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Color name
HEX #AC6C114C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6C114C it is the complementary color #5393EE4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6C114C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6C114C shade: #B16C0C4C, #C27E1F4C, #D390324C, #E4A2454C and #F5B4584C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6C114C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6C114C shade: #AC6C114C, #9B5A004C, #8A48004C, #7936004C and #6824004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6C114C shade: #AC6C11, #AC4211, #AC1811 and #AC1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6C114C shade: #AC6C11, #AC9611, #98AC11, #6EAC11 and #45AC11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6C114C shade matches the following richer shades: #AC6C11 and #BB6E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6C114C shade: #AC6C11, #9C6920, #8D6730, #7E643F and #6F614E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6C114C shade: #AC1911, #AC4211, #AC6B11, #AC9511 and #9AAC11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6C114C shade: #613D0A, #86540D, #AC6C11, #D18315 and #EA9926

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6C114C shade: #AC6C11, #33AC11 and #2D11AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6C114C shade: #AC6C11, #11AC6B and #6B11AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6C114C shade: #AC6C11, #33AC11, #1151AC and #8A11AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6C114C shade: #AC6C11, #11AC1E, #1151AC and #AC119F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 27 / 10

HEX #AC6C114C

RGBA 172 108 17 0.3

HSLA 35.23, 0.82%, 0.37%, 0.3

LABA 51.31, 19.07, 54.87, 0.3

 

Complementary color

CMYK 20 / 11 / 0 / 2

HEX #5393EE4C

RGBA 83 147 238 0.3

HSLA 215.23, 0.82%, 0.63%, 0.3

LABA 60.68, 7.78, -51.89, 0.3

 

CMYK 0 / 12 / 28 / 9

HEX #B16C0C4C

RGBA 177 108 12 0.3

HSLA 34.91, 0.87%, 0.37%, 0.3

LABA 51.95, 21.21, 56.84, 0.3

 

CMYK 0 / 11 / 25 / 7

HEX #C27E1F4C

RGBA 194 126 31 0.3

HSLA 34.97, 0.72%, 0.44%, 0.3

LABA 58.5, 19.15, 57.65, 0.3

 

CMYK 0 / 10 / 23 / 5

HEX #D390324C

RGBA 211 144 50 0.3

HSLA 35.03, 0.65%, 0.51%, 0.3

LABA 64.98, 17.37, 57.23, 0.3

 

CMYK 0 / 9 / 21 / 3

HEX #E4A2454C

RGBA 228 162 69 0.3

HSLA 35.09, 0.75%, 0.58%, 0.3

LABA 71.39, 15.83, 56.25, 0.3

 

CMYK 0 / 8 / 19 / 1

HEX #F5B4584C

RGBA 245 180 88 0.3

HSLA 35.16, 0.89%, 0.65%, 0.3

LABA 77.73, 14.49, 55.03, 0.3

 

CMYK 0 / 11 / 27 / 10

HEX #AC6C114C

RGBA 172 108 17 0.3

HSLA 35.23, 0.82%, 0.37%, 0.3

LABA 51.31, 19.07, 54.87, 0.3

 

CMYK 0 / 13 / 30 / 12

HEX #9B5A004C

RGBA 155 90 0 0.3

HSLA 34.84, 1%, 0.3%, 0.3

LABA 44.63, 21.32, 53.11, 0.3

 

CMYK 0 / 14 / 30 / 14

HEX #8A48004C

RGBA 138 72 0 0.3

HSLA 31.3, 1%, 0.27%, 0.3

LABA 37.91, 23.9, 47.68, 0.3

 

CMYK 0 / 17 / 30 / 16

HEX #7936004C

RGBA 121 54 0 0.3

HSLA 26.78, 1%, 0.24%, 0.3

LABA 31.12, 26.5, 42.09, 0.3

 

CMYK 0 / 20 / 30 / 18

HEX #6824004C

RGBA 104 36 0 0.3

HSLA 20.77, 1%, 0.2%, 0.3

LABA 24.34, 28.91, 35.13, 0.3

 

