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Color name
HEX #AC6F18CE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6F18CE it is the complementary color #5390E7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6F18CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6F18CE shade: #B16F13CE, #C28126CE, #D39339CE, #E4A54CCE and #F5B75FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6F18CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6F18CE shade: #AC6F18CE, #9B5D05CE, #8A4B00CE, #793900CE and #682700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6F18CE shade: #AB6E17, #AB4617, #AB1E17 and #AB1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6F18CE shade: #AB6E17, #AB9617, #98AB17, #70AB17 and #48AB17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6F18CE shade matches the following richer shades: #AB6E17 and #BA7108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6F18CE shade: #AB6E17, #9B6B27, #8B6837, #7C6646 and #6C6356

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6F18CE shade: #AB1F17, #AB4617, #AB6D17, #AB9417 and #99AB17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6F18CE shade: #623F0D, #865612, #AB6E17, #CF851C and #E39A31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6F18CE shade: #AC6F18, #37AB17 and #3217AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6F18CE shade: #AC6F18, #17AB6D and #6D17AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6F18CE shade: #AC6F18, #37AB17, #1755AB and #8B17AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6F18CE shade: #AC6F18, #17AB24, #1755AB and #AB179E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 70 / 26

HEX #AC6F18CE

RGBA 172 111 24 0.81

HSLA 35.27, 0.76%, 0.38%, 0.81

LABA 52.07, 17.56, 53.41, 0.81

 

Complementary color

CMYK 52 / 31 / 0 / 8

HEX #5390E7CE

RGBA 83 144 231 0.81

HSLA 215.27, 0.76%, 0.62%, 0.81

LABA 59.48, 7.19, -49.91, 0.81

 

CMYK 0 / 30 / 72 / 25

HEX #B16F13CE

RGBA 177 111 19 0.81

HSLA 34.94, 0.81%, 0.38%, 0.81

LABA 52.69, 19.66, 55.68, 0.81

 

CMYK 0 / 27 / 65 / 19

HEX #C28126CE

RGBA 194 129 38 0.81

HSLA 35, 0.67%, 0.45%, 0.81

LABA 59.26, 17.72, 55.83, 0.81

 

CMYK 0 / 25 / 59 / 14

HEX #D39339CE

RGBA 211 147 57 0.81

HSLA 35.06, 0.64%, 0.53%, 0.81

LABA 65.76, 16.06, 55.07, 0.81

 

CMYK 0 / 22 / 54 / 9

HEX #E4A54CCE

RGBA 228 165 76 0.81

HSLA 35.13, 0.74%, 0.6%, 0.81

LABA 72.18, 14.62, 53.93, 0.81

 

CMYK 0 / 20 / 50 / 3

HEX #F5B75FCE

RGBA 245 183 95 0.81

HSLA 35.2, 0.88%, 0.67%, 0.81

LABA 78.52, 13.37, 52.63, 0.81

 

CMYK 0 / 29 / 70 / 26

HEX #AC6F18CE

RGBA 172 111 24 0.81

HSLA 35.27, 0.76%, 0.38%, 0.81

LABA 52.07, 17.56, 53.41, 0.81

 

CMYK 0 / 32 / 78 / 32

HEX #9B5D05CE

RGBA 155 93 5 0.81

HSLA 35.2, 0.94%, 0.31%, 0.81

LABA 45.37, 19.7, 52.33, 0.81

 

CMYK 0 / 37 / 81 / 37

HEX #8A4B00CE

RGBA 138 75 0 0.81

HSLA 32.61, 1%, 0.27%, 0.81

LABA 38.61, 22.2, 48.11, 0.81

 

CMYK 0 / 43 / 81 / 43

HEX #793900CE

RGBA 121 57 0 0.81

HSLA 28.26, 1%, 0.24%, 0.81

LABA 31.79, 24.82, 42.55, 0.81

 

CMYK 0 / 51 / 81 / 48

HEX #682700CE

RGBA 104 39 0 0.81

HSLA 22.5, 1%, 0.2%, 0.81

LABA 24.93, 27.34, 35.71, 0.81

 

