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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6CFDCE it is the complementary color #539302CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6CFDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6CFDCE shade: #B16CF8CE, #C27EFFCE, #D390FFCE, #E4A2FFCE and #F5B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6CFDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6CFDCE shade: #AC6CFDCE, #9B5AEACE, #8A48D7CE, #7936C4CE and #6824B1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6CFDCE shade: #AD6DFD, #D36DFD, #FA6DFD, #FD6DD9 and #FD6DB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6CFDCE shade: #AD6DFD, #866DFD and #6D6DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6CFDCE shade matches the following richer shades: #AD6DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6CFDCE shade: #AD6DFD, #AE79F1, #AF85E5, #B191D9 and #B29DCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6CFDCE shade: #6D7CFD, #856DFD, #AB6DFD, #D26DFD and #F86DFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6CFDCE shade: #7F1CFC, #9645FC, #AD6DFD, #C496FD and #DBBFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6CFDCE shade: #AC6CFD, #FD6DA2 and #6DFD72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6CFDCE shade: #AC6CFD, #FDAB6D and #6DFDAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6CFDCE shade: #AC6CFD, #FD6DA2, #BFFD6D and #6DFDC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6CFDCE shade: #AC6CFD, #FD6D77, #BFFD6D and #6DFDF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 46 / 0 / 1

HEX #AC6CFDCE

RGBA 172 108 253 0.81

HSLA 266.48, 0.97%, 0.71%, 0.81

LABA 58.59, 53.51, -63.14, 0.81

 

Complementary color

CMYK 35 / 0 / 80 / 34

HEX #539302CE

RGBA 83 147 2 0.81

HSLA 86.48, 0.97%, 0.29%, 0.81

LABA 54.77, -40.92, 57.23, 0.81

 

CMYK 23 / 46 / 0 / 2

HEX #B16CF8CE

RGBA 177 108 248 0.81

HSLA 269.57, 0.91%, 0.7%, 0.81

LABA 58.83, 53.49, -59.95, 0.81

 

CMYK 19 / 41 / 0 / 0

HEX #C27EFFCE

RGBA 194 126 255 0.81

HSLA 271.63, 1%, 0.75%, 0.81

LABA 64.65, 49.86, -54.42, 0.81

 

CMYK 14 / 35 / 0 / 0

HEX #D390FFCE

RGBA 211 144 255 0.81

HSLA 276.22, 1%, 0.78%, 0.81

LABA 70.19, 44.88, -45.57, 0.81

 

CMYK 9 / 30 / 0 / 0

HEX #E4A2FFCE

RGBA 228 162 255 0.81

HSLA 282.58, 1%, 0.82%, 0.81

LABA 75.8, 40.2, -36.69, 0.81

 

CMYK 3 / 24 / 0 / 0

HEX #F5B4FFCE

RGBA 245 180 255 0.81

HSLA 292, 1%, 0.85%, 0.81

LABA 81.44, 35.84, -27.85, 0.81

 

CMYK 26 / 46 / 0 / 1

HEX #AC6CFDCE

RGBA 172 108 253 0.81

HSLA 266.48, 0.97%, 0.71%, 0.81

LABA 58.59, 53.51, -63.14, 0.81

 

CMYK 27 / 50 / 0 / 7

HEX #9B5AEACE

RGBA 155 90 234 0.81

HSLA 267.08, 0.77%, 0.64%, 0.81

LABA 52.09, 54.45, -63.12, 0.81

 

CMYK 29 / 54 / 0 / 13

HEX #8A48D7CE

RGBA 138 72 215 0.81

HSLA 267.69, 0.64%, 0.56%, 0.81

LABA 45.56, 55.3, -63, 0.81

 

CMYK 31 / 59 / 0 / 19

HEX #7936C4CE

RGBA 121 54 196 0.81

HSLA 268.31, 0.57%, 0.49%, 0.81

LABA 39.05, 55.92, -62.68, 0.81

 