CMYK 0 / 37 / 90 / 33

HEX #AC6C11

RGB 172 108 17

HSL 35.23, 0.82%, 0.37%

LAB 51.31, 19.07, 54.87

 

CMYK 0 / 62 / 90 / 33

HEX #AC4211

RGB 172 66 17

HSL 18.97, 0.82%, 0.37%

LAB 42.32, 41.3, 47.97

 

CMYK 0 / 86 / 90 / 33

HEX #AC1811

RGB 172 24 17

HSL 2.71, 0.82%, 0.37%

LAB 36.86, 56.27, 43.87

 

CMYK 0 / 90 / 90 / 33

HEX #AC1111

RGB 172 17 17

HSL 0, 0.82%, 0.37%

LAB 36.39, 57.63, 43.52

 

CMYK 0 / 37 / 90 / 33

HEX #AC6C11

RGB 172 108 17

HSL 35.23, 0.82%, 0.37%

LAB 51.31, 19.07, 54.87

 

CMYK 0 / 13 / 90 / 33

HEX #AC9611

RGB 172 150 17

HSL 51.48, 0.82%, 0.37%

LAB 62.19, -4.25, 63.36

 

CMYK 12 / 0 / 90 / 33

HEX #98AC11

RGB 152 172 17

HSL 67.74, 0.82%, 0.37%

LAB 66.69, -24.51, 66.22

 

CMYK 36 / 0 / 90 / 33

HEX #6EAC11

RGB 110 172 17

HSL 84, 0.82%, 0.37%

LAB 64.05, -41.41, 62.97

 

CMYK 60 / 0 / 90 / 33

HEX #45AC11

RGB 69 172 17

HSL 99.87, 0.82%, 0.37%

LAB 62.35, -54.3, 60.86

 

CMYK 0 / 37 / 90 / 33

HEX #AC6C11

RGB 172 108 17

HSL 35.23, 0.82%, 0.37%

LAB 51.31, 19.07, 54.87

 

CMYK 0 / 41 / 99 / 27

HEX #BB6E02

RGB 187 110 2

HSL 35.03, 0.98%, 0.37%

LAB 53.73, 24.35, 60.67

 

CMYK 0 / 37 / 90 / 33

HEX #AC6C11

RGB 172 108 17

HSL 35.23, 0.82%, 0.37%

LAB 51.31, 19.07, 54.87

 

CMYK 0 / 33 / 79 / 39

HEX #9C6920

RGB 156 105 32

HSL 35.32, 0.66%, 0.37%

LAB 48.61, 14, 46.62

 

CMYK 0 / 27 / 66 / 45

HEX #8D6730

RGB 141 103 48

HSL 35.48, 0.49%, 0.37%

LAB 46.41, 9.15, 36.28

 

CMYK 0 / 21 / 50 / 51

HEX #7E643F

RGB 126 100 63

HSL 35.24, 0.33%, 0.37%

LAB 44.1, 5.37, 24.88

 

CMYK 0 / 13 / 30 / 56

HEX #6F614E

RGB 111 97 78

HSL 34.55, 0.17%, 0.37%

LAB 41.97, 2.4, 12.91

 

CMYK 0 / 85 / 90 / 33

HEX #AC1911

RGB 172 25 17

HSL 3.1, 0.82%, 0.37%

LAB 36.94, 56.05, 43.93

 

CMYK 0 / 62 / 90 / 33

HEX #AC4211

RGB 172 66 17

HSL 18.97, 0.82%, 0.37%

LAB 42.32, 41.3, 47.97

 

CMYK 0 / 38 / 90 / 33

HEX #AC6B11

RGB 172 107 17

HSL 34.84, 0.82%, 0.37%

LAB 51.07, 19.63, 54.68

 

CMYK 0 / 13 / 90 / 33

HEX #AC9511

RGB 172 149 17

HSL 51.1, 0.82%, 0.37%

LAB 61.92, -3.71, 63.15

 