CMYK 0 / 36 / 87 / 33

HEX #AB6E17

RGB 171 110 23

HSL 35.27, 0.76%, 0.38%

LAB 51.69, 17.64, 53.37

 

CMYK 0 / 59 / 87 / 33

HEX #AB4617

RGB 171 70 23

HSL 19.05, 0.76%, 0.38%

LAB 42.91, 39.13, 46.05

 

CMYK 0 / 82 / 87 / 33

HEX #AB1E17

RGB 171 30 23

HSL 2.84, 0.76%, 0.38%

LAB 37.2, 54.65, 41.21

 

CMYK 0 / 87 / 87 / 33

HEX #AB1717

RGB 171 23 23

HSL 0, 0.76%, 0.38%

LAB 36.62, 56.32, 40.71

 

CMYK 0 / 36 / 87 / 33

HEX #AB6E17

RGB 171 110 23

HSL 35.27, 0.76%, 0.38%

LAB 51.69, 17.64, 53.37

 

CMYK 0 / 12 / 87 / 33

HEX #AB9617

RGB 171 150 23

HSL 51.49, 0.76%, 0.38%

LAB 62.11, -4.57, 61.95

 

CMYK 11 / 0 / 87 / 33

HEX #98AB17

RGB 152 171 23

HSL 67.7, 0.76%, 0.38%

LAB 66.42, -23.87, 64.84

 

CMYK 35 / 0 / 87 / 33

HEX #70AB17

RGB 112 171 23

HSL 83.92, 0.76%, 0.38%

LAB 63.86, -40.06, 61.66

 

CMYK 58 / 0 / 87 / 33

HEX #48AB17

RGB 72 171 23

HSL 100.14, 0.76%, 0.38%

LAB 62.14, -52.95, 59.5

 

CMYK 0 / 36 / 87 / 33

HEX #AB6E17

RGB 171 110 23

HSL 35.27, 0.76%, 0.38%

LAB 51.69, 17.64, 53.37

 

CMYK 0 / 39 / 96 / 27

HEX #BA7108

RGB 186 113 8

HSL 35.39, 0.92%, 0.38%

LAB 54.31, 22.34, 59.85

 

CMYK 0 / 36 / 87 / 33

HEX #AB6E17

RGB 171 110 23

HSL 35.27, 0.76%, 0.38%

LAB 51.69, 17.64, 53.37

 

CMYK 0 / 31 / 75 / 39

HEX #9B6B27

RGB 155 107 39

HSL 35.17, 0.6%, 0.38%

LAB 49.04, 12.71, 43.97

 

CMYK 0 / 25 / 60 / 45

HEX #8B6837

RGB 139 104 55

HSL 35, 0.43%, 0.38%

LAB 46.53, 8.18, 32.65

 

CMYK 0 / 18 / 44 / 51

HEX #7C6646

RGB 124 102 70

HSL 35.56, 0.28%, 0.38%

LAB 44.56, 4.08, 21.37

 

CMYK 0 / 8 / 20 / 58

HEX #6C6356

RGB 108 99 86

HSL 35.45, 0.11%, 0.38%

LAB 42.44, 1.21, 8.68

 

CMYK 0 / 82 / 87 / 33

HEX #AB1F17

RGB 171 31 23

HSL 3.24, 0.76%, 0.38%

LAB 37.3, 54.39, 41.29

 

CMYK 0 / 59 / 87 / 33

HEX #AB4617

RGB 171 70 23

HSL 19.05, 0.76%, 0.38%

LAB 42.91, 39.13, 46.05

 

CMYK 0 / 36 / 87 / 33

HEX #AB6D17

RGB 171 109 23

HSL 34.86, 0.76%, 0.38%

LAB 51.45, 18.21, 53.17

 

CMYK 0 / 13 / 87 / 33

HEX #AB9417

RGB 171 148 23

HSL 50.68, 0.76%, 0.38%

LAB 61.57, -3.49, 61.5

 