CMYK 33 / 65 / 0 / 25

HEX #6824B1CE

RGBA 104 36 177 0.81

HSLA 268.94, 0.66%, 0.42%, 0.81

LABA 32.65, 56.06, -62.01, 0.81

 

CMYK 32 / 57 / 0 / 1

HEX #AD6DFD

RGB 173 109 253

HSL 266.67, 0.97%, 0.71%

LAB 58.89, 53.22, -62.65

 

CMYK 17 / 57 / 0 / 1

HEX #D36DFD

RGB 211 109 253

HSL 282.5, 0.97%, 0.71%

LAB 63.24, 62.23, -55.45

 

CMYK 1 / 57 / 0 / 1

HEX #FA6DFD

RGB 250 109 253

HSL 298.75, 0.97%, 0.71%

LAB 68.28, 71.8, -47.15

 

CMYK 0 / 57 / 14 / 1

HEX #FD6DD9

RGB 253 109 217

HSL 315, 0.97%, 0.71%

LAB 67.15, 66.91, -28.98

 

CMYK 0 / 57 / 30 / 1

HEX #FD6DB2

RGB 253 109 178

HSL 331.25, 0.97%, 0.71%

LAB 65.78, 61.67, -9.12

 

CMYK 32 / 57 / 0 / 1

HEX #AD6DFD

RGB 173 109 253

HSL 266.67, 0.97%, 0.71%

LAB 58.89, 53.22, -62.65

 

CMYK 47 / 57 / 0 / 1

HEX #866DFD

RGB 134 109 253

HSL 250.42, 0.97%, 0.71%

LAB 55.17, 44.75, -68.83

 

CMYK 57 / 57 / 0 / 1

HEX #6D6DFD

RGB 109 109 253

HSL 240, 0.97%, 0.71%

LAB 53.25, 40.04, -72.03

 

CMYK 32 / 57 / 0 / 1

HEX #AD6DFD

RGB 173 109 253

HSL 266.67, 0.97%, 0.71%

LAB 58.89, 53.22, -62.65

 

CMYK 32 / 57 / 0 / 1

HEX #AD6DFD

RGB 173 109 253

HSL 266.67, 0.97%, 0.71%

LAB 58.89, 53.22, -62.65

 

CMYK 28 / 50 / 0 / 5

HEX #AE79F1

RGB 174 121 241

HSL 266.5, 0.81%, 0.71%

LAB 60.8, 44.18, -52.96

 

CMYK 24 / 42 / 0 / 10

HEX #AF85E5

RGB 175 133 229

HSL 266.25, 0.65%, 0.71%

LAB 62.97, 34.98, -42.88

 

CMYK 18 / 33 / 0 / 15

HEX #B191D9

RGB 177 145 217

HSL 266.67, 0.49%, 0.71%

LAB 65.44, 26.07, -32.34

 

CMYK 13 / 23 / 0 / 20

HEX #B29DCD

RGB 178 157 205

HSL 266.25, 0.32%, 0.71%

LAB 68.01, 17.01, -21.73

 

CMYK 57 / 51 / 0 / 1

HEX #6D7CFD

RGB 109 124 253

HSL 233.75, 0.97%, 0.71%

LAB 56.84, 31.11, -66.23

 

CMYK 47 / 57 / 0 / 1

HEX #856DFD

RGB 133 109 253

HSL 250, 0.97%, 0.71%

LAB 55.09, 44.55, -68.97

 

CMYK 32 / 57 / 0 / 1

HEX #AB6DFD

RGB 171 109 253

HSL 265.83, 0.97%, 0.71%

LAB 58.68, 52.76, -63

 

CMYK 17 / 57 / 0 / 1

HEX #D26DFD

RGB 210 109 253

HSL 282.08, 0.97%, 0.71%

LAB 63.12, 61.99, -55.65

 

CMYK 2 / 57 / 0 / 1

HEX #F86DFD

RGB 248 109 253

HSL 297.92, 0.97%, 0.71%

LAB 68.01, 71.31, -47.6

 