CMYK 10 / 0 / 90 / 33

HEX #9AAC11

RGB 154 172 17

HSL 66.97, 0.82%, 0.37%

LAB 66.84, -23.65, 66.4

 

CMYK 0 / 37 / 90 / 62

HEX #613D0A

RGB 97 61 10

HSL 35.17, 0.81%, 0.21%

LAB 29.16, 11.41, 34.95

 

CMYK 0 / 37 / 90 / 47

HEX #86540D

RGB 134 84 13

HSL 35.21, 0.82%, 0.29%

LAB 40.31, 15.4, 45.21

 

CMYK 0 / 37 / 90 / 33

HEX #AC6C11

RGB 172 108 17

HSL 35.23, 0.82%, 0.37%

LAB 51.31, 19.07, 54.87

 

CMYK 0 / 37 / 90 / 18

HEX #D18315

RGB 209 131 21

HSL 35.11, 0.82%, 0.45%

LAB 61.52, 22.7, 63.75

 

CMYK 0 / 35 / 84 / 8

HEX #EA9926

RGB 234 153 38

HSL 35.2, 0.82%, 0.53%

LAB 69.76, 21.96, 66.89

 

CMYK 0 / 37 / 90 / 33

HEX #AC6C11

RGB 172 108 17

HSL 35.23, 0.82%, 0.37%

LAB 51.31, 19.07, 54.87

 

CMYK 70 / 0 / 90 / 33

HEX #33AC11

RGB 51 172 17

HSL 106.84, 0.82%, 0.37%

LAB 61.87, -58.31, 60.26

 

CMYK 74 / 90 / 0 / 33

HEX #2D11AC

RGB 45 17 172

HSL 250.84, 0.82%, 0.37%

LAB 23.46, 55.49, -74.39

 

CMYK 0 / 37 / 90 / 33

HEX #AC6C11

RGB 172 108 17

HSL 35.23, 0.82%, 0.37%

LAB 51.31, 19.07, 54.87

 

CMYK 90 / 0 / 38 / 33

HEX #11AC6B

RGB 17 172 107

HSL 154.84, 0.82%, 0.37%

LAB 62.24, -52.06, 23.33

 

CMYK 38 / 90 / 0 / 33

HEX #6B11AC

RGB 107 17 172

HSL 274.84, 0.82%, 0.37%

LAB 30.65, 61.13, -62.28

 

CMYK 0 / 37 / 90 / 33

HEX #AC6C11

RGB 172 108 17

HSL 35.23, 0.82%, 0.37%

LAB 51.31, 19.07, 54.87

 

CMYK 70 / 0 / 90 / 33

HEX #33AC11

RGB 51 172 17

HSL 106.84, 0.82%, 0.37%

LAB 61.87, -58.31, 60.26

 

CMYK 90 / 53 / 0 / 33

HEX #1151AC

RGB 17 81 172

HSL 215.23, 0.82%, 0.37%

LAB 35.95, 16.9, -53.91

 

CMYK 20 / 90 / 0 / 33

HEX #8A11AC

RGB 138 17 172

HSL 286.84, 0.82%, 0.37%

LAB 35.56, 65.56, -54.06

 

CMYK 0 / 37 / 90 / 33

HEX #AC6C11

RGB 172 108 17

HSL 35.23, 0.82%, 0.37%

LAB 51.31, 19.07, 54.87

 

CMYK 90 / 0 / 83 / 33

HEX #11AC1E

RGB 17 172 30

HSL 125.03, 0.82%, 0.37%

LAB 61.41, -62.16, 56.68

 

CMYK 90 / 53 / 0 / 33

HEX #1151AC

RGB 17 81 172

HSL 215.23, 0.82%, 0.37%

LAB 35.95, 16.9, -53.91

 

CMYK 0 / 90 / 8 / 33

HEX #AC119F

RGB 172 17 159

HSL 305.03, 0.82%, 0.37%

LAB 40.69, 69.32, -37.69

 

Description

Color code: HEX #AC6C114C | qconv.com Color code: HEX #AC6C114C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 108 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 108 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 27 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 27% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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