CMYK 11 / 0 / 87 / 33

HEX #99AB17

RGB 153 171 23

HSL 67.3, 0.76%, 0.38%

LAB 66.49, -23.44, 64.94

 

CMYK 0 / 36 / 87 / 62

HEX #623F0D

RGB 98 63 13

HSL 35.29, 0.77%, 0.22%

LAB 29.86, 10.76, 34.44

 

CMYK 0 / 36 / 87 / 47

HEX #865612

RGB 134 86 18

HSL 35.17, 0.76%, 0.3%

LAB 40.84, 14.36, 44

 

CMYK 0 / 36 / 87 / 33

HEX #AB6E17

RGB 171 110 23

HSL 35.27, 0.76%, 0.38%

LAB 51.69, 17.64, 53.37

 

CMYK 0 / 36 / 86 / 19

HEX #CF851C

RGB 207 133 28

HSL 35.2, 0.76%, 0.46%

LAB 61.76, 20.9, 61.96

 

CMYK 0 / 32 / 78 / 11

HEX #E39A31

RGB 227 154 49

HSL 35.39, 0.76%, 0.54%

LAB 69.23, 18.8, 62.3

 

CMYK 0 / 35 / 86 / 33

HEX #AC6F18

RGB 172 111 24

HSL 35.27, 0.76%, 0.38%

LAB 52.07, 17.56, 53.41

 

CMYK 68 / 0 / 87 / 33

HEX #37AB17

RGB 55 171 23

HSL 107.03, 0.76%, 0.38%

LAB 61.65, -56.96, 58.88

 

CMYK 71 / 87 / 0 / 33

HEX #3217AB

RGB 50 23 171

HSL 250.95, 0.76%, 0.38%

LAB 24.42, 53.43, -72.19

 

CMYK 0 / 35 / 86 / 33

HEX #AC6F18

RGB 172 111 24

HSL 35.27, 0.76%, 0.38%

LAB 52.07, 17.56, 53.41

 

CMYK 87 / 0 / 36 / 33

HEX #17AB6D

RGB 23 171 109

HSL 154.86, 0.76%, 0.38%

LAB 62.01, -50.84, 21.94

 

CMYK 36 / 87 / 0 / 33

HEX #6D17AB

RGB 109 23 171

HSL 274.86, 0.76%, 0.38%

LAB 31.36, 59.7, -60.51

 

CMYK 0 / 35 / 86 / 33

HEX #AC6F18

RGB 172 111 24

HSL 35.27, 0.76%, 0.38%

LAB 52.07, 17.56, 53.41

 

CMYK 68 / 0 / 87 / 33

HEX #37AB17

RGB 55 171 23

HSL 107.03, 0.76%, 0.38%

LAB 61.65, -56.96, 58.88

 

CMYK 87 / 50 / 0 / 33

HEX #1755AB

RGB 23 85 171

HSL 214.86, 0.76%, 0.38%

LAB 37.15, 14.21, -51.37

 

CMYK 19 / 87 / 0 / 33

HEX #8B17AB

RGB 139 23 171

HSL 287.03, 0.76%, 0.38%

LAB 36.07, 64.32, -52.64

 

CMYK 0 / 35 / 86 / 33

HEX #AC6F18

RGB 172 111 24

HSL 35.27, 0.76%, 0.38%

LAB 52.07, 17.56, 53.41

 

CMYK 87 / 0 / 79 / 33

HEX #17AB24

RGB 23 171 36

HSL 125.27, 0.76%, 0.38%

LAB 61.16, -61, 54.69

 

CMYK 87 / 50 / 0 / 33

HEX #1755AB

RGB 23 85 171

HSL 214.86, 0.76%, 0.38%

LAB 37.15, 14.21, -51.37

 

CMYK 0 / 87 / 8 / 33

HEX #AB179E

RGB 171 23 158

HSL 305.27, 0.76%, 0.38%

LAB 40.8, 67.98, -36.94

 

Description

Color code: HEX #AC6F18CE | qconv.com Color code: HEX #AC6F18CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 111 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 111 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 70 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 70% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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