CMYK 50 / 89 / 0 / 1

HEX #7F1CFC

RGB 127 28 252

HSL 266.52, 0.97%, 0.55%

LAB 41.8, 78.48, -90.16

 

CMYK 40 / 73 / 0 / 1

HEX #9645FC

RGB 150 69 252

HSL 266.56, 0.97%, 0.63%

LAB 49.21, 67.74, -77.88

 

CMYK 32 / 57 / 0 / 1

HEX #AD6DFD

RGB 173 109 253

HSL 266.67, 0.97%, 0.71%

LAB 58.89, 53.22, -62.65

 

CMYK 23 / 41 / 0 / 1

HEX #C496FD

RGB 196 150 253

HSL 266.8, 0.96%, 0.79%

LAB 69.92, 37, -45

 

CMYK 14 / 25 / 0 / 0

HEX #DBBFFE

RGB 219 191 254

HSL 266.67, 0.97%, 0.87%

LAB 81.55, 21.68, -27.36

 

CMYK 32 / 57 / 0 / 1

HEX #AC6CFD

RGB 172 108 253

HSL 266.48, 0.97%, 0.71%

LAB 58.59, 53.51, -63.14

 

CMYK 0 / 57 / 36 / 1

HEX #FD6DA2

RGB 253 109 162

HSL 337.92, 0.97%, 0.71%

LAB 65.3, 59.8, -0.71

 

CMYK 57 / 0 / 55 / 1

HEX #6DFD72

RGB 109 253 114

HSL 122.08, 0.97%, 0.71%

LAB 89.26, -65.55, 54.3

 

CMYK 32 / 57 / 0 / 1

HEX #AC6CFD

RGB 172 108 253

HSL 266.48, 0.97%, 0.71%

LAB 58.59, 53.51, -63.14

 

CMYK 0 / 32 / 57 / 1

HEX #FDAB6D

RGB 253 171 109

HSL 25.83, 0.97%, 0.71%

LAB 76.75, 23.91, 43.83

 

CMYK 57 / 0 / 32 / 1

HEX #6DFDAB

RGB 109 253 171

HSL 145.83, 0.97%, 0.71%

LAB 90.06, -56.85, 27.84

 

CMYK 32 / 57 / 0 / 1

HEX #AC6CFD

RGB 172 108 253

HSL 266.48, 0.97%, 0.71%

LAB 58.59, 53.51, -63.14

 

CMYK 0 / 57 / 36 / 1

HEX #FD6DA2

RGB 253 109 162

HSL 337.92, 0.97%, 0.71%

LAB 65.3, 59.8, -0.71

 

CMYK 25 / 0 / 57 / 1

HEX #BFFD6D

RGB 191 253 109

HSL 85.83, 0.97%, 0.71%

LAB 92.76, -41.4, 61.49

 

CMYK 57 / 0 / 21 / 1

HEX #6DFDC8

RGB 109 253 200

HSL 157.92, 0.97%, 0.71%

LAB 90.63, -51.05, 13.82

 

CMYK 32 / 57 / 0 / 1

HEX #AC6CFD

RGB 172 108 253

HSL 266.48, 0.97%, 0.71%

LAB 58.59, 53.51, -63.14

 

CMYK 0 / 57 / 53 / 1

HEX #FD6D77

RGB 253 109 119

HSL 355.83, 0.97%, 0.71%

LAB 64.28, 55.7, 22.4

 

CMYK 25 / 0 / 57 / 1

HEX #BFFD6D

RGB 191 253 109

HSL 85.83, 0.97%, 0.71%

LAB 92.76, -41.4, 61.49

 

CMYK 57 / 0 / 4 / 1

HEX #6DFDF3

RGB 109 253 243

HSL 175.83, 0.97%, 0.71%

LAB 91.67, -40.96, -6.93

 

Description

Color code: HEX #AC6CFDCE | qconv.com Color code: HEX #AC6CFDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 108 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 108 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 46 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 46% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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