSL 294, 0.42%, 0.47%

LAB 45.3, 51.56, -37.09

 

Description

Color code: HEX #AC6F46 | qconv.com Color code: HEX #AC6F46 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 111 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 111 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 59 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 59% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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